Quotes about eye
page 44

Iain Banks photo
M. K. Hobson photo

“I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.”

Paul Nash (artist) (1889–1946) British surrealist painter and war artist

Outline- An Autobiography & Other Writings (London, 1949)

Silius Italicus photo

“The appearance of [Virtue] was far different: her hair, seeking no borrowed charm from ordered locks, grew freely above her forehead; her eyes were steady; in face and gait she was more like a man; she showed a cheerful modesty; and her tall stature was set off by the snow-white robe she wore.”
[Virtutis] dispar habitus: frons hirta nec umquam composita mutata coma, stans vultus, et ore incessuque viro propior laetique pudoris celsa umeros niveae fulgebat stamine pallae.

Book XV, lines 28–31
Punica

Georges Braque photo
Samuel Beckett photo
Ilana Mercer photo
Joseph Joubert photo
Alison Lohman photo
E. B. White photo
Paul Klee photo

“The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).”

Paul Klee (1879–1940) German Swiss painter

Section IV
1916 - 1920, Creative Credo (1920)

Letitia Elizabeth Landon photo
Cao Xueqin photo

“Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls – which is all they were then – were in every way, both morally and intellectually, superior to the 'grave and mustachioed signior' I am now supposed to have become. The realization brought with it an overpowering sense of shame and remorse, and for a while I was plunged in the deepest despair. There and then I resolved to make a record of all the recollections of those days I could muster – those golden days when I dressed in silk and ate delicately, when we still nestled in the protecting shadow of the Ancestors and Heaven still smiled on us. I resolved to tell the world how, in defiance of all my family's attempts to bring me up properly and all the warnings and advice of my friends, I had brought myself to this present wretched state, in which, having frittered away half a lifetime, I find myself without a single skill with which I could earn a decent living. I resolved that, however unsightly my own shortcomings might be, I must not, for the sake of keeping them hid, allow those wonderful girls to pass into oblivion without a memorial.”

Cao Xueqin (1724–1763) Chinese writer during the Qing dynasty

Cao Xueqin, as quoted in the introduction attributed to his younger brother (Cao Tangcun) to the first chapter of Dream of the Red Chamber, present in the jiaxu (1754) version (the earliest-known manuscript copy of the novel), translated by David Hawkes in The Story of the Stone: The Golden Days (Penguin, 1973), pp. 20–21

Koxinga photo

“You have by this time surely seen with your own eyes what your iron ships, with which you think you can accomplish wonders and on which you boast so much, can do against my junks; how one of them has been burned by one of my junks and has disappeared in smoke; how the others would have met with the same doom had they not taken to flight and gone out to sea.”

Koxinga (1624–1662) Chinese military leader

Formosa under the Dutch: described from contemporary records, with explanatory notes and a bibliography of the island, 1903, William Campbell, Kegan Paul, 424, Dec. 20 2011 http://books.google.com/books?id=OpdMq-YJoeoC&pg=PA423&dq=koxinga+formosa+always+belonged+to+china&hl=en&ei=vsjiTergDM3TgAekqbzKBg&sa=X&oi=book_result&ct=result&resnum=7&ved=0CEQQ6AEwBg#v=onepage&q=same%20doom%20had%20they%20not%20taken%20to%20flight%20and%20gone%20out%20to%20sea.&f=false, Original from the University of Michigan(LONDON : KEGAN PAUL, TRENCH, TRUBNER & CO. LTD DRYDEN HOUSE, 43 GERRARD STREET, SOHO MDCCCCIII Edinburgh : T. and A. CONSTABLE, Printers to His Majesty)

T. E. Lawrence photo

“I loved you, so I drew these tides of men into my hands
and wrote my will across the sky in stars
To gain you Freedom, the seven-pillared worthy house,
that your eyes might be shining for me
When I came.”

Dedicatory poem, to "S. A.", as written in the 1922 "Oxford text"; variant : "When we came" for "When I came" in the 1926 edition, and others.
Seven Pillars of Wisdom (1922)

Khalil Gibran photo

“I know faces, because I look through the fabric my own eye weaves, and behold the reality beneath.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Faces
The Madman (1918)

Heidi Klum photo
Francesco Petrarca photo

“For your lovely eyes, Lady, bound me.”

Ché i be' vostr'occhi, donna, mi legaro.
Canzone 3, line 4
Il Canzoniere (c. 1351–1353), To Laura in Life
Variant: [From] two lovely eyes that have bound me.

Walter Raleigh photo

“Fame's but a hollow echo; gold, pure clay;
Honour, the darling but of one short day,
Beauty—th' eye's idol—but a damasked skin;
State, but a golden prison to live in
And torture free-born minds.”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

"A Farewell to the Vanities of the World" http://www.bartleby.com/331/467.html, lines 3–7. Author uncertain. Attributed to Henry Wotton and to Raleigh.
Attributed

Steven Erikson photo
Anu Garg photo
Hermann Ebbinghaus photo
Geoff Dyer photo

“The best way to learn was by looking, to become articulate in the language of sight. The eye could learn to look after itself.”

Geoff Dyer (1958) English writer

Source: Yoga For People Who Can't Be Bothered To Do It (1993), p. 180

Hilaire Belloc photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

Dave Matthews photo

“And when you wake, you will fly away, holding tight to the legs of all your angels. Goodbye, my love, into your blue, blue eyes.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Baby Blue
Big Whiskey and the GrooGrux King (2009)

Margaret Atwood photo

“If you do not raise your eyes, you will think you are the highest point.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Si no levantas los ojos, creerás que eres el punto más alto.
Voces (1943)

Jeff VanderMeer photo
Gilbert Ryle photo
Letitia Elizabeth Landon photo

“Never day-beam hath shone o'er
Lovelier or wilder shore!
Half was land, and half was sea
Where the eye could only see
The blue sky for boundary.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(30th November 1822) Fragments in Rhyme V: the Happy Isle
7th December 1822) Fragments in Rhyme VI: The Painter's Love see The Improvisatrice (1824
14th December 1822) Fragments in Rhyme VII: Manmadin, The Indian Cupid. Floating down the Ganges see The Improvisatrice (1824
21st December 1822) Fragments in Rhyme IX: The Female Convict see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Henry Moore photo
Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

Gianni Sarcone photo

“Open your eyes wide and immerse yourself in your dreams without any hesitation!”

Gianni Sarcone (1962) Italian author, artist, designer, and researcher in visual perception and cognitive psychology

Optical Illusions (2017).

Pink (singer) photo

“I've been the girl with her skirt pulled high,
Been the outcast never running with mascara eyes.
I see the world as a candy store
With a cigarette smile saying things you can't ignore.”

Pink (singer) (1979) American singer-songwriter

God Is a DJ, written by Pink, Billy Mann and Jonathan S. Davis
Song lyrics, Try This (2003)

Max Ernst photo
Leo Tolstoy photo
Anthony Trollope photo
David Icke photo
George Gissing photo
Thomas Browne photo
David Attenborough photo
Cormac McCarthy photo
James A. Garfield photo

“Indeed, we can find no more instructive lesson on the whole question of suffrage than the history of its development in the British empire. For more than four centuries, royal prerogative and the rights of the people of England have waged perpetual warfare. Often the result has appeared doubtful, often the people have been driven to the wall, but they have always renewed the struggle with unfaltering courage. Often have they lost the battle, but they have always won the campaign. Amidst all their reverses, each generation has found them stronger, each half-century has brought them its year of jubilee, and has added strength to the bulwark of law and breadth to the basis of liberty. This contest has illustrated again and again the saying that 'eternal vigilance is the price of liberty'. The growth of a city, the decay of a borough, the establishment of a new manufacture, the enlargement of commerce, the recognition of a new power, have, each in its turn, added new and peculiar elements to the contest. Hallam says: 'It would be difficult, probably, to name any town of the least consideration in the fourteenth and fifteenth centuries, which did not, at some time or other, return members to Parliament. This is so much the case, that if, in running our eyes along the map, we find any seaport, as Sunderland or Falmouth, or any inland town, as Leeds or Birmingham, which has never enjoyed the elective franchise, we may conclude at once that it has emerged from obscurity since the reign of Henry VIII.'”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Constitutional History of England, Chap. XIII
1860s, Oration at Ravenna, Ohio (1865)

Sören Kierkegaard photo
Temple Grandin photo
Ferdinand Hodler photo

“This beautiful head [of Valentine Godé-Darel], this whole body, like a Byzantine empress on the mosaics of Ravenna - and this nose, this mouth - and the eyes, they too, those wonderful eyes - all these the worms will eat. And nothing will remain, absolutely nothing!”

Ferdinand Hodler (1853–1918) Swiss artist

Quote from Hodler's letter to de:Hans Mühlestein, c. late 1914; as cited by Anya Silver in: 'Valentine Godé-Darel (1873–1915): Five Paintings by Ferdinand Hodler' https://thegeorgiareview.com/spring-2013/valentine-gode-darel-1873-1915-five-paintings-by-ferdinand-hodler/, April 2013
In 1908, Hodler met Valentine Godé-Darel who became his mistress. She was diagnosed with cancer in 1913 and died in January 1915; Hodler painted five oils the day after her death

Wassily Kandinsky photo
Ellsworth Kelly photo
Albert Barnes photo
Menno Simons photo
Frank Chodorov photo
Muhammad bin Tughluq photo

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

P.G. Wodehouse photo
Frida Kahlo photo
Paramahansa Yogananda photo
Friedensreich Hundertwasser photo
Helen Blackwood, Baroness Dufferin and Claneboye photo
Elizabeth Kostova photo
Jacques Ellul photo
Mohammad Reza Pahlavi photo
Salvador Dalí photo

“.. the paint marks [in Impressionist paintings] placed apparently without order and which suddenly became magnificently ordered if one knew how to make the right distance.... to communicate a deep, sun-drenched image of a stream, landscape or face.... My eyes were popping out of my head.”

Salvador Dalí (1904–1989) Spanish artist

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 42
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali

Herman Wouk photo
Chris Kamara photo
Werner Herzog photo
Leslie Feist photo
Mani Madhava Chakyar photo
Tony Buzan photo
Russell Brand photo
Anne Brontë photo
Neil Diamond photo
Walter Scott photo
Letitia Elizabeth Landon photo
Oliver Wendell Holmes photo
Matthew Lewis (writer) photo
Amit Chaudhuri photo
George Gordon Byron photo
Samuel Adams photo
Jay-Z photo
Lionel Richie photo
Muammar Gaddafi photo
Kurt Schwitters photo
Adolf Hitler photo
John Kenneth Galbraith photo

“Wall Street's crime, in the eyes of its classical enemies, was less its power than its morals.”

Chapter VIII https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929, Aftermath II, Section IV, p 155
The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

E.M. Forster photo
Loreena McKennitt photo
Paul Simon photo

“Where have you gone, Joe DiMaggio?
A nation turns it's lonely eyes to you
Ooo ooo ooo.
What's that you say, Mrs. Robinson?
"Joltin' Joe has left and gone away."”

Paul Simon (1941) American musician, songwriter and producer

Hey hey hey, hey hey hey.
Mrs. Robinson
Song lyrics, Bookends (1968)

John Dryden photo

“Our souls sit close and silently within,
And their own web from their own entrails spin;
And when eyes meet far off, our sense is such,
That, spider-like, we feel the tenderest touch.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Mariage à la Mode, Act ii, scene 1.
Bartlett's Familiar Quotations, 10th ed. (1919)

Arthur Machen photo
Ralph Waldo Emerson photo
Letitia Elizabeth Landon photo