Quotes about impress
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Maya Angelou photo
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Arthur Conan Doyle photo
Suzanne Collins photo
Carrie Fisher photo
Orson Welles photo
Thornton Wilder photo
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Aleister Crowley photo
Kazuo Ishiguro photo
John Flanagan photo

“Very impressive. Where did you learn that?"
Made it up just now.”

John Flanagan (1873–1938) Irish-American hammer thrower

Source: The Battle for Skandia

Rick Riordan photo

“You seem to be under the impression that I work for you and you can give me orders. Let me fix that." I hung up.”

Ilona Andrews American husband-and-wife novelist duo

Source: Burn for Me

Brandon Sanderson photo
David Levithan photo
Joan Didion photo
Sherrilyn Kenyon photo
Marcus Aurelius photo
Nicholas Sparks photo
W.C. Fields photo
Dave Eggers photo
P.G. Wodehouse photo

“Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French. One of the things which Gertrude Butterwick had impressed on Monty Bodkin when he left for his holiday on the Riviera was that he must be sure to practise his French, and Gertrude’s word was law. So now, though he knew that it was going to make his nose tickle, he said:
‘Er, garçon.’
‘M’sieur?’
‘Er, garçon, esker-vous avez un spot de l’encre et une piece de papier—note papier, vous savez—et une envelope et une plume.’
The strain was too great. Monty relapsed into his native tongue.
‘I want to write a letter,’ he said. And having, like all lovers, rather a tendency to share his romance with the world, he would probably have added ‘to the sweetest girl on earth’, had not the waiter already bounded off like a retriever, to return a few moments later with the fixings.
‘V’la, sir! Zere you are, sir,’ said the waiter. He was engaged to a girl in Paris who had told him that when on the Riviera he must be sure to practise his English. ‘Eenk—pin—pipper—enveloppe—and a liddle bit of bloddin-pipper.’
‘Oh, merci,’ said Monty, well pleased at this efficiency. ‘Thanks. Right-ho.’
‘Right-ho, m’sieur,’ said the waiter.”

Source: The Luck of the Bodkins (1935)

Suzanne Collins photo
Thomas Hardy photo

“A novel is an impression, not an argument.”

Thomas Hardy (1840–1928) English novelist and poet

Source: Tess of the D'Urbervilles

Stephanie Pearl-McPhee photo

“The best reason for a knitter to marry is that you can't teach the cat to be impressed when you finish a lace scarf.”

Stephanie Pearl-McPhee (1968) Canadian writer

Source: At Knit's End: Meditations for Women Who Knit Too Much

Cassandra Clare photo
Richelle Mead photo
Calvin Coolidge photo

“There is no dignity
quite so impressive,
and no independence
quite so important,
as living within your means.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)
Borís Pasternak photo
Diablo Cody photo
Jean Paul Sartre photo

“A man is involved in life, leaves his impress on it, and outside of that there is nothing.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …
Brandon Sanderson photo
Paulo Coelho photo
Tanith Lee photo
Ernest Hemingway photo

“It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and can coast down them. … Thus you remember them as they actually are, while in a motorcar only a high hill impresses you, and you have no such accurate remembrance of country you have driven through as you gain by riding a bicycle.”

Ernest Hemingway (1899–1961) American author and journalist

[By-Line, Ernest Hemingway: Selected Articles and Dispatches of Four Decades by Ernest Hemingway, White, William, 1967, Charles Scribner's Sons, New York, 364]
Source: By-Line: Selected Articles and Dispatches of Four Decades

Andrei Tarkovsky photo

“Late this evening I looked at the sky and saw the stars. I felt as if it was the first time I had ever looked at them.
I was stunned.
The stars made an extraordinary impression on me”

Andrei Tarkovsky (1932–1986) Soviet and Russian film-maker, writer, film editor, film theorist, theatre and opera director

Source: Journal 1970-1986

Kathleen Norris photo
Jim Butcher photo

“We buy things we don't need with money we don't have to impress people we don't like.”

Dave Ramsey (1960) American financial advisor

Source: The Total Money Makeover: A Proven Plan for Financial Fitness

Zora Neale Hurston photo

“I love myself when I am laughing… and then again when I am looking mean and impressive.”

Zora Neale Hurston (1891–1960) American folklorist, novelist, short story writer

Source: I Love Myself When I Am Laughing... And Then Again: A Zora Neale Hurston Reader

Yves Klein photo
Hendrik Werkman photo

“Last Sunday we made a bicycle tour of 80 km. Through the North along the edge of the province [Groningen].... On such a day I get again a lot of impressions which will reappear in altered forms in due time. Beautiful landscapes, nice small roads, beautiful farms, meadows with horses and cattle, birds, water and a lot of sunshine. Mills and towers and trees are breaking the lines of the flat land..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Zondag maakten we een fietstocht van 80 km. Door het Noorden langs de rand van de provincie [Groningen].. .Op zoo’n dag doe ik weer heel wat indrukken op die te gelegener tijd omgewerkt weer tevoorschijn komen. Mooie landschappen, aardige weggetjes, prachtige boerderijen, weiden met paarden en vee, vogels, water en zonneschijn volop. Molens en torens en boomen breken de lijnen van het vlakke land..
In a letter to Henkels, 12 July 1944; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 18
1940's

Mahatma Gandhi photo

“I came in contact with every known Indian anarchist in London. Their bravery impressed me, but I felt that their zeal was misguided. I felt that violence was no remedy for India's ills, and that her civilisation required the use of a different and higher weapon for self-protection.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

"A Word of Explanation" on his work Hind Swaraj (1908) in Young India (January 1921)
1920s

Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Richard Salter Storrs photo
Owen Wilson photo
William Jennings Bryan photo
Jerry Fodor photo
Natacha Rambova photo

“Actors are often inspired while playing by the very spirit who impressed the part upon the writer. When the actor is really mediumistic, as all great actors are whether they know it or not, the spirit may actually play the part through him.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On the metaphysics of acting, p. 209
Rudolph Valentino: A Wife's Memories of an Icon (2009)

John Ruskin photo
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Saki photo
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Karl Pilkington photo

“That impresses me more, inventin' electricity[Talking about Benjamin Franklin]”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 4
On Life

Henry Adams photo

“His aunt drily remarked that, at this rate, he would soon get through all the sights; but she could not guess — having lived always in Washington — how little the sights of Washington had to do with its interest.

The boy could not have told her; he was nowhere near an understanding of himself. The more he was educated, the less he understood. Slavery struck him in the face; it was a nightmare; a horror; a crime; the sum of all wickedness! Contact made it only more repulsive. He wanted to escape, like the negroes, to free soil. Slave States were dirty, unkempt, poverty-stricken, ignorant, vicious! He had not a thought but repulsion for it; and yet the picture had another side. The May sunshine and shadow had something to do with it; the thickness of foliage and the heavy smells had more; the sense of atmosphere, almost new, had perhaps as much again; and the brooding indolence of a warm climate and a negro population hung in the atmosphere heavier than the catalpas. The impression was not simple, but the boy liked it: distinctly it remained on his mind as an attraction, almost obscuring Quincy itself. The want of barriers, of pavements, of forms; the looseness, the laziness; the indolent Southern drawl; the pigs in the streets; the negro babies and their mothers with bandanas; the freedom, openness, swagger, of nature and man, soothed his Johnson blood.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

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Roger Ebert photo
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Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Anthony Burgess photo

“Evidently, there is a political element in the attack on The Satanic Verses which has killed and injured good if obstreperous Muslims in Islamabad, though it may be dangerously blasphemous to suggest it. The Ayatollah Khomeini is probably within his self-elected rights in calling for the assassination of Salman Rushdie, or of anyone else for that matter, on his own holy ground. To order outraged sons of the Prophet to kill him, and the directors of Penguin Books, on British soil is tantamount to a jihad. It is a declaration of war on citizens of a free country, and as such it is a political act. It has to be countered by an equally forthright, if less murderous, declaration of defiance…. I do not think that even our British Muslims will be eager to read that great vindication of free speech, which is John Milton’s Areopagitica. Oliver Cromwell’s Republic proposed muzzling the press, and Milton replied by saying, in effect, that the truth must declare itself by battling with falsehood in the dust and heat…. I gain the impression that few of the protesting Muslims in Britain know directly what they are protesting against. Their Imams have told them that Mr Rushdie has published a blasphemous book and must be punished. They respond with sheeplike docility and wolflike aggression. They forgot what Nazis did to books … they shame a free country by denying free expression through the vindictive agency of bonfires…. If they do not like secular society, they must fly to the arms of the Ayatollah or some other self-righteous guardian of strict Islamic morality.”

Anthony Burgess (1917–1993) English writer

'Islam's Gangster Tactics', in the London Independent newspaper , 1989
Writing

John Constable photo
Paul Bourget photo
Bhakti Tirtha Swami photo
Ernst Hanfstaengl photo
Neal Stephenson photo
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Vladimir Horowitz photo

“I was impressed mostly by Gieseking [Horowitz said in 1987]. He had a finished style, played with elegance, and had a fine musical mind.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Henry James photo

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically … But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”

Rudolf Carnap (1891–1970) German philosopher

Rudolf Carnap, as quoted in The Philosophy of Rudolf Carnap (1963) by Paul Arthur Schilpp, p. 25, and in Ludwig Wittgenstein : The Duty of Genius (1991) by Ray Monk, p. 244

N. K. Jemisin photo

“So, there was a girl.
What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage.
“I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.”
You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be.
So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands.
She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will.
Or so I imagine.
The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing.”

Source: The Broken Kingdoms (2011), Chapter 11 “Possession” (watercolor) (pp. 202-203)

Orson Welles photo

“Men created civilization only to impress their girl friends”

Orson Welles (1915–1985) American actor, director, writer and producer

Attributed to Welles in Ebony magazine (August 1977) https://books.google.com/books?id=08sDAAAAMBAJ&q=%22men+created+civilization%22#v=snippet&q=%22men%20created%20civilization%22&f=false.
Disputed quotes

George S. McGovern photo
Lama Ole Nydahl photo
Horace Greeley photo

“One of the most happiest and most convincing political arguments ever made in this City… No man ever made such an impression on his first appeal to a New-York audience.”

Horace Greeley (1811–1872) American politician and publisher

As quoted in New York Tribune (28 February 1860).
1860s

Yuval Noah Harari photo
John James Audubon photo
Willem de Kooning photo
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