1780s, The Newburgh Address (1783)
Letter to U.S. Attorney General http://memory.loc.gov/cgi-bin/query/r?ammem/mgw:@field(DOCID+@lit(gw300376)) Edmund Randolph (28 September 1789), as published in The Writings of George Washington from the Original Manuscript Sources, 1745-1799 edited by John C. Fitzpatrick
The inscription on the facade of the New York Supreme Court court house in New York County is a misquotation from the above letter: "The true administration of justice is the firmest pillar of good government." See "George Denied His Due" by Bruce Golding, in The New York Post (16 February 2009) http://www.nypost.com/seven/02162009/news/regionalnews/george_denied_his_due_155401.htm
1780s
Source: Think Big (1996), p. 233
"Proof of God"
1940s, Am I An Atheist Or An Agnostic? http://www.positiveatheism.org/hist/russell8.htm (1947)
Part I, Ch. 3: Lenin, Trotsky and Gorky
1920s, The Practice and Theory of Bolshevism (1920)
Preface
Philosophy and the Mirror of Nature (1979)
Et non seulement on ne retient pas tout de suite les œuvres vraiment rares, mais même au sein de chacune de ces œuvres-là, et cela m'arriva pour la Sonate de Vinteuil, ce sont les parties les moins précieuses qu'on perçoit d'abord... Moins décevants que la vie, ces grands chefs-d'œuvre ne commencent pas par nous donner ce qu'ils ont de meilleur.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol II: Within a Budding Grove (1919), Ch. I: "Madame Swann at Home"
Letter to Edmund Pendleton (22 January 1795)
1790s
remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920
Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters
Campaign address in Beaverton, Oregon (9 May 2008) http://www.barackobama.com/2008/05/09/remarks_of_senator_barack_obam_63.php
2008
Tribute to King Alexander, to the editor of The New York Times (19 October 1934), also at Heroes of Serbia http://www.heroesofserbia.com/2012/10/tribute-to-king-alexander-by-nikola.html
Selected Letters of Richard Wagner, translated by Stewart Spencer and Barry Millington (New York: W. W. Norton & Company, 1987), pp. 422-424 http://www.animal-rights-library.com/texts-c/wagner02.htm
Breton's quote in the Introduction to the exhibition of Gorky's first show, Julien Levy Gallery, March 1945; as quoted in Arshile Gorky, – Goats on the roof, ed. by Matthew Spender, Ridinghouse, London, 2009, pp. 257-258
after 1930
About Rome.
Letter Five (29 October 1903)
Letters to a Young Poet (1934)
The Notebooks of Leonardo Da Vinci (1938), XVII Flight
“Doing things without giving the impression of suffering is a question of good manners.”
Agnelli: The Rules of the Game, Vanity Fair (1991)
Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.
An Outline of Philosophy Ch.15 The Nature of our Knowledge of Physics (1927)
1920s
Algebraic Geometry, Springer, (1977), p. xiii
Algebraic Geometry (1977)
To Leon Goldensohn, July 15, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
Laws of Motion, II
Philosophiae Naturalis Principia Mathematica (1687)
“Collect impressions. Don’t be in a hurry to write them down.”
Debussy in a letter to his pupil Raoul Bardac (1906)
Context: Collect impressions. Don’t be in a hurry to write them down. Because that’s something music can do better than painting: it can centralise variations of colour and light within a single picture — a truth generally ignored, obvious as it is.
2012
Nobel Prize lecture (12 December 1976)
General sources
Context: A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life. It tells us that for every human being there is a diversity of existences, that the single existence is itself an illusion in part, that these many existences signify something, tend to something, fulfill something; it promises us meaning, harmony, and even justice.
"From Beyond" Written November 16, 1920, published June 1934 in The Fantasy Fan, 1
Fiction
Context: What do we know … of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have.
"On the Physiological Causes of Harmony" (1857), p. 81
Popular Lectures on Scientific Subjects (1881)
Context: As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.
Source: Dialogue Concerning the Two Chief World Systems (1632), p. 322
Context: In the long run my observations have convinced me that some men, reasoning preposterously, first establish some conclusion in their minds which, either because of its being their own or because of their having received it from some person who has their entire confidence, impresses them so deeply that one finds it impossible ever to get it out of their heads. Such arguments in support of their fixed idea as they hit upon themselves or hear set forth by others, no matter how simple and stupid these may be, gain their instant acceptance and applause. On the other hand whatever is brought forward against it, however ingenious and conclusive, they receive with disdain or with hot rage — if indeed it does not make them ill. Beside themselves with passion, some of them would not be backward even about scheming to suppress and silence their adversaries.
On Truth and Lie in an Extra-Moral Sense (1873)
Context: The venerability, reliability, and utility of truth is something which a person demonstrates for himself from the contrast with the liar, whom no one trusts and everyone excludes. As a "rational" being, he now places his behavior under the control of abstractions. He will no longer tolerate being carried away by sudden impressions, by intuitions.
On the first moon landing, p. 150.
Strong Opinions (1973)
Context: Oh, "impressed" is not the right word! Treading the soil of the moon gives one, I imagine (or rather my projected self imagines), the most remarkable romantic thrill ever experienced in the history of discovery. Of course, I rented a television set to watch every moment of their marvelous adventure. That gentle little minuet that despite their awkward suits the two men danced with such grace to the tune of lunar gravity was a lovely sight. It was also a moment when a flag means to one more than a flag usually does. I am puzzled and pained by the fact that the English weeklies ignored the absolutely overwhelming excitement of the adventure, the strange sensual exhilaration of palpating those precious pebbles, of seeing our marbled globe in the black sky, of feeling along one's spine the shiver and wonder of it. After all, Englishmen should understand that thrill, they who have been the greatest, the purest explorers. Why then drag in such irrelevant matters as wasted dollars and power politics?
Sec. 98
Some Thoughts Concerning Education (1693)
Context: He will better comprehend the foundations and measures of decency and justice, and have livelier, and more lasting impressions of what he ought to do, by giving his opinion on cases propos'd, and reasoning with his tutor on fit instances, than by giving a silent, negligent, sleepy audience to his tutor's lectures; and much more than by captious logical disputes, or set declamations of his own, upon any question. The one sets the thoughts upon wit and false colours, and not upon truth; the other teaches fallacy, wrangling, and opiniatry; and they are both of them things that spoil the judgment, and put a man out of the way of right and fair reasoning; and therefore carefully to be avoided by one who would improve himself, and be acceptable to others.
On Truth and Lie in an Extra-Moral Sense (1873)
Context: We produce these representations in and from ourselves with the same necessity with which the spider spins. If we are forced to comprehend all things only under these forms, then it ceases to be amazing that in all things we actually comprehend nothing but these forms. For they must all bear within themselves the laws of number, and it is precisely number which is most astonishing in things. All that conformity to law, which impresses us so much in the movement of the stars and in chemical processes, coincides at bottom with those properties which we bring to things. Thus it is we who impress ourselves in this way
Source: Synchronicity: An Acausal Connecting Principle (1960), p. 110
Context: My example concerns a young woman patient who, in spite of efforts made on both sides, proved to be psychologically inaccessible. The difficulty lay in the fact that she always knew better about everything. Her excellent education had provided her with a weapon ideally suited to this purpose, namely a highly polished Cartesian rationalism with an impeccably "geometrical" idea of reality. After several fruitless attempts to sweeten her rationalism with a somewhat more human understanding, I had to confine myself to the hope that something unexpected and irrational would turn up, something that burst the intellectual retort into which she had sealed herself. Well, I was sitting opposite of her one day, with my back to the window, listening to her flow of rhetoric. She had an impressive dream the night before, in which someone had given her a golden scarab-a costly piece of jewellery. While she was still telling me this dream, I heard something behind me gently tapping on the window. I turned round and saw that it was a fairly large flying insect that was knocking against the window from outside in the obvious effort to get into the dark room. This seemed to me very strange. I opened the window and immediately and caught the insect in the air as it flew in. It was a scarabaeid beetle, or common rose-chafer, whose gold-green color most nearly resembles that of a golden scarab. I handed the beetle to my patient with the words "Here is your scarab." This broke the ice of her intellectual resistance. The treatment could now be continued with satisfactory results.
The Inferno (1917), Ch. XIV
Context: What am I? I am the desire not to die. I have always been impelled — not that evening alone — by the need to construct the solid, powerful dream that I shall never leave again. We are all, always, the desire not to die. This desire is as immeasurable and varied as life's complexity, but at bottom this is what it is: To continue to be, to be more and more, to develop and to endure. All the force we have, all our energy and clearness of mind serve to intensify themselves in one way or another. We intensify ourselves with new impressions, new sensations, new ideas. We endeavour to take what we do not have and to add it to ourselves. Humanity is the desire for novelty founded upon the fear of death. That is what it is.
Source: Tertium Organum (1912; 1922), Ch. XXI
Par l’art seulement, nous pouvons sortir de nous, savoir ce que voit un autre de cet univers qui n’est pas le même que le nôtre et dont les paysages nous seraient restés aussi inconnus que ceux qu’il peut y avoir dans la lune. Grâce à l’art, au lieu de voir un seul monde, le nôtre, nous le voyons se multiplier, et autant qu’il y a d’artistes originaux, autant nous avons de mondes à notre disposition, plus différents les uns des autres que ceux qui roulent dans l’infini et qui, bien des siècles après qu’est éteint le foyer dont il émanait, qu’il s’appelât Rembrandt ou Vermeer, nous envoient encore leur rayon spécial.<p>Ce travail de l’artiste, de chercher à apercevoir sous la matière, sous de l’expérience, sous des mots, quelque chose de différent, c’est exactement le travail inverse de celui que, à chaque minute, quand nous vivons détourné de nous-même, l’amour-propre, la passion, l’intelligence, et l’habitude aussi accomplissent en nous, quand elles amassent au-dessus de nos impressions vraies, pour nous les cacher entièrement, les nomenclatures, les buts pratiques que nous appelons faussement la vie.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927), Ch. III: "An Afternoon Party at the House of the Princesse de Guermantes"
Autobiography (1936; 1949; 1958)
Soviet Russia: Some Random Sketches and Impressions (1949)
Soviet Russia: Some Random Sketches and Impressions (1949)
Glimpses of World History (1949)
Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972
As quoted in "Ronald Reagan and Race" https://www.nationalreview.com/2019/08/ronald-reagan-and-race-richard-nixon-tape/ (August 2019), by Jay Nordlinger, National Review
1970s
Dr. Mujeeb, his friend during their stay in Germany in 1922, p. 75.
About Zakir Hussain, Quest for Truth (1999)
Dr. Díaz, Vice-Rector. Salamanca University. Salamanca, Spain. June 2003
About, 2000s
1990
2 quotes in Monet's letter to Frédéric Bazille from Honfleur, July 15, 1864; as cited in Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 114-15 / p. 60
1860s
“I'm not a video person at all, I prefer to let the listener have their own impressions.”
Source: INTERVIEW: George Winston https://ventsmagazine.com/2019/05/01/interview-george-winston/ (1 May 2019)
Source: The Millionaire Next Door: The Surprising Secrets of Americas Wealthy
Source: Far from the Madding Crowd
Source: Who's Afraid of Virginia Woolf?
Source: Blood Promise
Source: The Valley of Bones
“Promises were a lot like impressions. The second one didn't count for much.”
Source: Distant Shores
“I hope I haven't given you the impression that I consider kissing intrinsically irrational.”
Source: Gatsby Girls
“A dreamgirl, on the other hand, won't kill herself to impress anyone.”
Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship
Source: Big Magic: Creative Living Beyond Fear
2000s
Variant: The world has always been more impressed by the power of our [America's] example than by the example of our power.
Context: Former U. S. president Bill Clinton has urged newspaper editors to focus more attention on the depletion of the world's oil reserves. In a June 17 speech to the Association of Alternative Newsweeklies convention in Little Rock, Arkansas, Clinton said a "significant number of petroleum geologists" have warned that the world could be nearing the peak in oil production. Clinton suggested that at current consumption rates (now more than 30 billion barrels per year, according to the International Energy Agency), the world could be out of "recoverable oil" in 35 to 50 years, elevating the risk of "And then finally, and I think most important of all, more important than the deficit, more important then healthcare, more important than anything, is we have got to do something about our energy strategy because if we permit the climate to continue to warm at an unsustainable rate, and if we keep on doing what we're doing 'til we're out of oil and we haven't made the transition, then it's inconceivable to me that our children and grandchildren will be able to maintain the American way of life and that the world won't be much fuller of resource-based wars of all kinds.”
BBC interview http://www.bbc.co.uk/films/2002/11/20/john_cleese_die_another_day_interview.shtml on Die Another Day (20 November 2002)]
Man kann sich des Eindrucks nicht erwehren, daß die Menschen gemeinhin mit falschen Maßstäben messen, Macht, Erfolg und Reichtum für sich anstreben und bei anderen bewundern, die wahren Werte des Lebens aber unterschätzen.
Source: 1920s, Civilization and Its Discontents (1929), Ch. 1, as translated by James Strachey, p.25
Source: Far from the Madding Crowd
Attributed
Source: Clockwork Prince
" … and God wept", I believe is the next part of that story.
Chicago '91 (1991)
Clary held the phone away from her ear as he cracked up laughing. "That is so not funny!"
Simon and Clary, pg. 19
Source: The Mortal Instruments, City of Bones (2007)
