Quotes about material
page 3

Abraham Lincoln photo

“Passion has helped us; but can do so no more. It will in future be our enemy. Reason, cold, calculating, unimpassioned reason, must furnish all the materials for our future support and defence.”

Abraham Lincoln (1809–1865) 16th President of the United States

Let those materials be moulded into general intelligence, sound morality, and in particular, a reverence for the constitution and laws: and, that we improved to the last; that we remained free to the last; that we revered his name to the last; that, during his long sleep, we permitted no hostile foot to pass over or desecrate his resting place; shall be that which to learn the last trump shall awaken our WASHINGTON.
Upon these let the proud fabric of freedom rest, as the rock of its basis; and as truly as has been said of the only greater institution, "the gates of hell shall not prevail against it".
1830s, The Lyceum Address (1838)

Julius Evola photo
Nikola Tesla photo

“Aluminium, however, will not stop at downing copper. Before many years have passed it will be engaged in a fierce struggle with iron, and in the latter it will find an adversary not easy to conquer. The issue of the contest will largely depend on whether iron shall be indispensable in electric machinery. This the future alone can decide. The magnetism as exhibited in iron is an isolated phenomenon in nature. What it is that makes this metal behave so radically different from all other materials in this respect has not yet been ascertained, though many theories have been suggested. As regards magnetism, the molecules of the various bodies behave like hollow beams partly filled with a heavy fluid and balanced in the middle in the manner of a see-saw. Evidently some disturbing influence exists in nature which causes each molecule, like such a beam, to tilt either one or the other way. If the molecules are tilted one way, the body is magnetic; if they are tilted the other way, the body is non-magnetic; but both positions are stable, as they would be in the case of the hollow beam, owing to the rush of the fluid to the lower end. Now, the wonderful thing is that the molecules of all known bodies went one way, while those of iron went the other way. This metal, it would seem, has an origin entirely different from that of the rest of the globe. It is highly improbable that we shall discover some other and cheaper material which will equal or surpass iron in magnetic qualities.”

Nikola Tesla (1856–1943) Serbian American inventor

The Problem of Increasing Human Energy (1900)

Karl Marx photo
Karl Marx photo
Karl Marx photo
Karl Marx photo
Karl Marx photo

“The fact is, therefore, that definite individuals who are productively active in a definite way enter into these definite social and political relations. Empirical observation must in each separate instance bring out empirically, and without any mystification and speculation, the connection of the social and political structure with production. The social structure and the state are continually evolving out of the life-process of definite individuals, but of individuals, not as they appear in their own or other people's imagination, but as they really are; i.e. as they are effective, produce materially, and are active under definite material limits, presuppositions and conditions independent of their will.
The production of ideas, of conceptions, of consciousness, is at first directly interwoven with the material activity and the material intercourse of men, the language of real life. Conceiving, thinking, the mental intercourse of men, appear at this stage as the direct efflux of their material behaviour. The same applies to mental production as expressed in the language of the politics, laws, morality, religion, metaphysics of a people. Men are the producers of their conception, ideas, etc.”

real, active men, as they are conditioned by a definite development of their productive forces and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence, and the existence of men is their actual life-process. If in all ideology men and their circumstances appear upside down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.
Source: The German Ideology (1845-1846)

Karl Marx photo
Ralph Waldo Emerson photo
Mirza Masroor Ahmad photo

“Mankind is turning increasingly towards fulfilling worldly desires and materialism...”

Mirza Masroor Ahmad (1950) spiritual leader of the Ahmadiyya Muslim Community

Virtual Meetings
Source: Virtual Mulaqat with Ahmadi Muslim Women from Kababir https://www.pressahmadiyya.com/press-releases/2021/06/ahmadi-muslim-women-from-kababir-have-honour-of-a-virtual-meeting-with-the-head-of-the-ahmadiyya-muslim-community/, 6 June 2021

Napoleon Hill photo
Cassandra Clare photo
Mary Wollstonecraft Shelley photo
Jon Krakauer photo
Philip Roth photo
Robert M. Pirsig photo
Jeffrey Eugenides photo
Ian McEwan photo
Susan Sontag photo
Eric Hobsbawm photo
Anne Lamott photo

“Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Bird by Bird: Some Instructions on Writing and Life

Carl R. Rogers photo
Chuck Palahniuk photo
Sam Harris photo
Idries Shah photo
James Joyce photo
Cassandra Clare photo
Anthony Bourdain photo
Michael Cunningham photo
Anaïs Nin photo
Jon Krakauer photo
Giacomo Casanova photo
Ralph Waldo Emerson photo

“Great men are they who see that spiritual is stronger than any material force, that thoughts rule the world. No hope so bright but is the beginning of its own fulfilment.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Progress of Culture Phi Beta Kappa Address (July 18, 1867)
1870s, Society and Solitude (1870), Books, Letters and Social Aims http://www.rwe.org/comm/index.php?option=com_content&task=category&sectionid=5&id=74&Itemid=149 (1876)

Arthur Schopenhauer photo
Patricia Highsmith photo
Mitch Albom photo
Malcolm Gladwell photo
Tsunetomo Yamamoto photo
Patti Smith photo
Bill Bryson photo
Vikram Seth photo
Louise Erdrich photo
Peter Singer photo

“Extreme poverty is not only a condition of unsatisfied material needs. It is often accompanied by a degrading state of powerlessness.”

Peter Singer (1946) Australian philosopher

Source: The Life You Can Save: Acting Now to End World Poverty

Daniel Kahneman photo

“Intelligence is not only the ability to reason; it is also the ability to find relevant material in memory and to deploy attention when needed.”

Source: Thinking, Fast and Slow (2011), Chapter 3, "The lazy controller", page 46 (ISBN 9780141033570).

Bill Hicks photo
Emily Dickinson photo
Ian McEwan photo
David Byrne photo
Adolf Hitler photo

“I begin with the young. We older ones are used up but my magnificent youngsters! Are there finer ones anywhere in the world? Look at all these men and boys! What material! With you and I, we can make a new world.”

Adolf Hitler c. 1933; as quoted in Hitler Speaks http://books.google.com/books?id=PndurCstDZMC&pg=PA251 (1939), by Hermann Rauschning, London: Thornton Butterworth, p. 247.
Misattributed
Source: Hitler's Letters and Notes
Context: I am beginning with the young. We older ones are used up. Yes, we are old already. We are rotten to the marrow. We have no unrestrained instincts left. We are cowardly and sentimental. We are bearing the burden of a humiliating past, and have in our blood the dull recollection of serfdom and servility. But my magnificent youngsters! Are there finer ones anywhere in the world? Look at these young men and boys! What material! With them, I can make a new world.

Anaïs Nin photo

“You can present the material, but you can't make me care.”

Bill Watterson (1958) American comic artist

Source: Homicidal Psycho Jungle Cat: A Calvin and Hobbes Collection

Henry David Thoreau photo
David Allen photo

“The less you are driven by what goes on in this material world, the more you will pay attention to its details.”

David Allen (1945) American productivity consultant and author

29 October 2010 https://twitter.com/gtdguy/status/29053579357
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy
Source: Getting Things Done: The Art of Stress-Free Productivity

John Steinbeck photo
Adolf Hitler photo
Edith Wharton photo
Mitch Albom photo
E.M. Forster photo
Henry Rollins photo
F. Scott Fitzgerald photo
Tim Gunn photo

“Call me a schoolmarm, but few things make me angrier than people not taking good care of library materials.”

Tim Gunn (1953) American actor and fashion consultant

Source: Gunn's Golden Rules: Life's Little Lessons for Making It Work

Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

“Like proselytization, desecrating and demolishing the temples of non-Muslims is also central to Islam…. India too suffered terribly as thousands of Hindu temples and sacred edifices disappeared in northern India by the time of Sikandar Lodi and Babur. Will Durant rightly laments in the Story of Civilization that "We can never know from looking at India today, what grandeur and beauty it once possessed". In Delhi, after the demolition of twenty-seven Hindu and Jain temples, the materials of which were utilized to construct the Quwwat-ul-Islam masjid, it was after 700 years that the Birla Mandir could be constructed in 1930s. Sita Ram Goel has brought out two excellent volumes on Hindu Temples: What happened to them. These informative volumes give a list of Hindu shrines and their history of destruction in the medieval period on the basis of Muslim evidence itself. This of course does not cover all the shrines razed. Muslims broke temples recklessly. Those held in special veneration by Hindus like the ones at Somnath, Ayodhya, Kashi and Mathura, were special targets of Muslims, and whenever the Hindus could manage to rebuild their shrines at these places, they were again destroyed by Muslim rulers. From the time of Mahmud of Ghazni who destroyed the temples at Somnath and Mathura to Babur who struck at Ayodhya to Aurangzeb who razed the temples at Kashi Mathura and Somnath, the story is repeated again and again.”

Theory and Practice of Muslim State in India (1999)

Giorgio Morandi photo

“WE MUST DESTROY ALL PASSÉIST CLOTHES, and everything about them which is tight-fitting, colourless, funereal, decadent, boring and unhygienic. As far as materials are concerned, we must abolish: wishywashy, pretty-pretty, gloomy, and neutral colours, along with patterns composed of lines, checks and spots.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1913); as quoted at dekorera.tumblr: Futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo
Futurist Manifesto of Men's clothing,' 1913/1914

Pauline Kael photo
Vitruvius photo
Marcel Duchamp photo

“[ Impressionism was] the beginning of a cult devoted to the material on the canvas – the actual pigment..”

Marcel Duchamp (1887–1968) French painter and sculptor

posthumous

Lewis Mumford photo
Seneca the Younger photo

“Death is a release from and an end of all pains: beyond it our sufferings cannot extend: it restores us to the peaceful rest in which we lay before we were born. If anyone pities the dead, he ought also to pity those who have not been born. Death is neither a good nor a bad thing, for that alone which is something can be a good or a bad thing: but that which is nothing, and reduces all things to nothing, does not hand us over to either fortune, because good and bad require some material to work upon. Fortune cannot take ahold of that which Nature has let go, nor can a man be unhappy if he is nothing.”
Mors dolorum omnium exsolutio est et finis ultra quem mala nostra non exeunt, quae nos in illam tranquillitatem in qua antequam nasceremur iacuimus reponit. Si mortuorum aliquis miseretur, et non natorum misereatur. Mors nec bonum nec malum est; id enim potest aut bonum aut malum esse quod aliquid est; quod uero ipsum nihil est et omnia in nihilum redigit, nulli nos fortunae tradit. Mala enim bonaque circa aliquam uersantur materiam: non potest id fortuna tenere quod natura dimisit, nec potest miser esse qui nullus est.

From Ad Marciam De Consolatione (Of Consolation, To Marcia), cap. XIX, line 5
In L. Anneus Seneca: Minor Dialogues (1889), translated by Aubrey Stewart, George Bell and Sons (London), p. 190.
Other works

Jane Roberts photo
Jean Metzinger photo
Pierre Duhem photo

“The first question we should face is: What is the aim of a physical theory? To this question diverse answers have been made, but all of them may be reduced to two main principles:
"A physical theory," certain logicians have replied, "has for its object the explanation of a group of laws experimentally established."
"A physical theory," other thinkers have said, "is an abstract system whose aim is to summarize and classify logically a group of experimental laws without claiming to explain these laws…
Now these two questions — Does there exist a material reality distinct from sensible appearances? and What is the nature of reality? — do not have their source in experimental method, which is acquainted only with sensible appearances and can discover nothing beyond them. The resolution of these questions transcends the methods used by physics; it is the object of metaphysics.
Therefore, if the aim of physical theories is to explain experimental laws, theoretical physics is not an autonomous science; it is subordinate to metaphysics…
Now, to make physical theories depend on metaphysics is surely not the way to let them enjoy the privilege of universal consent.”

Pierre Duhem (1861–1916) French physicist, historian of science

Notice sur les Titres et Travaux scientifiques de Pierre Duhem rédigée par lui-même lors de sa candidature à l'Académie des sciences (mai 1913), The Aim and Structure of Physical Theory (1906)

Alain de Botton photo
Rakesh Khurana photo

“Neoclassical economic theory forms the central discourse and behavioral model of contemporary management education. Drawing on research and insights from game theory and behavioral economics we have argued that many of the core assumptions underlying this model are flawed. While we cannot say that the widespread reliance on the Homo economicus model has caused the highly level of observed managerial malfeasance, it may well have, and it surely does not act as a healthy influence on managerial morality. Students have learned this flawed model and in their capacity as corporate managers, doubtless act daily in conformance with it. This, in turn, may have contributed to the weakening of socially functional values and norms like honesty, integrity, self-restraint, reciprocity and fairness, to the detriment of the health of the enterprise. Simultaneously, this perspective has legitimized, or at least not delegitimized, such behaviors as material greed and optimizing with guile. We noted that this model has become highly institutionalized in business education. Fortunately, we believe that the potential for moving away from this flawed model is significant and thus can end this chapter on a more optimistic note for the future of business education.”

Rakesh Khurana (1967) American business academic

Herbert Gintis and Rakesh Khurana. " What Happened When Homo Economicus Entered Business School https://evonomics.com/what-happens-when-you-introduce-homo-economicus-into-business/," in: evonomics.com, July 14, 2016.

Ervin László photo

“I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So, I made boxes..”

Adolph Gottlieb (1903–1974) American artist

Variant: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.