Quotes about eye
page 45

“I have an artificial left eye. I lost my real eye in a car accident when I was eighteen. In fact, I had to have my entire face rebuilt because I smashed it up pretty good. It took six years and thirteen surgeries. However, I did have the pleasure of freezing a plastic eyeball in an ice cube, putting it in a friend's drink, ("Eyeball in your highball?") and watching him freak completely. Okay, so maybe that's not going down on my good karma record. But it sure was fun.”

Libba Bray (1964) American teen writer

Twenty-One Things You Don't Know About Me

Pleasure, Cars, Drink

“The '80s were about acquiring — acquiring wealth, power, prestige. I know. I acquired more wealth, power, and prestige than most. But you can acquire all you want and still feel empty. What power wouldn't I trade for a little more time with my family? What price wouldn't I pay for an evening with friends? It took a deadly illness to put me eye to eye with that truth, but it is a truth that the country, caught up in its ruthless ambitions and moral decay, can learn on my dime. I don't know who will lead us through the '90s, but they must be made to speak to this spiritual vacuum at the heart of American society, this tumor of the soul.”

Lee Atwater (1951–1991) American political consultant and strategist

Source: Interview in Life (January 1991)

Truth, Family, Feeling, Soul

“The only way to push forward instead of wasting away in the purgatorial procrastination of worry is to just not care what the outcomes. I need to just start running downhill with my eyes shut. There are no guarantees that I will be able to survive this world, where the air is rare for minorities like myself. But that suits me just fine. I'm a risk taker that way.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, SPEAKING UP

World, Way

“Alas! how little can a moment show
Of an eye where feeling plays
In ten thousand dewy rays:
A face o'er which a thousand shadows go!”

William Wordsworth (1770–1850) English Romantic poet

The Triad.
Bartlett's Familiar Quotations, 10th ed. (1919)

Feeling

“To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
He has only to look into a human face in order to read there the soul within — not a feature deceives him; hypocrisy is as transparent as sincerity — the line of a forehead, the least lifting of a brow, the flash of an eye, reveal to him all the secrets of a heart.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 47-48

Truth, Secret, Books, Beauty

“Treat nature in terms of the cylinder, the sphere, and the cone, the whole put into perspective so that each side of an object, or of a plane, leads towards a central point. Lines parallel to the horizon give breadth, whether a sections of nature, or, if you prefer, of the spectacle which Pater omnipotens aeterne Deus unfolds before your eyes. Lines perpendicular to this horizon give depth... Everything I am telling you [ Joachim Gasquet ] about - the sphere, the cone, cylinder, concave shadow – on mornings when I'm tired these notions of mine get me going, they stimulate me, I soon forget them once I start using my eyes.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 163-164, in: 'What he told me – I. The motif'

Nature, Forgetting

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that: Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71). Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Beauty, Exercises, Question, Evil

“Thou spiritual Sun! Satan, Thou Eye, Thou Lust! Cry aloud! Cry aloud! Whirl the Wheel, O my Father, O Satan, O Sun! Thou, the Saviour! Silence! Give me Thy Secret! Give me suck, Thou Phallus, Thou Sun! Satan, thou Eye, thou Lust! Satan, thou Eye, thou Lust! Satan, thou Eye, thou Lust! Thou self-caused, self-determined, exalted, Most High!”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Appendix IV : Liber Samekh.
Magick Book IV : Liber ABA, Part III : Magick in Theory and Practice (1929)

Secret, Silence, Sun, Cry

“What do you tell a man with two black eyes? Nothing, he's already been told twice.”

Elmore Leonard book Be Cool

Darryl, Be Cool (1999)

“With some people solitariness is an escape not from others but from themselves. For they see in the eyes of others only a reflection of themselves.”

Eric Hoffer (1898–1983) American philosopher

Section 211
The Passionate State Of Mind, and Other Aphorisms (1955)

People

“Gentle reader, may you never feel what I then felt? May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonized as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love.”

Charlotte Brontë book Jane Eyre

Jane (Ch. 27)
Jane Eyre (1847)

Love, Feeling, Tear, Evil

“In the department of physical optics, the phenomena of halos and parhelia have been explained, upon principles not entirely new, but long forgotten: the functions of the eye have been minutely examined, and the mode of its accommodation to the perception of objects at different distances ascertained: the various phenomena of coloured light have been copiously described, and accurately represented by coloured plates; and some new cases of the production of colours have been pointed out, and have been referred to the general law of double lights, by which a great variety of the experiments of former opticians have also been explained; and this law has been applied to the establishment of a theory of the nature of light, which satisfactorily removes almost every difficulty that has hitherto attended the subject.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Law, Nature, Light

“Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 3
The Forsaken Merman (1849)

Children, World, Music, Way

“The poor don't really like that ticket. They are desperate to get away and join the rich, and have glossy hair, bright eyes and white teeth. The rich live longer and can afford to be charming.”

Tom Baker (1934) English actor

“Let us not today fling accusation at the murderers. What cause have we to complain about their fierce hatred to us? For eight years now, they sit in their refugee camps in Gaza, and before their eyes we turn into our homestead the land and villages in which they and their forefathers have lived.
We should demand his blood not from the Arabs of Gaza but from ourselves.... Let us make our reckoning today. We are a generation of settlers, and without the steel helmet and gun barrel, we shall not be able to plant a tree or build a house.... Let us not be afraid to see the hatred that accompanies and consumes the lives of hundreds of thousands of Arabs who sit all around us and wait for the moment when their hands will be able to reach our blood.”

Moshe Dayan (1915–1981) Israeli military leader and politician

The Iron Wall (1999)

Tree, Waiting, Housing

“It takes practice to use one's eyes, even when God has opened them. And there are some believers who never get beyond confounding a doctrinal statement of a truth with a living exemplification of that truth.”

Henry Clay Trumbull (1830–1903) Union Army chaplain

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 113.

God, Truth

“Spring passes
and the birds cry out—tears
in the eyes of fishes”

Bashō Matsuo book Oku no Hosomichi

行く春や
鳥啼き魚の
目は泪
yuku haru ya
tori naki uo no
me wa namida
Matsuo Bashō, Narrow Road to the Interior and other writings, Boston, 2000, p. 4 (Translation: Sam Hamill)
Spring is passing by!
Birds are weeping and the eyes
Of fish fill with tears.
Matsuo Bashō, The Narrow Road to Oku, Tokyo, 1996, p. 23 (Translation: Donald Keene)
The passing of spring—
The birds weep and in the eyes
Of fish there are tears.
Donald Keene, Travelers of a Hundred Ages, New York, 1999, p. 310 (Translation: Donald Keene)
Oku no Hosomichi

Spring, Bird, Fish, Tear

“When I lie tangled in her hair,
And fettered to her eye,
The gods that wanton in the air
Know no such liberty.”

Richard Lovelace (1617–1658) English writer and poet

To Althea: From Prison, st. 1.
Lucasta (1649)

God, Lie

“[FBI Director J. Edgar] Hoover lied his eyes out to the [Warren] Commission – on Oswald, on Ruby, on their friends, the bullets, the gun, you name it.”

Hale Boggs (1914–1972) American politician

Speaking to an aide, quoted by Bernard Fensterwald, Coincidence or Conspiracy?

“Beauty soon grows familiar to the lover,
Fades in his eye, and palls upon the sense.”

Joseph Addison book Cato

Act I, scene iv.
Cato, A Tragedy (1713)

Beauty, Lovers, Sense

“Each of our senses makes its own space, but no sense can function in isolation. Only as sight relates the touch, or kinaesthesia, or sound, can the eye see.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, The argument: causality in the electric world (1973)

Sense

“I was embarrassed when a businessman friend asked, 'What's the yearly budget of your talk show? What's the per-episode budget?' And I looked at him with these blank, typical-model eyes and said, 'I don't know.' I call myself a businesswoman and I don't know that? So that is my goal next year--to really dissect the budget.”

Tyra Banks (1973) American model, author and television personality

Kiri Blakeley (July 3, 2006) "Celebrity 100: Tyra Banks On It" http://www.forbes.com/free_forbes/2006/0703/120.html, Forbes, Forbes.com LLC.

“"I know we've had our differences, Allie, and that we haven't seen eye to eye on everything. I'm not perfect, but I did the best I could with raising you. I'm your mother and I always will be. That means I'll always love you."
Allie was silent for a moment, then: "What should I do?"
"I don't know, Allie. That's up to you. But I would think about it. Think about what you really want."”

Nicholas Sparks (1965) American writer and novelist

Anne Nelson and Allie Nelson, An Unexpected Visitor, p. 137
1990s, The Notebook (1996)

Love, Thinking, Perfection

“These words are being written in reply to the verbal message sent by you. I have been asked (by you) to tell (you) about suppression of the rebellion of Jats in the environs of Delhi.
The fact is that this recluse (meaning himself) has witnessed in the occult world the downfall of the Jats in the same way as that of the Marhatahs. I have also seen it in a dream that Muslims have taken possession of the forts and the country of the Jats, and that Muslims have become masters of those forts and that country as in the past. Most probably, the Ruhelas will occupy those Jat forts. This has been determined and decided in the most secret world. This recluse has not the shadow of a doubt about that. But the way that victory will be achieved is not yet clear. What is needed is prayers from those special servants of Allah who have been chosen for this purpose.
…But keep one thing in your mind, namely, that the Hindus who are apparently in your’s and your government’s employ, are inclined towards the enemies in their hearts. They do not want that the enemies be exterminated. They will try a thousand tricks in this matter, and endeavour in every way to show to your honour that the path of peace is more profitable.
Make up your mind not to listen to this group (the Hindu employees). If you disregard their advice, you will reach the height of fulfilment. This recluse knows of this (fulfilment) as if he is seeing it with his own eyes.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Najibuddaulah Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 106-07.
From his letters

Secret, World, Peace, Dreams

“Cold, delicately as the dark snow,
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow.”

Ted Hughes book The Hawk in the Rain

"The Thought-Fox", line 10
The Hawk in the Rain (1957)

“But hear, ye gods! and Heaven's great ruler, hear,
With due regard, a king's and father's prayer!
My dear, dear Pallas, if the fates ordain
Safe to return, and bless these eyes again:
With age, pain, sickness, this one blessing give;
On this condition I'll endure to live.
But oh! if fortune has decreed his doom,
Now, now, by death, prevent my woes to come;
Now, while my hopes and fears uncertain flow,
Now, ere she lifts her hand to strike the blow;
While in these feeble arms I strain the boy,
My sole delight, my last surviving joy.
Ere the sad news of his untimely doom
Shall bow this head with sorrow to the tomb!”

Christopher Pitt (1699–1748) English poet

Book VIII, line 776
The Æneid of Virgil (1740)

Death, God, Pain, Fate

“A scientist can be tactful and PC with his mouth, but not his ears or eyes and certainly not his mind. Truth must reign there above all. For your first allegiance is either to Truth or to Ignorance. Worry about offending, and you are choosing Ignorance.”

Patri Friedman (1976) American libertarian activist and theorist of political economy

in Quotable Patri http://patrifriedman.com/quotes/patri.html

Truth

“I felt eyes upon me, and they pulled me away. I looked at the gathering of eager cops; some were merely curious, while others, I knew, sought their own secret satisfaction. They all wanted to see it, my face, a defense attorney's face, here in this musty place where murder was more than a case file, where the victim was flesh and blood, the smell that of family gone to dust.I felt their eyes. I knew what they wanted, and so I turned to look again upon the almost empty clothes, the flash of bone so pale and curving. But I would give them nothing, and my body did not betray me, for which I was grateful. For what I felt was the return of a long-quiescent rage, and the certain conviction that this was the most human my father had ever appeared to me.”

John Hart (1965) American author with multiple books and awards

Source: The King of Lies (2006), Ch. 1.

Secret, Family, Appearance, Rage

“Observation — activity of both eyes and ears.”

Horace Mann (1796–1859) American politician

As quoted in Every Other Sunday Vol. 23 (1907) by The Unitarian Sunday-School Society, p. 19

“At first no one spoke. Boule de Suif dared not even raise her eyes. She felt at once indignant with her neighbors, and humiliated at having yielded to the Prussian into whose arms they had so hypocritically cast her.”

Guy De Maupassant book Boule de Suif

Boule de Suif (1880)

“isn’t it nice to know that you’re not my consolation prize
doesn’t it feel like freedom breathin in and out now
isn’t it good to see all the love in someone else’s eyes
doesn’t it all make sense that you’re better off without me”

Alicia Witt (1975) American actress

Consolation Prize http://aliciawittmusic.com/lyrics/consolation-prize/ · performance on The Queen Latifah Show (2015) https://www.youtube.com/watch?v=RNiHKcWG_XM Lyrics, Revisionary History (2015)

Love, Feeling, Sense, Freedom

“Among the many paradoxes of human life, this is perhaps the most peculiar and consequential: We often behave in ways that are guaranteed to make us unhappy. Many of us spend our lives marching with open eyes toward remorse, regret, guilt, and disappointment. And nowhere do our injuries seem more casually self-inflicted, or the suffering we create more disproportionate to the needs of the moment, than in the lies we tell to other human beings. Lying is the royal road to chaos.”

Sam Harris (1967) American author, philosopher and neuroscientist

2010s, Lying (2011)

Life, Disappointment, Way, Lying

“Sister, awake! close not your eyes,
The day her light discloses;
And the bright morning doth arise
Out of her bed of roses.

See the clear sun, the world's bright eye,
In at our window peeping;
Lo, how he blusheth to espy
Us idle wenches sleeping!

Therefore awake, make haste I say,
And let us without staying
All in our gowns of green so gay
Into the park a maying.”

Thomas Bateson

Sister, awake! close not your eyes

World, Sister, Sleep, Light

“And the mercy seat is melting,
And I think my blood is boiling,
And in a way I'm spoiling,
All the fun with all this truth and consequence.
An eye for an eye, a tooth for a tooth,
And anyway I told the truth,
And I'm not afraid to die.”

Nick Cave (1957) Australian musician

Song lyrics, Tender Prey (1988), The Mercy Seat

Truth, Way, Thinking

“I am chained to the earth to pay for the freedom of my eyes.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Con mi encadenamiento a la tierra pago la libertad de mis ojos.
Voces (1943)

Freedom

“The waitress took a bar rag, and she wiped it across her eyes.
And as she spoke her voice came out as something like a sigh.
She said "I wish that I was beautiful, or that you were halfway blind.
And I wish I weren't so dog-gone fat, I wish that you were mine.
And I wish that you'd come with me, when I leave for home.
For we both know all about loneliness, and livin' all alone."”

Harry Chapin (1942–1981) American musician

Better Place to Be
Song lyrics, Sniper and Other Love Songs (1972)

Beauty, Dogs, Home, Loneliness

“How can you sleep
How can you turn away
Thinking so cheap?
Some day you're gonna pay!
You're keeping secrets
I can see in your eyes:
Can anybody tell me
Why the big disguise?”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Discovery (1984)

Secret, Thinking, Sleep

“Listen as the wind blows from across the great divide,
Voices trapped in yearning, memories trapped in time.
The night is my companion, and solitude my guide.
Would I spend forever here and not be satisfied?And I would be the one
To hold you down,
Kiss you so hard
I'll take your breath away.
And after, I'd wipe away the tears,
Just close your eyes dear.”

Sarah McLachlan (1968) Canadian musician, singer, and songwriter

Possession
Song lyrics, Fumbling Towards Ecstasy (1993)

Kiss, Solitude, Tear, Memory

“The sight of you is good for sore eyes.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Polite Conversation (1738), Dialogue 1

“Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.”

Sophia Loren (1934) Italian actress

As quoted in Morrow's International Dictionary of Contemporary Quotations (1982) by Jonathon Green, p. 340.

Beauty, Deep, Beauty, Feeling

“My beloved children, who are the pupils of my eye—Truth is silent. If Truth has dawned within you, then there will be no further speech. It is silence, and silence is the greatest Truth, the best question. If there is no Truth, then there will be a lot of talk and questions. One is good and the other is bad. If there is good within you, there will be no further noise within. But if you are full of bad, there will be so much of talk, speeches and questions. Therefore, seek the good. God does not make a noise. If you need anything, then you will have only to knock, and if you are tuned to that point, with the sound of that knock you will get an answer immediately. No noise, you don't have to make a sound. This is the Truth.”

Bawa Muhaiyaddeen (1900–1986) Sri Lankan Sufi leader

God, His Prophets, and His Children (1976)

God, Children, Truth, Question

“You came out of the night,
Wearing a mask in white colour.
My eyes were shining
On the wine, and your aura.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Wine, Night

“Now the salient characteristic of the decision tools employed in management science is that they have to be capable of actually making or recommending decisions, taking as their inputs the kinds of empirical data that are available in the real world, and performing only such computations as can reasonably be performed by existing desk calculators or, a little later electronic computers. For these domains, idealized models of optimizing entrepreneurs, equipped with complete certainty about the world - or, a worst, having full probability distributions for uncertain events - are of little use. Models have to be fashioned with an eye to practical computability, no matter how severe the approximations and simplifications that are thereby imposed on them…
The first is to retain optimization, but to simplify sufficiently so that the optimum (in the simplified world!) is computable. The second is to construct satisficing models that provide good enough decisions with reasonable costs of computation. By giving up optimization, a richer set of properties of the real world can be retained in the models… Neither approach, in general, dominates the other, and both have continued to co-exist in the world of management science.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1960s-1970s, "Rational decision making in business organizations", Nobel Memorial Lecture 1978, p. 498; As cited in: Arjang A. Assad, ‎Saul I. Gass (2011) Profiles in Operations Research: Pioneers and Innovators. p. 260-1.

World, Fashion, Optimism, Decision

“This is what happens, unquestionably – I am positive: an optical sensation is produced in our visual organ, which leads us classify as light, half-tone or quarter-tone, the planes represented by sensations of color. [Thus the light does not exist for the painter]. As long as, inevitably, one proceeds from black to white, the former of these abstractions being a kind of point of rest both for eye and brain, we flounder about, we cannot achieve self-mastery, get possession of ourselves. During this period (I tend to repeat myself, inevitably) we turn to the admirable works [of the five great Venetian painters a. o. Titian and Tintoretto] handed down to us through the ages, in which we find comfort and support…”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 23 December 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 184
Quotes of Paul Cezanne, after 1900

Age, Color, Support, Light

“I am the girl you know, can't look you in the eye
I am the girl you know so sick I cannot try
I am the one you want, can't look you in the eye
I am the girl you know, I lie and lie and lie”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Miss World"
Song lyrics, Live Through This (1994)

Lie, Girl

“The absolute justice of the system of things is as clear to me as any scientific fact. The gravitation of sin to sorrow is as certain as that of the earth to the sun, and more so–for experimental proof of the fact is within reach of us all–nay, is before us all in our own lives, if we had but the eyes to see it.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

1860s, Reply to Charles Kingsley (1860)

Justice, Sun

“The Grail is like God. It is everywhere, all around us, obvious, but we refuse to see it. Men think they can only see God when they build a great church and fill it with gold and silver statues, but all they need do is look. The Grail exists, Thomas, you just need to open your eyes.”

Bernard Cornwell The Grail Quest

Genevieve, p. 103
The Grail Quest, Heretic (2003)

Men, God, Thinking

“As in the eye of Nature he has lived,
So in the eye of Nature let him die!”

William Wordsworth (1770–1850) English Romantic poet

The Old Cumberland Beggar.
Bartlett's Familiar Quotations, 10th ed. (1919)

Nature

“Here, in the bare dark face of night
A calm unhurried eye draws sight
—We see in what we think we fear
The cloudings of our thought made clear”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section IV (p. 104).

Fear, Thinking, Drawing, Night

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Life, People, Food, Home

“As that little child in the spacesuit in The Seven year Itch grew up, three things would become obvious to him. He would be aware that he hadn’t been trained to really understand the history of mechanization, and was insufficient in that regard; that he hadn’t been trained to be anything like Winston Churchill, and was going to be permanently insufficient in that regard; and that he wasn’t actually going to be able to look a mine worker in the eye, and was going to be insufficient in that regard. He was going to be aware that he had been a Video Ranger from the start, and that he was going to have to keep on being a Video Ranger, and that he was going to have to learn to laugh about that. And, also, because he wanted to get married, to be a man in some sense, he was going to have to be serious about something. He was going to have to touch base with some real thing going on in his father, and what he got hold of was the irony in his father…. And the evolution of that process is toward David Letterman…. We were going to have to grow up to be entirely ironic in our visceral reactions to our own manhood.”

George W. S. Trow (1943–2006) American writer

My Pilgrim’s Progress (1999)

History, Understanding, Sense, Learning

“I don't have a specific picture in my mind's eye. I want to end up with a picture that I haven't planned. This method of arbitrary choice, chance, inspiration and destruction may produce a specific type of picture, but it never produces a predetermined picture. Each picture has to evolve out of a painterly or visual logic: it has to emerge as if inevitably. And by not planning the outcome, I hope to achieve the same coherence and objectivity that a random slice of nature (or a ready-made) always possesses. Of course, this is also a method of bringing in unconscious processes, as far as possible. I just want to get something more interesting out of it than those things that I can think out for myself.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from an interview with Sabine Schütz, 1990; as cited on collected quotes on the website of Gerhard Richter: 'on Other subjects' https://www.gerhard-richter.com/en/quotes/other-aspects-6 1990's

Hope, Nature, Thinking, Chance

“My mother told me I said to her, at age three, 'I'm going to go to Italy and get my father in a tractor.' 'You've never seen quite so fierce a little boy as you were,' she told me. She tried to explain that I couldn't get my father in a tractor. Apparently I looked at her and narrowed my eyes and said 'In that case, I'm going in a double-decker bus,' and stomped off. Which is kind of funny, but it's very sad, as well.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

In an interview in Rolling Stones Magazine, September 30, 2010, talking about his father who was killed in WWII.
Miscellaneous

Age, Sadness, Boy

“The very beginning of the soul’s purgation is tranquility, in which the tongue is not given to discussing the affairs of men, nor the eyes to contemplating rosy cheeks or comely bodies, nor the ears to lowering the tone of the soul by listening to songs whose sole object is to amuse, or to words spoken by wits and buffoons—a practice which above all things tends to relax the tone of the soul.”

Basil of Caesarea (329–379) Christian Saint

vol. 1, p. 13
Letters

Men, Soul

“You see things out of the corner of your mind or the corner of your eye that affect you just as strongly as things that you focus on, if not more so.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 12
Conversation with Karen Wilkin' (1986-1988)

“I have not built any theory. I have only tried to build up sensitive eyes, as my book says. And I have tried to achieve that by aiming at very distinct color relationships again – like how do they influence each other? Change each other in light and in intensity, in transparency, opacity? How do they change each other in all different directions? That we make all the students aware, through experience, that color is the most relative medium in art, and that we never really see what we see. All neighboring means which occur every minute different, not only in changing light but also by our changing moods. And in the end, the study of color again is a study of ourselves.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Books, Art, Color, Mood

“Your daughter says, 'Dad. Mom. I want to join the armed services.' You look at her beautiful face, her life flashes before your eyes, and you see a body bag. Now's the time to let her know the biggest military secret: She can join the military and be as safe-from-death as she would be at home. How? In the war in Iraq, not a single woman has been killed in the Air Force. Nor has a single woman been killed in the Marines. And only one has died in the Navy. Your only job is to keep her out of the Army.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 30.

Life, Death, War, Secret

“Like many men, I can never find anything that I’m looking for, even when I’m actually looking at it. In a fridge, I think milk is actually invisible to the male eye. And so, it turns out, are dirty great holes in the fence.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times September 6, 2009 http://www.timesonline.co.uk/tol/comment/columnists/jeremy_clarkson/article6823155.ece

Men, Thinking

“These days, reporting on the communal in situation in India consists in highlighting the splinter in the Hindu eye and concealing the beam in the Muslim eye. At the time of the 1991 Lok Sabha elections, the German left-leaning weekly Der Spiegel summarized the communal riots in independent India as follows: "Since 1947, Indian statisticians have counted 11,000 riots with 12,000 Muslim victims." Hindu victims are not even mentioned, as if you were reading a fundamentalist paper like Muslim India or Radiance.”

Koenraad Elst (1959) orientalist, writer

1990s, Negationism in India, (1992)

Communication, Time, Reading

“I've painted for a very long time, but I don't get tired or bored by it; I love to do it. If I don't paint one day, I don't feel well physically or mentally. My eyes bother me when I don't paint. But when I paint a full day, I feel satisfied and everything seems to be OK. I would never stop, never retire. I don't see how people can retire; I don't understand that. My brother Moses died while he was painting. He was actually working on a painting, and the last words he said were to the model: "Phoebe, don't frown."”

Raphael Soyer (1899–1987) American artist

Then he died. He worked to the very last minute.
As quoted in Paper Lanterns (Quotations from The Sun) p. 59.

Love, People, Feeling, Understanding

“Hitler would go as white as a sheet and tightly clench his jaws, while his eyes would dilate. Everyone in his entourage would get panicky because these fits were always followed by an order to dismiss or to execute somebody.”

Theodor Morell (1886–1948) Personal physician to Adolf Hitler

"Hitler had split personality," first printed Tuesday, May 22, 1945.

“Try having a relationship with someone and see if you can establish any sort of friendship without faith. Walk up to a woman and introduce yourself. When she tells you her name, say, 'I don't believe you.'… Carry on like that for a while, and before long you may be nursing a black eye. Your lack of faith in her is a strong insinuation that she is a liar.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

God doesn't believe in atheists (2002)

Friendship, Faith, Strong

“Before the age of adulteration it was held that behind each work there stood some conception of its perfect execution. It was this that gave zest to labor and served to measure the degree of success. To the extent that the concept obtained, there was a teleology in work, since the laborer toiled not merely to win sustenance but to see this ideal embodied in his creation. Pride in craftsmanship is well explained by saying that to labor is to pray, for conscientious effort to realize an ideal is a kind of fidelity. The craftsman of old time did not hurry, because the perfect takes no account of time and shoddy work is a reproach to character. But character itself is an expression of self-control, which does not come of taking the easiest way. Where character forbids self-indulgence, transcendence still hovers around. When utilitarianism becomes enthroned and the worker is taught that work is use and not worship, interest in quality begins to decline. … There is a difference between expressing one’s self in form and producing quantity for a market with an eye to speculation. Péguy wished to know what had become of the honor of work. It has succumbed to the same forces as have all other expressions of honor.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), pp. 73-74.

Age, Way, Effort, Time

“The king then kept his Christmas at his castle at Guildford; the dresses are said to be ad faciendum ludos domini regis, and consisted of eighty tunics of buckram of various colours; forty-two visors of different similitudes, namely, fourteen of faces of women, fourteen of faces of men, and fourteen heads of angels made with silver; twenty-eight crests; fourteen mantles embroidered with heads of dragons; fourteen white tunics wrought with the heads and wings of peacocks; fourteen with the heads of swans with wings; fourteen tunics painted with the eyes of peacocks; fourteen tunics of English linen painted; and fourteen other tunics embroidered with stars of gold.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 159
The Sports and Pastimes of the People of England (1801), Christmas

Women, Men, Angels, Star

“This image of herself as a not ordinary women, an image which was trembling now in his eyes, might suddenly disappear. Nothing more difficult to live up to than men’s dreams.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Children of the Albatross (1947)

Women, Men, Dreams

“The youth, who pants to gain the amorous prize,
Forgets that Heaven with all-discerning eyes
Surveys the secret heart; and when desire
Has, in possession, quenched its short-lived fire,
The devious winds aside each promise bear,
And scatter all his solemn vows in air!”

John Hoole (1727–1803) British translator

Book X, line 24
Translations, Orlando Furioso of Ludovico Ariosto (1773)

Secret, Youth, Heart, Forgetting

“All these troubles revolve around the irritable mutual dependence of life and art – with their need and contempt for one another. Of necessity, to create is a temporary state and cannot be possessed, because you learn and relearn that it is the lie and mask of Art and, too, its mortification, which promise a continuity. There are twenty crucial minutes in the evolution of each of my paintings. The closer I get to that time - those twenty minutes – the more intensely subjective I become – bit the more objective, too. Your eye gets sharper, you become continuously more and more critical. There is no measure I can hold on..”

Phillip Guston (1913–1980) American artist

1961 - 1980, ARTnews Annual', October 1966

Life, Lie, Art, Learning

“[Describes visiting a factory farm shed where she saw a large male boar, ] his huge head hanging low towards the barren floor. As I came level with him he raised his head and dragged himself slowly towards me on lame legs. With deliberation he looked straight at me, staring directly into my eyes. It seemed to me that I saw in those sad, intelligent, penetrating eyes a plea, a question to which I had no answer: "Why are you doing this to me?"”

Juliet Gellatley British activist

The Silent Ark, cited in Jeffrey Moussaieff Masson, The Pig Who Sang to the Moon: The Emotional World of Farm Animals (New York: Ballantine Books, 2004), ch. 1, p. 23 https://books.google.it/books?id=RbxeFLpNnxUC&pg=PA23.

Sadness, Intelligence, Question

“In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls
The world flashed grape-green eyes of a foiled cat
To him. On fragments of an old shrunk power,
On shy and maimed, on women wrung awry
He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze,
Cringing was easy to blunt these stern paws,
And he would weigh the heavier on those after.
Who rests in God's mean flattery now? Your wealth
Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty
Too poor to buy, although you die to sell.
Only that he has never heard of sleep;
And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn.
But he has gnawed a fibre from strange roots,
And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost
Out of us, but it is as hair of us,
And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes,
And restlessness still shadows the lost ways.
The fingers shut on voices that pass through,
Where blind farewells are taken easily...
Ah! this miasma of a rotting God!”

Isaac Rosenberg (1890–1918) English poet

written 1916 or before
On Receiving News of the War (1914), God

Death, Women, Men, God

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

Age, Falseness

“He comes, and his face is sad and mild,
With thorns his head is crowned;
There are great bleeding wounds in his feet,
And in each hand a wound.
How can I tell, who am a fool,
If this be Christ or no?
Those bleeding hands outstretched to me!
Those eyes that love me so!”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), The Robe of Christ

Love, Sadness, Fools, Christ

“The first stable conclusion I reached … was that the only thing brains could do was to approximate the responsivity to meanings that we presuppose in our everyday mentalistic discourse. When mechanical push comes to shove, a brain was always going to do what it was caused to do by current, local, mechanical circumstances, whatever it ought to do, whatever a God's-eye view might reveal about the actual meaning of its current states. But over the long haul, brains could be designed – by evolutionary processes – to do the right thing (from the point of view of meaning) with high reliability. … [B]rains are syntactic engines that can mimic the competence of semantic engines. … The appreciation of meanings – their discrimination and delectation – is central to our vision of consciousness, but this conviction that I, on the inside, deal directly with meanings turns out to be something rather like a benign "user-illusion."”

Daniel Dennett (1942) American philosopher

Source: Brain Children (1998), chapter 25, "Self-Portrait"

God

“A few important Muslim leaders regretted that Australian society, as they experienced it, defied their beliefs and preachings. In their eyes it was decadent and irreligious. And yet one century earlier, a host of Australian churchgoers would have agreed with the mainstream Muslim suspicion of alcohol, drugs, pornography, party-going, scantily clad women, blasphemous language, suicide, homosexuality and the Sabbath. It was the Christians who, in the following four generations, relaxed their views on these social questions. They became more tolerant at a time when sections of Islam were becoming less tolerant.”

Geoffrey Blainey (1930) Australian historian

The Story of Australia's People: The Rise and Rise of a New Australia (2016)

Women, Alcohol, Question, Suicide

“A litigant to winning so devotes his energies
That he never gives his neighbours or himself a moment’s rest,
But for every other pleasure he has neither ears nor eyes.”

Pietro Nelli (1672–1740) Italian painter

Un litigante è di vincer si ingordo,
Che non dà a se, o altrui pace o riposo,
Ma ad ogni altro piacer è cieco e sordo.
Satire, II., IX. — "Peccadigli degli Avvocati."
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 432.

Pleasure

“To paraphrase the great poet Dante, the heavens swirl above us and our eyes are still cast to the ground.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Universe - Sex in Space (2008)

“Oh, could you view the melody
Of every grace
And music of her face,
You'd drop a tear;
Seeing more harmony
In her bright eye
Than now you hear.”

Richard Lovelace (1617–1658) English writer and poet

Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)

Music, Tear

“.. truly, if I sometimes of my work under the eyes, I love a genre [churches! ], which in the fullest sense of saying may be called 'mine.”

Johannes Bosboom (1817–1891) Dutch painter

the word 'mine' double underlined version in original Dutch (citaat van een brief van Johannes Bosboom, in het Nederlands:) ..waarlijk, als ik soms van mijn werk onder de oogen krijg, dan heb ik een genre lief [kerken!], dat in den volsten zin des woords het mijne mag heten. [het woord 'mijne' tweemaal onderstreept] Quote of Bosboom from his letter, 7 May 1865; as cited in Johannes Bosboom by H. F. W. Jeltes, 1916 http://docplayer.nl/32809950-Johannes-bosboom-synagoge-naar-de-schilderij-in-het-museum-te-dordrecht.html (translation from the original Dutch: Fons Heijnsbroek) Bosboom's quote is referring to a formerly painted 'consistory room', he painted in Alkmaar 1860's

Love, Sense

“A wild dissolving bliss
Over my frame he breathed, approaching near,
And bent his eyes of kindling tenderness
Near mine, and on my lips impressed a lingering kiss.”

Percy Bysshe Shelley The Revolt of Islam

Canto I, st. 42
The Revolt of Islam (1817)

Kiss

“A bell was supposed to ring when the bull's eye was hit. Not a sound. I emptied the gun, sniffed the tart stench of powder, and made a face. Tim and Camilla laughed at the sissy. By now a crowd had gathered on the sidewalk. They all shared Camilla's disgust, for it was a contagious thing, and I felt it too.”

John Fante book Ask the Dust

Ask the Dust (1939)

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Beauty, Art, Music, Soul

“It may be that the impressions of her infancy are caught somehow in the pulp of her eyes, luring her. Or there may be some hooked structure in her cells that twist her toward all that the world calls freakish.”

Katherine Dunn book Geek Love

Geek Love (1989)

World

“Reginald closed his eyes with the elaborate weariness of one who has rather nice eyelashes and thinks it useless to conceal the fact.”

Saki (1870–1916) British writer

"Reginald's Drama"
Reginald (1904)

Thinking

“You can be in the public eye all the time and still have a private life, but the important thing is to keep in touch with the people who put you there.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

Why Torchwood star and talent show judge John Barrowman would do anything for success, Michael Hellicar, 2008-04-11, 2008-04-11, dailymail http://www.dailymail.co.uk/pages/live/articles/showbiz/showbiznews.html?in_article_id=558746&in_page_id=1773,

Life, People, Time

“Our eyes have seen the skies burning red,
Angels singing, voices full of dread,
We see the lies but never ask why?
The seeds of sorrow the blood they cry.”

Jaclyn Victor (1978) Malaysian singer; Malaysian Idol winner

"Deep Down Inside", Dream.
Song Quotations

Angels, Singing, Cry

“Today, in this city
two people will meet and lock eyes;
the curtains are then turbulently thrown open.
[…] Today, in this city
two people will separate their paths;
the curtains are then silently lowered.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Source: Lyrics, I am..., M

People

“I'm here on the blacktop, the sun in my eyes
Women and Country on my mind”

Jakob Dylan (1969) singer and songwriter

"Nothing But The Whole Wide World"
Women + Country (2010)

Women, Sun, Country

“Beautiful girl and talented young man—
what stirred their hearts their eyes still dared not say.
They hovered, rapture-bound, 'tween wake and dream.”

Nguyễn Du The Tale of Kieu

Source: The Tale of Kiều (1813), Lines 163–165

Beauty, Dreams, Girl, Heart

“I will tell you what this people need, with regard to preaching; you need, figuratively, to have it rain pitchforks, tines downwards, from this pulpit, Sunday after Sunday. Instead of the smooth, beautiful, sweet, still, silk-velvet-lipped preaching, you should have sermons like peals of thunder, and perhaps we then can get the scales from our eyes. This style is necessary in order to save many of this people.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses 3:222 (March 2, 1856)
1850s

People, Beauty

“I don't buy into that pressure to be glamorous all the time. It's impossible, I mean, you get a pimple in the morning, you wake up with bags under your eyes, you see if you can use it in your work, maybe incorporate it into your character.”

Halle Berry (1966) American actress

Mike Szymanski (July 23, 2004 ) "Halle Berry: 'Catwoman for the new century' is in control", The Seattle Times, p. H20.

Time

“I was twenty-one at the time, about to turn twenty-two. No prospect of graduating soon, and yet no reason to quit school. Caught in the most curiously depressing circumstances. For months I'd been stuck, unable to take one step in any new direction. The world kept moving on; I alone was at a standstill. In the autumn, everything took on a desolate cast, the colors swiftly fading before my eyes. The sunlight, the smell of the grass, the faintest patter of rain, everything got on my nerves.”

Haruki Murakami (1949) Japanese author, novelist

Source: A Wild Sheep Chase: A Novel (1982), Chapter 1: Wednesday Afternoon Picnic

World, School, Color, Autumn

“He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

Upon Cromwell's Return from Ireland (1650)

“And you know you gotta go
On that train from Dublin up to Sandy Row
Throwing pennies at the bridges down below
And the rain, hail, sleet, and snow
Say goodbye to Madame George
Dry your eye for Madame George
Wonder why for Madame George”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Madame George
Song lyrics, Astral Weeks (1969)

Training

“A vast change had taken place in English social life within two generations… View the navigation, the roads, the harbours and all other public works. Take notice of the spirit with which manufactures are carried on. Move your eye which side you will, you behold nothing but great riches and yet greater resources.”

Arthur Young (1741–1820) English writer

Arthur Young, quoted in: Bruce Lancaster (2001) The American Revolution, p. 16

Life, Change

“Where was her bloom! These deadly and blood-suffused orbs but ill resemble the azure and ecstatic tenderness of her eyes. The lucid stream that meandered over that bosom, the glow of love that was wont to sit upon that cheek, are much unlike these livid stains and this hideous deformity. Alas! These were the traces of agony; the grip of the assassin had been here!”

Charles Brockden Brown (1771–1810) American novelist, historian and editor

Wieland; or, the Transformation (1798)

Love

“She is not fair to outward view
As many maidens be;
Her loveliness I never knew
Until she smiled on me:
Oh! then I saw her eye was bright,
A well of love, a spring of light.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

"Song. She is not fair"
Poems (1851)

Love, Smile, Spring, Light

“5519. What the Eye sees not, the Heart rues not.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Heart

“The mystery brings peace to my eyes, not blindness.”

Antonio Porchia (1885–1968) Italian Argentinian poet

El misterio apacigua mis ojos, no los ciega.
Voces (1943)

Peace

“Sun of my soul, Thou Saviour dear,
It is not night if Thou be near;
Oh, may no earth-born cloud arise
To hide Thee from Thy servant's eyes.”

John Keble (1792–1866) English churchman and poet, a leader of the Oxford Movement

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 90.

Soul, Sun, Night

“1011. The eye is bigger then the belly.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

“This mortal life is like a meadow where the serpent lies among the flowers and grass, and if anything we see there pleases our eyes, the result is to enlime our souls more deeply.”

Francesco Petrarca Il Canzoniere

Questa vita terrena è quasi un prato,
che 'l serpente tra' fiori et l'erba giace;
et s'alcuna sua vista agli occhi piace,
è per lassar piú l'animo invescato.
Canzone 99, st. 2
Il Canzoniere (c. 1351–1353), To Laura in Life

Life, Soul, Flowers, Grass

Quotes about eye page 45

Quotes about eye
page 45