Quotes about noise
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Karen Marie Moning photo
Jim Butcher photo
Brian Andreas photo
Cassandra Clare photo
Alan Moore photo
Brian Andreas photo
Cassandra Clare photo
David Foster Wallace photo
David Levithan photo
Joyce Carol Oates photo
Elizabeth Wurtzel photo
Rachel Caine photo
Megan Whalen Turner photo

“A thief never makes a noise by accident.”

Source: The Thief

Eoin Colfer photo

“And it's amazing how much noise people ignoring each other can make.”

Eoin Colfer (1965) Irish author of children's books

Source: Benny and Babe

Cassandra Clare photo
Richelle Mead photo
Jennifer Donnelly photo
Wilkie Collins photo
Arthur Schopenhauer photo
Terence McKenna photo
Michel De Montaigne photo

“He who establishes his argument by noise and command shows that his reason is weak.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

John Bellairs photo

“Unexplained noises are best left unexplained.”

The Face in the Frost

Hunter S. Thompson photo
Cassandra Clare photo
Douglas Adams photo

“I love you.""Sorry… what did you…? The planes noise was…”

Bisco Hatori (1975) Japanese manga artist

Source: Ouran High School Host Club, Vol. 17

Rick Riordan photo
George Gordon Byron photo
Sherrilyn Kenyon photo
Andy Warhol photo
Sharon Shinn photo
Richard Brautigan photo
Cassandra Clare photo
John Flanagan photo
Dorothy Parker photo
Stephen King photo
George Eliot photo
Stephen King photo
Alan Moore photo
Louise L. Hay photo
Rick Riordan photo
David Sedaris photo
Anton Chekhov photo
Peter Gabriel photo

“All my instincts, they return.
And the grand façade, so soon will burn.
Without a noise, without my pride
I reach out from the inside.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

In Your Eyes
Song lyrics, So (1986)

S. I. Hayakawa photo
Jeremy Clarkson photo
Chinua Achebe photo
Robert Louis Stevenson photo
Kenneth Grahame photo
Arthur Schopenhauer photo
Carlo Carrà photo
Hunter S. Thompson photo
Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Emil M. Cioran photo
Joan Miró photo

“Let's transplant the primitive soul to the ultramodern New York, inject his soul with the noise of the subway, of the 'el', and may his brain become a long street of buildings 224 stories high.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Barcelona - Dada, 1917
1915 - 1940
Source: a letter to Enric C. Ricart, 1 October 1917; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 47

Charles Lamb photo
William Gibson photo
John Rupert Firth photo

“The phonetic animal par excellence is man. All men are born with an infinite capacity for making noises and using them.”

John Rupert Firth (1890–1960) English linguist

1964, p. 141; Chapter 1; Chapter 1: The Origin of Speech
Speech, 1930

Gerald Durrell photo
Geoffrey Howe photo
John Crowley photo
Devin Townsend photo
Letitia Elizabeth Landon photo
Edward Frenkel photo
Ramakrishna photo
Jiddu Krishnamurti photo

“Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIV, p. 301
Posthumous publications, The Collected Works

Kenneth Grahame photo
Saul D. Alinsky photo
Aldous Huxley photo

“There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world’s capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don’t want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else’s categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 55
Do What You Will (1928)

Pearl S.  Buck photo
Peter Kenneth photo

“Look at all of us and dismiss the noise makers. Let us look for a leader who will serve the entire country. So all I ever want is to work for you. That is all.”

Peter Kenneth (1965) politician

During his visit to Tharaka Nithi constituency in Kenya in 2011
Hon.Peter Kenneth( Tharaka Nithi potential and KNC vision for kenya)m4v - Kenya Videos : Firstpost Topic - Page 1, firstpost.com, 2012, 16 July 2012 http://www.firstpost.com/topic/place/kenya-honpeter-kenneth-tharaka-nithi-potential-and-knc-vision-fo-video-dimiFuvM_PI-577-1.html,

Christopher Marlowe photo

“Pray for me! and what noise soever ye hear, come not unto me, for nothing can rescue me.”

Faustus, Act V, scene ii, lines 57–58
Doctor Faustus (c. 1603)

Sarah Dessen photo
Adair Turner, Baron Turner of Ecchinswell photo
John Cheever photo

“For me, a page of good prose is where one hears the rain [and] the noise of battle. [It] has the power to give grief or universality that lends it a youthful beauty.”

John Cheever (1912–1982) American novelist and short story writer

Accepting National Medal for Literature (April 27, 1982).

Peter Greenaway photo
Aldo Capitini photo