Quotes about instrument
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“You have in yourself the instrument of your cure.”
Quoted in: Andy Robbins (2012) The Pillars of Prosperity, p. 129.
Discussion of the Chaconne in Bach's Partita for Violin #2. Litzman, Berthold (editor). "Letters of Clara Schumann and Johannes Brahms, 1853–1896". Hyperion Press, 1979, p. 16.
Source: The Problems of Leninism, Ch.8
The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012
Music without lyrics travels more easily and may be biologically conceived and received".
1979
QRO Magazine interview (2007)
Context: The first thing I did when I picked up any instrument, when I was five years old, was write a song. It's kind of funny; I thought about it, statements that it's a "solo effort" — it's kind of like, "Oh, well I've been doing this since I was five." I was kind of doing this before I did anything else.
"Printing and Paper Making" in The Common School Journal Vol. V, No. 3 (1 February 1843)
Context: Every school boy and school girl who has arrived at the age of reflection ought to know something about the history of the art of printing, papermaking, and so forth. … All children will work better if pleased with their tools; and there are no tools more ingeniously wrought, or more potent than those which belong to the art of the printer. Dynasties and governments used to be attacked and defended by arms; now the attack and the defence are mainly carried on by types. To sustain any scheme of state policy, to uphold one administration or to demolish another, types, not soldiers, are brought into line. Hostile parties, and sometimes hostile nations, instead of fitting out martial or naval expeditions, establish printing presses, and discharge pamphlets or octavoes at each other, instead of cannon balls. The poniard and the stiletto were once the resource of a murderous spirit; now the vengeance, which formerly would assassinate in the dark, libels character, in the light of day, through the medium of the press.
But through this instrumentality good can be wrought as well as evil. Knowledge can be acquired, diffused, perpetuated. An invisible, inaudible, intangible thought in the silent chambers of the mind, breaks away from its confinement, becomes imbodied in a sign, is multiplied by myriads, traverses the earth, and goes resounding down to the latest posterity.
After all, it’s more useful to know how to drive a car than it is to know what makes it go. Of course it’s important to know certain things about a machine, but I don’t need to be able to build my own synthesizer. It strikes me that the people who do build them don’t know how to play them, so l’d rather find out more about playing".
1984
1900s, The Strenuous Life: Essays and Addresses (1900), National Duties
Context: Barbarism has, and can have, no place in a civilized world. It is our duty toward the people living in barbarism to see that they are freed from their chains, and we can free them only by destroying barbarism itself. The missionary, the merchant, and the soldier may each have to play a part in this destruction, and in the consequent uplifting of the people. Exactly as it is the duty of a civilized power scrupulously to respect the rights of all weaker civilized powers and gladly to help those who are struggling toward civilization, so it is its duty to put down savagery and barbarism. As in such a work human instruments must be used, and as human instruments are imperfect, this means that at times there will be injustice; that at times merchant or soldier, or even missionary, may do wrong. Let us instantly condemn and rectify such wrong when it occurs, and if possible punish the wrongdoer. But shame, thrice shame to us, if we are so foolish as to make such occasional wrongdoing an excuse for failing to perform a great and righteous task. Not only in our own land, but throughout the world, throughout all history, the advance of civilization has been of incalculable benefit to mankind, and those through whom it has advanced deserve the highest honor. All honor to the missionary, all honor to the soldier, all honor to the merchant who now in our own day have done so much to bring light into the world’s dark places.
This they said, and this meant. They did not mean to assert the obvious untruth, that all were then actually enjoying that equality, nor yet, that they were about to confer it immediately upon them. In fact they had no power to confer such a boon. They meant simply to declare the right, so that the enforcement of it might follow as fast as circumstances should permit. They meant to set up a standard maxim for free society, which should be familiar to all, and revered by all; constantly looked to, constantly labored for, and even though never perfectly attained, constantly approximated, and thereby constantly spreading and deepening its influence, and augmenting the happiness and value of life to all people of all colors everywhere. The assertion that "all men are created equal" was of no practical use in effecting our separation from Great Britain; and it was placed in the Declaration, nor for that, but for future use. Its authors meant it to be, thank God, it is now proving itself, a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack. I have now briefly expressed my view of the meaning and objects of that part of the Declaration of Independence which declares that "all men are created equal".
1850s, Speech on the Dred Scott Decision (1857)
Source: Moral Man and Immoral Society (1932), pp. 194-196
Context: The hope that the internal enemies will all be destroyed and that the new society will create only men who will be in perfect accord with the collective will of society, and will not seek personal advantage in the social process, is romantic in its interpretation of the possibilities of human nature and in its mystical glorification of the anticipated automatic mutuality in the communist society.... In all these prophecies pure sentimentality obscures the fact that there can never be a perfect mutuality of interest between individuals who perform different functions in society... Man will always be imaginative enough to enlarge his needs beyond minimum requirements and selfish enough to feel the pressure of his needs more than the needs of others. Every society will have to maintain methods of arbitrating conflicting needs to the end of history; and in that process those who are shrewder will gain some advantage over the simple, even if they should lack special instruments of power.
1850s, Speech on the Dred Scott Decision (1857)
Context: We believe … in obedience to, and respect for the judicial department of government. We think its decisions on Constitutional questions, when fully settled, should control, not only the particular cases decided, but the general policy of the country, subject to be disturbed only by amendments of the Constitution as provided in that instrument itself. More than this would be revolution. But we think the Dred Scott decision is erroneous. … If this important decision had been made by the unanimous concurrence of the judges, and without any apparent partisan bias, and in accordance with legal public expectation, and with the steady practice of the departments throughout our history, and had been in no part, based on assumed historical facts which are not really true; or, if wanting in some of these, it had been before the court more than once, and had there been affirmed and re-affirmed through a course of years, it then might be, perhaps would be, factious, nay, even revolutionary, to not acquiesce in it as a precedent.
Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.
1850s, Speech on the Dred Scott Decision (1857)
Context: I think the authors of that notable instrument intended to include all men, but they did not intend to declare all men equal in all respects. They did not mean to say all were equal in color, size, intellect, moral developments, or social capacity. They defined with tolerable distinctness, in what respects they did consider all men created equal; equal in "certain inalienable rights, among which are life, liberty, and the pursuit of happiness." This they said, and this meant. They did not mean to assert the obvious untruth, that all were then actually enjoying that equality, nor yet, that they were about to confer it immediately upon them. In fact they had no power to confer such a boon. They meant simply to declare the right, so that the enforcement of it might follow as fast as circumstances should permit. They meant to set up a standard maxim for free society, which should be familiar to all, and revered by all; constantly looked to, constantly labored for, and even though never perfectly attained, constantly approximated, and thereby constantly spreading and deepening its influence, and augmenting the happiness and value of life to all people of all colors everywhere. The assertion that "all men are created equal" was of no practical use in effecting our separation from Great Britain; and it was placed in the Declaration, nor for that, but for future use. Its authors meant it to be, thank God, it is now proving itself, a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack. I have now briefly expressed my view of the meaning and objects of that part of the Declaration of Independence which declares that "all men are created equal".
although many engines move without being touched by any one
VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Attributed to George Washington, John Frederick Schroeder, D. D., Maxims of Washington; Political, Social, Moral, and Religious. Third Edition, p. 90, (1854).
Posthumous attributions
Zakir Hussain, the famous tabla player quoted in "The Dawn of Indian Music in the West" page=121
Grundrisse (1857-1858)
Source: Notebook VII, The Chapter on Capital, pp. 628–629.
“Lord, make me an instrument of thy peace. Where there is hatred, let me sow love.”
Quoted in Pope John Paul II, Homily for the Canonization of Father Leopold of Castelnovo (16 October 1983) https://www.vatican.va/content/john-paul-ii/it/homilies/1983/documents/hf_jp-ii_hom_19831016_leopoldo-da-castelnovo.html.
Original: (it) Nascondiamo tutto, anche quello che può avere apparenza di dono di Dio, affinché non se ne faccia mercato. A Dio solo l'onore e la gloria! Se fosse possibile, noi dovremmo passare sulla terra come un'ombra che non lascia traccia di sé.
1960s, Voting Rights Act signing speech (1965)
Context: If you do this, then you will find, as others have found before you, that the vote is the most powerful instrument ever devised by man for breaking down injustice and destroying the terrible walls which imprison men because they are different from other men.
Source: The Boy in the Striped Pajamas
Source: The Fact of a Doorframe: Poems Selected and New, 1950-1984
“I see my body as an instrument, rather than an ornament.”
“I learned to play the instruments of war," he said, "and paint in blood.”
Source: City of Lost Souls
“Don't screech like that. You'll wake the dead." - Jace - The Mortal Instruments - City Of Bones”
Variant: Don't screech like that. You'll wake the dead.
Source: City of Bones
“The past is a life sentence, a blunt instrument aimed at tomorrow.”
Source: Citizen: An American Lyric
Source: The Naked and the Dead
Variant: But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest.
Source: East of Eden
Source: How to Stop Worrying and Start Living
Variant: There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
“The Harmonica is the world’s best-selling musical instrument. You’re welcome.”
“Prosperity is only an instrument to be used, not a deity to be worshipped.”
Source: Obedience to Authority
The Devil's Dictionary (1911)
“The body is an instrument which only gives off music when it is used as a body.”
The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
Context: The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.
Speech, Constitutional Convention (29 June 1787), from Max Farrand's Records of the Federal Convention of 1787, Vol. I http://memory.loc.gov/cgi-bin/ampage?collId=llfr&fileName=001/llfr001.db&recNum=494&itemLink=D?hlaw:5:./temp/~ammem_kmli::%230010495&linkText=1 (1911), p. 465
1780s
Context: In time of actual war, great discretionary powers are constantly given to the Executive Magistrate. Constant apprehension of War, has the same tendency to render the head too large for the body. A standing military force, with an overgrown Executive will not long be safe companions to liberty. The means of defence against foreign danger have been always the instruments of tyranny at home. Among the Romans it was a standing maxim to excite a war, whenever a revolt was apprehended. Throughout all Europe, the armies kept up under the pretext of defending, have enslaved the people.
Section 13; often the final portion of this is quoted alone as: "Absolute faith corrupts as absolutely as absolute power."
Reflections on the Human Condition (1973)
Context: The Savior who wants to turn men into angels is as much a hater of human nature as the totalitarian despot who wants to turn them into puppets.
There are similarities between absolute power and absolute faith: a demand for absolute obedience; a readiness to attempt the impossible; a bias for simple solutions — to cut the knot rather than unravel it; the viewing of compromise as surrender; the tendency to manipulate people and "experiment with blood."
Both absolute power and absolute faith are instruments of dehumanization. Hence absolute faith corrupts as absolutely as absolute power.
Essays on Woman (1996), Spirituality of the Christian Woman (1932)
Thoughts and Glimpses (1916-17)
Entry (1960)
Eric Hoffer and the Art of the Notebook (2005)
Speech to the Massachusetts State Senate http://friesian.com/ross/ca40/2002.htm#war (7 January 1914).
1910s, Speech to the Massachusetts State Senate (1914)
Source: Break-Out from the Crystal Palace (1974), p. 111
Source: The Life Energy in Music, Vol. 1 (1981), p. 105
A Long Fatal Love Chase (1866)
pg. 57
The Sports and Pastimes of the People of England (1801), Weapons
Source: The motivation to work, 1959, p. 63
Chap. V
The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African (1789)
Speech to the Bewdley Unionist Association in Worcester (10 April 1937), quoted in Service of Our Lives (1937), pp. 102-104.
1937
What Is A Jazz Composer? (1971)
The Leader of the Band.
Song lyrics, The Innocent Age (1981)
Written in 1997, from the liner notes for Jazz Corps (1998)
"Special message to Congress: Program for Economic Recovery and Growth (17)", (2 February 1961) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx
1961
Speech in Chippenham (12 June 1926), quoted in Our Inheritance (London: Hodder and Stoughton, 1938), pp. 164-165.
1926
Start of Chapter 29 (at page 237)
Felix Holt, the Radical (1866)
Lecture III. The Safeguards of Individual Liberty - 19. Fundamental Rights and the Protected Private Sphere
1940s–1950s, The Political Ideal of the Rule of Law (1955)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 83.
Writing for the court, Smith v. Texas, 33 U.S. 129 (1940).
1918 (The Hour of God)
India's Rebirth
Clyfford Still, interview with Ti Grace Sharpless, 1963; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 200
1960s
Part II: Letters (1887 - 1901) TO MRS. LAURENCE HUTTON Wrentham, February 20, 1898.
The Story of My Life (1903)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 321.
Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind
Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119
Maurice Ravel and unattributed. "Finding Tunes in Factories", Evening Standard, London, 24 February 1932.
Also printed in: Orenstein, Arbie, ed. (1990). A Ravel Reader: Correspondence, Articles, Interviews, p.490-91. New York: Columbia University Press.
“The human body is an instrument for the production of art in the life of the human soul.”
Source: 1930s, Adventures of Ideas (1933), p. 349.
