
Tenczyn - a "Bastille"-type castle of the Tenczyński family, "Aura" 2, 1990-02, p. 19-21. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-7ab5a4ef-bee9-490b-8838-4917699dfedc?q=d88195b-abee-4385-bd61-43f313e62483$6&qt=IN_PAGE
A collection of quotes on the topic of play, likeness, doing, time.
Tenczyn - a "Bastille"-type castle of the Tenczyński family, "Aura" 2, 1990-02, p. 19-21. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-7ab5a4ef-bee9-490b-8838-4917699dfedc?q=d88195b-abee-4385-bd61-43f313e62483$6&qt=IN_PAGE
Oak - the king of the Polish trees, "Aura" 9, 1988-09, p. 20-21. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-72dccf88-5430-4d92-8617-9f550865d9b9?q=1dac2329-67be-4b51-b5b3-4554b1ebe953$15&qt=IN_PAGE
Dare to Dream by One Direction, https://www.goodreads.com/author/quotes/6422638.Niall_Horan
“Play Mozart in memory of me— and I will hear you.”
Murmured by Chopin on his death-bed.
Source: The opera reader, Biancolli, 1953, p. 271
Mozart brauchte kein Programm für seine Musik. Er musizierte und sang mit der göttlichen Leichtigkeit eines Kindes.
Michael: a German fate in diary notes (1926)
“To play a wrong note is insignificant; to play without passion is inexcusable”
Not found in Beethoven's known works. It may be a summary of the following description of Beethoven from his piano pupil Ferdinand Ries: "When I left out something in a passage, a note or a skip, which in many cases he wished to have specially emphasized, or struck a wrong key, he seldom said anything; yet when I was at fault with regard to the expression, the crescendo or matters of that kind, or in the character of the piece, he would grow angry. Mistakes of the other kind, he said were due to chance; but these last resulted from want of knowledge, feeling or attention. He himself often made mistakes of the first kind, even playing in public."
Disputed
Source: "When Beethoven gave me a lesson" https://books.google.com/books?id=j8RIq67v51cC&pg=PA294&dq=%22when+beethoven+gave+me+a+lesson%22&hl=en&sa=X&ved=0CBwQ6AEwAGoVChMI7Yyz0PiNyQIViDuICh1YIAzR#v=onepage&q=%22when%20beethoven%20gave%20me%20a%20lesson%22&f=false
Source: Anonymous reader point out that quote appears on internet from 2015. Rumi, having died in the 1200s, when the first mention of this quote was around 2015.
1920s, Zweites Buch (1928)
Source: Mein Kampf
Context: Jewry is a Folk with a racial core that is not wholly unitary. Nevertheless, as a Folk, it has special intrinsic characteristics which separate it from all other Folks living on the globe. Jewry is not a religious community, but the religious bond between Jews; rather is in reality the momentary governmental system of the Jewish Folk. The Jew has never had a territorially bounded State of his own in the manner of Aryan States. Nevertheless, his religious community is a real State, since it guarantees the preservation, the increase and the future of the Jewish Folk. But this is solely the task of the State. That the Jewish State is subject to no territorial limitation, as is the case with Aryan States, is connected with the character of the Jewish Folk, which is lacking in the productive forces for the construction and preservation of its own territorial State.
“Play always as if in the presence of a master.”
As himself talking about it being a yearbook, on 2017-05-10, https://www.telegraph.co.uk/music/artists/nobodys-reached-out--zayn-maliks-best-quotes/zayn-malik-in-quotes3/
Come Out and Play (20 November 2018), co-written with Finneas O'Connell.
Singles (2017 - )
“I play the notes as they are written, but it is God who makes the music.”
“When I die I'm going to dance first in all the galaxies… I'm gonna play and dance and sing.”
“To play without passion is inexcusable!”
Not found in Beethoven's known works. It may be a summary of the following description of Beethoven from his piano pupil Ferdinand Ries: "When I left out something in a passage, a note or a skip, which in many cases he wished to have specially emphasized, or struck a wrong key, he seldom said anything; yet when I was at fault with regard to the expression, the crescendo or matters of that kind, or in the character of the piece, he would grow angry. Mistakes of the other kind, he said were due to chance; but these last resulted from want of knowledge, feeling or attention. He himself often made mistakes of the first kind, even playing in public."
Disputed
Variant: To play a wrong note is insignificant; to play without passion is inexcusable
Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton (1855) by Sir David Brewster (Volume II. Ch. 27). Compare: "As children gath'ring pebbles on the shore", John Milton, Paradise Regained, Book iv. Line 330
Source: Reason for Hope: A Spiritual Journey
“God knows no religion. God belongs to mankind. I realized this while playing at the Balaji temple.”
Quote, Encyclopedia of Bharat Ratnas
The King of South Beach: LeBron James will Sign with Miami Heat, Tom D'Angelo, The Palm Beach Post, July 8, 2010 http://www.palmbeachpost.com/sports/heat/the-king-of-south-beach-lebron-james-will-791556.html,
James announcing his decision to leave the hometown Cleveland Cavaliers for the Miami.
As quoted in If Not God, Then What?
Source: If Not God, Then What? (2007) by Joshua Fost, p. 93
Desire http://lifeandlegends.com/suman-pokhrel-translated-dr-abhi-subedi/
From Poetry
A speech after Bryant's last game, 13 April 2016, posted on YouTube https://www.youtube.com/watch?v=Eg0mxPXIpLY&t=5s.
Impact interview (2020)
“I always play women I would date.”
“Learning is not child's play; we cannot learn without pain.”
“Anybody can play. The note is only 20 percent. The attitude of who plays it is 80 percent.”
Variant: What we play is life.
Source: Louis Armstrong, in His Own Words: Selected Writings
Variant: With every part you act, there must be a little of yourself in it. If there isn't, it's not acting. It's lying.
Attributed to Plato in Confidence : How to Succeed at Being Yourself (1987) by Alan Loy McGinnis, this is probably a paraphrase of a statement which occurs in Letter of Advice to a Young Gentleman Leaving the University Concerning His Behaviour and Conversation in the World (1907) by Richard Lindgard: "Take heed of playing often or deep at Dice and Games of Chance, for that is more chargeable than the seven deadly sins; yet you may allow yourself a certain easie Sum to spend at Play, to gratifie Friends, and pass over the Winter Nights, and that will make you indifferent for the Event. If you would read a man’s Disposition, see him Game; you will then learn more of him in one hour, than in seven Years Conversation, and little Wagers will try him as soon as great Stakes, for then he is off his Guard."
Variants:
You can learn more about a person in an hour of play than in a year of conversation.
Attributed to Plato in Food Is the Frosting-Company Is the Cake (2007) by Maggie Marshall
You learn more about a person in an hour of play than in a year of conversation.
Attributed to Plato by former Alaska Gov. Sarah Palin, as quoted in "Aspiring philosopher Palin quotes 'Plato'" (9 July 2009) http://thinkprogress.org/2009/07/09/palin-plato/
Misattributed
He said ‘play my son’ but I was sweating. I stopped playing.
Khan used to do riyaz (practice) before the temple of Balaji as advised by his mamu (maternal uncle) who had also told him not talk to any body about anything that might happen. But when he told his mamu about his seeing Balaji, mamu was annoyed and slapped him.
Quote, Power Profiles
As quoted in Musician (1993-10).
Interviews (1989-1994), Print
Diary entry for October 9, 1886, quoted in Nicolas Slonimsky, Lexicon of Musical Invective (1953), p. 73.
“Have I played the part well? Then applaud as I exit.”
Statement made as he was dying, as quoted in The Fall of the Roman Empire (2007) by Rita J. Markel, p. 126
“God is a comedian playing to an audience too afraid to laugh.”
"Creator — A comedian whose audience is afraid to laugh." — H.L. Mencken, A Book of Burlesques (1920), p. 203. and A Mencken Chrestomathy (1949), Ch. 30
Misattributed
My Twisted World (2014), Thoughts at 14
Radio Interview, July 6 2001 http://www.geocities.jp/bobbby_b/mp3/F_18_1.MP3
2000s
“When you play, never mind who listens to you.”
Source: The Collected Stories of Isaac Bashevis Singer
“A gentleman is someone who knows how to play the banjo and doesn't.”
“Controller is so intuitive, even your mom can play.”
On Wii
Source: E3 2006
As quoted in De Natura Deorum by Cicero, ii. 8.
Bill Skarsgard on ‘IT’ and Tapping into His Fears to Create a Terrifying New Pennywise http://collider.com/bill-skarsgard-pennywise-it-movie-interview/#images (July 28, 2017)
Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 6: 1923
Launch.com, November 2, 2000<!-- site no longer exists -->
“Don't play the saxophone. Let it play you.”
As quoted in Words of Wisdom (1990) edited by William Safire and Leonard Safir, p. 435
“Wanna hear my voice? You better play it again and again”
88 Bars (2012)
Last Call
Lyrics, The College Dropout (2004)
About getting the part of Harry Potter http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28
Source: House Calls: How we can all heal the world one visit at a time (1998), p. 10
Variations of this piece have also been misattributed to Andy Rooney and Woody Allen. The original source is a variation on a piece by Sean Morey. ( "snopes.com: Andy Rooney on Everything", Snopes.com, 2012-09-09 http://www.snopes.com/politics/soapbox/rooney3.asp, )
Misattributed
<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry
Source: Lawrence W. Reed, Witold Pilecki: Bravery Beyond Measure, 23 October 2015 https://fee.org/articles/he-volunteered-to-go-to-auschwitz/
Of co-star Greg Sulkin in film "66"; Evening Times (Glasgow); Nov 2, 2006; Andy Dougan; p. 3
“I don't think MTV would let us play that. (After an audience member requests "Rape Me.")”
1993-11-18 at Sony Music Studios, New York City, New York (MTV Unplugged).
Stage banter
“When we understand this we see clearly that the subject round which the alternative senses play must be twofold. And we must therefore consider the subject of this work [the Divine Comedy] as literally understood, and then its subject as allegorically intended. The subject of the whole work, then, taken in the literal sense only is "the state of souls after death" without qualification, for the whole progress of the work hinges on it and about it. Whereas if the work be taken allegorically, the subject is "man as by good or ill deserts, in the exercise of the freedom of his choice, he becomes liable to rewarding or punishing justice."”
Hiis visis, manifestum est quod duplex oportet esse subiectum circa quod currant alterni sensus. Et ideo videndum est de subiecto huius operis, prout ad litteram accipitur; deinde de subiecto, prout allegorice sententiatur. Est ergo subiectum totius operis, litteraliter tantum accepti, status animarum post mortem simpliciter sumptus. Nam de illo et circa illum totius operis versatur processus. Si vero accipiatur opus allegorice, subiectum est homo, prout merendo et demerendo per arbitrii libertatem iustitie premiandi et puniendi obnoxius est.
Letter to Can Grande (Epistle XIII, 23–25), as translated by Charles Singleton in his essay "Two Kinds of Allegory" published in Dante Studies 1 (Harvard University Press, 1954), p. 87.
Epistolae (Letters)
“Experience without theory is blind, but theory without experience is mere intellectual play.”
This is declared to be "an old Kantian maxim" in General Systems Vol. 7-8 (1962), p. 11, by the Society for the Advancement of General Systems Theory, but may simply be a paraphrase or summation of Kantian ideas.
Kant's treatment of the transcendental logic in the First Critique contains a portion, of which this quote may be an ambiguously worded paraphrase. Kant, claiming that both reason and the senses are essential to the formation of our understanding of the world, writes: "Without sensibility no object would be given to us, and without understanding none would be thought. Thoughts without content are empty, intuitions without concepts are blind (A51/B75)".
Disputed
“If you don't have ability, you wind up playing in a rock band.”
Reminiscing during an ocean voyage to Tahiti, quoted in The Atlantic, November 1960
Early life
Source: "Life on the court" https://www.medibank.com.au/bemagazine/life-on-the-court/ (January 5, 2014)
Then & Now: Magic Johnson http://edition.cnn.com/2005/US/01/17/cnn25.tan.johnson/index.html
“What I do is play soccer, which is what I like.”
Source: A Return to Love: Reflections on the Principles of "A Course in Miracles" (1992), Ch. 7 : Work, §3 : Personal Power, p. 190 (p. 165 in some editions). This famous passage from her book is very often erroneously attributed to Nelson Mandela. About the mis-attribution Williamson said, "Several years ago, this paragraph from A Return to Love began popping up everywhere, attributed to Nelson Mandela's 1994 inaugural address. As honored as I would be had President Mandela quoted my words, indeed he did not. I have no idea where that story came from, but I am gratified that the paragraph has come to mean so much to so many people."
Variant which appears in the film Coach Carter (2005): "Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine as children do. It's not just in some of us; it is in everyone. And as we let our own lights shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others."
Variant which appears in the film Akeelah and the Bee (2006), displayed in a picture frame on the wall, attributing it to Mandela: "Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? We were born to make manifest the glory of God that is within us. And as we let our own light shine, we unconsciously give other people permission to do the same."
Impact interview (2020)
“Life is not always a matter of holding good cards, but sometimes, playing a poor hand well.”
As quoted in Sacred Journey of the Peaceful Warrior (1991) by Dan Millman, p. 78
Life’s not a matter of holding good cards, but sometimes playing a poor hand well.
As quoted in "They Came to Write in Hawai‘i" by Joseph Theroux, in Spirit of Aloha (March/April 2007)
Source: Krsna, the Supreme Personality of Godhead
Source: Revolution at the Gates: Selected Writings of Lenin from 1917