Quotes about charm
page 3

“To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do: whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?”

Murasaki Shikibu book The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

Women, People, World, Behavior

“The same society which receives the rewards of technology must, as a cooperating whole, take responsibility for control. To deal with these new problems will require a new conservation. We must not only protect the countryside and save it from destruction, we must restore what has been destroyed and salvage the beauty and charm of our cities. Our conservation must be not just the classic conservation of protection and development, but a creative conservation of restoration and innovation. Its concern is not with nature alone, but with the total relation between man and the world around him. Its object is not just man's welfare, but the dignity of man's spirit.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

Message to Congress on Conservation and Restoration of Natural Beauty written to Congress (8 Feb 1965), in Lyndon B. Johnson: Containing the Public Messages, Speeches, and Statements of the President (1965), Vol.1, 156. United States. President (1963-1969 : Johnson), Lyndon Baines Johnson, United States. Office of the Federal Register — 1970
1960s

World, Beauty, Nature, Problem

“Adam set the bar so high for portraying the role of Batman, He was wonderful, spot on, with a twinkle in his eye. He had it all -- looks, charm, intelligence, I could go on and on. In conversation, he was very animated and once told me that Batman was the father that everyone wanted! I never thought of it that way! He had a great way of playing that 'tongue-in-cheek' nature in so much of the dialogue. I had a long, engaging conversation with him and his wife, Marcelle, about their life in Montana, If I had to describe him in a word or two, they would be 'stellar' and 'exemplar,' qualities that we want to encourage in ourselves and in young people.”

Julie Newmar (1933) American actress

'Batman' Co-Star Julie Newmar Remembers Adam West: 'He Had It All' http://www.etonline.com/news/219389_batman_star_julie_newmar_remembers_adam_west/ (June 10, 2017)

Life, People, Way, Intelligence

“It was a great achievement of the early chemists — with the crude experimental techniques available also with the ever-astonishing power of human reason (as potent then as now) — to discover this reduction of the world to its components, the chemical elements. Such reduction does not destroy its charm but adds understanding to sensation, and this understanding only deepens our delight.”

Peter Atkins (1940) British chemist

Source: Periodic Kingdom (1995), p. 147-148

World, Understanding

“I shall detain you no longer in the demonstration of what we should not do, but straight conduct ye to a hillside, where I will point ye out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side that the harp of Orpheus was not more charming.”

John Milton (1608–1674) English epic poet

Tractate of Education (1644)

Education

“Could you exchange this lucky charm for a baby's feeding-bottle?”

Donald McGill (1875–1962) British artist

George Orwell "The Art of Donald McGill"

Baby

“Now you think about this, too: you’re not charming, dashing, or debonair. You’re funny looking, as a matter of fact. You’re too busy to spare much time for me, and even if you did take me out night-clubbing somewhere, you’d be so out of place that I couldn’t enjoy it. But you do one thing: you let me feel that my rules are as worthwhile to me as yours are to you. When you ask me to do something, I know you won’t be hurt if I refuse. And if I do it, you don’t feel that you’ve scored a point in some kind of complex game. You don’t try to use me, cozen me, or change me. I take up as much room in the world, the way you see it, as you do. Do you have any idea of how rare a thing that is?”

Algis Budrys book Rogue Moon

Source: Rogue Moon (1960), Chapter 6 (pp. 127-128)

World, Way, Feeling, Game

““Thou hast heard of her incomparable charms, and verily the ear may love before the eye.”
”It may,” admitted Horace, “but neither of my ears is the least in love at present.””

F. Anstey (1856–1934) English novelist and journalist

Source: The Brass Bottle (1900), Chapter 14, “Since There’s No Help, Come, Let Us Kiss and Part!”

Love

“The circle of day and night is the law of the classical world: the most restricted but most demanding of the necessities of the world, the most inevitable but the simplest of the legislations of nature.
This was a law that excluded all dialectics and all reconciliation, consequently laying the foundations for the smooth unity of knowledge as well as the uncompromising division of tragic existence. It reigns on a world without darkness, which knows neither effusiveness nor the gentle charms of lyricism. All is waking or dreams, truth or error, the light of being or the nothingness of shadow.”

Michel Foucault (1926–1984) French philosopher

Part Two: 2. The Transcendence of Delirium
History of Madness (1961)

Truth, World, Law, Dreams

“To the pure soul by Fancy's fire refined,
Ah, what is mirth but turbulence unholy,
When with the charm compared of heavenly melancholy.”

James Beattie (1735–1803) Scottish poet, moralist and philosopher

Book i. Stanza 55.
The Minstrel; or, The Progress of Genius (1771)

Soul

“These plays and stories have for their continual theme the passing away of gods and men and cities before the mysterious power which is sometimes called by some great god's name but more often 'Time.' His travellers, who travel by so many rivers and deserts and listen to sounding names none heard before, come back with no tale that does not tell of vague rebellion against that power, and all the beautiful things they have seen get something of their charm from the pathos of fragility. This poet who has imagined colours, ceremonies and incredible processions that never passed before the eyes of Edgar Allen Poe or of De Quincey, and remembered as much fabulous beauty as Sir John Mandeville, has yet never wearied of the most universal of emotions and the one most constantly associated with the sense of beauty; and when we come to examine those astonishments that seemed so alien we find that he has but transfigured with beauty the common sights of the world.”

Lord Dunsany (1878–1957) Irish writer and dramatist

About

Men, God, World, Beauty

“My dear Genron, I am forced to write to you because I can not go to see you because I am detained at Ste. Pelagie by a slight indisposition.... I eagerly await your response. Reply me right away about Cabat or Huet; my respects to your family..
Farewell, the Gouape, H.-D.
she is always in all her Charms (the Republic) - do not talk to me about politics because the letters are opened.”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

Quote in Daumier's letter, from prison Ste. Pelagie Prison, Paris, 9 October, 1832; as quoted on website Daumier http://www.daumier.org/14.0.html#c760 His political print 'Gargantua' https://upload.wikimedia.org/wikipedia/commons/1/15/Honor%C3%A9_Daumier_-_Gargantua.jpg, published in 'La Caricature', 1832, cost Daumier six months in prison, because of insulting king Louis Philippe 1830's

Family

“I listened while he thought aloud and had almost forgotten my Machiavellian combination, so keen was my relish of the joyous intimacy of this communion with a mind I had passionately loved in his works. He was the first of the great writers of our day whom I had thus approached on something like terms of intimacy. As we talked I observed the strange similarity between his spoken and his written words. I admired the charming simplicity with which he abandoned himself to the pleasures of imagination, his superabundant intelligence, the liveliness of his impressions and his total absence of arrogance and of pose.”

Paul Bourget (1852–1935) French writer

The Age for Love

Love, Pleasure, Imagination, Intelligence

“. Here [ Guernsey ] people bath among the rocks which serve as cabins, since there's nothing else; nothing is more attractive than this mixture of women and men crowded on these rocks. One would belief oneself in a landscape by Watteau rather than in the real world. So I'll have a source of real and graceful motives which I will be able to make use of. Some enchanting bathing-costumes... Nothing is more amusing when one is strolling through these rocks, than to surprise young girls getting ready to bathe... Despite the small number of things that I'll be able to bring back [to Paris], I hope to be able to give you an idea of these charming things.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

In Renoir's letter to Paul Durand-Ruel, from Guernsey, 27 Sept, 1883; as cited in 'Renoir in Guernsey' (in 1883), text by John House http://museums.gov.gg/CHttpHandler.ashx?id=81297&p=0, Guernsey museum 1880's

Women, Men, People, World

“It will be readily admitted that brown tints have never coursed beneath our skin; it will be discovered that yellow shines forth in our flesh, that red blazes, and that green, blue and violet dance upon it with untold charms, voluptuous and caressing.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 136.
1910, Manifesto of Futurist Painters,' April 1910

Dance

“I thought of the long ages of the past, during which the successive generations of this little creature had run their course — year by year being born, and living and dying amid these dark and gloomy woods, with no intelligent eye to gaze upon their loveliness; to all appearance such a wanton waste of beauty. Such ideas excite a feeling of melancholy. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions, doomed for ages yet to come to hopeless barbarism; while, on the other hand, should civilized man ever reach these distant lands, and bring moral, intellectual, and physical light into the recesses of these virgin forests, we may be sure that he will so disturb the nicely-balanced relations of organic and inorganic nature as to cause the disappearance, and finally the extinction, of these very beings whose wonderful structure and beauty he alone is fitted to appreciate and enjoy. This consideration must surely tell us that all living things were not made for man. Many of them have no relation to him. The cycle of their existence has gone on independently of his, and is disturbed or broken by every advance in man’s intellectual development; and their happiness and enjoyments, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone, limited only by the equal well-being and perpetuation of the numberless other organisms with which each is more or less intimately connected.”

Alfred Russel Wallace book The Malay Archipelago

The Malay Archipelago (1869)

Love, Life, Death, Hate

“We have all experienced the moments that William James calls melting moods, when it suddenly becomes perfectly obvious that life is infinitely fascinating. And the insight seems to apply retrospectively. Periods of my life that seemed confusing and dull at the time now seem complex and rather charming. It is almost as if some other person a more powerful and mature individual has taken over my brain. This higher self views my problems and anxieties with kindly detachment, but entirely without pity. Looking at problems through his eyes, I can see I was a fool to worry about them.”

Colin Wilson (1931–2013) author

Source: Access to Inner Worlds (1990), p. 2-3

Life, Fools, Mood, Problem

“Maybe Delacroix stands for Romanticism. He stuffed himself with too much Shakespeare and Dante, thumbed through too much Faust. His palette is still the most beautiful in France, and I tell you no one under the sky had more charm and pathos combined than he, or more vibration of colour. We all paint in his language, as you all write in Hugo's.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 197 in: 'What he told me – II. The Louvre'

Beauty, Painting

“Now one may ask, How could a Christian philosophy have something over a non-Christian philosophy, if it does not reach to a higher level of solutions, if it cannot get handy answers, if the problems and questions are still there? Well, perhaps a greater truth could be present in its ability to see the world in its truly mysterious character, in its inexhaustablity. It could even be the case that here, in the very experience of being as a mystery, that it is not to be grasped in the hand as a "well-rounded truth" — herein is reality more deeply and truly grasped than in any transparent system that may charm the mind of the student with its clarity and simplicity. And this is the claim of Christian philosophy: to be truer, precisely because of its recognition of the mysterious character of the world.
In no way, then, does philosophy become easier. Plato appears to have discovered and felt that too — if a certain interpretation of Plato is correct, maintaining that Plato understood philosophy to be something tragic for this reason, that it must constantly have recourse to mythos, since the teaching of philosophy can never close itself into a system.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 127–128
The "interpretation of Plato" referred to is that of Gerhard Krüger, Einsicht und Leidenschaft (Frankfurt, 1939), p. 301.

Truth, World, Way, Question

“I see Legros less often sometimes at Andler's as little as possible it means I get to bed late and I am short of funds, it is very pleasant nonetheless Courbet is so charming, Legros often goes there they get on very well he has some superb articles in the figaro. in the gazette des Beaux Arts.... then he will have one in the courrier du Commerce those are the ones I know about. success, women, good food, wine, beer, new acquaintances as a result of these articles, in short an accolade!!!!!!!!.... success can be harmful, it makes you relax, you sit on it and are distracted.... you alone should correct the faults, you know what I think of advice, correction. the gifted man should walk alone, straight to his goal, what happens is nothing, rejection, success, selling pleasing, all that is nonsense.”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris, 26 June 1859, to James Whistler in London; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1073&nameid=Fantin_Latour_IH&sr=0&rs=1&surname=Fantin-latour&firstname= - System Number: 01073; Call Number: MS Whistler F 4.

Women, Food, Art, Beer

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Table Talk of Samuel Marchbanks (1949)

Exercises, Girl, Wedding, Time

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

Life, People, Books, Age

“There was an attraction at first that Mr Baldwin should not be clever. But when he forever sentimentalises about his own stupidity, the charm is broken.”

John Maynard Keynes (1883–1946) British economist

Skidelsky (1992:232) quoting Keynes Papers PS/6

Stupidity

“I used to be able to look at myself and grin without giving a damn about how ugly it made me look. Now I was looking at myself the same way those people did back there. I was looking at a big guy with an ugly reputation, a guy who had no earthly reason for existing in a decent, normal society. That's what the judge had said.
I was sweating and cold at the same time. Maybe it did happen to me over there. Maybe I did have a taste for death. Maybe I liked it too much to taste anything else. Maybe I was twisted and rotted inside. Maybe I would be washed down the sewer with the rest of all the rottenness sometime. What was stopping it from happening now? Why was I me with some kind of lucky charm around my neck that kept me going when I was better off dead?”

Mickey Spillane book One Lonely Night

One Lonely Night (1951)

Death, People, Way, Guy

“I am staying on in Geneva, this charming city. With each step I discover delightful motives. How pleasant it is to work here. And the light is just the way I like it, full of delicate nuances.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote in a letter to his friend, the painter Paul Tavernier, Geneva, July 1842; ; as quoted in 'Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 136
1820 - 1850

Way, Motivation, Light

“Fury our Judgement charms,
And we conceive it brave to dye in Arms.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

“I left school at age 16. I was illiterate with no role models. The great psychobabble today is the dysfunctional family. Well, I've never met one that was functional. In Limerick, a family that was dysfunctional was one who could afford to drink but didn't.
I had the taste of the alcohol since I was 11 … It allowed me to be clever, charming and to behave outrageously. Acting also allowed me not to be me. So I could indulge every fantasy in this paradise of America.”

Malachy McCourt (1931) Irish-American actor, writer and politician

The New York Times interview (1998)

Alcohol, Age, School, Family

“The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Beauty, Music, Idea, Problem

“After all, though beauty be deceitful, and favour be vain, yet beauty is the most exquisite gift ever lavished by fairies around an infant cradle. Its charm is nameless; it wins us, we know not why — and lingers on our memory, we know not wherefore. Whether in the animate or the inanimate world, it is the cause of our most delicious sensations; it belongs to the imagination, for it calls up within us whatever of poetry may be lurking in the "hidden mines of thought." It is the attribute of all that is most glorious in existence — it is on the azure sky — it clothes the earth as with a garment — it rides triumphant over the purple bosom of the sea. Look within our hearts, it has originated all that is ideal in our nature. Beauty is the shadow flung from heaven on earth — it is the type of a lovelier and more spiritual existence, and the broken and transitory lights that it flings on this our sad and heavy pilgrimage, do but indicate another and a better sphere, where the beautiful will also be the everlasting. The homage involuntarily paid to its mysterious influence is but an unconscious acknowledgment of its divine origin, and its eternal future.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.8. The Black Dwarf — ISABEL VERE.
Literary Remains

World, Sadness, Beauty, Imagination

“[My family] suffer so much. My mother was much older when I came out [of detention]. She had problems with her hearing and high blood pressure. But they still support me. When you make somebody disappear and you don’t announce it to the family, what is this? You make people desperate and bring them close to death. If our cat or dog is lost, it makes us desperately want to know where it is—so for humans disappearing, you can barely imagine the pain. What kind of society is this? If a society cannot even support somebody like me, then people ask: Who is under protection, then? That’s why there is such support for me. It is not because I am so beautiful or so charming. People feel, This guy is fighting for us.”

Ai Weiwei (1957) Chinese concept artist

“ Ai Weiwei: Artistic Licence http://www.economist.com/node/21554178.” Economist, May 5, 2012. 2010-, 2012

Death, Pain, People, Family

“Many of the greatest masters of the mathematical sciences were first attracted to mathematical inquiry by problems relating to numbers, and no one can glance at the periodicals of the present day which contain questions for solution without noticing how singular a charm such problems still continue to exert. The interest in numbers seems implanted in the human mind, and it is a pity that it should not have freer scope in this country. The methods of the theory of numbers 271 are peculiar to itself, and are not readily acquired by a student whose mind has for years been familiarized with the very different treatment which is appropriate to the theory of continuous magnitude; it is therefore extremely desirable that some portion of the theory should be included in the ordinary course of mathematical instruction at our University. From the moment that Gauss, in his wonderful treatise of 1801, laid down the true lines of the theory, it entered upon a new day, and no one is likely to be able to do useful work in any part of the subject who is unacquainted with the principles and conceptions with which he endowed it.”

James Whitbread Lee Glaisher (1848–1928) English mathematician and astronomer

Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 467 : On the theory of numbers

Mathematics, Question, Problem, Universe

“Almost 2000 years ago, the Roman architect Vitruvius recorded what makes a design good: durability (firmitas), utility (utilitas), and charm (venustas). These quality requirements still hold, for buildings as well as software systems. A well-designed system is easy to implement, is understandable and reliable, and allows for smooth evolution. Badly-designed systems may work at first, but they are hard to maintain, difficult to test, and unreliable.”

Hans van Vliet (1949) Dutch computer scientist

Source: Software Engineering: Principles and Practice, 2007, p. 279

Understanding

“Had a long talk to the Chinese First Secretary at the embassy — a very charming man called Liao Dong — and said how much I admired Mao Tse tung or Zedong, the greatest man of the twentieth century. He said that I couldn't admire Mao more than he did. I asked him how Mao was viewed now. He said Mao was 70 per cent right and 30 per cent wrong; the Cultural Revolution didn't work. He said he had been named after Mao — it was amusing.”

Tony Benn (1925–2014) British Labour Party politician

Journal entry for 6 June 1996 in Free at Last!: Diaries, 1991-2001 (2003) p. 371
1990s

“A father may have a child who is ugly and lacking in all the graces, and the love he feels for him puts a blindfold over his eyes so that he does not see his defects but considers them signs of charm and intelligence and recounts them to his friends as if they were clever and witty.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Acontece tener un padre un hijo feo y sin gracia alguna, y el amor que le tiene le pone una venda en los ojos para que no vea sus faltas, antes las juzga por discreciones y lindezas y las cuenta a sus amigos por agudezas y donaires.
Don Quixote de la Mancha (1605–1615), Prologue

Love, Feeling, Intelligence

“She always had been in touch with something outside of human ken. She had something in her no other human had. You sensed it, but you could not name it, for there was no name for this thing she had. And she had fumbled with it, trying to use it, not knowing how to use it, charming off the warts and healing poor hurt butterflies and only God knew what other acts that she performed unseen.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 34

God, Sense, Hurt

“Arriving in Berlin, I found myself in my element, and began to breathe freely. Jerusalem and Lessing had given us letters of introduction to the greatest men in Berlin; but they knew us already, Leisewitz as author of "Julius Von Tarent," and myself as author of my Dissertation. We had daily the choice of the first society; covers were laid for us in the first families daily, for dinner as well as supper. Von Zetlitz sent a general invitation that covers were laid for us every day during our stay in Berlin. Most of the time we could spare was divided between physicians and philosophers, of which the latter had the greater share. Spalding, Mendelsohn, Eberhard, Engel, Nicolai, Reichard, and Madame Bamberger, daughter of Doctor Sack, Bishop of Berlin, honoured us with their most sincere friendship. The latter, a highly gifted and accomplished lady, possessed the rare art of spreading over the most abstract hypothesis and theorem the brightest and most charming light; Jerusalem, the father of the ill-fated Werther (see the "Sorrows of Werther," by Goethe), used to send her his works to correct, and she alone was able to console and comfort him, when he was informed of the death of his beloved son. This amiable lady assumes in common life the character of a plain woman, and when at court, as friend of the Queen and the Princess Amalie, she won all hearts by her truly noble man ners and unconstrained courtesy: at court beloved, she was admired, nay, adored in the philosophical clubs. But do not think that here alone we spent all our time; Madame Bamberger knew how to blend study with amusement; she issued frequently cards of invitation to select parties, for suppers and balls, and her house was the point of union of all that was learned, beautiful, and amiable. Thus Berlin became my Paradise. I had the most tempting offers from the Minister of State to stay here; but the illness of my father obliged me, after a stay of three months, to return home. I visited Lessing on my journey back; stayed two days, which were the most interesting of all days I ever remember.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Life, Death, Men, Friendship

“Vials of holy water, blessed knives, steel and silver blades, electrum wire-- not much use at the moment, but it's always good to have a spare--silver bullets, charm of protection, crucifixes, stars of David-"
"Jesus," said Clary.
"I doubt he'd fit.”

Cassandra Clare The Mortal Instruments

Jace and Clary, pg. 255
The Mortal Instruments, City of Bones (2007)

Star, Water

“Having in mind the theory of relativity, both special and general, I should like to extend with pleasure my warm greetings to all in attendance, colleagues and guests, no matter whether they consider themselves as eastbound or westbound citizens.
…I have always compared nations with heterogeneous conglomerates made up of individuals or social groups, all strongly cemented by homogeneous ethical feelings. Such indeed should also be our unique charming blue planet, and I nurse the hope that during what is left of time I shall witness the end product of such a process of international diagenesis. The reappearance of the Halley's Comet is perhaps an omen in this respect…”

Ivan Kostov Nikolov (1913–2004) Bulgarian mineralogist

Pleasure, Hope, Feeling, Time

“As in hunting, so in hawking, the sportsmen had their peculiar impressions, and therefore the tyro in the art of falconry is recommended to learn the following arrangement of terms as they were to be applied to the different kinds of birds assembled in companies. A sege of herons, and of bitterns; an herd of swans, of cranes, and of curlews; a dopping of sheldrakes; a spring of teels; a covert of cootes; a gaggle of geese; a badelynge of ducks; a sord or sute of mallards; a muster of peacoccks; a nye of pheasants; a bevy of quails; a covey of partridges; a congregation of plovers; a flight of doves; a dule of turtles; a walk of snipes; a fall of woodcocks; a brood of hens; a building of rooks; a murmuration of starlings; an exaltation of larks; a flight of swallows; a host of sparrows; a watch of nightingales; and a charm of goldfinches.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 37
The Sports and Pastimes of the People of England (1801), Collective nouns

Art, Spring, Bird, Learning

“Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Vanishing Point (pp. 9-10)
1980s, America (1986)

Travel

“Thy subtle charm is strangely given,
My fancy will not let thee be,,
Then poise not thus 'twixt earth and heaven,
O white anemone!”

Elaine Goodale Eastman (1863–1953) American novelist, poet

Anemone; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 26.

“Prince Charming, prince of the mockers —
compared with him the foulest of sinners
is grace incarnate…”

Anna Akhmatova (1889–1966) Russian modernist poet

Poem without a Hero (1963)

“This was the angerless philosophy of Owen, which inspired him with a forbearance that never failed him, and gave him that regnant manner which charmed all who met him. We shall see what his doctrine of environment has done for society, if we notice what it began to do in his day, and what it has done since.
Men perished by battle, by tempest, by pestilence, Faith might comfort, but it did not save them. In every town, nests of pestilence co-existed with the churches, who were concerned alone with worship. Disease was unchecked by devotion. Then Owen asked, "Might not safety come by improved material condition?" As the prayer of hope brought no reply, as the scream of agony, if heard, was unanswered, as the priest, with the holiest intent, brought no deliverance, it seemed prudent to try the philosopher and the physician.
Then Corn Laws were repealed, because prayers fed nobody. Then parks were multiplied because fresh air was found to be a condition of health. Alleys and courts, were begun to be abolished-since deadly diseases were bred there. Streets were widened, that towns might be ventilated. Hours of labour were shortened, since exhaustion means liability to epidemic contagion. Recreation was encouraged, as change and rest mean life and strength. Temperance — thought of as self-denial — was found to be a necessity, as excess of any kind in diet, or labour, or pleasure means premature death. Those who took dwellings began to look, not only to drainage and ventilation, but to the ways of their near neighbours, as the most pious family may poison the air you breathe unless they have sanitary habits.”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

Memorial dedication (1902)

Life, Death, Men, Health

“Oh, blessedness!
To see the fair creations of the thought
Assume a visible form; sweet Poesy!
How witching is thy power upon the heart;
Enchantment that does bind our senses up
In one unutterable influence;
A charmed spell set over every thought,
Till life's whole hope is cast upon the lyre.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(26th January 1822) Poetic Sketches, No.3
The London Literary Gazette, 1821-1822

Life, Hope, Sense, Heart

“There is a fair woman in the west,
who is as bright as sunlight.
She wears a dress of the finest silk
and jewelry shines from her left, her right.
Her face is a charm, so full of grace,
lightly perfuming the breeze.
Climbing upward, she keeps watch for her loved one,
holding her sleeves, she faces the morning sun.
She hovers, she drifts through the sky,
waving her sleeves, she dances,
flies like the wind, like a cloud, in [a] trance.
Every so often, she glances at me,
but for me this beauty is out of reach.
Left alone, I lament my fate.”

Ruan Ji (210–263) One of the Seven Sages of the Bamboo Grove

Poem XIX, translated by Wu Fusheng and Graham Hartill in The Poem of Ruan Ji (2006), p. 39, as reported in Constructing Irregular Theology (2009) by Paul S. Chung, p. 13

Love, Fate, Beauty, Sun

“Love is a command, not just a feeling. Somehow, in the romantic world of music and theater we have made love to be what it is not. We have so mixed it with beauty and charm and sensuality and contact that we have robbed it of its higher call of cherishing and nurturing.”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA30&dq=%22Love+is+a+command%22, 39]
2000s

Love, World, Beauty, Music

“Although German writers may sometimes have mispraised or overpraised their greatest mediaeval poet, it is certain that we find in Wolfram von Eschenbach qualities, which, in the thousand years between the Fall and the Renaissance of classical literature, can be found to anything like the same extent in only two known writers, the Italian Dante and the Englishman Langland; while if he is immensely Dante's inferior in poetical quality, he has at least one gift, humour, which Dante had not, and is far Langland's superior in variety and in romantic charm.”

Wolfram von Eschenbach (1170–1220) German knight and poet

George Saintsbury The Flourishing of Romance and the Rise of Allegory (Edinburgh: Blackwood, 1897) p. 251.
Criticism

Literature

“How is it, Chloe, that your pretty skirt
Is torn so badly by the winds that hurt
Real people, you who, in eternity, sing
The hours, sun in your hair appearing
And disappearing? How is that your breasts
Are pierced by shrapnel, and the oak groves burn,
While you, charmed, caring not at all, turn
To run through forests of machinery and concrete
And haunt us with the echoes of your feet?”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"A Book in the Ruins" (1941)
Rescue (1945)

People, Appearance, Singing, Sun

“I know who I am. I am just a very thin layer of charming with some funny sprinkles wrapped around a huge creamy center of raging arrogant a-hole. I got it.”

Christopher Titus (1964) actor, writer, podcaster

Love is Evol (2009)

Rage

“He is the most intelligent, intellectually curious, and charming man I have ever had the pleasure of meeting”

Munir Butt (1940–2015) British diplomat

Speaking about Bill Clinton, Source: The Times, 1997.

Pleasure, Intelligence

“Of course, we need not be surprised if artistic excellence goes unrecognized on account of being unknown; but there should be the greatest indignation when, as often, good judges are flattered by the charm of social entertainments into an approbation which is a mere a pretence.”

Vitruvius book De architectura

Introduction, Sec. 3
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

“I wrote the Light of What We Know here..(at Yaddo), over several long stays. I'm not sure where I would have written it otherwise. I've been homeless since 2007, all my few possessions put into storage before I set off to travel across Europe and Asia. My journey was interrupted because of the deaths of loved ones and it was within the interruption that I began and finished writing the novel. Yaddo, I was told, might be a good place to write. … Yaddo turned out to suit me perfectly. A stately home—not English privilege but a Scooby Doo mansion—with woodlands, three lakes and magical charm, this charitable foundation has for a hundred years been host to giants such as James Baldwin, Saul Bellow, Philip Roth, Sylvia Plath and Truman Capote. I'm still homeless and have yet to resume my broken travels, but wherever I go, I know that Yaddo and its 400-acre stretch of God's own country was always a kind of home to me and helped to nurture In the Light of What We Know.”

Zia Haider Rahman British novelist

"Sweet Inspiration - Writing and Travel", April 4, 2015 Sweet Inspiration - Writing and Travel http://www.stuff.co.nz/travel/themes/67591492/Sweet-inspiration-Writing-and-travel April 4, 2015. Retrieved on 2015-04-05.

Love, Death, God, Travel

“It is hard living down the tempers we are born with. We all begin well, for in our youth there is nothing we are more intolerant of than our own sins writ large in others and we fight them fiercely in ourselves; but we grow old and we see that these our sins are of all sins the really harmless ones to own, nay that they give a charm to any character, and so our struggle with them dies away.”

Gertrude Stein book The Making of Americans

The Making of Americans (1925)

Youth, Fight

“With the vast sweep of his imagination Jules Verne created a whole world of magical things imbued with a delightful naiveté, which just charm us…”

Karel Zeman (1910–1989) Czech film director, artist and animator

Veliká fantazie Julesa Vernea vytvořila svět, kouzelný svět plný rozkošné naivity, která je tolik půvabná... Quoted on the website of the Karel Zeman Museum in Prague (in English http://www.muzeumkarlazemana.cz/en/karel-zeman/quotes and Czech http://www.muzeumkarlazemana.cz/cz/karel-zeman/citaty).

World, Imagination

“Believe me, if all those endearing young charms
Which I gaze on so fondly to-day,
Were to change by to-morrow and fleet in my arms,
Like fairy gifts fading away.
Thou wouldst still be adored as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart,
Would entwine itself verdantly still.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Believe Me, If All Those Endearing Young Charms, st. 1. Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Art, Change, Heart

“Tis impious pleasure to delight in harm.
And beauty should be kind, as well as charm.”

George Granville, 1st Baron Lansdowne (1666–1735) 1st Baron Lansdowne

To Myra, line 21; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), "Beauty", p. 57-63.

Pleasure, Beauty

“Rais'd of themselves, their genuine charms they boast,
And those who paint them truest praise them most.”

Joseph Addison The Campaign

last lines.
The Campaign (1704)

Painting

“The peasant boy, who followed the coloured track of the rainbow, hoping to find the blue and charmed flower which springs where the arch touches earth, is wiser far than one who gives youth, genius, and time to literature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Youth, Hope, Spring, Boy

“… this refined language of Indian modernity – an Indian language that was actually first used as a first language by a home-grown cosmopolitan elite – enough to say, with or without humour, ‘Ami tomake bhalobashi’ (‘I love you’) or ‘Apni kothai thhaken?’ (‘Where do you live?). These stray statements performed an incantatory ‘open sesame’ – into the bounded, charmed, small-scale world of ‘Bengaliness’. The ‘honorary’ Bengali might be myopic; might be an aficionado of art-house cinema; might be politically left wing; might have taste for lyric poetry; a tendency towards the autobiographical; an appetite for fish; or display none of these traits.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

citation needed
On Modernity

Love, World, Art, Home

“I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

Time, Drawing

“There are several pleasant little towns like Abbottabad in Pakistan, strung out along the roads that lead toward the mountains from Rawalpindi…The colonial British—like Maj. James Abbott, who gave his name to this one—called them "hill stations," designed for the rest and recreation of commissioned officers. The charming idea, like the location itself, survives among the Pakistani officer corps. If you tell me that you are staying in a rather nice walled compound in Abbottabad, I can tell you in return that you are the honored guest of a military establishment that annually consumes several billion dollars of American aid. It's the sheer blatancy of it that catches the breath.”

Christopher Hitchens (1949–2011) British American author and journalist

2010s, 2011

Mountain, Idea

“He [Alfred de Musset] puts you into a fever, it is true; but he can do nothing more for you. He has undoubted charms, but his taste is capricious and poisoned. All he can do is to disenchant and corrupt you, and at the end leave you in despair. The fever passes, and you are left without strength - like a convalescent who is in need of fresh air, of the sunshine, and of the stars.”

Jean-François Millet (1814–1875) French painter

a remark to his friend Louis Marolle in Paris c. 1839; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters https://archive.org/stream/jeanfrancoismill00cart#page/n5/mode/2up, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 60 Millet had little sympathy with the French poet Alfred de Musset and criticized the tendencies of his poetry severely. 1835 - 1850

Star, Despair

“Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.”

Stephen King book The Stand

Glen Bateman
The Stand (1978)

Love, God, Home

“Thwarted, or starved, in the important objects proper to young capacities, the boys and young men naturally find or invent deviant objects for themselves. … Their choices and inventions are rarely charming, usually stupid, and often disastrous; we cannot expect average kids to deviate with genius. But on the other hand, the young men who conform to the dominant society become for the most part apathetic, disappointed, cynical and wasted.”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. 13.

Men, Stupidity, Disappointment, Boy

“There is a strange charm in the thoughts of a good legacy, or the hopes of an estate, which wondrously alleviates the sorrow that men would otherwise feel for the death of friends.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book IV, Ch. 74.

Death, Men, Hope, Feeling

““Let’s be obvious. Me brute, you weasel.”
“Agreed. You brute, me charming mastermind.””

Scott Lynch book The Republic of Thieves

Source: The Republic of Thieves (2013), Chapter 5 “The Five-Year Game: Starting Position” section 2 (p. 254)

“Perhaps the enemies of liberty are such only because they judge it by its loud voice. If they knew its charms, the dignity that accompanies it, how much a free man feels like a king, the perpetual inner light that is produced by decorous self-awareness and realization, perhaps there would be no greater friends of freedom than those who are its worst enemies.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Martí : Thoughts/Pensamientos (1994)

Feeling, Freedom, Light

“In the next episode you’ll see two people draw a picture of an angel and notice when they do that they draw the angel from a particularly secular perspective. And I’m certainly not one to begin to criticise the religio-artistic viewpoint of my two charming volunteers but it does make you stop and think what spiritually vacuous times we live in when two young people instinctively draw an angel with a halo attached to the back of its head with a stick.”

Derren Brown (1971) British illusionist

Other TV and web appearances, E4 Mind Control Night

People, Angels, Thinking, Time

“To us, with our broader outlook, our more complicated interests, our more elusive moods, their small bright world is apt to seem uninteresting and out of date, unless we spend some patient sympathy in the discovery of the real charm and the real beauty that it contains.”

Lytton Strachey book Landmarks in French Literature

Landmarks in French Literature (1912), ch. 4.

World, Beauty, Mood

“In New Mexico he always awoke a young man…Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up to him for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests… That air would disappear from the whole earth in time, perhaps; but long after his day. He did not know just when it had become so necessary to him, but he had come back to die in exile for the sake of it. Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prisoned spirit of man into the wind, into the blue and gold, into the morning, into the morning!”

Willa Cather book Death Comes for the Archbishop

Book IX, Ch. 3
Death Comes for the Archbishop (1927)

Women, Men, Beauty, Art

“We all know that there is evil in the world — we read of it — we hear of it — but we never think of its entering our own charmed circle. Look round our circle of acquaintance; how it would startle us to be asked to name one whom we thought capable of crime; how much more so to find that crime had been committed by one near and dear to our inmost heart. What a moral revulsion would such a discovery produce — how weak we should find ourselves under such a trial — how soon we should begin to disconnect the offender and the offence; then, for the first time, we should begin to understand the full force of temptation, and to allow for its fearful strength; and should we not begin to excuse what had never before seemed capable of palliation?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.11. The Heart of Mid Lothian — JEANNIE DEANS.
Literary Remains

World, Fear, Understanding, Thinking

“Our task is not so much discovery as re-discovery. What one needs is not so much thinking as remembering. Sometimes it suffices to sit quietly and listen well, when venerable men have thought before us. Constant forgettings of truths once perceived are the very charm of the human mind; the history of human thought is nothing more than the story of these forgettings and rememberings and forgettings again.”

Lin Yutang (1895–1976) Chinese writer

On the Wisdom of America (1950), p. xiv

Men, Truth, History, Thinking

“Thou'rt slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke.”

John Donne book Holy Sonnets

No. 10, line 9
Holy Sonnets (1633)

Men, Fate, War, Sleep

“"Charm"—which means the power to effect work without employing brute force—is indispensable to women. Charm is a woman's strength just as strength is a man's charm.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

The Task of Social Hygiene, ch. 3 HTTP://BOOKS.GOOGLE.COM/books?id=nAoAAAAAYAAJ&q=%22charm+which+means+the+power+to+effect+work+without+employing+brute+force+is+indispensable+to+women+charm+is+a+woman%27s+strength+just+as+strength+is+a+man%27s+charm%22&pg=PA81#v=onepage

Women

“Fred Astaire is the best singer of songs the movie world ever knew. His phrasing has individual sophistication that is utterly charming. Presumably the runner-up would be Bing Crosby, a wonderful fellow, though he doesn't have the unstressed elegance of Astaire.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Oscar Levant in Levant, Oscar. The Memoirs of an Amnesiac. New York: Putnam, 1965. (M).

World

“Unforgettably horrible is the naked body. It really does not have the slightest charm.”

Murasaki Shikibu book The Diary of Lady Murasaki

The Diary of Lady Murasaki

“Myriads of daisies have shone forth in flower
Near the lark's nest, and in their natural hour
Have passed away; less happy than the one
That by the unwilling ploughshare died to prove
The tender charm of poetry and love.”

William Wordsworth (1770–1850) English Romantic poet

Poems Composed or Suggested During a Tour in the Summer of 1833, "There!" said a Stripling, l. 10 (1833).

Love, Happiness, Flowers, Nature

“What I consider to do with the new course [at The Academy of Art in The Hague] is: in the morning doing large plaster and in the afternoon painting or drawing after Nature, what I am doing already for some time, and [drawing] horses in the Municipal Horse Riding School. The Director is Sir Krüger, a very charming German who has seen of course many horses and so he knows how to show me the mistakes I make, which are not few.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat ik mij voorstel met de nieuwe cursus te doen is: 's morgens grootpleister en 's middags schilderen of naar de natuur teekenen. waarmede ik reeds eenige tijd bezig ben. en paarden in de Stadsrijschool. De Dir. daarvan is den Heer Krüger een alleraardigste duitscher, die nat. veel paarden gezien heeft en me dus de fouten weet te zeggen, die ik maak en die niet weinige zijn. early quote of Breitner in his letter to his Maecenas A.P. van Stolk, 11 April 1878; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/585 before 1890

School, Art, Nature, Time

“The charm of our studies, the enchantment of science, is that, everywhere and always, we can give the justification of our principles and the proof of our discoveries.”

Mordechai Ben-Ari (1948) Israeli computer scientist

Source: Just a Theory: Exploring the Nature of Science (2005), Chapter 5, “Pseudoscience: What Some People Do Isn’t Science” (p. 98; quoting Louis Pasteur)

Study, Science

“Shadowhunters. They get in your blood, under your skin. I've been with vampires, werewolves, faeries, warlocks like me-- and humans, so many fragile humans. But I always told myself I wouldn't give my heart to a Shadowhunter. I've so nearly loved them, been charmed by them-- generations of them, sometimes: Edmund and Will and James and Lucie… the ones I saved and the ones I couldn't. And Clary, too, I loved, for I watched her grow up. But I've never been in love with a Shadowhunter, not until Alec. For they have the blood of angels in them, and the love of angels is a high and holy thing.”

Cassandra Clare The Mortal Instruments

Magnus Bane, to Luke Garroway, about Alec Lightwood, pg. 428
The Mortal Instruments, City of Heavenly Fire (2014)

Love, Angels, Heart

“Behold on wrong
Swift vengeance waits; and art subdues the strong!
Dwells there a god on all the Olympian brow
More swift than Mars, and more than Vulcan slow?
Yet Vulcan conquers, and the god of arms
Must pay the penalty for lawless charms.”

Homér The Odyssey (Cowper)

VIII. 329–331 (tr. Alexander Pope).
Odyssey (c. 725 BC)

God, Penalty, Art, Strong

“Fidel made it clear in his opening remarks that the parents were important but not nearly as important as the baby. In some pictures Fidel had a big patch of wet saliva on his uniform because he had come over early to cuddle the baby.

A very warm and charming man — I enjoyed him.

I am very proud that Canada helped facilitate this; we have long, trusted ties.... This is good news and I celebrate with the Cuban people.

It was very kind of him, he was very proud of what he was doing with their children in establishing them as strong citizens.

What a fabulous place. The people are filled with life and music and happy in spite of very difficult times. Some of them work four jobs to support their families. They are wonderful people and I think this is an opportunity for them to really evolve as they need to.”

Margaret Trudeau (1948) ex-wife of the late Canadian prime minister Pierre Trudeau

per 19 December 2014 article in National Post http://nationalpost.com/news/canada/margaret-trudeau-fondly-remembers-1976-trip-to-cuba-and-the-charming-dictator-who-cuddled-her-baby

Life, Happiness, Children, People

“Parents are frequently inclined, because of a time-flattered sense of security, to take their children for granted. Nothing ever has happened, so nothing ever will happen. They see their children every day, and through the eyes of affection; and despite their natural charm and their own strong parental love, the children are apt to become not only commonplaces, but ineffably secure against evil. […] The astonishment of most parents at the sudden accidental revelation of evil in connection with any of their children is almost invariably pathetic. […] But it is possible. Very possible. Decidedly likely. Some, through lack of experience or understanding, or both, grow hard and bitter on the instant. They feel themselves astonishingly abased in the face of notable tenderness and sacrifice. Others collapse before the grave manifestation of the insecurity and uncertainty of life—the mystic chemistry of our being. Still others, taught roughly by life, or endowed with understanding or intuition, or both, see in this the latest manifestation of that incomprehensible chemistry which we call life and personality, and, knowing that it is quite vain to hope to gainsay it, save by greater subtlety, put the best face they can upon the matter and call a truce until they can think. We all know that life is unsolvable—we who think. The remainder imagine a vain thing, and are full of sound and fury signifying nothing.”

Theodore Dreiser book The Financier

Source: The Financier (1912), Ch. XXVI

Love, Life, Children, Hope

“I was visited by Timothy Leary when he was living in Switzerland many years ago. He was a very intelligent man, and quite charming. I enjoyed our conversations very much. However, he also had a need for too much attention. He enjoyed being provocative, and that shifted the focus from what should have been the essential issue. It is unfortunate, but for many years these drugs became taboo. Hopefully, these same problems from the Sixties will not be repeated.”

Albert Hofmann (1906–2008) Swiss chemist

MAPS interview (1998)

Intelligence, Problem

“Europe' in anything other than the geographical sense is a wholly artificial construct. It makes no sense at all to lump together Beethoven and Debussy, Voltaire and Burke, Vermeer and Picasso, Notre Dame and St Paul's, boiled beef and bouillabaisse, and portray them as elements of a 'European' musical, philosophical, artistic, architectural or gastronomic reality. If Europe charms us, as it has so often charmed me, it is precisely because of its contrasts and contradictions, not its coherence and continuity.”

Margaret Thatcher book Statecraft: Strategies for a Changing World

Source: Statecraft: Strategies for a Changing World, p. 328

Music, Reality, Sense

“Nor, on the other hand, are there any masculine charms [in Gabriele Münter's work] either: no 'sinewy brushwork', no heaps of paint, 'hurled on to the canvas'. The pictures are painted throughout with a delicately and correctly sensed measure of external strength, with not a trace of feminine or masculine coquetry in the 'making'. We could almost say that they are painted modestly; i. e. that they were inspired, not by a desire for outward display, but by a purely inward compulsion.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, 1913; in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 120
1910 - 1915

Sense, Painting

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

Life, God, World, Religion

“Houses and fields in which we lived and played in childhood and youth with those we loved, grow to be part of our being. The sight of them in later years touches us with mystic charm. It is like a vision from beyond the tomb or a memory of a lost Paradise. But little by little their power over us grows less and the light that falls on them becomes more like the common day. Their sacredness diminishes, their beauty fades. The young birds have flown, the old are dead, the leaves and blossoms have fallen and but the empty nest is left among the naked boughs; and looking on the desolation we feel that we have no abiding place on earth, since the home itself loses its consecration.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 137

Love, Youth, Beauty, Feeling

“To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

Dogs, Fashion, Failure, Bird

“On Vince Cable: But he's charming and northern; he's the man tasked with crushing the poor in their own accent, isn't he really?”

Jeremy Hardy (1961–2019) British comedian

The News Quiz series 72 episode 1, BBC Radio 4, 24 September 2010

“She said out of pity for him, "I shall give you a kiss if you like," but though he once knew, he had long forgotten what kisses are, and he replied, "Thank you," and held out his hand, thinking she had offered to put something into it. This was a great shock to her, but she felt she could not explain without shaming him, so with charming delicacy she gave Peter a thimble which happened to be in her pocket, and pretended that it was a kiss.”

J. M. Barrie book Peter Pan

Source: Peter and Wendy (1911), Ch. 6

Kiss, Thinking

“Cause now that I can see you,
I don't think you're worth a second glance.
So much for all the promises you made, they served you well
and now you're gone and they're wasted on me.
So much for your endearing sense of charm, it served you well
and now it's gone and you're wasted on me.”

Chris Carrabba (1975) American musician

Rapid Hope Loss

Thinking, Sense

“Indeed, Barack Obama has exceptional qualities and deserves kudos for his achievement. He is genteel, articulate, poised and charming. He is a Harvard-educated lawyer, yet he remains accessible to the common man. He has been married since 1992, has two lovely daughters and is by all accounts a devoted family man. He is a pious Christian and a member of the United Church of Christ.”

Jeffrey T. Kuhner (1969) American journalist

Insight on the News, editorial: "Washington Watch: Obama's fund-raising record reveals weakness of Hillary's campaign", 2007-7-1

Love, Education, Family, Christ

“She is becoming afraid to go out. Windows are broken. She finds excreta pushed through her letterbox. When she goes to the shops, she is followed by children, charming, wide-grinning piccaninnies. They cannot speak English, but one word they know. 'Racialist,' they chant.”

Enoch Powell (1912–1998) British politician

A quotation from a letter Powell said had been sent to him from Northumberland, referring to one of his constituents. (According to a BBC radio programme broadcast in January 2007, the person in question was Druscilla Cotterill. However, this is open to question as some of the personal characteristics of Mrs Cotterill were not identical to the description given by Powell; in contrast to the woman referred to by Powell, Mrs Cotterill was childless and did not have a telephone. Source: Document, Radio 4, 22 January 2007. A contemporary investigation by journalists from The Express and Star, a local newspaper, could find no trace of the woman, and the paper had itself received similar letters which it had traced back to the National Front. Source: " Enoch Powell was wrong http://www.telegraph.co.uk/news/uknews/immigration/9349376/Enoch-Powell-was-wrong.html", Ian Austin, The Telegraph, 22 June 2012.). The 'Rivers of Blood' speech

Children

“With women there is neither caste nor rank, for beauty, grace and charm take the place of family and birth. Natural ingenuity, instinct for what is elegant, a supple mind are their sole hierarchy, and often make of women of the people the equals of the very greatest ladies.
Mathilde suffered ceaselessly, feeling herself born to enjoy all delicacies and all luxuries.”

Guy De Maupassant (1850–1893) French writer

La Parure (The Necklace) (1884)

Women, People, Family, Beauty

“You were so kind to us yesterday. Never have I seen such magnanimity and such tenderness.
Can you imagine the gift you gave me? To return to the White House privately with my little ones while they are still young enough to rediscover their childhood — with you both as guides — and with your daughters, such extraordinary young women.
What a tribute to have brought them up like that in the limelight. I pray I can do half the same with my Caroline. It was good to see her exposed to their example, and John to their charm!
You spoiled us beyond belief... I have never seen the White House look so perfect. There is no hidden corner of it that is not beautiful now.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Letter to Richard and Pat Nixon after a White House visit (February 1971)] as quoted in "Can You Imagine The Gift You Gave Me?" by Bob Greene, in The Chicago Tribune (28 July 1999) http://articles.chicagotribune.com/1999-07-28/features/9907280018_1_white-house-john-kennedy-richard-nixon-library

Women, Beauty, Imagination, Childhood

“This character of depersonalization is certainly a constant of all my personages.... The charm of my Portraits enterprise consisted exactly in undergoing a treatment of depersonalization of the effigies of the persons designated. This persistent drive to depersonalize the persons seems to me to precede the paintings (and is more or less conscious in my mind throughout their execution).... [this depersonalisation requires] imagination from the viewer to recognize and complete the portrait.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in a letter to Max Loreau, 29 June, 1963, reprinted in Prospectus II, Jean Dubuffet; Gallimard, Paris, 1967, pp. 374–375
1960-70's

Imagination, Painting, Personality

“A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dreamlike charm,
Wild moor-sheep feeding everywhere.”

Emily Brontë (1818–1848) English novelist and poet

Stanza vii.
A Little While, a Little While (1846)

“The secret of language is the secret of sympathy and its full charm is possible only to the gentle.”

John Ruskin (1819–1900) English writer and art critic

Lecture III
Lectures on Art (1870)

Secret

“Of course it’s also a lot easier to slap a health claim on a box of sugary cereal than on a potato or carrot, with the perverse result that the most healthful foods in the supermarket sit there quietly in the produce section, silent as stroke victims, while a few aisles over, the Cocoa Puffs and Lucky Charms are screaming about their newfound whole-grain goodness.”

Michael Pollan (1955) American author, journalist, activist, and professor of journalism

[Unhappy Meals, 2007-01-28, The New York Times Magazine, http://www.nytimes.com/2007/01/28/magazine/28nutritionism.t.html?ei=5090&en=a18a7f35515014c7&ex=1327640400&partner=rssuserland&emc=rss&pagewanted=print, 2007-01-28]

Health, Food, Box

Quotes about charm page 3

Quotes about charm
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