Quotes about composer (804 quotes) | Quotes of famous people

“We are just waves in time and space, changing continuously, and the illusion of individuality is produced through the concatenation of the rapidly succeeding phases of existence. What we define as likeness is merely the result of the symmetrical arrangement of molecules which compose our body.”

Nikola Tesla (1856–1943) Serbian American inventor

Change , Time

“Unhappiness. There are all kinds of unhappy people in the world. I suppose it would be no exaggeration to say that the world is composed entirely of unhappy people. But those people can fight their unhappiness with society fairly and squarly, and society for its part easily understands and sympathizes with such struggles. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody.”

Osamu Dazai book No Longer Human

The Third Notebook: Part Two
No Longer Human

People , World , Way , Understanding

“Just as I was starting on my journey the idea came to me for a new symphony, this time with a program, but a program which will remain an enigma to all— let them guess it who can. It will be called "A Programmatic Symphony" (No. 6). During my trip, while composing in my mind, I frequently shed tears. When I got home I settled down to sketch it, and the work went so furiously that I had the first movement completely ready in less than four days and the remaining movements are already clearly outlined in my head. Half the third movement is already done. There will be much innovation of form in this symphony— and incidentally, the finale will not be a noisy allegro but, on the contrary, a long drawn-out adagio. You can't imagine what bliss I feel, being convinced that my time is not yet passed and I can still work. Perhaps, of course, I'm mistaken, but I don't think so.”

Pyotr Ilyich Tchaikovsky (1840–1893) Russian composer

Letter to a nephew (late February 1893)

Feeling , Home , Imagination , Idea

“I admit willingly that after the Normandy battles, my unit was composed of young fanatic soldiers. Many of them had lost their parents, or brothers and sisters in the bombardments. Some had seen for themselves at Cologne where thousands of bodies were crushed after the terrorist raids. Their hatred of the enemy was such that I admit that I could not always control them. At Malmédy, there were, no doubt, some excesses.”

Joachim Peiper (1915–1976) SS officer

Parker, Hitler's Warrior, chapter 18, citing La Libre Belgigue in note 61.

Parent , Sister

“The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt - they meditate, protest, analyze, reason, calculate and brood, but they do not exalt.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Music , Feeling , Thinking , Heart

“Forever is composed of nows.”

Emily Dickinson (1830–1886) American poet

“Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name: He has taste, and, furthermore, the most profound knowledge of composition.”

Joseph Haydn (1732–1809) Austrian composer

Ich sage ihnen vor Gott, als ein ehrlicher Mann, ihr Sohn ist der größte Componist, den ich von Person und den Nahmen nach kenne: er hat geschmack, und über das die größte Compositionswissenschaft.
Quoted in a letter from Leopold Mozart to Maria Anna Mozart (1785-02-16)

God , Knowledge , Personality

“Händel is the greatest and ablest of all composers; from him I can still learn.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Händel ist der Größte und Fähigste aller Komponisten; von ihm kann ich immer noch lernen.
Beethoven on his deathbed, speaking to Gerhard von Breuning. Published in Friedrich Kerst Beethoven der Mann und der Künstler, wie in seinen Eigenen Words enthüllt no. 111 http://www.bucheralle.org/6C76626D613131/ch35.html; Friedrich Kerst (trans. Henry Edward Krehbiel) Beethoven, the Man and the Artist, as Revealed in his own Words (1964), p. 54.
Criticism

Learning

“Endurance is composed of four attributes: eagerness, fear, piety and anticipation (of death). so whoever is eager for Paradise will ignore temptations; whoever fears the fire of Hell will abstain from sins; whoever practices piety will easily bear the difficulties of life and whoever anticipates death will hasten towards good deeds.
Conviction has also four aspects to guard oneself against infatuations of sin; to search for explanation of truth through knowledge; to gain lessons from instructive things and to follow the precedent of the past people, because whoever wants to guard himself against vices and sins will have to search for the true causes of infatuation and the true ways of combating them out and to find those true ways one has to search them with the help of knowledge, whoever gets fully acquainted with various branches of knowledge will take lessons from life and whoever tries to take lessons from life is actually engaged in the study of the causes of rise and fall of previous civilizations.
Justice also has four aspects depth of understanding, profoundness of knowledge, fairness of judgment and dearness of mind; because whoever tries his best to understand a problem will have to study it, whoever has the practice of studying the subject he is to deal with, will develop a clear mind and will always come to correct decisions, whoever tries to achieve all this will have to develop ample patience and forbearance and whoever does this has done justice to the cause of religion and has led a life of good repute and fame.
Jihad is divided into four branches: to persuade people to be obedient to Allah; to prohibit them from sin and vice; to struggle (in the cause of Allah) sincerely and firmly on all occasions and to detest the vicious. Whoever persuades people to obey the orders of Allah provides strength to the believers; whoever dissuades them from vices and sins humiliates the unbelievers; whoever struggles on all occasions discharges all his obligations and whoever detests the vicious only for the sake of Allah, then Allah will take revenge on his enemies and will be pleased with Him on the Day of Judgment.”

Ali book Nahj al-Balagha

Nahj al-Balagha

Life , Death , People , Truth

“Why they had gone so suddenly off the walls seems to have been that they had taken the resolve of those who give up a place as lost; they put all ladies and beauties to death, then, looking themselves to die, came naked out to fight. Our men attacking, each one from his post, drove them from the walls whereupon 2 or 300 of them entered Medini Rao's house and there almost killed one another in this way: -- one having taken stand with a sword, the rest eagerly stretched out the neckblow. Thus went the greater number to hell. By God's grace this renowned fort was captured in 2 or 3 garis (cir. an hour), without drum and standard, with no hard fighting done. A pillar of pagan-heads was ordered set up on a hill north-west of Chanderi. A chronogram of this victory having been found in the words of Fath-i-daru'l-harb (Conquest of a hostile seat), I thus composed them:
Was for a while the station Chandiri Pagan-full, the seat of hostile force;
By fighting, I vanquished its fort,
The date was Fath-i-daru'l-harb.”

Babur (1483–1530) 1st Mughal Emperor

Quote from Bevridge translation of the Baburnama https://archive.org/stream/baburnama017152mbp#page/n663/mode/2up

Death , Men , God , Hostility

“I can respect the artistic aim of a composer if he arrives at the so-called modern idiom after an intense period of preparation…Such composers know what they are doing when they break a law; they know what to react against, because they have had experience in the classical forms and style. Having mastered the rules, they know which can be violated and which should be obeyed. But, I am sorry to say, I have found too often that young composers plunge into the writing of experimental music with their school lessons only half learned. Too much radical music is sheer sham, for this very reason: its composer sets about revolutionizing the laws of music before he learned them himself.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Interviewed by David Ewen in The Etude, 1941; cited from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, MA: Northeastern Universities Press, 1997) pp. 235-6

School , Law , Music , Learning

“If a composer could say what he had to say in words he would not bother trying to say it in music.”

Gustav Mahler (1860–1911) late-Romantic Austrian composer

Music

“Half the world is composed of people who have something to say and can't, and the other half who have nothing to say and keep on saying it.”

Robert Frost (1874–1963) American poet

Variant: Half the world is composed of people who have something to say and can't, and the other half who have nothing to say and keep on saying it.

People , World

“Communists love to make films about composers, because composers compose music and don't talk subversive things.”

Miloš Forman (1932–2018) czech-American director, screenwriter, and professor

Love , Music

“Although it may seem incredible, this cure helped me. At the beginning of the summer I began to compose… New musical ideas began to stir with me-far more than I needed for my concerto. By the autumn I had finished the Adagio and Finale… The Two movements I played… at a charity concert… They had a gratifying success… By the Spring I had finished the first movement of the concerto… Out of gratitude, I dedicated it to Nikolay Dahl.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

About his second piano concerto. Masterworks of the Orchestral Repertoire: A Guide for Listeners by Donald N. Ferguson.

Music , Spring , Idea , Autumn

“It is as a composer that his name will live longest. He was the last of the colourful Russian masters of the late 19th cent[ury], with their characteristic gift for long and broad melodies imbued with a resigned melancholy which is never long absent.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Michael Kennedy The Concise Oxford Dictionary of Music, 3rd edn. (London: Oxford University Press, 1980) p. 516.
Criticism

“The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together — with a thin paste of flour and water… I don’t think there has been such an inspired melodist on this earth since Tchaikovsky… but if you want to speak of a composer, that's another matter.”

Leonard Bernstein (1918–1990) American composer, conductor, author, music lecturer, and pianist

Of George Gershwin's Rhapsody in Blue
"Why Don't You Run Upstairs and Write a Nice Gershwin Tune?", in The Atlantic Monthly, April 1955.

Thinking , Water , Past

“Mankind is composed of two sorts of men — those who love and create, and those who hate and destroy.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

"Letter to a Cuban Farmer" (1893)

Love , Men , Hate

“1. Small particles called atoms exist and compose all matter; 2. They are indivisible and indestructible; 3. Atoms of the same chemical element have the same chemical properties and do not transmute or change into different elements.”

John Dalton (1766–1844) English chemist, meteorologist and physicist

A New System of Chemical Philosophy, Part I http://books.google.com/books?id=Wp7QAAAAMAAJ (1808) as quoted by Richard Reeves, A Force of Nature The Frontier Genius of Ernest Rutherford (2008)

Change

“Viewed from the standpoint of social science, society is composed of individuals organized in occupational groups, each group fulfilling some function of the society. Taking this fact into account, psychology – the science of human nature and human consciousness – is able to make at least one general assertion as to the form a given society must take if it is to persist as a society. It must be possible for the individual as he works to see that his work is socially necessary; he must be able to see beyond his group to the society.”

Elton Mayo (1880–1949) Australian academic

Source: Democracy and freedom. 1919, p. 37

Nature , Science

“When you wish to see whether the general effect of your picture corresponds with that of the object represented after nature, take a mirror and set it so that it reflects the actual thing, and then compare the reflection with your picture, and consider carefully whether the subject of the two images is in conformity with both, studying especially the mirror. The mirror ought to be taken as a guide… you see the picture made upon one plane showing things which appear in relief, and the mirror upon one plane does the same. The picture is on one single surface, and the mirror is the same. …if you but know well how to compose your picture it will also seem a natural thing seen in a great mirror.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Nature , Study , Appearance

“Placed under the sway of conflicting urges of the Indian masses we are yet given the poetic quality of composing a harmonious life. There are thousand stands of culture that make of the cultural life of our people a variegated pattern of exquisite beauty and richness.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Source: Uniqueness of Zakir Husain and His Contributions (1997), p. 25.

Life , People , Beauty

“Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.”

Leonard Bernstein (1918–1990) American composer, conductor, author, music lecturer, and pianist

The Cambridge Companion to Conducting p. 16.

Music , Effort

“Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one – that is, from the inside, as an organic and felt creative process.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Neville Cardus The Delights of Music (London: Victor Gollancz, 1966) p. 90.
Criticism

World , Music , Parting

“Swords flashed like lightning amid the blackness of clouds, and fountains of blood flowed like the fall of setting stars. The friends of God defeated their obstinate opponents, and quickly put them to a complete rout. Noon had not arrived when the Musulmans had wreaked their vengeance on the infidel enemies of Allah, killing 15,000 of them, spreading them like a carpet over the ground, and making them food for beasts and birds of prey… The enemy of God, Jaipal, and his children and grandchildren,… were taken prisoners, and being strongly bound with ropes, were carried before the Sultan, like as evildoers, on whose faces the fumes of infidelity are evident, who are covered with the vapours of misfortune, will be bound and carried to Hell. Some had their arms forcibly tied behind their backs, some were seized by the cheek, some were driven by blows on the neck. The necklace was taken off the neck of Jaipal, - composed of large pearls and shining gems and rubies set in gold, of which the value was two hundred thousand dinars; and twice that value was obtained from necks of those of his relatives who were taken prisoners, or slain, and had become the food of the mouths of hyenas and vultures. Allah also bestowed upon his friends such an amount of booty as was beyond all bounds and all calculation, including five hundred thousand slaves, beautiful men and women. The Sultan returned with his followers to his camp, having plundered immensely, by Allah's aid, having obtained the victory, and thankful to Allah… This splendid and celebrated action took place on Thursday, the 8th of Muharram, 392 H., 27th November, 1001 AD.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

About the defeat of Jaipal. Tarikh Yamini (Kitabu-l Yamini) by Al Utbi, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 27 Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from Tarikh Yamini (Kitabu-l Yamini) by Al Utbi

Women , Men , God , Children

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s

Music , Imagination

“These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape — for did not this star-fashioned image prove it? — but that shape was not made of matter.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Call of Cthulhu (1926)
Context: There had been aeons when other Things ruled on the earth, and They had had great cities. Remains of Them, he said the deathless Chinamen had told him, were still be found as Cyclopean stones on islands in the Pacific. They all died vast epochs of time before men came, but there were arts which could revive Them when the stars had come round again to the right positions in the cycle of eternity. They had, indeed, come themselves from the stars, and brought Their images with Them.
These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape — for did not this star-fashioned image prove it? — but that shape was not made of matter. When the stars were right, They could plunge from world to world through the sky; but when the stars were wrong, They could not live. But although They no longer lived, They would never really die...

Star , Fashion

“I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.”

Glenn Gould (1932–1982) Canadian pianist

Gramophone
Context: I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can't think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that -- its humanity.

Life , Music , Thinking , Time

“The most sensitive musical instrument is the human soul. The next is the human voice. One must purify the soul until it begins to sound. A composer is a musical instrument and at the same time, a performer on that instrument. The instrument has to be in order to produce sound. One must start with that, not with the music. Through the music the composer can check whether his instrument is tuned and to what key it is tuned.”

Arvo Pärt (1935) Estonian composer

Read from his musical diaries while speaking at St. Vladimir’s Seminary https://vimeo.com/221011528/

Music , Soul , Time

“I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor

Music , History , Study , Understanding

“A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Source: The Real Frank Zappa Book (1989), p. 162.

Guy

“The last thing one discovers in composing a work is what to put first.”

Blaise Pascal Pensées

Source: Pensées

“Writing is a form of therapy; sometimes I wonder how all those who do not write, compose or paint can manage to escape the madness, the melancholia, the panic fear which is inherent in the human condition.”

Graham Greene book Ways of Escape

New York Times (January 8, 1981)
Source: Ways of Escape

Fear , Painting , Madness

“Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Source: One Way Street And Other Writings

Music

“The manner in which,, and Salomon de Tultie wrote, is the most usual, the most suggestive, the most remembered, and the oftener quoted; because it is entirely composed of thoughts born from the common talk of life.”

Blaise Pascal Pensées

Source: Pensées

Life , Quotes

“The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Books , Girl , Boy

“In our country we call this type of mother love teng ai. My son has told me that in men's writing it is composed of two characters. The first means pain; the second means love. That is a mother's love.”

Lisa See book Snow Flower and the Secret Fan

Source: Snow Flower and the Secret Fan

Love , Men , Pain , Country

“Oh, I love London society! It is entirely composed now of beautiful idiots and brilliant lunatics. Just what society should be.”

Oscar Wilde An Ideal Husband

Mabel Chiltern, Act I
An Ideal Husband (1895)

Love , Beauty

“The time is past when music was written for a handful of aesthetes. Today vast crowds of people have come face to face with serious music and are waiting with eager impatience. Composers, take heed of this…But this does not mean that you must pander to this audience. Pandering always has an element of insincerity about it and nothing good ever came of that.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 106; from a notebook entry (1937).
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

People , Music , Time , Waiting

“We must promote the idea of secession. Or more specifically, we must promote the idea of a world composed of tens of thousands of distinct districts, regions, and cantons, and hundred of thousands of independent free cities such as the present day oddities of Monaco, Andorra, San Marino, Liechtenstein, Hong Kong, and Singapore. Greatly increased opportunities for economically motivated migration would thus result, and the world would be one of small [classically] liberal governments economically integrated through free trade and an international commodity money such as gold.”

Hans-Hermann Hoppe (1949) Austrian school economist and libertarian anarcho-capitalist philosopher

Interview at quebecoislibre.org (7 December 2002) http://www.quebecoislibre.org/021207-8.htm.

Money , World , Motivation , Idea

“Not many composers have ideas. Far more of them know how to use strange instruments which do not require ideas.”

George Gershwin (1898–1937) American composer and pianist

Page 386
The Composer in the Machine Age (1933)

Idea

“We know that self-government is difficult. We know that no people needs such high traits of character as that people which seeks to govern its affairs aright through the freely expressed will of the freemen who compose it. But we have faith that we shall not prove false to the memories of the men of the mighty past. They did their work, they left us the splendid heritage we now enjoy. We in our turn have an assured confidence that we shall be able to leave this heritage unwasted and enlarged to our children and our children's children. To do so we must show, not merely in great crises, but in the everyday affairs of life, the qualities of practical intelligence, of courage, of hardihood, and endurance, and above all the power of devotion to a lofty ideal, which made great the men who founded this Republic in the days of Washington, which made great the men who preserved this Republic in the days of Abraham Lincoln.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, Inaugural Address (1905)

Life , Men , Children , People

“No, there are three people in a marriage, there's the woman, there's the man, and there's what I call the third person, the most important, the person who is composed of the man and woman together.”

José Saramago book All the Names

The woman in the ground floor flat; p. 48
All the Names (1997)

Marriage , People , Personality

“I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

“The controls were anything but a hunch-player’s delight in a Universe composed of one-trillionth part matter to one decillion parts black velvet futility.”

Kurt Vonnegut book The Sirens of Titan

Epilogue “Reunion with Stony” (p. 303)
The Sirens of Titan (1959)

Universe , Parting

“Tchaikovsky thought of committing suicide for fear of being discovered as a homosexual, but today, if you are a composer and not homosexual, you might as well put a bullet through your head.”

Sergei Diaghilev (1872–1929) Russian art critic

In Oxford Dictionary of Quotations (1999), 260:2

Fear , Suicide

“As all our knowledge of the material world is derived from the information of our senses, natural philosophers have, in modern times, wisely abandoned to metaphysicians, all speculations concerning the nature of that substance of which it is composed; concerning the possibility or impossibility of its being created; concerning the efficient causes of the changes which take place in it; and even concerning the reality of its existence, independent of that of percipient beings: and have confined themselves to the humbler province of observing the phenomena it exhibits, and of ascertaining their general laws.”

Dugald Stewart (1753–1828) Scottish philosopher and mathematician

Source: Elements of the Philosophy of the Human Mind, 1792, p. 12

World , Law , Nature , Knowledge

“Dear Reader: The title of this book is composed of three words from my novel Cat's Cradle. A wampeter is an object around which the lives of many otherwise unrelated people may revolve. The Holy Grail would be a case in point. Foma are harmless untruths, intended to comfort simple souls. An example: "Prosperity is just around the corner." A granfalloon is a proud and meaningless association of human beings. Taken together, the words form as good an umbrella as any for this collection of some of the reviews and essays I've written, a few of the speeches I made.”

Kurt Vonnegut (1922–2007) American writer

"Preface"
Wampeters, Foma & Granfalloons (1974)

People , Books , Soul , Cats

“The interpreter is really an executant, carrying out the composer's intentions to the letter. He doesn't add anything that isn't already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn't dominate the music, but should dissolve into it.”

Sviatoslav Richter (1915–1997) Soviet pianist

Sviatoslav Richter: Notebooks and Conversations

Truth , Music

“I do not mean that it is not worthwhile to attempt a revision of the canon or that no success is possible. A few valuable minor changes have been made to our sense of the basic material of the history of music, and other alterations are still waiting to take hold. Gesualdo has not displaced Monteverdi or Palestrina but has won a permanent place; on the other hand, the attempt to convince us that Telemann is a major composer appears to have been abandoned. Alkan has not had the breakthrough his admirers had hoped for. Attacks on Tchaikovsky have not had much success in removing his music from the repertory; his credit with performers has not changed a bit.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Hope , Music , History , Sense

“Händel is the greatest composer that ever lived. I would uncover my head and kneel on his grave.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Händel ist der größte Komponist, der je lebte. Ich würde meine Kopfbedeckung abnehmen und auf seinem Grab knien.
Beethoven, speaking to J. A. Stumpff in the autumn of 1823. Published in Friedrich Kerst Beethoven der Mann und der Künstler, wie in seinen Eigenen Words enthüllt no. 112 http://www.bucheralle.org/6C76626D613131/ch35.html; Friedrich Kerst (trans. Henry Edward Krehbiel) Beethoven, the Man and the Artist, as Revealed in his own Words (1964), p. 54.
Criticism

“All men have heard of the Mormon Bible, but few except the "elect" have seen it, or, at least, taken the trouble to read it. I brought away a copy from Salt Lake. The book is a curiosity to me, it is such a pretentious affair, and yet so "slow," so sleepy; such an insipid mess of inspiration. It is chloroform in print. If Joseph Smith composed this book, the act was a miracle — keeping awake while he did it was, at any rate. If he, according to tradition, merely translated it from certain ancient and mysteriously-engraved plates of copper, which he declares he found under a stone in an out-of-the-way locality, the work of translating was equally a miracle, for the same reason.”

Mark Twain book Roughing It

On the Book of Mormon, Roughing It (published 1872), pp. 58-59
Roughing It (1872)

Men , Books , Way , Reading

“Everything great in the world comes from neurotics. They alone have founded our religions and composed our masterpieces.”

Marcel Proust book In Search of Lost Time

Tout ce que nous connaissons de grand nous vient des nerveux. Ce sont eux et non pas d'autres qui ont fondé les religions et composé les chefs-d'œuvre.
http://books.google.com/books?id=qrZEAAAAYAAJ&q=%22Tout+ce+que+nous+connaissons+de+grand+nous+vient+des+nerveux.+Ce+sont+eux+et+non+pas+d'autres+qui+ont+fond%C3%A9+les+religions%22+%22et+compos%C3%A9+les+chefs-d'%C5%93uvre%22&pg=PA272#v=onepage
Volume I
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol III: The Guermantes Way (1920)

World , Religion

“The universe is composed of subjects to be communed with, not primarily of objects to be used. As a subject, each component of the universe is capable of having rights.”

Thomas Berry (1914–2009) American priest

Appendix 2, p. 149
Evening Thoughts

Communication , Universe

“We went to the Opera to hear music of the vanguard, Maximilian by Darius Milhaud. We clutched our chair. But we were hurled out of it by such a hurricane of wrong notes that we found ourselves, half dead, on the stairway, without knowing how we could fall down quite so far. The composer knows the grammar, the spelling and the language; but he can speak only Esperanto and Volapuk. It is a work of a Communist traveling salesman.”

Darius Milhaud (1892–1974) French composer and teacher

Anonymous reviewer, as quoted in Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, p. 126
About

Music , Travel , Dead

“He has been for two thousand years the supreme Head of the Church Invisible, the Spiritual Hierarchy, composed of the disciples of all faiths. He recognises and loves those who are not Christian but who retain their allegiance to their Founders – the Buddha, Mohammed and others. He cares not what the faith is, if the objective is love of God and of humanity.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter III: The Reappearance of the Christ, World Expectancy

Love , God , Faith

“For Mendelssohn, Beethoven was the new point of departure, and a German composer could not afford to ignore him, as Chopin and Verdi were able to do.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 10 : Mendelssohn and the Invention of Religious Kitsch

Departure

“The composer does not sit around and wait for an inspiration to walk up and introduce itself…Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.”

George Gershwin (1898–1937) American composer and pianist

Isaac Goldberg Tin Pan Alley (New York: John Day, 1930) p. viii.

Music , Feeling , Waiting

“I was…attacked for being a pasticheur, chided for composing “simple” music, blamed for deserting “modernism,” accused of renouncing my “true Russian heritage.” People who had never heard of, or cared about, the originals cried “sacrilege”: “The classics are ours. Leave the classics alone.” To them all my answer was and is the same: You “respect,” but I love.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Expositions and Developments (1959), pp. 113-114
1950s

Love , People , Music

“This was Venice, the flattering and suspect beauty — this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 5, as translated by David Luke

Beauty , Art

“That fondness for science, … that affability and condescension which God shows to the learned, that promptitude with which he protects and supports them in the elucidation of obscurities and in the removal of difficulties, has encouraged me to compose a short work on calculating by al-jabr and al-muqabala, confining it to what is easiest and most useful in arithmetic.”

Muhammad ibn Mūsā al-Khwārizmī

As quoted in: Victor J. Katz (2009) A history of mathematics: an introduction. p. 271

God , Support , Learning , Science

“In India, the measure of a singer's freedom is in his own creative personality. He can sing the composer's song as his own, if he has the power creatively to assert himself in his interpretation of the general law of the melody which he is given to interpret.”

Rabindranath Tagore (1861–1941) Bengali polymath

Interview with Einstein (1930)

Law , Freedom , Singing , Personality

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Love , World , Music , Way

“It seems to me, that if the matter of our sun and planets and all the matter of the universe, were evenly scattered throughout all the heavens, and every particle had an innate gravity towards all the rest, and the whole of space throughout which this matter was scattered was but finite, the matter on [toward] the outside of this space would, by its gravity, tend towards all the matter on the inside, and, by consequence, fall down into the middle of the whole space, and there compose one great spherical mass. But if the matter was evenly disposed throughout an infinite space it could never convene into one mass; but some of it would convene into one mass and some into another, so as to make an infinite number of great masses, scattered at great distances from one another throughout all that infinite space.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Four Letters to Bentley (1692) first letter

Universe , Sun

“My mentally handicapped son Hikari was awakened by the voices of birds to the music of Bach and Mozart, eventually composing his own works. The little pieces that he first composed were full of fresh splendour and delight. They seemed like dew glittering on grass leaves. The word innocence is composed of in — "not" and nicer — "hurt", that is, "not to hurt". Hikari's music was in this sense a natural effusion of the composer's own innocence.”

Kenzaburō Ōe (1935) Japanese author

Japan, The Ambiguous, and Myself (1994)

Music , Nature , Bird , Sense

“I saw myself founding a religion, marching into Asia riding an elephant, a turban on my head and in my hand the new Koran that I would have composed to suit my needs.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

As quoted in The British in Egypt‎ (1971) by Peter Mansfield, p. 1
Attributed

Religion

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Love , Marriage , Age , World

“Even with all our technological accomplishments and urban sophistication, we consider ourselves blessed, healed in some manner, forgiven, and for a moment transported into some other world, when we catch a passing glimpse of an animal in the wild: a deer in some woodland, a fox crossing a field, a butterfly in its dancing flight southward to its wintering region, a hawk soaring in the distant sky, a hummingbird come into our garden, fireflies signaling to each other in the evening. So we might describe the thousandfold moments when we experience our meetings with the animals in their unrestrained and undomesticated status. Such incidents as these remind us that the universe is composed of subjects to be communed with, not of objects to be exploited.”

Thomas Berry (1914–2009) American priest

Source: Evening Thoughts, Chapter 3, pp. 37-38

World , Communication , Universe , Distant

“Eliza and I composed a precocious critique of the Constitution of the United States of America … We argued that is was as good a scheme for misery as any, since its success in keeping the common people reasonably happy and proud depended on the strength of the people themselves — and yet it prescribed no practical machinery which would tend to make the people, as opposed to their elected representatives, strong.
We said it was possible that the framers of the Constitution were blind to the beauty of persons who were without great wealth or powerful friends or public office, but who were nonetheless genuinely strong.
We thought it was more likely, though, that their framers had not noticed that it was natural, and therefore almost inevitable, that human beings in extraordinary and enduring situations should think of themselves of composing new families. Eliza and I pointed out that this happened no less in democracies than in tyrannies, since human beings were the same the wide world over, and civilized only yesterday.
Elected representatives, hence, could be expected to become members of the famous and powerful family of elected representatives — which would, perfectly naturally, make them wary and squeamish and stingy with respect to all the other sorts of families which, again, perfectly naturally, subdivided mankind.
Eliza and I … proposed that the Constitution be amended so as to guarantee that every citizen, no matter how humble, or crazy or incompetent or deformed, somehow be given membership in some family as covertly xenophobic and crafty as the one their public servants formed.”

Kurt Vonnegut book Slapstick

Source: Slapstick (1976), Ch. 6

People , World , Family , Beauty

“We must make popular government responsible for the betterment both of the individual and of society at large. Let me repeat once more that, while such responsible governmental action is an absolutely necessary thing to achieve our purpose, yet it will be worse than useless if it is not accompanied by a serious effort on the part of the individuals composing the community thus to achieve each for himself a higher standard of individual betterment, not merely material but spiritual and intellectual. In other words, our democracy depends on individual improvement just as much as upon collective effort to achieve our common social improvement. The most serious troubles of the present day are unquestionably due in large part to lack of efficient govern-mental action, and cannot be remedied without such action; but neither can any remedy permanently avail unless back of it stands a high general character of individual citizenship.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, The Progressives, Past and Present (1910)

Democracy , Communication , Effort , Parting

“We ourselves are part of a guild of species that lie within and without our bodies. Aboriginal peoples and the Ayurvedic practitioners of ancient India have names for such guilds, or beings made up (as we are) of two or more species forming one organism. Most of nature is composed of groups of species working interdependently …”

Bill Mollison (1928–2016) Australian permaculturist

Source: Permaculture: A Designers' Manual (1988), chapter 4.8

People , Lie , Nature , Parting

“If they cut off both hands, I will compose music anyway holding the pen in my teeth.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Said to Isaac Glikman, 1936; cited from Laurel Fay Shostakovich: A Life (2000) p. 92.

Music

“The soul, being a harmony, can never utter a note at variance with the tensions and relaxations and vibrations and other affections of the strings out of which she is composed; she can only follow, she cannot lead them? …And yet do we not now discover the soul to be doing the exact opposite—leading the elements of which she is believed to be composed; almost always opposing and coercing them in all sorts of ways throughout life… threatening and reprimanding the desires, passions, fears, as if talking to a thing which is not herself…”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Life , Fear , Way , Soul

“The teachings of the Zend Avesta are in accordance with the doctrinal principles contained in the Egyptian book of the dead, and contain the Christ-principle. The Illiad of Homer, the Hebrew Bible, the Germanic Edda and the Sibylline Books of the Romans contain the same Christ-principle. All these are sufficient in order to demonstrate that Christ is anterior to Jesus of Nazareth. Christ is not one individual alone. Christ is a cosmic principle that we must assimilate within our own physical, psychic, somatic and spiritual nature… Among the Persians, Christ is Ormuz, Ahura Mazda, terrible enemy of Ahriman (Satan), which we carry within us. Amongst the Hindus, Krishna is Christ; thus, the gospel of Krishna is very similar to that of Jesus of Nazareth. Among the Egyptians, Christ is Osiris and whosoever incarnated him was in fact an Osirified One. Amongst the Chinese, the Cosmic Christ is Fu Hi, who composed the I-Ching (The Book of Laws) and who nominated Dragon Ministers. Among the Greeks, Christ is called Zeus, Jupiter, the Father of the Gods. Among the Aztecs, Christ is Quetzalcoatl, the Mexican Christ. In the Germanic Edda, Baldur is the Christ who was assassinated by Hodur, God of War, with an arrow made from a twig of mistletoe, etc. In like manner, we can cite the Cosmic Christ within thousands of ancient texts and old traditions which hail from millions of years before Jesus. The whole of this invites us to embrace that Christ is a cosmic principle contained within the essential principles of all religions.”

Samael Aun Weor book The Perfect Matrimony

The Perfect Matrimony

God , War , Books , Religion

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Love , Life , People , Books

“What they, in their innocence, cannot comprehend is that a properly constituted, healthy, decent man never writes, acts, or composes.”

Thomas Mann book Tonio Kröger

"Tonio Kröger" on general opinions about artists.
Tonio Kröger (1903)

“Agitprop
sticks
in my teeth too,
and I'd rather
compose
romances for you –
more profit in it
and more charm.
But I
subdued
myself,
setting my heel
on the throat
of my own song.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

"At the Top of My Voice" (1929-30); translation from Patricia Blake (ed.) The Bedbug and Selected Poetry (Bloomington: Indiana University Press, 1975) pp. 223-5

“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, a blueprint, and provided the film has been well put together, well edited, it often suggests its own rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us.”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209

People , Religion , Art , Music

“[L]et us assign the figures that have come into being in our theory to fire and earth and water and air. To earth let us give the cubical form; for earth is least mobile of the four and most plastic of bodies: and that substance must possess this nature in the highest degree which has its bases most stable. Now of the triangles which we assumed as our starting-point that with equal sides is more stable than that with unequal; and of the surfaces composed of the two triangles the equilateral quadrangle necessarily is more stable than the equilateral triangle… Now among all these that which has the fewest bases must naturally in all respects be the most cutting and keen of all, and also the most nimble, seeing it is composed of the smallest number of similar parts… Let it be determined then… that the solid body which has taken the form of the pyramid [tetrahedron] is the element and seed of fire; and the second in order of generation let [octahedron] us say to be that of air, and the third [icosahedron] that of water. Now all these bodies we must conceive as being so small that each single body in the several kinds cannot for its smallness be seen by us at all; but when many are heaped together, their united mass is seen…”

Plato book Timaeus

Section 55e–56c, Tr. R. D. Archer-Hind, The Timaeus of Plato (1888) pp. 199-201. https://books.google.com/books?id=q2YMAAAAIAAJ&pg=PA199
Timaeus

Nature , Water , Parting

“A party should not contain utterly incongruous elements, radically divided on the real issues, and acting together only on false and dead issues insincerely painted as real and vital. It should not in the several States as well as in the Nation be prostituted to the service of the baser type of political boss. It should be so composed that there should be a reasonable agreement in the actions taken by it both in the Nation and in the several States.
Judged by these standards, both of the old parties break down.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

"Platform Insincerity" in The Outlook, Vol. 101, No. 13 (27 July 1912), p. 660
1910s

Painting , Falseness , Dead

“When earth meets with fire and is dissolved by the keenness of it, it would drift about, whether it were dissolved in fire itself, or in some mass of air or water, until the parts of it meeting and again being united became earth once more; for it never could pass into any other kind. But when water is divided by fire or by air, it may be formed again and become one particle of fire and two of air: and the divisions of air may become for every particle broken up two particles of fire. And again when fire is caught in air or in waters or in earth, a little in a great bulk, moving amid a rushing body, and contending with it is vanquished and broken up, two particles of fire combine into one figure of air: and when air is vanquished and broken small, from two whole and one half particle one whole figure of water will be composed. Let us also reckon it once again thus: when any of the other kinds is intercepted in fire and is divided by it through the sharpness of its angles and its sides, if it forms into the shape of fire, it at once ceases from being divided…”

Plato book Timaeus

Section 57a, Tr. R. D. Archer-Hind, The Timaeus of Plato (1888) pp. 203-205. https://books.google.com/books?id=q2YMAAAAIAAJ&pg=PA203
Timaeus

Water , Parting

“The center of intellectual self-discipline as such is in the process of decomposition. The taboos that constitute a man’s intellectual stature, often sedimented experiences and unarticulated insights, always operate against inner impulses that he has learned to condemn, but which are so strong that only an unquestioning and unquestioned authority can hold them in check. What is true of the instinctual life is no less of the intellectual: the painter or composer forbidding himself as trite this or that combination of colors or chords, the writer wincing at banal or pedantic verbal configurations, reacts so violently because layers of himself are drawn to them. Repudiation of the present cultural morass presupposes sufficient involvement in it to feel it itching in one’s finger-tips, so to speak, but at the same time the strength, drawn from this involvement, to dismiss it. This strength, though manifesting itself as individual resistance, is by no means of a merely individual nature. In the intellectual conscience possessed of it, the social movement is no less present than the moral super-ego. Such conscience grows out of a conception of the good society and its citizens. If this conception dims—and who could still trust blindly in it—the downward urge of the intellect loses its inhibitions and all the detritus dumped in the individual by barbarous culture—half-learning, slackness, heavy familiarity, coarseness—comes to light. Usually it is rationalized as humanity, desire to be understood by others, worldly-wise responsibility. But the sacrifice of intellectual self-discipline comes much too easily to him who makes it for us to believe his assurance that it is one.”

Theodor W. Adorno book Minima Moralia

Das Zentrum der geistigen Selbstdisziplin als solcher ist in Zersetzung begriffen. Die Tabus, die den geistigen Rang eines Menschen ausmachen, oftmals sedimentierte Erfahrungen und unartikulierte Erkenntnisse, richten sich stets gegen eigene Regungen, die er verdammen lernte, die aber so stark sind, daß nur eine fraglose und unbefragte Instanz ihnen Einhalt gebieten kann. Was fürs Triebleben gilt, gilt fürs geistige nicht minder: der Maler und Komponist, der diese und jene Farbenzusammenstellung oder Akkordverbindung als kitschig sich untersagt, der Schriftsteller, dem sprachliche Konfigurationen als banal oder pedantisch auf die Nerven gehen, reagiert so heftig gegen sie, weil in ihm selber Schichten sind, die es dorthin lockt. Die Absage ans herrschende Unwesen der Kultur setzt voraus, daß man an diesem selber genug teilhat, um es gleichsam in den eigenen Fingern zucken zu fühlen, daß man aber zugleich aus dieser Teilhabe Kräfte zog, sie zu kündigen. Diese Kräfte, die als solche des individuellen Widerstands in Erscheinung treten, sind darum doch keineswegs selber bloß individueller Art. Das intellektuelle Gewissen, in dem sie sich zusammenfassen, hat ein gesellschaftliches Moment so gut wie das moralische Überich. Es bildet sich an einer Vorstellung von der richtigen Gesellschaft und deren Bürgern. Läßt einmal diese Vorstellung nach—und wer könnte noch blind vertrauend ihr sich überlassen—, so verliert der intellektuelle Drang nach unten seine Hemmung, und aller Unrat, den die barbarische Kultur im Individuum zurückgelassen hat, Halbbildung, sich Gehenlassen, plumpe Vertraulichkeit, Ungeschliffenheit, kommt zum Vorschein. Meist rationalisiert es sich auch noch als Humanität, als den Willen, anderen Menschen sich verständlich zu machen, als welterfahrene Verantwortlichkeit. Aber das Opfer der intellektuellen Selbstdisziplin fällt dem, der es auf sich nimmt, viel zu leicht, als daß man ihm glauben dürfte, daß es eines ist.
E. Jephcott, trans. (1974), § 8
Minima Moralia (1951)

Life , Color , Feeling , Nature

“I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up.... I will paint almost blind, as Beethoven composed completely deaf.”

Claude Monet (1840–1926) French impressionist painter

Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

Color , Light , Time , Painting

“Bel canto does not mean beautiful singing alone. It is, rather, the technique demanded by the composers of this style — Donizetti, Rossini, and Bellini. It is the same attitudes and demands of Mozart and Beethoven, for example, the same approach and the same technical difficulties faced by instrumentalists. You see, a musician is a musician. A singer is no different from an instrumentalist except that we have words. You don't excuse things in a singer you would not dream of excusing in a violinist or pianist. There is no excuse for not having a trill, for not doing the acciaccatura, for not having good scales. Look at your scores! There are technical things written there to be performed, and they must be performed whether you like it or not. How will you get out of a trill? How will you get out of scales when they are written there, staring you in the face? It is not enough to have a beautiful voice. What does that mean? When you interpret a role, you have to have a thousand colors to portray happiness, joy, sorrow, fear. How can you do this with only a beautiful voice? Even if you sing harshly sometimes, as I have frequently done, it is a necessity of expression. You have to do it, even if people will not understand. But in the long run they will, because you must persuade them of what you're doing.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

People , Fear , Beauty , Dreams

“It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews … The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.”

Richard Wagner book Das Judenthum in der Musik

Judaism in Music (1850)

Music , Nature , Evil , Personality

“The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.”

James Fenton (1949) poet

The Independent on Sunday June 24, 1990.

“in English: I do not consider myself a musician, rather a radar ready to pick up the symphonies coming from the sky. It's been like that since I was four years old and I hope it will continue forever. When I compose, any ingredient can be good, the problem lies in the proportions that must be harmonized. It's like the work of architects, you never invent anything.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1989

Hope , Problem

“There are official proclamations, full of the notion of liberty and rights, which would be beautiful if they said truly what they say. But they who compose them do not attach their full meaning to the words. What they recite they are not capable of wanting, nor even of understanding.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXII - Light
Context: There are official proclamations, full of the notion of liberty and rights, which would be beautiful if they said truly what they say. But they who compose them do not attach their full meaning to the words. What they recite they are not capable of wanting, nor even of understanding. The one indisputable sign of progress in ideas to-day is that there are things which they dare no longer leave publicly unsaid, and that's all. There are not all the political parties that there seem to be. They swarm, certainly, as numerous as the cases of short sight; but there are only two — the democrats and the conservatives. Every political deed ends fatally either in one or the other, and all their leaders have always a tendency to act in the direction of reaction.

Beauty , Understanding

“The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand”

Arthur Schopenhauer book The World as Will and Representation

Vol. I, Ch. III, The World As Representation
The World as Will and Representation (1819; 1844; 1859)
Context: The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.

Wisdom , World , Understanding , Nature

“I never expect to see a perfect work from imperfect man. The result of the deliberations of all collective bodies must necessarily be a compound, as well of the errors and prejudices, as of the good sense and wisdom, of the individuals of whom they are composed.”

Alexander Hamilton Federalist Papers

No. 85
The Federalist Papers (1787–1788)
Context: I should esteem it the extreme of imprudence to prolong the precarious state of our national affairs, and to expose the Union to the jeopardy of successive experiments, in the chimerical pursuit of a perfect plan. I never expect to see a perfect work from imperfect man. The result of the deliberations of all collective bodies must necessarily be a compound, as well of the errors and prejudices, as of the good sense and wisdom, of the individuals of whom they are composed.

Wisdom , Error , Sense , Perfection

“In simple hearts the feeling for the beauty and grandeur of nature is a hundred-fold stronger and more vivid than in us, ecstatic composers of narratives in words and on paper.”

Mikhail Lermontov book A Hero of Our Time

A Hero of Our Time (1840; rev. 1841)

Beauty , Feeling , Nature , Heart

“Justice and fair dealings among nations rest upon principles identical with those which control justice and fair dealing among the individuals of which nations are composed”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, The New Nationalism (1910)
Context: Justice and fair dealings among nations rest upon principles identical with those which control justice and fair dealing among the individuals of which nations are composed, with the vital exception that each nation must do its own part in international police work. If you get into trouble here, you can call for the police; but if Uncle Sam gets into trouble, he has got to be his own policeman, and I want to see him strong enough to encourage the peaceful aspirations of other people’s in connection with us. I believe in national friendships and heartiest good-will to all nations; but national friendships, like those between men, must be founded on respect as well as on liking, on forbearance as well as upon trust. I should be heartily ashamed of any American who did not try to make the American government act as justly toward the other nations in international relations as he himself would act toward any individual in private relations. I should be heartily ashamed to see us wrong a weaker power, and I should hang my head forever if we tamely suffered wrong from a stronger power.

Justice

“Now in this vision of the Image composed of four Metals, the foundation of all Daniel's Prophecies is laid. It represents a body of four great nations, which should reign over the earth successively”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Vol. I, Ch. 3: Of the vision of the Image composed of four Metals
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: Now in this vision of the Image composed of four Metals, the foundation of all Daniel's Prophecies is laid. It represents a body of four great nations, which should reign over the earth successively, viz. the people of Babylonia, the Persians, the Greeks, and the Romans. And by a stone cut out without hands, which fell upon the feet of the Image, and brake all the four Metals to pieces, and became a great mountain, and filled the whole earth; it further represents that a new kingdom should arise, after the four, and conquer all those nations, and grow very great, and last to the end of all ages.

Success

“The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius.”

Anthony de Mello (1931–1987) Indian writer

Awakening : Conversations with the Masters (2003), p. 24
Context: The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.

Music

“Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall?”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.

Life

“Of how much more passion than reason has Jupiter composed us? putting in, as one would say, "scarce half an ounce to a pound."”

Desiderius Erasmus book The Praise of Folly

The Praise of Folly (1511)

Passion

“The universe is composed of matter, and, as a system, is sustained by motion.”

Thomas Paine (1737–1809) English and American political activist

1790s, Discourse to the Theophilanthropists (1798)
Context: The universe is composed of matter, and, as a system, is sustained by motion. Motion is not a property of matter, and without this motion the solar system could not exist. Were motion a property of matter, that undiscovered and undiscoverable thing, called perpetual motion, would establish itself. It is because motion is not a property of matter, that perpetual motion is an impossibility in the hand of every being, but that of the Creator of motion. When the pretenders to Atheism can produce perpetual motion, and not till then, they may expect to be credited.

Universe

“While the particles continue entire, they may compose bodies of one and the same nature and texture in all ages: but should they wear away or break in pieces, the nature of things depending on them would be changed.”

Isaac Newton book Opticks, or a Treatise of the Reflections, Refractions, Inflections and Colours of Light

Query 31 : Have not the small particles of bodies certain powers, virtues, or forces, by which they act at a distance, not only upon the rays of light for reflecting, refracting, and inflecting them, but also upon one another for producing a great part of the Phenomena of nature? <br/> How these Attractions may be perform'd, I do not here consider. What I call Attraction may be perform'd by impulse, or by some other means unknown to me. I use that Word here to signify only in general any Force by which Bodies tend towards one another, whatsoever be the Cause. For we must learn from the Phaenomena of Nature what Bodies attract one another, and what are the Laws and Properties of the attraction, before we enquire the Cause by which the Attraction is perform'd, The Attractions of Gravity, Magnetism and Electricity, react to very sensible distances, and so have been observed by vulgar Eyes, and there may be others which reach to so small distances as hitherto escape observation; and perhaps electrical Attraction may react to such small distances, even without being excited by Friction
Opticks (1704)
Context: It seems probable to me that God, in the beginning, formed matter in solid, massy, hard, impenetrable, moveable particles, of such sizes and figures, and with such other properties, and in such proportions to space, as most conduced to the end for which He formed them; and that these primitive particles, being solids, are incomparably harder than any porous bodies compounded of them, even so very hard as never to wear or break in pieces; no ordinary power being able to divide what God had made one in the first creation. While the particles continue entire, they may compose bodies of one and the same nature and texture in all ages: but should they wear away or break in pieces, the nature of things depending on them would be changed.<!-- Book III, Part I, pp.375-376 http://books.google.com/books?id=XXu4AkRVBBoC

Age , Nature , Change , Dependency

“A painting that is well composed is half-finished.”

Pierre Bonnard (1867–1947) French painter and printmaker

Painting

“His work, called Aryabhatiya, is composed of three parts, in only the first of which use is made of a special notation of numbers. It is an alphabetical system in which the twenty-five consonants represent 1-25, respectively; other letters stand for 30, 40, …., 100 etc. The other mathematical parts of Aryabhatiya consists of rules without examples. Another alphabetic system prevailed in Southern India, the numbers 1-19 being designated by consonants, etc.”

Aryabhata (476–550) Indian mathematician-astronomer

Florian Cajori in: A History of Mathematical Notations http://books.google.co.in/books?id=_byqAAAAQBAJ&pg=PT961&dq=Notations&hl=en&sa=X&ei=Wz65U5WYDIKulAW1qIGYDA&ved=0CBwQ6AEwAA#v=onepage&q=Notation&f=false, Courier Dover Publications, 26 September 2013, p. 47.

Mathematics , Parting