Quotes about eye
page 45

Libba Bray photo
Lee Atwater photo
Margaret Cho photo
William Wordsworth photo

“Alas! how little can a moment show
Of an eye where feeling plays
In ten thousand dewy rays:
A face o'er which a thousand shadows go!”

William Wordsworth (1770–1850) English Romantic poet

The Triad.
Bartlett's Familiar Quotations, 10th ed. (1919)

Auguste Rodin photo
Paul Cézanne photo
William Burges photo

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Aleister Crowley photo
Elmore Leonard photo
Eric Hoffer photo

“With some people solitariness is an escape not from others but from themselves. For they see in the eyes of others only a reflection of themselves.”

Eric Hoffer (1898–1983) American philosopher

Section 211
The Passionate State Of Mind, and Other Aphorisms (1955)

Charlotte Brontë photo
Thomas Young (scientist) photo
Matthew Arnold photo

“Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 3
The Forsaken Merman (1849)

Tom Baker photo
Moshe Dayan photo
Henry Clay Trumbull photo
Bashō Matsuo photo

“Spring passes
and the birds cry out—tears
in the eyes of fishes”

行く春や
鳥啼き魚の
目は泪
yuku haru ya
tori naki uo no
me wa namida
Matsuo Bashō, Narrow Road to the Interior and other writings, Boston, 2000, p. 4 (Translation: Sam Hamill)
Spring is passing by!
Birds are weeping and the eyes
Of fish fill with tears.
Matsuo Bashō, The Narrow Road to Oku, Tokyo, 1996, p. 23 (Translation: Donald Keene)
The passing of spring—
The birds weep and in the eyes
Of fish there are tears.
Donald Keene, Travelers of a Hundred Ages, New York, 1999, p. 310 (Translation: Donald Keene)
Oku no Hosomichi

Richard Lovelace photo

“When I lie tangled in her hair,
And fettered to her eye,
The gods that wanton in the air
Know no such liberty.”

Richard Lovelace (1617–1658) English writer and poet

To Althea: From Prison, st. 1.
Lucasta (1649)

Hale Boggs photo

“[FBI Director J. Edgar] Hoover lied his eyes out to the [Warren] Commission – on Oswald, on Ruby, on their friends, the bullets, the gun, you name it.”

Hale Boggs (1914–1972) American politician

Speaking to an aide, quoted by Bernard Fensterwald, Coincidence or Conspiracy?

Joseph Addison photo
Marshall McLuhan photo

“Each of our senses makes its own space, but no sense can function in isolation. Only as sight relates the touch, or kinaesthesia, or sound, can the eye see.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, The argument: causality in the electric world (1973)

Tyra Banks photo

“I was embarrassed when a businessman friend asked, 'What's the yearly budget of your talk show? What's the per-episode budget?' And I looked at him with these blank, typical-model eyes and said, 'I don't know.' I call myself a businesswoman and I don't know that? So that is my goal next year--to really dissect the budget.”

Tyra Banks (1973) American model, author and television personality

Kiri Blakeley (July 3, 2006) "Celebrity 100: Tyra Banks On It" http://www.forbes.com/free_forbes/2006/0703/120.html, Forbes, Forbes.com LLC.

Nicholas Sparks photo

“These words are being written in reply to the verbal message sent by you. I have been asked (by you) to tell (you) about suppression of the rebellion of Jats in the environs of Delhi.
The fact is that this recluse (meaning himself) has witnessed in the occult world the downfall of the Jats in the same way as that of the Marhatahs. I have also seen it in a dream that Muslims have taken possession of the forts and the country of the Jats, and that Muslims have become masters of those forts and that country as in the past. Most probably, the Ruhelas will occupy those Jat forts. This has been determined and decided in the most secret world. This recluse has not the shadow of a doubt about that. But the way that victory will be achieved is not yet clear. What is needed is prayers from those special servants of Allah who have been chosen for this purpose.
…But keep one thing in your mind, namely, that the Hindus who are apparently in your’s and your government’s employ, are inclined towards the enemies in their hearts. They do not want that the enemies be exterminated. They will try a thousand tricks in this matter, and endeavour in every way to show to your honour that the path of peace is more profitable.
Make up your mind not to listen to this group (the Hindu employees). If you disregard their advice, you will reach the height of fulfilment. This recluse knows of this (fulfilment) as if he is seeing it with his own eyes.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Najibuddaulah Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 106-07.
From his letters

Ted Hughes photo
Christopher Pitt photo
Patri Friedman photo
Horace Mann photo

“Observation — activity of both eyes and ears.”

Horace Mann (1796–1859) American politician

As quoted in Every Other Sunday Vol. 23 (1907) by The Unitarian Sunday-School Society, p. 19

Guy De Maupassant photo
Alicia Witt photo

“isn’t it nice to know that you’re not my consolation prize
doesn’t it feel like freedom breathin in and out now
isn’t it good to see all the love in someone else’s eyes
doesn’t it all make sense that you’re better off without me”

Alicia Witt (1975) American actress

Consolation Prize http://aliciawittmusic.com/lyrics/consolation-prize/ · performance on The Queen Latifah Show (2015) https://www.youtube.com/watch?v=RNiHKcWG_XM
Lyrics, Revisionary History (2015)

Sam Harris photo
Nick Cave photo

“I am chained to the earth to pay for the freedom of my eyes.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Con mi encadenamiento a la tierra pago la libertad de mis ojos.
Voces (1943)

Harry Chapin photo
Mike Oldfield photo
Sarah McLachlan photo
Jonathan Swift photo

“The sight of you is good for sore eyes.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Polite Conversation (1738), Dialogue 1

Sophia Loren photo

“Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.”

Sophia Loren (1934) Italian actress

As quoted in Morrow's International Dictionary of Contemporary Quotations (1982) by Jonathon Green, p. 340.

Bawa Muhaiyaddeen photo
Kate Bush photo

“You came out of the night,
Wearing a mask in white colour.
My eyes were shining
On the wine, and your aura.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Herbert A. Simon photo

“Now the salient characteristic of the decision tools employed in management science is that they have to be capable of actually making or recommending decisions, taking as their inputs the kinds of empirical data that are available in the real world, and performing only such computations as can reasonably be performed by existing desk calculators or, a little later electronic computers. For these domains, idealized models of optimizing entrepreneurs, equipped with complete certainty about the world - or, a worst, having full probability distributions for uncertain events - are of little use. Models have to be fashioned with an eye to practical computability, no matter how severe the approximations and simplifications that are thereby imposed on them…
The first is to retain optimization, but to simplify sufficiently so that the optimum (in the simplified world!) is computable. The second is to construct satisficing models that provide good enough decisions with reasonable costs of computation. By giving up optimization, a richer set of properties of the real world can be retained in the models… Neither approach, in general, dominates the other, and both have continued to co-exist in the world of management science.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1960s-1970s, "Rational decision making in business organizations", Nobel Memorial Lecture 1978, p. 498; As cited in: Arjang A. Assad, ‎Saul I. Gass (2011) Profiles in Operations Research: Pioneers and Innovators. p. 260-1.

Paul Cézanne photo
Courtney Love photo

“I am the girl you know, can't look you in the eye
I am the girl you know so sick I cannot try
I am the one you want, can't look you in the eye
I am the girl you know, I lie and lie and lie”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Miss World"
Song lyrics, Live Through This (1994)

Thomas Henry Huxley photo
Bernard Cornwell photo
William Wordsworth photo

“As in the eye of Nature he has lived,
So in the eye of Nature let him die!”

William Wordsworth (1770–1850) English Romantic poet

The Old Cumberland Beggar.
Bartlett's Familiar Quotations, 10th ed. (1919)

Iain Banks photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Gerhard Richter photo
Roger Waters photo
Basil of Caesarea photo

“You see things out of the corner of your mind or the corner of your eye that affect you just as strongly as things that you focus on, if not more so.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 12
Conversation with Karen Wilkin' (1986-1988)

Warren Farrell photo
Jeremy Clarkson photo

“Like many men, I can never find anything that I’m looking for, even when I’m actually looking at it. In a fridge, I think milk is actually invisible to the male eye. And so, it turns out, are dirty great holes in the fence.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times September 6, 2009 http://www.timesonline.co.uk/tol/comment/columnists/jeremy_clarkson/article6823155.ece

Koenraad Elst photo
Theodor Morell photo
Ray Comfort photo
Joseph Strutt photo
Anaïs Nin photo
John Hoole photo
Phillip Guston photo
Isaac Rosenberg photo
Nicolas Chamfort photo

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

Joyce Kilmer photo
Daniel Dennett photo

“A litigant to winning so devotes his energies
That he never gives his neighbours or himself a moment’s rest,
But for every other pleasure he has neither ears nor eyes.”

Pietro Nelli (1672–1740) Italian painter

Un litigante è di vincer si ingordo,
Che non dà a se, o altrui pace o riposo,
Ma ad ogni altro piacer è cieco e sordo.
Satire, II., IX. — "Peccadigli degli Avvocati."
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 432.

Vanna Bonta photo

“To paraphrase the great poet Dante, the heavens swirl above us and our eyes are still cast to the ground.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Universe - Sex in Space (2008)

Richard Lovelace photo

“Oh, could you view the melody
Of every grace
And music of her face,
You'd drop a tear;
Seeing more harmony
In her bright eye
Than now you hear.”

Richard Lovelace (1617–1658) English writer and poet

Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)

Johannes Bosboom photo

“.. truly, if I sometimes of my work under the eyes, I love a genre [churches! ], which in the fullest sense of saying may be called 'mine.”

Johannes Bosboom (1817–1891) Dutch painter

the word 'mine' double underlined
version in original Dutch (citaat van een brief van Johannes Bosboom, in het Nederlands:) ..waarlijk, als ik soms van mijn werk onder de oogen krijg, dan heb ik een genre lief [kerken!], dat in den volsten zin des woords het mijne mag heten. [het woord 'mijne' tweemaal onderstreept]
Quote of Bosboom from his letter, 7 May 1865; as cited in Johannes Bosboom by H. F. W. Jeltes, 1916 http://docplayer.nl/32809950-Johannes-bosboom-synagoge-naar-de-schilderij-in-het-museum-te-dordrecht.html (translation from the original Dutch: Fons Heijnsbroek)
Bosboom's quote is referring to a formerly painted 'consistory room', he painted in Alkmaar
1860's

Percy Bysshe Shelley photo
John Fante photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Saki photo
John Barrowman photo

“You can be in the public eye all the time and still have a private life, but the important thing is to keep in touch with the people who put you there.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

Why Torchwood star and talent show judge John Barrowman would do anything for success, Michael Hellicar, 2008-04-11, 2008-04-11, dailymail http://www.dailymail.co.uk/pages/live/articles/showbiz/showbiznews.html?in_article_id=558746&in_page_id=1773,

Jaclyn Victor photo
Ayumi Hamasaki photo
Jakob Dylan photo

“I'm here on the blacktop, the sun in my eyes
Women and Country on my mind”

Jakob Dylan (1969) singer and songwriter

"Nothing But The Whole Wide World"
Women + Country (2010)

Nguyễn Du photo
Brigham Young photo
Halle Berry photo

“I don't buy into that pressure to be glamorous all the time. It's impossible, I mean, you get a pimple in the morning, you wake up with bags under your eyes, you see if you can use it in your work, maybe incorporate it into your character.”

Halle Berry (1966) American actress

Mike Szymanski (July 23, 2004 ) "Halle Berry: 'Catwoman for the new century' is in control", The Seattle Times, p. H20.

Haruki Murakami photo
Andrew Marvell photo

“He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

Upon Cromwell's Return from Ireland (1650)

Van Morrison photo
Arthur Young photo
Charles Brockden Brown photo
Hartley Coleridge photo
Thomas Fuller (writer) photo

“5519. What the Eye sees not, the Heart rues not.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“The mystery brings peace to my eyes, not blindness.”

Antonio Porchia (1885–1968) Italian Argentinian poet

El misterio apacigua mis ojos, no los ciega.
Voces (1943)

John Keble photo

“Sun of my soul, Thou Saviour dear,
It is not night if Thou be near;
Oh, may no earth-born cloud arise
To hide Thee from Thy servant's eyes.”

John Keble (1792–1866) English churchman and poet, a leader of the Oxford Movement

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 90.

George Herbert photo

“1011. The eye is bigger then the belly.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Francesco Petrarca photo

“This mortal life is like a meadow where the serpent lies among the flowers and grass, and if anything we see there pleases our eyes, the result is to enlime our souls more deeply.”

Questa vita terrena è quasi un prato,
che 'l serpente tra' fiori et l'erba giace;
et s'alcuna sua vista agli occhi piace,
è per lassar piú l'animo invescato.
Canzone 99, st. 2
Il Canzoniere (c. 1351–1353), To Laura in Life