Quotes about palm

A collection of quotes on the topic of palm, hand, handful, likeness.

Quotes about palm

Sadhguru photo
William Blake photo

“To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.”

Variant: To see a World in a grain of sand,
And a Heaven in a wild flower,
Hold Infinity in the palm of your hand,
And Eternity in an hour.
Source: 1800s, Auguries of Innocence (1803), Line 1

Beryl Markham photo
Richard Brinsley Sheridan photo
Neil Young photo

“One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.”

Source: Waging Heavy Peace: A Hippie Dream

Heinrich Heine photo
Claude Monet photo

“These palms are driving me crazy; the motifs are extremely difficult to seize, to put on canvas; it's so bushy everywhere, although delightful to the eye... I would like to do orange and lemon trees silhouetted against the blue sea, but cannot find them as I would like.”

Claude Monet (1840–1926) French impressionist painter

in a letter from Bordighera to friends in Paris, Jan. 1884; as cited in: Joslyn Art Museum, ‎Holliday T. Day, ‎Hollister Sturges (1987), Joslyn Art Museum: Paintings and Sculpture from the European and American Collections, p. 100
1870 - 1890

Black Elk photo
Pablo Picasso photo

“The glories, trumpets, palms… and low reliefs,… all that makes a monument.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Les gloires, les trompettes, les palmes... et les bas-reliefs,... tout cela fait un monument.
Picasso (1952). Quoted in: Michael D. Garval (2004), "A Dream of Stone": Fame, Vision, and Monumentality in Nineteenth-century French Literary Culture. p. 226.
Picasso commented on the matter of the monument destruction in Paris.
Quotes, 1950's

Sathya Sai Baba photo

“God can do anything. He has all power in the palm of His Hand. My Body, like all other bodies, is a temporary habitation; but, My Power is eternal, all-pervasive, ever-dominant.”

Sathya Sai Baba (1926–2011) Indian guru

Christmas Day Discourse, Bombay 1970. page 136, US ed. of Kasturi's Sathyam Sivam Sundaram Vol 3.

Chiang Kai-shek photo
Nikos Kazantzakis photo
Bertrand Russell photo

“The conception of the necessary unit of all that is resolves itself into the poverty of the imagination, and a freer logic emancipates us from the straitwaistcoated benevolent institution which idealism palms off as the totality of being.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Our Knowledge of the External World (1914), p. 9

Mikhail Sholokhov photo
Thiruvalluvar photo
Kurt Vonnegut photo
Suzanne Collins photo
Richelle Mead photo
Mary Karr photo
Rick Riordan photo
Stephen Kendrick photo
Jean Webster photo
Richelle Mead photo
Arundhati Roy photo
Carl Hiaasen photo
Maya Angelou photo
Walt Whitman photo
Alice Sebold photo
Derek Landy photo
Philip Larkin photo

“Uncontradicting solitude
Supports me on its giant palm;
And like a sea-anemone
Or simple snail, there cautiously
Unfolds, emerges, what I am.”

Philip Larkin (1922–1985) English poet, novelist, jazz critic and librarian

Source: Collected Poems

Cheryl Strayed photo
Janet Evanovich photo
Charlaine Harris photo
Carl Hiaasen photo
Cassandra Clare photo
Cassandra Clare photo
Brian Andreas photo
Jeanette Winterson photo
Mary E. Pearson photo
Thich Nhat Hanh photo

“If you look deeply into the palm of your hand, you will see your parents and all generations of your ancestors. All of them are alive in this moment. Each is present in your body. You are the continuation of each of these people.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Quoted in A Lifetime of Peace : Essential Writings by and About Thich Nhat Hanh (2003) edited by Jennifer Schwamm Willis, p. 141

Susan Elizabeth Phillips photo
Yasunari Kawabata photo
Jonathan Franzen photo
Richelle Mead photo
Chinua Achebe photo
Richard Huelsenbeck photo
John Fante photo
Henry Wadsworth Longfellow photo

“Time has laid his hand
Upon my heart, gently, not smiting it,
But as a harper lays his open palm
Upon his harp, to deaden its vibrations.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Golden Legend http://www.gutenberg.org/files/10490/10490-h/10490-h.htm, Pt. IV, The Cloisters (1872).

Will Eisner photo
Julia Caroline Dorr photo
Felicia Hemans photo
Kazimir Malevich photo

“.. [that] the overturning of the old world of arts will be etched across your 'palms”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

recto
admonition from the cover of Malevich's 'novykh sistemakh v iskusstve' (Vitebsk: Unovis, 1919); the cover is reproduced in Malevich: Suprematism and Revolution in Russian Art, Larissa A. Zhadova, (trans. Alexander Lieven); London: Thames and Hudson, 1982
the notice on the verso reads: 'Work and edition by the workshop [artef] of artistic labor at the Vitebsk Svomas'
1910 - 1920

John Hodgman photo
Bruce Springsteen photo

“Now you play the loving woman;
I'll play the faithful man.
But just don't look too close into the palm of my hand.”

Bruce Springsteen (1949) American singer and songwriter

"Brilliant Disguise"
Song lyrics, Tunnel Of Love (1987)

Robert Oppenheimer photo
Ron Paul photo

“Neil Cavuto: …your campaign has received a $500 campaign donation from a white supremacist in West Palm Beach. And your campaign had indicated you have no intention to return it. What are you going to do with that?
Ron Paul: It is probably already spent. Why give it back to him and use it for bad purposes?
Neil Cavuto: …this Don Black who made the donation, and who ran a site called "Stormfront, White Pride Worldwide," now that you know it, now that you're familiar after the fact, you still would not return it?
Ron Paul: Well, if I spent his money and I took the money that maybe you might have sent to me and donate it back to him, that does not make any sense to me. Why should I give him money to promote his cause?
Neil Cavuto: …Hillary Clinton has had to do this, a number of other candidates have had to do this. Do you think that just is a bad practice?
Ron Paul: I think it is pandering. I think it is playing the political correctness… What about the people who get donations, want to get special interests from the military industrial complex? They put in — they raise, bundle their money, and send millions of dollars in there. And they want to rob the taxpayers. That is the real evil … that buys influence in government. And this is, to me, the corruption that should be corrected… you are missing the whole boat — the whole boat, because it is the immorality of government, it's the special interests in government, it's fighting illegal wars…
Neil Cavuto: All right.
Ron Paul: …and financing, and taxing the people, destroying the people through inflation, and undermining this prosperity of the country.”

Ron Paul (1935) American politician and physician

Your World with Neil Cavuto, FOX News, December 19, 2007 http://www.foxnews.com/story/0,2933,317536,00.html http://www.youtube.com/watch?v=CrRtZaG63o8
2000s, 2006-2009

“Not content to have the audience in the palm of his hand; he goes one further and clinches his fist.”

Kenneth Tynan (1927–1980) English theatre critic and writer

On singer Frankie Laine
Curtains (1961)

Sheri-D Wilson photo

“It was as though the lifeline on her palm
had fallen between the cracks
of the impossible and the arbitrary.”

Sheri-D Wilson (1958) Canadian Spoken Word Poet

"In Search of a Metaphysical Rock Star"
Goddess Gone Fishing for a Map of the Universe (2012)

Edvard Munch photo
John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Alexander Blok photo
Chuck Berry photo

“Milo Venus was a beautiful lass,
She had the world in the palm of her hand.
But she lost both her arms in a wrestling match,
To get a brown eyed handsome man.”

Chuck Berry (1926–2017) American rock-and-roll musician

"Brown Eyed Handsome Man" (1958), Pop Chronicles Show 5 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19751/m1/.
Song lyrics

Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Robert Frost photo

“She drew back; he was calm
"It is this that had the power,"
And he lashed his open palm
With the tender-headed flower.”

Robert Frost (1874–1963) American poet

" The Subverted Flower http://www.andrews.edu/~spangles/life/poet/x.htm"
1940s

“The global pulp & paper industry is estimated to be worth $1 trillion while the palm oil business is worth $400 to $500 billion a year. The challenge is to build the business to a large scale.”

Sukanto Tanoto (1949) Indonesian businessman

Globe Asia Interview, Sep, 2015. http://www.inside-rge.com/Sukanto-Tanoto-Resource-King-GlobeAsia
2015

Rudyard Kipling photo
Derren Brown photo
H. G. Wells photo

“"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosed face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose—it was the stranger's nose! pink and shining—rolled on the floor.Then he removed his spectacles, and everyone in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!" said some one. Then off they came.It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Everyone began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoy jump to avoid them. Everyone tumbled on everyone else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coat-collar of him, and then—nothingness, no visible thing at all!”

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

Eminem photo

“All my life I was very deprived, I ain't had a woman in years, and my palms are too hairy to hide”

Eminem (1972) American rapper and actor

Whoops!
"My Name Is" (Track 2).
1990s, The Slim Shady LP (1999)

Kate Bush photo
Mukai Kyorai photo

“Sadly I see
the light fade on my palm:
a firefly.”

Mukai Kyorai (1651–1704) poet

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6. According to Hoffman after his sister's, Chine's, death.

Guy Gavriel Kay photo
William H. Rehnquist photo
John Masefield photo

“And in the ghostly palm-trees the sleepy tune
Of the quiet voice calling me, the long low croon
Of the steady Trade Winds blowing.”

John Masefield (1878–1967) English poet and writer

Salt-Water Ballads (1902), "Trade Winds"

Nick Drake photo
William Penn photo
Willa Cather photo
Rudyard Kipling photo
V.S. Ramachandran photo
Dave Eggers photo

“Hand took a breath and opened his palms, as if accepting the gift of rain. "YOU SHALL KNOW OUR VELOCITY!" he bellowed into the cold exhausted city.”

Dave Eggers (1970) memoirist, novelist, short story writer, editor, publisher

You Shall Know Our Velocity! (2002)

Shashi Tharoor photo
José Martí photo

“I am an an honest man
From where the palm tree grows,
And I want, before I die,
to cast these verses from my soul.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Yo soy un hombre sincero
De donde crece la palma
Y antes de morirme quiero
Echar mis versos del alma.
I (Yo soy un hombre sincero) as translated by Esther Allen in José Martí : Selected Writings (2002), p. 273, ISBN 0142437042
Variant translations:
A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
"A Sincere Man Am I" http://oldpoetry.com/opoem/46409-Jose-Marti-A-Sincere-Man-Am-I---Verse-I-, as translated by Manuel A. Tellechea, in Versos Sencillos: Simple Verses (1997) ISBN 1558852042
I am a sincere man
from where the palm tree grows,
and before I die I wish
to pour forth the verses from my soul.
Simple Verses (1891)

Conrad Aiken photo
Hans Arp photo
John Fante photo
Reginald Heber photo

“No hammers fell, no ponderous axes rung;
Like some tall palm the mystic fabric sprung.
Majestic silence!”

"Palestine"; this was altered in later editions to: "No workman’s steel, no ponderous axes rung, Like some tall palm the noiseless fabric sprung".
need further publication dates
Variant: No hammers fell, no ponderous axes rung;
Like some tall palm the mystic fabric sprung.
Majestic silence!

Markiplier photo
Abraham Cowley photo
Matthew Arnold photo
Hermann Rauschning photo