Quotes about piece
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Giorgio Morandi photo

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the [piece of] furniture behind.”

Giorgio Morandi (1890–1964) Italian painter

in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945

Jay Leiderman photo

“It is fashionable always to cast aspersion upon those that defend persons accused of committing crimes. The viler the accused crime, the more vigorous defense the accused needs, yet, at the same time, the more vitriol the defense attorney will face. I cannot speak for my brethren in the legal community, I can only state that what follows my own brand of patriotism; I defend those charged with crimes because it is both my duty as a lawyer and as an American. Each piece of resistance to the encroachment of overreaching governmental power is, and of itself, a victory for freedom.”

Jay Leiderman (1971) lawyer

As stated in, On the Defense of Criminals, an essay by Jay Leiderman. http://jayleiderman.com/blog/on-the-defense-of-criminals-an-essay-by-jay-leiderman/
Variant: It is fashionable always to cast aspersion upon those that defend persons accused of committing crimes. The viler the accused crime, the more vigorous defense the accused needs, yet, at the same time, the more vitriol the defense attorney will face. I cannot speak for my brethren in the legal community, I can only state that what follows my own brand of patriotism; I defend those charged with crimes because it is both my duty as a lawyer and as an American. Each piece of resistance to the encroachment of overreaching governmental power is, and of itself, a victory for freedom.

James Thurber photo
James Carville photo

“Mr. Richardson’s endorsement came right around the anniversary of the day when Judas sold out for 30 pieces of silver, so I think the timing is appropriate, if ironic.”

James Carville (1944) political writer, consultant and United States Marine

Referring to New Mexico Governor Bill Richardson's endorsement of Barack Obama over Hillary Clinton on GoodFriday).

Aisha photo
Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Thomas Carlyle photo
Will Eisner photo
Kate Chopin photo
Anton Mauve photo

“Take care for this, don't start with the sentiment first, [because] that's where a piece of art is ending with - but the good start is drawing good and right. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) denk daar goed om, niet eerst het sentiment, daar eindigt een kunststuk mede, maar goed en juist teekenen is het goede begin.
In a letter of Anton Mauve to his student , from Laren 1885; as cited in Anton Mauve, (exhibition catalog of Teylers Museum, Haarlem / Laren, Singer), ed. De Bodt en Plomp, 2009, p. 120
1880's

Vitruvius photo
Dianne Feinstein photo

“It’s important to understand how we got where we are today. In 1966, the unthinkable happened: a madman climbed the University of Texas clock tower and opened fire, killing more than a dozen people. It was the first mass shooting in the age of television, and it left a real impression on the country. It was the kind of terror we didn’t expect to ever see again. But around 30 years ago, we started to see an uptick in these types of shootings, and over the last decade they’ve become the new norm.
In July 2012, a gunman walked into a darkened theater in Aurora and shot 12 people to death, injuring 70 more. One of his weapons was an assault rifle. The sudden and utterly random violence was a terrifying sign of what was to come.
In December 2012, a young man entered an elementary school in Newtown and murdered six educators and 20 young children. One of his weapons was an assault rifle. Watching the aftermath of these young babies being gunned down was heartrending.
In June 2016, a gunman entered a nightclub in Orlando and sprayed revelers with gunfire. The shooter fired hundreds of rounds, many in close proximity, and killed 49. Many of the victims were shot in the head at close range. One of his weapons was an assault rifle.
Last month, a gunman opened fire on concertgoers in Las Vegas, turning an evening of music into a killing field. All told, the shooter used multiple assault rifles fitted with bump-fire stocks to kill 58 people. The concert venue looked like a warzone.
Over the weekend in Sutherland Springs, 26 were killed by a gunman with an assault rifle. The dead ranged from 17 months old to 77 years. No one is spared with these weapons of war. When so many rounds are fired so quickly, no one is spared. Another community devastated and dozens of families left to pick up the pieces.
These are just a few of the many communities we talk about in hushed tones—San Bernardino, Littleton, Aurora, towns and cities across the country that have been permanently scarred.”

Dianne Feinstein (1933) American politician

[Senators Introduce Assault Weapons Ban, November 8, 2017, w:Diane Feinstein, Diane, Feinstein, https://www.feinstein.senate.gov/public/index.cfm/2017/11/senators-introduce-assault-weapons-ban]
On the introduction of the Assault Weapons Ban of 2017

Hendrik Werkman photo

“As paint I use lightfast printing ink, usually pure, but also mixed. Mixing is not difficult at all, it but can happen in very different ways. Secret means are not applied, but I can not work on them, except in solitude (at sunshine). No one works in this way. I believe that no one else can obtain the same color effects, except after a lot of practice and experience. Sometimes one print goes up to 50 times under the printing-press. [I make] Never more than one piece per day.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):Als verf gebruik ik lichtechte drukinkt, meestal puur, ook wel gemengd. Het mengen is wel geen kunst maar kan zeer verschillend gebeuren. Geheime middelen worden niet toegepast, maar ik kan er niet aan werken, dan alleen in eenzaamheid (bij zonneschijn). Door niemand wordt op deze wijze gewerkt., ik geloof dat ook niemand anders dezelfde kleureffecten zou kunnen krijgen dan na veel oefening en ervaring. Soms gaat één druk tot 50 maal onder de pers. Nooit meer dan één ex. Per dag.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

John Donne photo

“It is too little to call man a little world, except God, man is a diminutive to nothing. Man consists of more pieces, more parts, than the world; than the world doth, nay, than the world is.”

John Donne (1572–1631) English poet

IV. Mediscque Vocatur The physician is sent for
Devotions Upon Emergent Occasions (1624)

U.G. Krishnamurti photo
Raymond Chandler photo
Benjamin Franklin photo
Tim O'Brien photo
Patrick Kavanagh photo

“Begod there's a powerful piece of turnips”

Patrick Kavanagh (1904–1967) poet

p47
Prose, Tarry Flynn (1948)

Bram van Velde photo

“I am in a thousand pieces. Painting somehow makes me whole.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Howard S. Becker photo

“His pear-shaped head, I could now see, was situated on top of a pear-shaped body, which his black gown caused to resemble a piece of fruit going to a funeral.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, May Week Was in June (1990), p. 19

Ted Hughes photo
Will Eisner photo

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Robert Sheckley photo
Fred Hoyle photo

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Harry Turtledove photo
Shimon Peres photo
Richard Le Gallienne photo

“Dear Sister, You dream like mad, you love like tinder, you aspire like a star-struck moth - for what? That you may hive little lyrics, and sell to a publisher for thirty pieces of silver.”

Richard Le Gallienne (1866–1947) British writer

Opening Lines from Epistle Dedicatory, to his sister, Sissie Le Gallienne English Poems Copland & Day 1895 kindle ebook.

Ludwig Van Beethoven photo
Oliver Wendell Holmes photo

“Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground-floor.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Poet at the Breakfast Table (1872), p. 120 The Writings of Oliver Wendell Holmes, Vol. 3 (1892)

Hendrik Werkman photo

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Alain photo
Thomas Browne photo
Andrew Sega photo
Samuel R. Delany photo
Halldór Laxness photo
Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Bill McKibben photo
Davey Havok photo
Stéphane Mallarmé photo
Frederick Winslow Taylor photo
Bill Pearl photo
Bill Engvall photo
Adrianne Wadewitz photo

“If a piece of information is wrong or misrepresented on Wikipedia, it affects the way the entire world sees that topic.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Mehrotra, Karishma. (March 26, 2014). "Universities 're-write' Wikipedia to fill holes, include women" http://college.usatoday.com/2014/03/26/universities-re-write-wikipedia-to-fill-holes-include-women/. USA Today.

Frank Chodorov photo
Owen Lovejoy photo

“The Constitution is a piece of rotten parchment that ought to be trodden under foot.”

Owen Lovejoy (1811–1864) American politician

Several Democrats accused Lovejoy of saying this, but he denied ever saying so. https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA193&lpg=PA199
Misattributed

Russell Brand photo

“(after Noel Fielding has written "peep scarf" to describe a piece of muslim apparel) That's its proper name!”

Russell Brand (1975) British comedian, actor, and author

Big Fat Quiz of the Year (2006)

Wilfred Thesiger photo
Jean de La Bruyère photo
Francis Marion Crawford photo
Ben Jonson photo
Anita Sarkeesian photo

“For this video I tried to get a glimpse of Batman's rear end, but it's as if his cape is a piece of high-tech Wayne-Industries equipment designed to cover up his butt at all costs.”

Anita Sarkeesian (1983) American blogger

<i>Strategic Butt Coverings (Jan 19, 2016)</i>
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

Peter Paul Rubens photo

“[on the high seas] the English are increasing their insolence and barbarity. [T]hey cut to pieces the captain of a ship coming from Spain and threw all the crew into the sea for having defended themselves valiantly.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to Pierre Dupuy, 7 June 1627; as quoted by Simon Schrama, in Rembrandt's eyes, Alfred A. Knopf - Borzoi Books, New York 1999, p. 244
1625 - 1640

Jerome David Salinger photo

“Seymour once said that all we do our whole lives is go from one little piece of Holy Ground to the next.”

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Christopher Titus photo

“Sex and politics - sex and politicians. I never understand how any politician gets a shag, really. Can you? A classic example: the David Mellor sex scandal. I bet you're the same as me. We're not shocked by these scandals involving politicians. I bet when that happened, your response was not 'Good God, that's outrageous! A man in his job, he should be running the country, not messing about like this; no wonder we're in a state; terrible!' No, that wasn't the response. You open the paper, you read about that, and you go 'Ha ha ha ha - I don't think so, Dave! I don't think so. In your dreams, perhaps.' The interesting person in that relationship is not him; it's her - Antonia. A woman of mystery; a mystery woman. Antonia de Sancha, always described as an 'unemployed actress'. Unemployed actress? How's she an unemployed actress? God! if you can feign sexual interest in David Mellor, I should think Chekhov's a piece of piss. So, she thinks 'I'm an actress. It's a role. I'll prepare'. She gets to the bedroom situation. He's in a kit-off situation, and there's Antonia giving it 'Red lorry, yellow lorry - Peter Piper picked a peck of pickled pepper'. But the hair - that's the main unattractive thing. What barber told him that suited him? Someone winding him up there. 'Yes, David, that'll suit you, mate: a greasy, oily flap of dirty-looking patent leather, wafting about down one side of your moosh; that'll drive those unemployed actresses mental!' (Linda Live, 1993)”

Linda Smith (1958–2006) comedian

Stand-up

Apsley Cherry-Garrard photo
Neil Armstrong photo

“I guess we all like to be recognized not for one piece of fireworks but for the ledger of our daily work.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

60 Minutes interview (2005)

Paul Karl Feyerabend photo
Clive Staples Lewis photo

“Friendship is the greatest of worldly goods. Certainly to me it is the chief happiness of life. If I had to give a piece of advice to a young man about a place to live, I think I shd. say, 'sacrifice almost everything to live where you can be near your friends.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Letter to Arthur Greeves (29 December 1935) — in They Stand Together: The Letters of C. S. Lewis to Arthur Greeves (1914–1963) (1979), p. 477

Francis Turner Palgrave photo
Gautama Buddha photo

“Siddhartha Gautama, the Buddha, drew a circle with a piece of red chalk and said: "When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle."”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

Director Jean-Pierre Melville made it up for the epigraph of Le Cercle Rouge (The Red Circle).
Misattributed

Seymour Papert photo
Pricasso photo
Oliver Lodge photo
Connie Willis photo
Brad Paisley photo
Alan Moore photo
Michael Franti photo

“We can bomb the world to pieces, but we can't bomb it into peace.”

Michael Franti (1966) American rapper

Bomb the World, Everyone Deserves Music (2003)

Howard Roberts photo
Gary Yourofsky photo
Bruce Springsteen photo
Al-Biruni photo
Samuel Johnson photo
Joseph Strutt photo
Thomas Browne photo
Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

William James photo
Alex Jones photo
Glenn Gould photo
Alan Menken photo

“Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work — it's easier to do it in a collaboration than on your own.”

Alan Menken (1949) American musical theatre and film composer and pianist.

BWW EXCLUSIVE: Alan Menken Talks TANGLED, SISTER ACT, LEAP OF FAITH, HUNCHBACK, ALADDIN & More" in Broadway World (15 November 2010) http://broadwayworld.com/article/BWW_EXCLUSIVE_Alan_Menken_Talks_TANGLED_SISTER_ACT_LEAP_HUNCHBACK_ALADDIN_More_20101115_page2#ixzz15WG7uJFs.

Paul Karl Feyerabend photo
Gerard Bilders photo

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143