Quotes about instrument
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Thomas Henry Huxley photo
Max Horkheimer photo
Patrick Stump photo
James Burke (science historian) photo
Jack Vance photo

“The mind was a marvellous instrument, thought Shimrod; when left to wander untended, it often arrived at curious destinations.”

Source: Lyonesse Trilogy (1983-1989), Madouc (1989), Chapter 11, section 2 (p. 968)

Ambrose Bierce photo
Nyanaponika Thera photo
Walter Benjamin photo
Calvin Coolidge photo
Anthony Trollope photo
Averroes photo

“It is the general authority to undertake the establishment of religion through the revival of religious sciences, the establishment of the pillars of Islam, the organization of jihad and its related functions of maintenance of armies, financing the soldiers, and allocation of their rightful portions from the spoils of war, administration of justice, enforcement of [the limits ordained by Allah, including the punishment for crimes (hudud)], elimination of injustice, and enjoining good and forbidding evil, to be exercised on behalf of the Prophet… It is no mercy to them to stop at intellectually establishing the truth of Religion to them. Rather, true mercy towards them is to compel them so that Faith finds a way to their minds despite themselves. It is like a bitter medicine administered to a sick man. Moreover, there can be no compulsion without eliminating those who are a source of great harm or aggression, or liquidating their force, and capturing their riches, so as to render them incapable of posing any challenge to Religion. Thus their followers and progeny are able to enter the faith with free and conscious submission… Jihad made it possible for the early followers of Islam from the Muhajirun and the Ansar to be instrumental in the entry of the Quraysh and the people around them into the fold of Islam. Subsequently, God destined that Mesopotamia and Syria be conquered at their hands. Later on it was through the Muslims of these areas that God made the empires of the Persians and Romans to be subdued. And again, it was through the Muslims of these newly conquered realms that God actualized the conquests of India, Turkey and Sudan. In this way, the benefits of jihad multiply incessantly, and it becomes, in that respect, similar to creating an endowment, building inns and other kinds of recurring charities.… Jihad is an exercise replete with tremendous benefits for the Muslim community, and it is the instrument of jihad alone that can bring about their victory.… The supremacy of his Religion over all other religions cannot be realized without jihad and the necessary preparation for it, including the procurement of its instruments. Therefore, if the Prophet’s followers abandon jihad and pursue the tails of cows [that is, become farmers] they will soon be overcome by disgrace, and the people of other religions will overpower them.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

Source: Quoted in Bonney, Jihad from Qur’an to bin Laden, 101-3 Quoted from Spencer, Robert (2018). The history of Jihad: From Muhammad to ISIS.
Source: Shah Waliullah Dehlawi: in: Muhammad Al-Ghazali, Socio-political Thought of Shah Wali Allah. (Also quoted in Jihād: From Qur’ān to bin Laden by Richard Bonney. Palgrave Macmillan, 2004. also in Spencer, Robert in The history of Jihad: From Muhammad to ISIS, 2018.)

Jacques Bertin photo
Isaac Barrow photo
James Hudson Taylor photo

“The missionaries should be men of apostolic zeal, patience, endurance, willing to be all things to all men. May the Lord raise up suitable instruments, and fit me for this work.”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Two: Over the Treaty Wall. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1982, 23).

Vanna Bonta photo

“In life, the way we perceive life and reality is often instrumental in how things can unfold.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

François Gautier photo

“Sonia has achieved such terrifying power, a glance of her, a silence, just being there, is enough for her inner circle to act; she has subverted so much of the instruments of Indian democracy and she controls such huge amounts of unlisted money that sooner or later this 'karma' may come back to her under one form or the other.”

François Gautier (1959) French journalist

On Sonia Gandhi, quoted from "Why is Sonia Gandhi so scared of Narendra Modi?" http://www.dnaindia.com/india/analysis-why-is-sonia-gandhi-so-scared-of-narendra-modi-1539917, DNA India (6 May 2011)

Oskar R. Lange photo
Friedrich Engels photo
Syama Prasad Mookerjee photo
Edmund Burke photo
Swami Vivekananda photo
Dinu Lipatti photo

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

The Edge photo
Thomas Wolfe photo
Martin Luther King, Jr. photo

“Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we live to outdistance the ends for which we live.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Quest for Peace and Justice (1964)
Context: Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we live to outdistance the ends for which we live. So much of modern life can be summarized in that arresting dictum of the poet Thoreau: "Improved means to an unimproved end". This is the serious predicament, the deep and haunting problem confronting modern man. If we are to survive today, our moral and spiritual "lag" must be eliminated. Enlarged material powers spell enlarged peril if there is not proportionate growth of the soul. When the "without" of man's nature subjugates the "within", dark storm clouds begin to form in the world.

Edgar Degas photo

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

Jussi Halla-aho photo

“The only measurable and therefore undebatably existing human value is the instrumental value of an individual. There can be a justified hierarchy of individuals based on how much the removal of their talents or skills would weaken the community.”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2005), published in the blog Scripta Ihmisarvosta http://www.halla-aho.com/scripta/ihmisarvosta.html, April 13, 2005
2005-09

Lee Smolin photo

“Quantum theory can be described as a new kind of language to be used in a dialogue between us and the systems we study with our instruments. …It tells us nothing about what the world would be like in our absence.”

Lee Smolin (1955) American cosmologist

The Trouble With Physics: The Rise of String Theory, The Fall of a Science, and What Comes Next (2007)

Eugene McCarthy photo

“I'm kind of an accidental instrument, really, through which I hope that the judgment and the will of this nation can be expressed.”

Eugene McCarthy (1916–2005) American politician

The New York Times (11 December 2005)

Sarah Chang photo
Theo van Doesburg photo
Thomas Jefferson photo

“War is an instrument entirely inefficient toward redressing wrong; and multiplies, instead of indemnifying losses.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to John Sinclair (1798)
1790s

Clive Staples Lewis photo
Joseph Strutt photo
Felix Frankfurter photo

“Ambiguity lurks in generality and may thus become an instrument of severity.”

Felix Frankfurter (1882–1965) American judge

McComb v. Jacksonville Paper Co., 336 U.S. 187, 197 (1949).
Judicial opinions

Stanley Baldwin photo

“As we study [the British Empire's] destiny, we are bound to think of it less as a human achievement than as an instrument of Divine Providence for the promotion of the progress of mankind.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Hyde Park (24 May 1929), published in This Torch of Freedom (1935), p. 26.
1929

Sir William Lawrence, 1st Baronet photo
Milton Friedman photo

“Our minds tell us, and history confirms, that the great threat to freedom is the concentration of power. Government is necessary to preserve our freedom, it is an instrument through which we can exercise our freedom; yet by concentrating power in political hands, it is also a threat to freedom. Even though the men who wield this power initially be of good will and even though they be not corrupted by the power they exercise, the power will both attract and form men of a different stamp.”

Introduction
Capitalism and Freedom (1962)
Context: The free man will ask neither what his country can do for him nor what he can do for his country. He will ask rather "What can I and my compatriots do through government" to help us discharge our individual responsibilities, to achieve our several goals and purposes, and above all, to protect our freedom? And he will accompany this question with another: How can we keep the government we create from becoming a Frankenstein that will destroy the very freedom we establish it to protect? Freedom is a rare and delicate plant. Our minds tell us, and history confirms, that the great threat to freedom is the concentration of power. Government is necessary to preserve our freedom, it is an instrument through which we can exercise our freedom; yet by concentrating power in political hands, it is also a threat to freedom. Even though the men who wield this power initially be of good will and even though they be not corrupted by the power they exercise, the power will both attract and form men of a different stamp.

Stewart Copeland photo

“This instrument is so easy, its a joke.”

Stewart Copeland (1952) American musician; drummer of The Police

From a television interview with Jools Holland.

Roger Williams (theologian) photo
George Biddell Airy photo
Edward R. Murrow photo
Charles Darwin photo

“When the pots containing two worms which had remained quite indifferent to the sound of the piano, were placed on this instrument, and the note C in the bass clef was struck, both instantly retreated into their burrows.”

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, p. 28. http://darwin-online.org.uk/content/frameset?pageseq=43&itemID=F1357&viewtype=image

S.L.A. Marshall photo

“War must always start with imperfect instruments.”

S.L.A. Marshall (1900–1977) United States Army general and Military historian

The Illusion of Power. p. 20.
Men Against Fire: The Problem of Battle Command (1947)

Eduardo Torroja photo
Harold Wilson photo
Georges Duhamel photo
Paul Karl Feyerabend photo
Aldo Capitini photo
Burkard Schliessmann photo
Chris Cornell photo
David Mitchell photo
Richard Holbrooke photo
Manuel Castells photo

“Let me start a different/ analysis by recalling an idea from Max Weber. He characterized cultural modernity as the separation of the substantive reason expressed in religion and metaphysics into three autonomous spheres. They are science, morality and art. These came to be differentiated because the unified world-views of religion and metaphysics fell apart. Since the 18th century, the problems inherited from these older world-views could be arranged so as to fall under specific aspects of validity: truth, normative rightness, authenticity and beauty. They could then be handled as questions of knowledge, or of justice and morality, or of taste. Scientific discourse, theories of morality, Jurisprudence, and the production and criticism of art could in turn be institutionalized. Each domain of culture could be made to correspond to cultural professions in which problems could be dealt with as the concern of special experts. This professionalized treatment of the cultural tradition brings to the fore the intrinsic structures of each of the three dimensions of culture. There appear the structures of cognitive-instrumental, of moral-practical and of aesthetic-expressive rationality, each of these under the control of specialists who seem more adept at being logical in these particular ways than other people are. As a result, the distance grows between the culture of the experts and that of the larger public. What accrues to culture through specialized treatment and reflection does not immediately and necessarily become the property of everyday praxis. With cultural rationalization of this sort, the threat increases that the life-world, whose traditional substance has already been devalued, will become more and more impoverished.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Modernity — An Incomplete Project, 1983, p. 8-9

Sarah Grimké photo
Christopher Hitchens photo
Octave Mirbeau photo
Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Mahatma Gandhi photo

“For me the different religions are beautiful flowers from the same garden, or they are branches of the same majestic tree. Therefore they are equally true, though being received and interpreted through human instruments equally imperfect.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan, 30-1-1937, p. 407; In: My God (1962), Chapter 13. Pathways of God http://www.mkgandhi.org/god/mygod/pathwaystogod.html, Printed and Published by: Jitendra T. Desai, Navajivan Mudranalaya, Ahemadabad-380014 India
Posthumous publications (1950s and later)

Aldous Huxley photo
Edgar Froese photo
Brian Wilson photo
Ivo Pogorelić photo
Kwame Nkrumah photo
Marcus Aurelius photo
John Kenneth Galbraith photo
Adolphe Quetelet photo
Michael Vassar photo
Jerzy Neyman photo
Herbert Spencer photo
John Ruskin photo

“Punishment is the last and least effective instrument in the hands of the legislator for the prevention of crime.”

John Ruskin (1819–1900) English writer and art critic

Notes on the General Principles of Employment for the Destitute and Criminal Classes (1868).

John S. Bell photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Emile Coué photo
J.M. Coetzee photo
John Adams photo

“A pen is certainly an excellent instrument to fix a man's attention and to inflame his ambition.”

John Adams (1735–1826) 2nd President of the United States

14 November 1760
1750s, Diaries (1750s-1790s)

François Fénelon photo
Herbert Read photo

“The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), p. 20

Randolph Bourne photo

“Every little school boy is trained to recite the weaknesses and inefficiencies of the Articles of Confederation. It is taken as axiomatic that under them the new nation was falling into anarchy and was only saved by the wisdom and energy of the Convention. … The nation had to be strong to repel invasion, strong to pay to the last loved copper penny the debts of the propertied and the provident ones, strong to keep the unpropertied and improvident from ever using the government to secure their own prosperity at the expense of moneyed capital. … No one suggests that the anxiety of the leaders of the heretofore unquestioned ruling classes desired the revision of the Articles and labored so weightily over a new instrument not because the nation was failing under the Articles, but because it was succeeding only too well. Without intervention from the leaders, reconstruction threatened in time to turn the new nation into an agrarian and proletarian democracy. … All we know is that at a time when the current of political progress was in the direction of agrarian and proletarian democracy, a force hostile to it gripped the nation and imposed upon it a powerful form against which it was never to succeed in doing more than blindly struggle. The liberating virus of the Revolution was definitely expunged, and henceforth if it worked at all it had to work against the State, in opposition to the armed and respectable power of the nation.”

Randolph Bourne (1886–1918) American writer

¶13. Published under "The Development of the American State," The State https://mises.org/library/state (Tucson, Arizona: See Sharp Press, 1998), pp. 33–34.
"The State" (1918), II

“We are so accustomed to hear arithmetic spoken of as one of the three fundamental ingredients in all schemes of instruction, that it seems like inquiring too curiously to ask why this should be. Reading, Writing, and Arithmetic—these three are assumed to be of co-ordinate rank. Are they indeed co-ordinate, and if so on what grounds?
In this modern “trivium” the art of reading is put first. Well, there is no doubt as to its right to the foremost place. For reading is the instrument of all our acquisition. It is indispensable. There is not an hour in our lives in which it does not make a great difference to us whether we can read or not. And the art of Writing, too; that is the instrument of all communication, and it becomes, in one form or other, useful to us every day. But Counting—doing sums,—how often in life does this accomplishment come into exercise? Beyond the simplest additions, and the power to check the items of a bill, the arithmetical knowledge required of any well-informed person in private life is very limited. For all practical purposes, whatever I may have learned at school of fractions, or proportion, or decimals, is, unless I happen to be in business, far less available to me in life than a knowledge, say, of history of my own country, or the elementary truths of physics. The truth is, that regarded as practical arts, reading, writing, and arithmetic have no right to be classed together as co-ordinate elements of education; for the last of these is considerably less useful to the average man or woman not only than the other two, but than 267 many others that might be named. But reading, writing, and such mathematical or logical exercise as may be gained in connection with the manifestation of numbers, have a right to constitute the primary elements of instruction. And I believe that arithmetic, if it deserves the high place that it conventionally holds in our educational system, deserves it mainly on the ground that it is to be treated as a logical exercise. It is the only branch of mathematics which has found its way into primary and early education; other departments of pure science being reserved for what is called higher or university instruction. But all the arguments in favor of teaching algebra and trigonometry to advanced students, apply equally to the teaching of the principles or theory of arithmetic to schoolboys. It is calculated to do for them exactly the same kind of service, to educate one side of their minds, to bring into play one set of faculties which cannot be so severely or properly exercised in any other department of learning. In short, relatively to the needs of a beginner, Arithmetic, as a science, is just as valuable—it is certainly quite as intelligible—as the higher mathematics to a university student.”

Joshua Girling Fitch (1824–1903) British educationalist

Source: Lectures on Teaching, (1906), pp. 267-268.

Wallace Stevens photo

“Abysmal instruments make sounds like pips
Of the sweeping meanings that we add to them.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

Charles Babbage photo
Margaret Mead photo
James Madison photo

“The biggest danger to our rights today is not from government acting against the will of the majority but from government which has become the mere instrument of that majority. Think about it. That's where the abuse of power comes from. Not the tyranny of the King but the tyranny of the majority. Wrong will be done as much by an all-powerful people as by an all-powerful Prince.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

This appears to be a manufactured quote for a PBS documentary on the American Revolution, created by condensing, rewriting, and paraphrasing portions of a lengthy letter James Madison wrote to Thomas Jefferson on 17 October 1788 http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=1937&chapter=118854&layout=html&Itemid=27, about the need for a Bill of Rights and the danger of an establishment of religion. The resulting "quote" profoundly changed the import of what Madison was trying to say and uses modern English. The phrases "biggest danger" and "tyranny of the majority" aren't even in the original letter. The relevant portions of the original letter are (italics in the original; bold added for emphasis):<blockquote>"… In Virginia I have seen the bill of rights violated in every instance where it has been opposed to a popular current. Notwithstanding the explicit provision contained in that instrument for the rights of Conscience, it is well known that a religious establishment would have taken place in that State, if the Legislative majority had found as they expected, a majority of the people in favor of the measure; and I am persuaded that if a majority of the people were now of one sect, the measure would still take place and on narrower ground than was then proposed, notwithstanding the additional obstacle which the law has since created. Wherever the real power in a Government lies, there is the danger of oppression. In our Governments the real power lies in the majority of the Community, and the invasion of private rights is chiefly to be apprehended, not from acts of Government contrary to the sense of its constituents, but from acts in which the Government is the mere instrument of the major number of the Constituents. This is a truth of great importance, but not yet sufficiently attended to; and is probably more strongly impressed on my mind by facts, and reflections suggested by them, than on yours which has contemplated abuses of power issuing from a very different quarter. Wherever there is an interest and power to do wrong, wrong will generally be done, and not less readily by a powerful & interested party than by a powerful and interested prince. …"</blockquote>
Misattributed

Eduard Jan Dijksterhuis photo
Frederick Douglass photo

“Although I cannot accuse myself of being remarkably unstable, I do not pretend that I have never altered my opinion both in respect to men and things. Indeed, I have been very much modified both in feeling and opinion within the last fourteen years. When I escaped from slavery, and was introduced to the Garrisonians, I adopted very many of their opinions, and defended them just as long as I deemed them true. I was young, had read but little, and naturally took some things on trust. Subsequent experience and reading have led me to examine for myself. This had brought me to other conclusions. When I was a child, I thought and spoke as a child. But the question is not as to what were my opinions fourteen years ago, but what they are now. If I am right now, it really does not matter what I was fourteen years ago. My position now is one of reform, not of revolution. I would act for the abolition of slavery through the Government — not over its ruins. If slaveholders have ruled the American Government for the last fifty years, let the anti-slavery men rule the nation for the next fifty years. If the South has made the Constitution bend to the purposes of slavery, let the North now make that instrument bend to the cause of freedom and justice. If 350,000 slaveholders have, by devoting their energies to that single end, been able to make slavery the vital and animating spirit of the American Confederacy for the last 72 years, now let the freemen of the North, who have the power in their own hands, and who can make the American Government just what they think fit, resolve to blot out for ever the foul and haggard crime, which is the blight and mildew, the curse and the disgrace of the whole United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, The Constitution of the United States: Is It Pro-Slavery or Anti-Slavery? (1860)