“I was attempting to write the story of my life. It wasn't so much about plot. It was much more about character.”

Source: Dash & Lily's Book of Dares

Last update June 3, 2021. History

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David Levithan447

American author and editor 1972

Anthony Horowitz Alex Rider

Source: Snakehead

“Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.”

Leslie Feist (1976) Canadian musician

On attempts at keeping a journal, as quoted in Stylus (20 December 2005)

“There isn't much I find interesting to write about in middle-class life.”

Jarvis Cocker (1963) English musician, singer-songwriter, radio presenter and editor

Interview with The Guardian http://www.acrylicafternoons.com/guardian99.html (1999)

“The plots and stories in the novels did not interest me so much as the point of view revealed.”

Richard Wright book Black Boy

Black Boy (1945)

“I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual and that works so much better than having someone tell me what the character is all about”

Frank Welker (1946) American actor

Frank Welker Q&A http://www.ign.com/articles/2009/09/16/frank-welker-qa (September 15, 2009)

“So I was beginning my new life as a anomaly, which figured about as much as it sucked.”

P. C. Cast (1960) American writer

“Who is this Pope that I hear so much about? I cannot discover what is his merit. Why will not my subjects write in prose?”

George II of Great Britain (1683–1760) British monarch

As quoted in Sir James Prior's Life of Edmond Malone (1860), p. 369.
Attributed

“For me, research is very important. But I do not begin with research. I begin with writing the story, which for me is the relationship between the characters. It is after I have written or pretty much have a sense of the story that I go and do research. I am conscious that I am writing about poor people for the most part. They don’t have much other than their space or dirt. I want to do my best to represent that well. I am also conscious that I am writing about other countries. I want to make sure I understand those cultures as best as possible and represent them well…”

Uwem Akpan (1971) Nigerian Jesuit priest and writer

On the secondary nature of historical research in his writing process in “UWEM AKPAN | INTERVIEW” https://granta.com/interview-uwem-akpan/ in Granta (2008 Nov 14)

“When I first started writing, I was thinking of it as a book about mass incarceration, and mass incarceration is not a plot. It’s not a story. It’s not a character. I was at Harvard doing research on this subject, and I felt like I had a lot of information, but I had not yet found my story because I had to realize that I am a novelist. I’m not a sociologist. I’m not a documentarian. I’m not an ethnographer. And I found the story, actually, through eavesdropping…”

Tayari Jones (1970) American writer

Source: On how she chose the topic of mass incarceration for her novel An American Marriage in “If I Can’t Cry, Nobody Cries: An Interview with Tayari Jones” https://www.theparisreview.org/blog/2018/02/08/cant-cry-nobody-cries-interview-tayari-jones/ in The Paris Review (2018 Feb 8)

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The World's Last Night (1952)

“I was attempting to write the story of my life. It wasn't so much about plot. It was much more about character.”

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David Levithan447

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