Quotes about composer
page 2

I. K. Gujral photo
Isaac Newton photo
Lewis Gompertz photo
Jeremy Bentham photo
Neale Donald Walsch photo
Jane Austen photo
Don DeLillo photo
Umberto Eco photo

“This, in fact, is the power of the imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Source: The Name of the Rose (Everyman's Library

Ogden Nash photo
Anaïs Nin photo
E.L. Doctorow photo
Czeslaw Milosz photo
Margaret Atwood photo
E.E. Cummings photo
Carl Sagan photo

“Matter is composed chiefly of nothing.”

Source: Cosmos (1980), p. 218

Max Lucado photo
Albert Einstein photo

“Only the individual can think, and thereby create new values for society — nay, even set up new moral standards to which the life of the community conforms. Without creative, independently thinking and judging personalities the upward development of society is as unthinkable as the development of the individual personality without the nourishing soil of the community.
The health of society thus depends quite as much on the independence of the individuals composing it as on their close political cohesion.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

"Einstein's Reply to Criticisms" (1949), The World As I See It (1949)
Context: A man's value to the community depends primarily on how far his feelings, thoughts, and actions are directed towards promoting the good of his fellows. We call him good or bad according to how he stands in this matter. It looks at first sight as if our estimate of a man depended entirely on his social qualities.
And yet such an attitude would be wrong. It is clear that all the valuable things, material, spiritual, and moral, which we receive from society can be traced back through countless generations to certain creative individuals. The use of fire, the cultivation of edible plants, the steam engine — each was discovered by one man.
Only the individual can think, and thereby create new values for society — nay, even set up new moral standards to which the life of the community conforms. Without creative, independently thinking and judging personalities the upward development of society is as unthinkable as the development of the individual personality without the nourishing soil of the community.
The health of society thus depends quite as much on the independence of the individuals composing it as on their close political cohesion.

Bashō Matsuo photo
Upton Sinclair photo
Steven Pressfield photo

“The song we’re composing already exists in potential. Our work is to find it.”

Steven Pressfield (1943) United States Marine

Source: Do the Work

Louise Erdrich photo
Milan Kundera photo
Tom Robbins photo
Laurie Halse Anderson photo
Abraham Verghese photo
E.L. Doctorow photo
Theodore Roszak photo

“Nature composes some of her loveliest poems for the microscope and the telescope.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: Where the Wasteland Ends

Carl Sagan photo

“Has a world composed of "us" and "not us" been invaded at last?”

Bisco Hatori (1975) Japanese manga artist

Source: Ouran High School Host Club, Vol. 2

Confucius photo

“The superior man is satisfied and composed; the mean man is always full of distress.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

The virtuous is frank and open; the non-virtuous is secretive and worrying. [by 朱冀平]
Source: The Analects, Other chapters

Alberto Moravia photo

“Good writers are monotonous, like good composers. They keep trying to perfect the one problem they were born to understand.”

Alberto Moravia (1907–1990) Italian writer and journalist

Interviewed in The New Yorker, May 7, 1955.

“The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.”

Madeleine L'Engle (1918–2007) American writer

Source: Walking on Water: Reflections on Faith and Art

Simon Singh photo
Suzanne Collins photo
Sören Kierkegaard photo
Winston S. Churchill photo
Jonathan Haidt photo
William H. Gass photo
Annie Besant photo

“Man, according to the Theosophical teaching, is a sevenfold being, or, in the usual phrase a septenary constitution. Putting it yet in another way, man's nature has seven aspects, may be studied from seven different points of view, is composed of Seven Principles.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

The Seven Principles of Man http://books.google.co.in/books?id=tgEM1XiI74kC&printsec=frontcover, p. 6

Albrecht Thaer photo

“The word " economy" has latterly been used in various senses; the Germans give it a very indefinite signification.
Judging from its etymology and original signification, the Greeks seem to have understood by it the establishment and direction of the menage, or domestic arrangements.
Xenophon, in his work on economy, treats of domestic management, the reciprocal duties of the members of a family and of those who compose the household; and only incidentally mentions agriculture as having relation to domestic affairs. This word is never applied to agriculture by Xenophon, nor, indeed, by any Greek author; they distinguish it by the terms, georgic geoponic.
The Romans give a very extensive and indefinite signification to the word "economy." They understand by it, the best method of attaining the aim and end of some particular thing; or the disposition, plan, and division of some particular work. Thus, Cicero speaks of oeconomia causae, oeconomia orationis; and by this he means the direction of a law process, the arrangement of an harangue. Several German authors use it in this sense when they speak of the oekonomie eines schauspiels, or eines gedichtes, the economy of a play or poem. Authors of other nations have adopted all the significations which the Romans have attached to this word, and understand by it the relation of the various parts of any particular thing to each other and to the whole—that which we are accustomed to term the organization. The word "economy" only acquires a real sense when applied to some particular subject: thus, we hear of "the economy of nature," "the animal economy," and " the economy of the state" spoken of. It is also applied to some particular branch of science or industry; but, in the latter case, the nature of the economy ought to be pointed out, if it is not indicated by the nature of the subject.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

Source: The Principles of Agriculture, 1844, Section II. The Economy, Organization and Direction of an Agricultural Enterprise, p. 54-55.

Aaron Copland photo

“The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Aaron Copland and His World, ISBN 9780691124704.

“WE MUST DESTROY ALL PASSÉIST CLOTHES, and everything about them which is tight-fitting, colourless, funereal, decadent, boring and unhygienic. As far as materials are concerned, we must abolish: wishywashy, pretty-pretty, gloomy, and neutral colours, along with patterns composed of lines, checks and spots.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1913); as quoted at dekorera.tumblr: Futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo
Futurist Manifesto of Men's clothing,' 1913/1914

Sidonius Apollinaris photo

“Why – even supposing I had the skill – do you bid me compose a song dedicated to Venus the lover of Fescennine mirth, placed as I am among long-haired hordes, having to endure German speech, praising oft with wry face the song of the gluttonous Burgundian who spreads rancid butter on his hair?”
Quid me, etsi valeam, parare carmen<br/>Fescenninicolae iubes Diones<br/>inter crinigeras situm catervas<br/>et Germanica verba sustinentem,<br/>laudantem tetrico subinde vultu<br/>quod Burgundio cantat esculentus<br/>infundens acido comam butyro?

Quid me, etsi valeam, parare carmen
Fescenninicolae iubes Diones
inter crinigeras situm catervas
et Germanica verba sustinentem,
laudantem tetrico subinde vultu
quod Burgundio cantat esculentus
infundens acido comam butyro?
Carmen 12, line 1; vol. 1, p. 213.
Carmina

Julian (emperor) photo
Arjo Klamer photo

“When I tried to sort out the pernicious disagreements between new classical and new Keynesian economists, I conducted a series of conversations with the protagonists (Klamer 1983). The personal differences were revealing. The viva cious Robert Solow (with a taste for the quick quip), the serious Robert Lucas (never less than self-composed), the chatty Franco Modigliani (not shy of self promotion), and the unassuming James Tobin (wanting an interview at least as long as Lucas’s) quickly taught me how trenchant the rhetorical differences were.”

Arjo Klamer (1953) Dutch columnist, economist and politician

Source: Speaking of economics: how to get in the conversation (2007), Ch. 7 : Why disagreements among economists persist, why economists need to brace themselves for differences within their simultaneous conversations and their conversations over time, and why they may benefit from knowing about classicism, modernism, and postmodernism

Charles Mingus photo
Valentina Lisitsa photo

“If the question [about if there were only one composer in the world I could play] is purely ‘original’ works, no transcriptions, then Beethoven.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

pianistmagazine.com https://www.pianistmagazine.com/News-and-Features/161/Exclusive_interview_with_pianist_Valentina_Lisitsa/.

Alexander Hamilton photo
Norodom Ranariddh photo
Sören Kierkegaard photo
John Hirst photo
Umberto Pettinicchio photo
Alfred Horsley Hinton photo
Matthew Arnold photo
John Cale photo

“I am a ham. I've no business being rock 'n' roll. I've said it over and over again that I'm a classical composer, dishevelling my personality by dabbling in rock 'n' roll.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Attributed without citation at John Cale - Quotes, xs4all.nl, 16 November 2012 http://werksman.home.xs4all.nl/cale/quotes/index.html,

Peter Greenaway photo
Perry Anderson photo
James Madison photo
Carlo Carrà photo
Luther Burbank photo

“The essential basis of life itself, namely, protoplasm, is a substance composed largely of water and having the physical constitution of a viscid liquid.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

How Plants are Trained to Work for Man (1921) Vol. 5 Gardening

A. R. Rahman photo
Letitia Elizabeth Landon photo
Fisher Ames photo
Niels Henrik Abel photo

“Lety5 - ay4 + by3 - cy2 + dy - e = 0be the general equation of the fifth degree and suppose that it can be solved algebraically,—i. e., that y can be expressed as a function of the quantities a, b, c, d, and e, composed of radicals. In this case, it is clear that y can be written in the formy = p + p1R1/m + p2R2/m +…+ pm-1R(m-1)/m,m being a prime number, and R, p, p1, p2, etc. being functions of the same form as y. We can continue in this way until we reach rational functions of a, b, c, d, and e. [Note: main body of proof is excluded]
…we can find y expressed as a rational function of Z, a, b, c, d, and e. Now such a function can always be reduced to the formy = P + R1/5 + P2R2/5 + P3R3/5 + P4R4/5, where P, R, P2, P3, and P4 are functions or the form p + p1S1/2, where p, p1 and S are rational functions of a, b, c, d, and e. From this value of y we obtainR1/5 = 1/5(y1 + α4y2 + α3y3 + α2y4 + α y5) = (p + p1S1/2)1/5,whereα4 + α3 + α2 + α + 1 = 0.Now the first member has 120 different values, while the second member has only 10; hence y can not have the form that we have found: but we have proved that y must necessarily have this form, if the proposed equation can be solved: hence we conclude that
It is impossible to solve the general equation of the fifth degree in terms of radicals.
It follows immediately from this theorem, that it is also impossible to solve the general equations of degrees higher than the fifth, in terms of radicals.”

Niels Henrik Abel (1802–1829) Norwegian mathematician

A Memoir on Algebraic Equations, Proving the Impossibility of a Solution of the General Equation of the Fifth Degree (1824) Tr. W. H. Langdon, as quote in A Source Book in Mathematics (1929) ed. David Eugene Smith

Firuz Shah Tughlaq photo
Charles Mingus photo
Robert Schumann photo

“In order to compose, all you need to do is remember a tune that nobody else has thought of.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Quoted in: Dictionary of Humorous Quotations, Evan Esar (ed.), 1949, p. 156.

Taisen Deshimaru photo
Jane Roberts photo
Yasunari Kawabata photo
Tom Robbins photo

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Dinu Lipatti photo

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

Sinclair Lewis photo
Lynn Margulis photo

“The concepts of purposive behavior and teleology have long been associated with a mysterious, self-perfecting or goal-seeking capacity or final cause, usually of superhuman or super-natural origin. To move forward to the study of events, scientific thinking had to reject these beliefs in purpose and these concepts of teleological operations for a strictly mechanistic and deterministic view of nature. This mechanistic conception became firmly established with the demonstration that the universe was based on the operation of anonymous particles moving at random, in a disorderly fashion, giving rise, by their multiplicity, to order and regularity of a statistical nature, as in classical physics and gas laws. The unchallenged success of these concepts and methods in physics and astronomy, and later in chemistry, gave biology and physiology their major orientation. This approach to problems of organisms was reinforced by the analytical preoccupation of the Western European culture and languages. The basic assumptions of our traditions and the persistent implications of the language we use almost compel us to approach everything we study as composed of separate, discrete parts or factors which we must try to isolate and identify as potential causes. Hence, we derive our preoccupation with the study of the relation of two variables. We are witnessing today a search for new approaches, for new and more comprehensive concepts and for methods capable of dealing with the large wholes of organisms and personalities.”

Lawrence K. Frank (1890–1968) American cyberneticist

L.K. Frank (1948) "Foreword". In L. K. Frank, G. E. Hutchinson, W. K. Livingston, W. S. McCulloch, & N. Wiener, Teleological mechanisms. Ann. N. Y. Acad. Sc., 1948, 50, 189-96; As cited in: Ludwig von Bertalanffy (1968) "General System Theory: Foundations, Development, Applications". p. 16-17

Wallace Stevens photo
Sarah Chang photo
Lisa Gerrard photo
Vyasa photo
Clinton Edgar Woods photo

“The actual manufacture of material into a specific product is a sort of digestive process which must have a functioning organization purposed to meet the required ends, just as the human body has, and it is governed by similar conditions. It must also be directed by a specific intelligence and must have internal and external avenues of correspondence to keep it alive; and, like a living organism, must adhere to the eternal economy of things and show a profit by its activities or it cannot progress.
To exemplify this in a simple way, the writer has laid out Figure I, showing the prime elements composing the anatomy of an industrial body. One does not have to draw on the imagination very far to make a comparison of this anatomy with that of man. It has its mind, will power, and brain to direct it, as indicated by the stockholders, directors and executive officers, a heart which keeps in flow the circulating medium internally; and avenues of correspondence with the outside world which furnish to it the very elements of existence.
This chart shows first, that the stockholders are simply elements belonging to the general public who have made an investment for some specific purpose; second, that immediately after this, the election of directors sets into action the first internal factor in the body, which is then divided into different functioning powers by the election of executive officers.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 24

Burkard Schliessmann photo