Quotes about fiction

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“It's doubtful that anyone with an internet connection at his workplace is writing good fiction.”

“When the missionaries came to Africa they had the Bible and we had the land. They said "Let us pray." We closed our eyes. When we opened them, we had the Bible and they had the land.
:This quote, often attributed to Jomo Kenyatta, was first written in a fiction play published by holocaust doubter Rolf Hochhuth, in his controversial The Deputy, a Christian tragedy (1964), Grove Press, p. 144. No reference to any historical or original source was given. Other citations are found in books written by critics of religion, such as Christos Tzanetakos's "The Life and Work of an Atheist Pioneer", iUniverse; and Jack Huberman's "Quotable Atheist: Ammunition for Nonbelievers, Political Junkies, Gadflies, and Those Generally Hell-Bound" (2008), 175. No references are given.
: In Desmond Tutu: A Biography (2004) by Steven Gish, p. 101; is clarified Tutu used it as a joke which was not of him.”

“I was half asleep but I smiled. In spite of all his irritating qualities, I couldn't help liking a man who despised a fictional character with such passion.”

“Fiction is the only way to redeem the formlessness of life”

“Two hours of writing fiction leaves this writer completely drained. For those two hours he has been in a different place with totally different people.”

“I quote fictional characters, because I'm a fictional character myself!”

“Fiction wouldn't be much fun without its fair share of scoundrels, and they have to live somewhere.”

“If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.”

“The trouble with fiction… is that it makes too much sense. Reality never makes sense.”

“Some would say the Creator is a lamb. Some would say he's a lion. Some would say both. The fact is, he is neither a lamb nor a lion. These are fiction. Metaphors. Yet the Creator is both a lamb and a lion. These are both truths.”

“I suspect that one of the reasons we create fiction is to make sex exciting.”

“The future is there… looking back at us. Trying to make sense of the fiction we will have become.”

“I think fantasy is best described as a kind of fiction that evokes wonder, mystery or magic, a sense of possibility beyond the ordinary world in which we live, and yet which reflects and comments upon that known world.”

“Successfully (whatever that may mean) or unsuccessfully, we all overact the part of our favorite character in fiction.”

“Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.”

“We care about moral issues, nobility, decency, happiness, goodness—the issues that matter in the real world, but which can only be addressed, in their purity, in fiction.”

“Fiction is a solution, the best solution, to the problem of existential solitude.”

“I couldn't tell fact from fiction,
Or if the dream was true
My only sure prediction
In this world was you.
I'd touch your features inchly. Beard love and dared the cost, The sented spiel reeled me unreal And I found my senses lost.”

“No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Becauseis one of the magical fantasy words likeandandthat have now passed into language.”

“I didn't lie, I was writing fiction with my mouth."

Homer Simpson”

“Memory is like fiction; or else it's fiction that's like memory.”

“And I am pretty sure that's the point of reading fiction -- so someone else can say in a way you never would have something you recognize immediately.”

“Life isn’t divided into genres. It’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel.”

“… science fiction is something thathappen - but usually you wouldn't want it to. Fantasy is something thathappen - though often you only wish that it could.”

“This novel is fiction, except for the parts that aren't.”

“The best fiction is far more true than any journalism.”

“Journalism allows its readers to witness history; fiction gives its readers an opportunity to live it.”

“That is the joy of reading fiction: when all is said and done, the novel belongs to the reader and his or her imagination.”

“All the stories are fictions. What matters is which fiction you believe.”

“For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.”

“Nothing factual that I write or say will be as truthful as my fiction.”

“Flip-flop, hippety-hop, offa your rocker and over the top, life's a fiction and the world's a lie, so put on some Creedence and let's get high.”

“She took refuge on the firm ground of fiction, through which indeed there curled the blue river of truth.”

“Just because it's fiction doesn't mean it's any less true.”

“One of the things I've always liked about science fiction is the way it makes you think about things, and look at things from angles you'd never have thought about before.”

“If contemporary literary fiction doesn't read a bit like science fiction then it's probably not all that contemporary, is it”

“No fiction is worth reading except for entertainment. If it entertains and is clean, it is good literature, or its kind. If it forms the habit of reading, in people who might not read otherwise, it is the best literature.”

“There's a time and place for everything, and I believe it’s called 'fan fiction'.”

“Truth would quickly cease to be stranger than fiction, once we got used to it.”

“She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in.”

“… at it's best fiction is medicine.”

“Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."

[Q&A with Larry McCaffery,, Summer 1993, Vol. 13.2]”

“There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself.”

“[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.”

“No one in life can ever match fiction”

“Science Fiction: Any scientific acclaim that omits God.”

“Fiction Is My Addiction”

“Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.”

“I guess that's the story of life: what you most fear never happens, but what you most yearn for never happens either. This is the difference between life and fiction. I suppose it's a good trade-off. But I'm not sure.”

“I readily admit that the law which requires presumption or custom to be carried back for a period of nearly 700 years, is a bad and mischievous law, and one which is discreditable to us as a civilised and enlightened people, but such is the law; and while it so continues, I consider myself, in administering it, as bound to administer it as I find it; nor do I feel myself warranted in undermining or frittering it away by subtle fictions or artificial presumptions inconsistent with truth and fact.”

“(A) writer, a man I loved and he loved me and we got married and it was great and is still great. He believed I could do anything, just as my parents had believed all those years ago, and I started to write fiction and that took off fine. And he loved Ireland, and the fax was invented so we writers could live anywhere we liked, instead of living in London near publishers.”

“The necessity for fiction was probably born of the problem of taboo on certain revelations. It was not only a need of the imagination but an answer to the limitations placed on portrayal of others.”

“I was a bookish kid. I spent long hours in the library reading everything I could find, histories, biographies, science fiction, fantasy, mysteries. I was curious about the world and there’s no better way to find things out than through the pages of a book. Even today if some kid asks me what’s the first step to take to become a doctor, I answer, “Read, read, read.””

“Seeing the water birds on the lake increase in number day by day, I thought to myself how nice it would be if it snowed before we got back to the Palace—the garden would look so beautiful; and then, two days later, while I was away on a short visit, lo and behold, it did snow. As I watched the rather drab scene at home, I felt both depressed and confused. For some years now I had existed from day to day in listless fashion, taking note of the flowers, the birds in song, the way the skies change from season to season, the moon, the frost and snow, doing little more than registering the passage of time. How would it all turn out? The thought of my continuing loneliness was unbearable, and yet I had managed to exchange sympathetic letters with those of like mind—some contacted via fairly tenuous connections—who would discuss my trifling tales and other matters with me; but I was merely amusing myself with fictions, finding solace for my idleness in foolish words. Aware of my own insignificance, I had at least managed for the time being to avoid anything that might have been considered shameful or unbecoming; yet here I was, tasting the bitterness of life to the very full.”

“Partition is after all only an old fortress of crumbled masonry — held together with the plaster of fiction.”

“Our own time, and by this I mean the last two or three generations, including our own, can be summed up in a way that brings into unity an immense number of details by saying of it that it is a time in which the search for the supreme truth has been a search in reality or through reality or even a search for some supremely acceptable fiction.”

“The Tale of Genji in particular is the highest pinnacle of Japanese literature. Even down to our day there has not been a piece of fiction to compare with it. That such a modern work should have been written in the eleventh century is a miracle, and as a miracle the work is widely known abroad.”

“Fiction is just a constant torment, and an embarrassment. I loathe my fiction. I have a fantasy when I'm passing a bookstore that I could click my fingers and all my books would go blank, so that I could start again and get them right.”

“I've let you teach too many science fiction classes," I said.
Dr. Identity's pupils mutated into large asterisks. "It's possible. More likely, however, I'm just a product of the future. and the future's been extinct for a long time.”

“Ferdinand had foresight and unbelievable luck. His success actually bordered on fiction.”

“The science fiction stories are not for the promotion of science and are not only science stories; but stories.”

“You would have to ask a physicist really but I think understanding fundamental problems in physics is very important because they are part of our culture. You just never know what is going to come from it. If you had told Isaac Newton about spaceships and satellites that arise from his laws of gravity, it would have been science fiction to him.”

“I oscillate between loathing Vladimir Nabokov ’s novels (when I think he’s showing off or insisting on making his presence felt) and loving them. This morning, I can’t stand a word of his fiction. But Nabokov’s “Letters to Vera” is not fiction. The showing off, such as there is, is that of a man to his lover, whose absence is felt. The fact that these are the words—such beautiful words—of a writer to his beloved of more than 46 years readies you for the spirit of sincerity in which they were written. Besides, I’m a sucker for a love story.”

“To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.”

“I think fiction rescues history from its confusions.”

“The first work I published was a poem. That was one of my most exciting moments. Afterwards, I wrote many different types of articles, including prose, novels, and even science fiction. However, I found I wasn't very qualified, because I only had a four-year primary school education. So I turned to writing fairy tales.”

“I am not a science fiction writer. I am a fantasy writer. But the label got put on me and stuck.”

“Fictions of law must be consistent with justice.”

“In the field of science fiction or fantasy, morality—when it enters a book at all—is almost always either thoughtlessly liberal (you can’t judge other cultures) or thoughtlessly illiberal (strong men must rule) or just plain thoughtless”

“Of course I base my characters partly on the people I know—one can’t escape it—but fictional characters are oversimplified; they’re much less complex than the people one knows.”

“Because one fine day they took it into their heads to question and to reason, and in questioning, in reasoning, they discovered that their governors governed them no better than they, simpl[e] mortals out of communication with Providence, could have done themselves.It was free inquiry that demonetized the fiction of divine right, to the point where the subjects of monarchs or of aristocracies based on divine right obey them only insofar as they think it in their own self-interest to obey them.”

“All Dickens is packed with orphans or people in uncertain relation to family groups, or clubs. It’s impossible to read anything he wrote without feeling that the question of belonging was a major issue for him. He had to write about these matters. If we read Lovecraft’s science-fiction horror stories, weird and unpleasant as they may be, they are all obsessively about fear of otherness—women’s, people of other races’, aliens’. All the over-heated horror of the books arises from this gut fear. He can’t leave it alone. Whether or not we like the books and quite regardless of any verisimilitude, it’s clear that the author is writing directly from his personal concerns. The stuff wasn’t just constructed for a literary prize. A certain form of repetition, particularly the endless reformulation, in dozens of different guises, of the same core conflict is probably the hallmark of authenticity.”

“I've been a television writer for a dozen years, and I've been fortunate to put words in the mouths of some great female characters. They've been working women, mostly, and I like to think they've become role models for a generation of girls trying to figure out their futures.
But let's be honest: TV isn't going to change anyone's perceptions of working women in the real world just by promoting fictional females to ever-higher positions of authority. And I'm not doing my job if I put a woman's career before her character.”

“Fortunately, there is more to life than death. There is for one thing, fiction. A thousand thousand characters to be sent marching out into the world to divert time from its forward gallop to the terrible horizon.”

“Sex, without society as its landscape, has never been of much interest to fiction.”

“[These entrepreneurs] were writing their stories in a subgenre of contemporary fiction, the business plan, and populating them with characters endowed with deeply implausible personalities, an oversight which would eventually be punished not by a scathing review, … but by a lack of custom.”

“Another example — maybe a better one, in a way — was when it was confirmed that Michael Jackson was going to marry Elvis Presley's daughter. [loud, game-show buzzer noise] A good friend of mine in the States faxed me, and he simply … he said, "This makes your job more difficult." And I knew exactly, I knew exactly what he meant. 'Cos something … a scenario that seemed to belong to the universe of the late Terry Southern, was suddenly, suddenly real. It's that truth-is-stranger-than-fiction factor keeps getting jacked up on us on a fairly regular, maybe even exponential, basis. I think that's something peculiar to our time. I don't think our grandparents had to live with that.”

“Do the identifications with fictions, the inner, tidal motions of pathos and libido which the novel, the film, the painting, the symphony unleash within us somehow immunize us against the humbler, less formed, but actual claims of suffering and of need in our surroundings? Does the cry in the tragic play muffle, even blot out, the cry in the street?”

“I'm not an "American First" (and maybe because I read science fiction) I'm a "Terran First". I'm a human being first. And I have this sympathy for other human beings no matter what side of the giant ice wall they happen to be born on.”

“So much American science fiction is parochial -- not as true now as it was years ago, but the assumption is one culture in the future, more or less like ours, and with the same ideals, the same notions of how to do things, just bigger and flashier technology. Well, you know darn well it doesn't work that way…”

“The series of events leading up to the formation of the biblical community and its religion apparently began unexpectedly. Moses killed an Egyptian overseer who was beating one of the slaves. It is difficult to imagine this being a fictional invention, especially since the biblical writers never chose to comment on this noteworthy aspect of the protagonist’s dark past. When Moses later tried to intervene between two quarreling slaves, one of them responded, “Who made you a ruler and a judge over us? Do you mean to kill me as you killed the Egyptian?” (Exodus 2:11-15). Is the monopoly of force — the ability to coerce other human beings — truly the ultimate basis of social authority? If it seems undesirable to ground social authority on something that essentially boils down to the superior ability to commit murder, then what is the alternative?”

“One reason why money is a mystery to so many is the role of myth or fiction or convention.”

“Truth may be stranger than fiction, goes the old saw, but it is never as strange as lies.”

“The oft-heard comment that Leonardo [da Vinci]'s genius managed to transcend the culture of his time is amply justified. But his was not a science-fiction voyage into the future as much as a plunge into the past.”

“Since my childhood I have enjoyed reading Martial Arts fiction. I write it myself first and foremost for my own pleasure, and then for the pleasure of my readers (there is also, of course, the financial reward…). I am just a storyteller, like the professional storytellers of the Song dynasty. I believe Martial Arts fiction is like Peking Opera, or ballad-singing, or dancing, or music—its main function is to give pleasure.”

“It’s funny about career choices. I had to fight to test for the Janet Leigh role in Walking My Baby Back Home. Janet couldn’t dance at the time and I could—but she was a bigger name. I also fought to get the role Piper Laurie had in Son of Ali Baba. Luckily, I lost that one. The one I didn’t want to do was Revenge of the Creature. Science-Fiction was considered bottom of the barrel in those days. Of course, that’s the picture I am most remembered for. It’s very ironic!”

“The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part. The copyright system was created expressly for the purpose of encouraging authorship. In the domain for which it was invented — books, which could be copied economically only on a printing press — it did little harm, and did not obstruct most of the individuals who read the books.”

“I am not particularly distressed by the state of fiction or the role of the writer. The more marginal, perhaps ultimately the more trenchant and observant and finally necessary he'll become.”

“Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.”

“In previous conditions, extreme states came under the jurisdiction of the arts… People substituted writing (fiction) for what was once spiritual life, poetry (chaotic words) for actual ecstasies. Art constitutes a minor free zone outside action, paying for its freedom by giving up the real world. A heavy price!”

“I never imagined so many people would be enjoying it this much. I wrote this book essentially as a group of fictional characters exploring ideas that I found personally intriguing.”

“Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning (expiation, salvation). The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature (fiction) took the place of what had formerly been the spiritual life; poetry (the disorder of words) that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom.”

“Fictional serial killers are usually more pretentious than frightening, perpetually quoting Milton or arranging their victims in poses designed to evoke the martyrdom of St Sebastian. What are you, a cold-blooded murderer or the controller of Radio 3?”

“Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.”

“I know that my early life was at one and the same time so common as to be unremarkable, and so strange as to be the stuff of fiction. I know of course that this is how all human lives are, but that it is only given to a few of us to luxuriate in the bath of self-revelation, self-curiosity, apology, revenge, bafflement, vanity and egoism that goes under the name Autobiography. You have seen me at my washpot scrubbing at the grime of years: to wallow in a washpot may not be the same thing as to be purified and cleansed, but I have come away from this very draining, highly bewildering and passionately intense few months feeling slightly less dirty. Less dirty about the first twenty years of my life, at least. The second twenty, now that is another story.”

“Robert Caserio recently said to me, “The whole profession has become a vast mimicry. The idea that there is open debate is an absolute fiction. There is only the Foucault monologue, the Lacan monologue, the Derrida monologue. There is no room for creative disagreement. No deviation from what is approved is tolerated.” These monologues are really one, the monotonous drone of the School of Saussure, which has cast its delusional inky cloud over modern academic thought. Never have so many been wrong about so much. It is positively idiotic to imagine that there is no experience outside of language. … It has been a truism of basic science courses for decades in America that the brain has multiple areas of function and that language belongs only to specific areas, injured by trauma and restored by surgery or speech therapy.”

“A science fiction story is a story built around human beings, with a human problem and a human solution, which would not have happened at all without its scientific content.”

“The importance of imitation for the development of higher cognition in human beings: We embody ideas before we abstract them out and then represent them in an articulated way. What is the child doing when they play house? They are watching their parent over multiple instantiations, and then abstracting out the spirit called Mother, and that is whatever is mother-like across all those multiple manifestations, and then laying out that pattern internally and manifesting it in an abstract world. It's that you're smart enough to pull out the abstraction, and then embody it. And certainly the child is striving toward an ideal. If children don't engage in that kind of dramatic and pretend play to some tremendous degree, then they don't get properly socialized. It's really a critical element of developing self understanding and of also developing the capability of being with others, because what you do when you're a child, especially around the age of four is: you jointly construct a shared fictional world, and then you act out your joint roles within that shared fictional world. Embodied imitation and dramatic abstraction constituted the ground out of which higher abstract cognition emerged. How else could it be? Clearly we were mostly bodies before we were minds. Clearly. And so we were acting out things way before we understood them.”

“There are necessities and impossibilities in reality which do not obtain in fiction, any more than the law of gravity to which we are subject controls what is represented in a picture. … It is the same with pure good; for a necessity as strong as gravity condemns man to evil and forbids him any good, or only within the narrowest limits and laboriously obtained and soiled and adulterated with evil. … The simplicity which makes the fictional good something insipid and unable to hold the attention becomes, in the real good, an unfathomable marvel.”