Quotes about palm
page 2

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Rob Enderle photo

“Apple has recently done more with the tablet format with the iPod Touch and iPhone then any other vendor but the jury is still largely out on this format with challenging devices from RIM, Palm, and Google often showcasing that keyboards are necessary.”

Rob Enderle (1954) American financial analyst

Why JooJoo may critically savage the Apple Tablet http://tgdaily.com/electronic/44975-why-joojoo-may-critically-savage-the-apple-tablet in TG Daily (8 December 2009)

Daniel Lyons photo
Evelyn Waugh photo
Filippo Tommaso Marinetti photo
John Steinbeck photo
Noel Gallagher photo
Tanith Lee photo
Keir Hardie photo

“History is one long record of like illustrations. Must our modern civilisation with all its teeming wonders come to a like end? We are reproducing in faithful detail every cause which led to the downfall of the civilisations of other days—Imperialism, taking tribute from conquered races, the accumulation of great fortunes, the development of a population which owns no property, and is always in poverty. Land has gone out of cultivation and physical deterioration is an alarming fact. An so we Socialists say the system which is producing these results must not be allowed to continue. A system which has robbed religion of its saviour, destroyed handicraft, which awards the palm of success to the unscrupulous, corrupts the press, turns pure women on the streetsm and upright men into mean-spirited time-servers, cannot continue. In the end it is bound to work its own overthrow. Socialism with its promise of freedom, its larger hope for humanity, its triumph of peace over war, its binding of the races of the earth into one all-embracing brotherhood, must prevail. Capitalism is the creed of the dying present; socialism throbs with the life of the days that are to be. It has claimed its martyrs in the past, is claiming them now, will claim them still; but what then? Better to "rebel and die in the twenty worlds sooner than bear the yoke of thwarted life."”

Keir Hardie (1856–1915) Scottish socialist and labour leader

Source: From Serfdom to Socialism (1907), p. 103–104

Anthony Burgess photo
Björk photo

“I dare you to take me on
I dare you to show me your palms
I'm so bored of cowards who say they want (love)
Then they can't handle love”

Björk (1965) Icelandic singer-songwriter

"5 Years", from Homogenic (1997)
Songs

Chinua Achebe photo
Francis Thompson photo
Cormac McCarthy photo
Stephenie Meyer photo
John Fante photo
Friedrich Wilhelm Joseph Schelling photo
Ursula K. Le Guin photo
Samuel Rutherford photo

“Grow as a palm-tree on God's Mount Zion; howbeit shaken with winds, yet the root is fast.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 294.

Derren Brown photo

“It sometimes takes a foreigner to come and see a place and paint it. I remember someone saying they had never really noticed the palm trees here until I painted them.”

David Hockney (1937) British artist

Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)
2000s

Michael Crichton photo

“Carr was left with a ring, in the palm of his hand, a small gold circle, leading him nowhere.”

Scratch One, written under the pseudonym John Lange (1967)

Toby Keith photo
Caterina Davinio photo

“Only our voices
and gray strips of palm
like shining backs 
of coleoptera,
atrocious
and suffering
under the infinite sun;
…”

Caterina Davinio (1957) Italian writer

Aliens on Safari, Africa
Source: Caterina Davinio, Aliens on Safari (Light from Hell), in AAVV, Dentro il mutamento, Rome, Fermenti, 2011. English translation by Caterina Davinio and David W. Seaman.

Dave Barry photo
Lee Child photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

Ian McEwan photo
Woodrow Wilson photo
Fiona Apple photo
Pierre-Auguste Renoir photo
Thich Nhat Hanh photo
Charles Dickens photo

“It was a good thing to have a couple of thousand people all rigid and frozen together, in the palm of one's hand.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

About having a book
Letter to Mrs. Richard Watson (7 December 1857)

Thomas Sackville, 1st Earl of Dorset photo
Jorge Luis Borges photo
Czeslaw Milosz photo
William Golding photo
Vytautas Juozapaitis photo
T.S. Eliot photo

“What have we to do but stand with empty hands and palms turned upwards in an age which advances progressively backwards?”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

Baba Amte photo

“Whenever God has pointed the way with his finger, he also cleared the way with his mighty palm.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

When he was looking for help to build his institutions at Anandwan, unexpected help came from 50 volunteers of 36 different countries working under the banner of “Service Civil International", from Gandhi’s Ashram at Sevagram, page=14
Baba Amte: A Vision of New India

Nathaniel Hawthorne photo
Mickey Spillane photo
Ted Williams photo
Mike Oldfield photo
Tod A photo

“I was in Brooklyn and it was freezing cold. I was living in a room with no windows and paying too much in rent. I envisioned sitting under a palm tree. I followed my nose from there.”

Tod A (1965) American musician

(on why he left America to travel the world) ALARM Magazine (July 7, 2008).

Jean Paul Sartre photo
Richard Cobden photo

“I have generally made it a rule to parry the inquiries and comparisons which the Americans are so apt to thrust at an Englishman. On one or two occasions, when the party has been numerous and worth powder and shot, I have, however, on being hard pressed, and finding my British blood up, found the only mode of allaying their inordinate vanity to be by resorting to this mode of argument:—"I admit all that you or any other person can, could, may, or might advance in praise of the past career of the people of America. Nay, more, I will myself assert that no nation ever did, and in my opinion none ever will, achieve such a title to respect, wonder, and gratitude in so short a period; and further still, I venture to allege that the imagination of statesmen never dreamed of a country that should in half a century make such prodigious advances in civilization and real greatness as yours has done. And now I must add, and I am sure you, as intelligent, reasonable men, will go with me, that fifty years are too short a period in the existence of nations to entitle them to the palm of history. No, wait the ordeal of wars, distresses, and prosperity (the most dangerous of all), which centuries of duration are sure to bring to your country. These are the test, and if, many ages hence, your descendants shall be able only to say of their country as much as I am entitled to say of mine now, that for seven hundred years we have existed as a nation constantly advancing in liberty, wealth, and refinement; holding out the lights of philosophy and true religion to all the world; presenting mankind with the greatest of human institutions in the trial by jury; and that we are the only modern people that for so long a time withstood the attacks of enemies so heroically that a foreign foe never put foot in our capital except as a prisoner (this last is a poser);—if many centuries hence your descendants will be entitled to say something equivalent to this, then, and not till then, will you be entitled to that crown of fame which the historian of centuries is entitled to award."”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to F. Cobden (5 July 1835) during his visit to the United States, quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), pp. 33-34.
1830s

John Greenleaf Whittier photo

“I know not where His islands lift
Their fronded palms in air;
I only know I cannot drift
Beyond His love and care.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

The eternal Goodness, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Martin Luther King, Jr. photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Julian of Norwich photo

“He shewed me a little thing, the quantity of an hazel-nut, in the palm of my hand; and it was as round as a ball. I looked thereupon with eye of my understanding, and thought: What may this be? And it was answered generally thus: It is all that is made.”

Julian of Norwich (1342–1416) English theologian and anchoress

The First Revelation, Chapter 5
Context: He shewed me a little thing, the quantity of an hazel-nut, in the palm of my hand; and it was as round as a ball. I looked thereupon with eye of my understanding, and thought: What may this be? And it was answered generally thus: It is all that is made. I marvelled how it might last, for methought it might suddenly have fallen to naught for little. And I was answered in my understanding: It lasteth, and ever shall for that God loveth it. And so All-thing hath the Being by the love of God.

“We must open up our hands, raise our palms up high to see, the mazes of our unique selves, end with similarity.”

Dawud Wharnsby (1972) Canadian musician

"What Has Become"
For Whom The Troubadour Sings (2010)
Context: If a fist can hold a sword, and a fist can clench a pen, but the points of both are missed, by dull, tarnished pride of men. We must open up our hands, raise our palms up high to see, the mazes of our unique selves, end with similarity.

George William Curtis photo

“On Palm Sunday, at Appomattox Court House, the spirit of feudalism, of aristocracy, of injustice in this country, surrendered, in the person of Robert E. Lee, the Virginian slave-holder, to the spirit of the Declaration of Independence and of equal rights, in the person of Ulysses S. Grant, the Illinois tanner. So closed this great campaign in the 'Good Fight of Liberty'. So the Army of the Potomac, often baffled, struck an immortal blow, and gave the right hand of heroic fellowship to their brethren of the West. So the silent captain, when all his lieutenants had secured their separate fame, put on the crown of victory and ended civil war. As fought the Lieutenant-General of the United States, so fight the United States themselves, in the 'Good Fight of Man'. With Grant's tenacity, his patience, his promptness, his tranquil faith, let us assault the new front of the old enemy. We, too, must push through the enemy's Wilderness, holding every point we gain. We, too, must charge at daybreak upon his Spottsylvania Heights. We, too, must flank his angry lines and push them steadily back. We, too, must fling ourselves against the baffling flames of Cold Harbor. We, too, outwitting him by night, must throw our whole force across swamp and river, and stand entrenched before his capital. And we, too, at last, on some soft, auspicious day of spring, loosening all our shining lines, and bursting with wild battle music and universal shout of victory over the last desperate defense, must occupy the very citadel of caste, force the old enemy to final and unconditional surrender, and bring Boston and Charleston to sing Te Deum together for the triumphant equal rights of man”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)
Context: Yes, yes, caste is a glacier, cold, towering, apparently as eternal as the sea itself. But at last that glittering mountain of ice touches the edge of the Gulf Stream. Down come pinnacle and peak, frosty spire and shining cliff. Like a living monster of shifting hues, a huge chameleon of the sea, the vast mass silently rolls and plunges and shrinks, and at last utterly disappears in that inexorable warmth of water. So with us the glacier has touched the Gulf Stream. On Palm Sunday, at Appomattox Court House, the spirit of feudalism, of aristocracy, of injustice in this country, surrendered, in the person of Robert E. Lee, the Virginian slave-holder, to the spirit of the Declaration of Independence and of equal rights, in the person of Ulysses S. Grant, the Illinois tanner. So closed this great campaign in the 'Good Fight of Liberty'. So the Army of the Potomac, often baffled, struck an immortal blow, and gave the right hand of heroic fellowship to their brethren of the West. So the silent captain, when all his lieutenants had secured their separate fame, put on the crown of victory and ended civil war. As fought the Lieutenant-General of the United States, so fight the United States themselves, in the 'Good Fight of Man'. With Grant's tenacity, his patience, his promptness, his tranquil faith, let us assault the new front of the old enemy. We, too, must push through the enemy's Wilderness, holding every point we gain. We, too, must charge at daybreak upon his Spottsylvania Heights. We, too, must flank his angry lines and push them steadily back. We, too, must fling ourselves against the baffling flames of Cold Harbor. We, too, outwitting him by night, must throw our whole force across swamp and river, and stand entrenched before his capital. And we, too, at last, on some soft, auspicious day of spring, loosening all our shining lines, and bursting with wild battle music and universal shout of victory over the last desperate defense, must occupy the very citadel of caste, force the old enemy to final and unconditional surrender, and bring Boston and Charleston to sing Te Deum together for the triumphant equal rights of man.

E. B. White photo

“This is the dream we had, asleep in our chair, thinking of Christmas in the lands of fir tree and pine, Christmas in lands of palm tree and vine, and of how the one great sky does for all places and all people.”

E. B. White (1899–1985) American writer

The Wild Flag (1943)
Context: This is the dream we had, asleep in our chair, thinking of Christmas in the lands of fir tree and pine, Christmas in lands of palm tree and vine, and of how the one great sky does for all places and all people.
After the third great war was over (this was a curious dream), there was no more than a handful of people left alive, and the earth was in ruins and the ruins were horrible to behold. The people, the survivors, decided to meet to talk over their problem and to make a lasting peace, which is the customary thing to make after a long and exhausting war. There were eighty-three countries, and each country sent a delegate to the convention. One English-man came, one Peruvian, one Ethiopian, one Frenchman, one Japanese, and so on, until every country was represented.

Alfred, Lord Tennyson photo

“O Love! what hours were thine and mine,
In lands of palm and southern pine;
In lands of palm, of orange-blossom,
Of olive, aloe, and maize and vine!”

Alfred, Lord Tennyson (1809–1892) British poet laureate

The Daisy, Stanza 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

H.L. Mencken photo

“A policeman is a charlatan who offers, in return for obedience, to protect him (a) from his superiors, (b) from his equals, and (c) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y.M.C.A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls”

H.L. Mencken (1880–1956) American journalist and writer

1920s, Notes on Democracy (1926)
Context: What the common man longs for in this world, before and above all his other longings, is the simplest and most ignominious sort of peace: the peace of a trusty in a well-managed penitentiary. He is willing to sacrifice everything else to it. He puts it above his dignity and he puts it above his pride. Above all, he puts it above his liberty. The fact, perhaps, explains his veneration for policemen, in all the forms they take–his belief that there is a mysterious sanctity in law, however absurd it may be in fact.
A policeman is a charlatan who offers, in return for obedience, to protect him (a) from his superiors, (b) from his equals, and (c) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y. M. C. A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls... Under the pressure of fanaticism, and with the mob complacently applauding the show, democratic law tends more and more to be grounded upon the maxim that every citizen is, by nature, a traitor, a libertine, and a scoundrel. In order to dissuade him from his evil-doing the police power is extended until it surpasses anything ever heard of in the oriental monarchies of antiquity.

J. Howard Moore photo
Ralph Waldo Emerson photo
Stephen King photo
Joseph Conrad photo
Herman Melville photo

“And do not think, my boy, that because I, impulsively broke forth in jubillations over Shakspeare, that, therefore, I am of the number of the snobs who burn their tuns of rancid fat at his shrine. No, I would stand afar off & alone, & burn some pure Palm oil, the product of some overtopping trunk.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

I would to God Shakspeare had lived later, & promenaded in Broadway. Not that I might have had the pleasure of leaving my card for him at the Astor, or made merry with him over a bowl of the fine Duyckinck punch; but that the muzzle which all men wore on their soul in the Elizebethan day, might not have intercepted Shakspers full articulations. For I hold it a verity, that even Shakspeare, was not a frank man to the uttermost. And, indeed, who in this intolerant universe is, or can be? But the Declaration of Independence makes a difference.—There, I have driven my horse so hard that I have made my inn before sundown.
Letter to Evert Augustus Duyckinck (3 March 1849); published in The Letters of Herman Melville (1960) edited by Merrell R. Davis and William H. Gilman, p. 79

Adam Goldstein photo

“I am deeply saddened by the news of the passing of DJ AM. He was our resident DJ at Rain Nightclub at the Palms Casino Resort. We considered him a friend and a great artist. He will truly be missed.”

Adam Goldstein (1973–2009) American DJ

George Maloof, entrepreneur and casino owner DJ AM DEATH LEAVES CLUB BOSS DEVASTATED http://www.younghollywood.com/news/2009/08/30/dj-am-death-leaves-club-boss-devastated.html

Chinua Achebe photo

“Proverbs are the palm-oil with which words are eaten.”

Source: Things Fall Apart (1958), Chapter 1

Viktor Pinchuk photo
John D. Bulkeley photo

“As far as the Breakout is that...Breakout, itself is concerned, it was dark, and it was a rather rainy, misty night. We went at high speed, ran through the mine fields, which we knew like the palm of our hands...no problem at all.”

John D. Bulkeley (1911–1996) United States Navy Medal of Honor recipient

Recalling his experiences in evacuating General Douglas MacArthur from Corregidor during the 1941 Japanese invasion of the Philippines
Source: "Better have the books corrected." https://corregidor.org/chs_mac/bulkeley.htm (1987)

Eminem photo
Eminem photo

“His palms are sweaty, knees weak, arms are heavy
There's vomit on his sweater already—Mom's spaghetti”

Eminem (1972) American rapper and actor

"Lose Yourself" (from 8 Mile, 2002)
2000s

Jean Ingelow photo