Quotes about metaphor
A collection of quotes on the topic of metaphor, use, likeness, world.
Quotes about metaphor
Source: Bone: Dying into Life (2000), p. 165

Dans Les Leçons Élémentaires sur les Mathématiques (1795) Leçon cinquiéme, Tr. McCormack, cited in Moritz, Memorabilia mathematica or, The philomath's quotation-book (1914) Ch. 15 Arithmetic, p. 261. https://archive.org/stream/memorabiliamathe00moriiala#page/260/mode/2up

"Politics and the English Language" (1946)
Context: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.

“Running is the greatest metaphor for life, because you get out of it what you put into it.”

Look at the Harlequins! (1974).

On Truth and Lie in an Extra-Moral Sense (1873)

Source: Real Presences (1989), I: A Secondary City, Ch. 1 (p. 3).

Richard Long in a text quoted by Fuchs, cited in: Book Review Digest. Vol. 83 (1987), p. 637
1980s
Source: Dancing in the Flames (1997), p. 174
“Too late, you're in the express line!”
"Metaphorical Reasons", Live Songs and Stories (What Are Records?, 2002)

Other
Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 91

On Truth and Lie in an Extra-Moral Sense (1873)

"An Interview with Bernard Malamud", in Leslie A. Field and Joyce W. Field (eds.) Bernard Malamud: A Collection of Critical Essays (London: Prentice-Hall, 1975) p. 11

Le mal de prendre une hypallage pour une découverte, une métaphore pour une démonstration, un vomissement de mots pour un torrent de connaissances capitales, et soi-même pour un oracle, ce mal naît avec nous.
Introduction to the Method of Leonardo da Vinci (1895)

Lady Gaga Says 'Judas' Video 'Celebrates Faith' in MTV News (26 Apr 26 2011) http://www.mtv.com/news/articles/1662707/lady-gaga-judas-music-video.jhtml.

Other

On Truth and Lie in an Extra-Moral Sense (1873)
Context: Everything which distinguishes man from the animals depends upon this ability to volatilize perceptual metaphors in a schema, and thus to dissolve an image into a concept. For something is possible in the realm of these schemata which could never be achieved with the vivid first impressions: the construction of a pyramidal order according to castes and degrees, the creation of a new world of laws, privileges, subordinations, and clearly marked boundaries — a new world, one which now confronts that other vivid world of first impressions as more solid, more universal, better known, and more human than the immediately perceived world, and thus as the regulative and imperative world.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: That immense framework and planking of concepts to which the needy man clings his whole life long in order to preserve himself is nothing but a scaffolding and toy for the most audacious feats of the liberated intellect. And when it smashes this framework to pieces, throws it into confusion, and puts it back together in an ironic fashion, pairing the most alien things and separating the closest, it is demonstrating that it has no need of these makeshifts of indigence and that it will now be guided by intuitions rather than by concepts. There is no regular path which leads from these intuitions into the land of ghostly schemata, the land of abstractions. There exists no word for these intuitions; when man sees them he grows dumb, or else he speaks only in forbidden metaphors and in unheard — of combinations of concepts. He does this so that by shattering and mocking the old conceptual barriers he may at least correspond creatively to the impression of the powerful present intuition.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: The various languages placed side by side show that with words it is never a question of truth, never a question of adequate expression; otherwise, there would not be so many languages. The "thing in itself" (which is precisely what the pure truth, apart from any of its consequences, would be) is likewise something quite incomprehensible to the creator of language and something not in the least worth striving for. This creator only designates the relations of things to men, and for expressing these relations he lays hold of the boldest metaphors.' To begin with, a nerve stimulus is transferred into an image: first metaphor. The image, in turn, is imitated in a sound: second metaphor. And each time there is a complete overleaping of one sphere, right into the middle of an entirely new and different one.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed. It is even a difficult thing for him to admit to himself that the insect or the bird perceives an entirely different world from the one that man does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless, for this would have to have been decided previously in accordance with the criterion of the correct perception, which means, in accordance with a criterion which is not available.

Source: The Courage to Create (1975), Ch. 5 : The Delphic Oracle as Therapist, p. 99
Context: The self is made up, on its growing edge, of the models, forms, metaphors, myths, and all other kinds of psychic content which give it direction in its self-creation. This is a process that goes on continuously. As Kierkegaard well said, the self is only that which it is in the process of becoming. Despite the obvious determinism in human life — especially in the physical aspect of ones self in such simple things as color of eyes, height relative length of life, and so on — there is also, clearly, this element of self-directing, self-forming. Thinking and self-creating are inseparable. When we become aware of all the fantasies in which we see ourselves in the future, pilot ourselves this way or that, this becomes obvious.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force, coins which have lost their embossing and are now considered as metal and no longer as coins.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: The drive toward the formation of metaphors is the fundamental human drive, which one cannot for a single instant dispense with in thought, for one would thereby dispense with man himself. This drive is not truly vanquished and scarcely subdued by the fact that a regular and rigid new world is constructed as its prison from its own ephemeral products, the concepts. It seeks a new realm and another channel for its activity, and it finds this in myth and in art generally. This drive continually confuses the conceptual categories and cells by bringing forward new transferences, metaphors, and metonymies. It continually manifests an ardent desire to refashion the world which presents itself to waking man, so that it will be as colorful, irregular, lacking in results and coherence, charming, and eternally new as the world of dreams. Indeed, it is only by means of the rigid and regular web of concepts that the waking man clearly sees that he is awake; and it is precisely because of this that he sometimes thinks that he must be dreaming when this web of concepts is torn by art.

Source: Interview with The London Paper about Inglourious Basterds http://www.thelondonpaper.com/going-out/whats-new/quentin-tarantino-the-big-interview
“Either ghosts are a metaphor for history, or history is a metaphor for ghosts.”
Source: Kilroy Was Here (1996), p. 133

White House Correspondents' Association Dinner (2006)
Context: Jesse Jackson is here. I had him on the show. Very interesting and challenging interview. You can ask him anything, but he’s going to say what he wants at the pace that he wants. It's like boxing a glacier. Enjoy that metaphor, by the way, because your grandchildren will have no idea what a glacier is.

“A single metaphor can give birth to love.”
pg 10
Variant: Metaphors are not to be trifled with. A single metaphor can give birth to love.
Source: The Unbearable Lightness of Being (1984), Part One: Lightness and Weight

“Reality is a cliché from which we escape by metaphor.”
Source: The Necessary Angel: Essays on Reality and the Imagination

“We're trapped in linguistic constructs… all that is is metaphor.”

“There is a terrible sameness to the euphoria of alcohol and the euphoria of metaphor.”

“Maybe happiness too is a metaphor invented on a day of boredom”
Source: November

Source: The Poet's Companion: A Guide To The Pleasures Of Writing Poetry
Source: Fly on the Wall: How One Girl Saw Everything

“The metaphor is perhaps one of man's most fruitful potentialities.”
"Taboo and Metaphor"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our other faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or to break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands. A strange thing, indeed, the existence in man of this mental activity which substitutes one thing for another — from an urge not so much to get at the first as to get rid of the second.

“All words, in every language, are metaphors.”
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 120
Source: I'd Tell You I Love You, But Then I'd Have to Kill You

“Those who truly understand their faiths understand the stories are metaphorical.”
Source: The Da Vinci Code
The Curious Incident of the Dog in the Night-Time
Source: In the Woods

André Breton or the Quest of the Beginning
Source: Alternating Current (1967)
Context: If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time.

“Unless you are educated in metaphor, you are not safe to be let loose in the world.”
Variant: Unless you are at home in the metaphor, you are not safe anywhere.

“A bridge is a meeting place… a possibility, a metaphor.”
Source: The Passion (1987)
Context: We didn't build our bridges simply to avoid walking on water. Nothing so obvious. A bridge is a meeting place. A neutral place. A casual place. Enemies will choose to meet on a bridge and end their quarrel in that void... For lovers, a bridge is a possibility, a metaphor of their chances. And for the traffic in whispered goods, where else but a bridge in the night? (p.57)

“Literature, not scripture, sustains the mind and—since there is no other metaphor—also the soul.”

“You don’t see something until you have the right metaphor to let you perceive it”
Source: Chaos: Making a New Science

Source: Black: The Birth of Evil

“If you want to change the world, you have to change the metaphor.”

Source: Equisse d'une Théorie de la Pratique (1977), p. 91

“The metaphor is probably the most fertile power possessed by man”

“A metaphorical weight lifted from his allegorical chest and Artemis Fowl felt himself again.”
Source: Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
