Quotes about character
page 19

Karl Mannheim photo
John Buchan photo
James Boswell photo
John Keats photo
Alfred Hitchcock photo

“Deep inside, I am a shy man. And in the presence of colorful characters, I am a clam. I never try to out-eccentric the eccentricsǃ”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in "New York Close-Up" http://www.mediafire.com/view/sllj68n3ug6dgju/Concert_Thursday_to_Aid_Memori.jpg.

John Angell James photo
Letitia Elizabeth Landon photo
Charles Darwin photo

“It may be doubted whether any character can be named which is distinctive of a race and is constant.”

volume I, chapter VII: "On the Races of Man", page 225 http://darwin-online.org.uk/content/frameset?pageseq=238&itemID=F937.1&viewtype=image
The Descent of Man (1871)

Maumoon Abdul Gayoom photo

“Yes, because that conceals their character. You don't know who you are talking to. Who you are dealing with. So, the face should be seen. That is even in Islam, even during the time of the holy Prophet Mohammed, women used to have bare faces. I mean women did not cover their faces.”

Maumoon Abdul Gayoom (1937) Maldivian politician, 3rd president of the Maldives

When asked by al jazeera journalist, Juliana Ruhfus (in an interview on 8 August 2007) that there is a law (in Maldives) that women are not allowed to wear a dress that only shows the eyes.
2007

John Hall photo
David Dixon Porter photo

“Lincoln seemed to me to be familiar with the name, character, and reputation of every officer of rank in the army and navy, and appeared to understand them better than some whose business it was to do so; he had many a good story to tell of nearly all, and if he could have lived to write the anecdotes of the war, I am sure he would have furnished the most readable book of the century. To me he was one of the most interesting men I ever met; he had an originality about him which was peculiarly his own, and one felt, when with him, as if he could confide his dearest secret to him with absolute security against its betrayal. There, it might be said, was 'God's noblest work an honest man,' and such he was, all through. I have not a particle of the bump of veneration on my head, but I saw more to admire in this man, more to reverence, than I had believed possible; he had a load to bear that few men could carry, yet he traveled on with it, foot-sore and weary, but without complaint; rather; on the contrary, cheering those who would faint on the roadside. He was not a demonstrative man, so no one will ever know, amid all the trials he underwent, how much he had to contend with, and how often he was called upon to sacrifice his own opinions to those of others, who, he felt, did not know as much about matters at issue as he did himself. When he did surrender, it was always with a pleasant manner, winding up with a characteristic story.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 283

Herbert Marcuse photo
Azar Nafisi photo
Isocrates photo
Thomas Gray photo
Emma Thompson photo

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Michael Halliday photo

“… language has evolved in the service of particular human needs … what is really significant is that this functional principle is carried over and built into the grammar, so that the internal organization of the grammar system is also functional in character.”

Michael Halliday (1925–2018) Australian linguist

Source: 1970s and later, Learning How to Mean--Explorations in the Development of Language, 1975, p. 16 cited in Constant Leung, Brian V. Street (2012) English a Changing Medium for Education. p. 5.

Amit Chaudhuri photo

“Tagore claims that the first time he experienced the thrill of poetry was when he encountered the children’s rhyme ‘Jal pare/pata nare’ (‘Rain falls / The leaf trembles') in Iswarchandra Vidyasagar’s Bengali primer Barna Parichay (Introducing the Alphabet). There are at least two revealing things about this citation. The first is that, as Bengali scholars have remarked, Tagore’s memory, and predilection, lead him to misquote and rewrite the lines. The actual rhyme is in sadhu bhasha, or ‘high’ Bengali: ‘Jal paritechhe / pata naritechhe’ (‘Rain falleth / the leaf trembleth’). This is precisely the sort of diction that Tagore chose for the English Gitanjali, which, with its thees and thous, has so tried our patience. Yet, as a Bengali poet, Tagore’s instinct was to simplify, and to draw language closer to speech. The other reason the lines of the rhyme are noteworthy, especially with regard to Tagore, is – despite their deceptively logical progression – their non-consecutive character. ‘Rain falls’ and ‘the leaf trembles’ are two independent, stand-alone observations: they don’t necessarily have to follow each other. It’s a feature of poetry commented upon by William Empson in Some Versions of Pastoral: that it’s a genre that can get away with seamlessly joining two lines which are linked, otherwise, tenuously.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

On Tagore: Reading the Poet Today (2012)

James Morris III photo

“The more there is of mind in your solitary employments, the more dignity there is in your character.”

James Morris III (1752–1820) American writer

As quoted in [Strong, Barbara Nolen, The Morris Academy: Pioneer in Coeducation, Morris Bicentennial Committee, 1976, Torrington, 14-15, http://books.google.com/books?id=nrCYGQAACAAJ&dq]

“In order to see the relation between philosophy as rigorous science and the alternative to it clearly, one must look at the political conflict between the two antagonists, i. e. at the essential character of that conflict.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Philosophy as Rigorous Science and Political Philosophy (1971)

Edgar Degas photo
Mo Yan photo
Graham Greene photo

“The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.”

Graham Greene (1904–1991) English writer, playwright and literary critic

New York Times (October 9, 1985)

Imre Lakatos photo

“Our empirical criterion for a series of theories is that it should produce new facts. The idea of growth and the concept of empirical character are soldered into one.”

Imre Lakatos (1921–1974) Hungarian mathematician, philosopher

Source: Criticism and the Growth of Knowledge, 1970, p. 119.

Michelangelo Antonioni photo

“My characters are ambiguous. Call them that. I don't mind. I am ambiguous myself. Who isn't?”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Karen Horney photo
Joseph Addison photo
Anita Sarkeesian photo
Dwight L. Moody photo
John Stuart Mill photo
Muhammad photo

“Abu Hurayra stated, "The Messenger of Allah, may Allah bless him and grant him peace, said, "The most perfect of believers in belief is the best of them in character. The best of you are those who are the best to their women."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh-as-Saliheen by Imam Al-Nawawi, volume 2, hadith number 278
Sunni Hadith

Markiplier photo

“[begins the game; gets startled by the enemy character flying away from him] "Okay—UH! …Well, that startled the crap outta me."”

Markiplier (1989) American YouTuber and Internet personality

Video game commentary, SuperHOT prototype (September 15, 2013)
Source: SuperHOT, Markiplier, wikipedia:Markiplier, September 15, 2013, YouTube https://www.youtube.com/watch?v=W7qY7s1tCtU,
Source: SUPERHOT - an FPS where time moves only when you move, 2014, July 9, 2014 http://superhotgame.com,

John Hannah (actor) photo
William Hazlitt photo
Lydia Maria Child photo

“Flowers have spoken to me more than I can tell in written words. They are the hieroglyphics of angels, loved by all men for the beauty of the character, though few can decypher even fragments of their meaning.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/58/12260.html, vol. 1, letter 26

Bill Fagerbakke photo
Samuel Butler photo

“The great characters of fiction live as truly as the memories of dead men. For the life after death it is not necessary that a man or woman should have lived.”

Samuel Butler (1835–1902) novelist

Hamlet, Don Quixote, Mr. Pickwick and others
The Note-Books of Samuel Butler (1912), Part XIV - Higgledy-Piggledy

Confucius photo
Ellen G. White photo
Auguste Rodin photo

“An infant crying in the crib can better appreciate the character of its mother than we can fathom the full nature of God.”

Kirby Page (1890–1957) American clergyman

What Does God Want Us to Do About Russia? (1948)

Georges Braque photo
William Stanley Jevons photo
Arthur F. Burns photo
Muhammad Ali (writer) photo

“Maulana Muhammad Ali wrote:… Some Mussulman friends have been constantly flinging at me the charge of being a… Gandhi-worshipper… Since I hold Islam to be the highest gift of God, therefore, I was impelled by the love I bear towards Mahatmaji to pray to God that he might illumine his soul with the true light of Islam… As a follower of Islam I am bound to regard the creed of Islam as superior to that professed by the followers of any non-Islamic religion. And in this sense, the creed of even a fallen and degraded Mussulman is entitled to a higher place than that of any other non-Muslim irrespective of his high character, even though the person in question be Mahatma Gandhi himself”

Muhammad Ali (writer) (1874–1951) Pakistani scholar and leading figure of the Ahmadiyya Movement

Gandhi’s reaction was: “In my humble opinion the Maulana has proved the purity of his heart and his faith in his own religion by expressing his view. He merely compared two sets of religious principles and gave his opinion as to which was better” (Navajivan, 13.4.1924).
(Young India, 10.4.1924). Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 8

Letitia Elizabeth Landon photo

“Now a nation’s character is in its literature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Alexis De Tocqueville photo
Heinrich Heine photo
David Hume photo
Edward Young photo

“The man that makes a character makes foes.”

Edward Young (1683–1765) English poet

To Mr. Pope, epistle I, l. 28 (1730).

Jennifer Beals photo
Henry Edward Manning photo

“Our character is our will; for what we will we are.”

Henry Edward Manning (1808–1892) English Roman Catholic archbishop and cardinal

Source: Towards Evening (1889), p. 136.

African Spir photo
Stephen R. Covey photo
Dinah Craik photo
John Galt (novelist) photo
Halle Berry photo

“The only satisfactory manifestations of religious character and life are associated with the reciprocal influences of spiritual experience and aggressive activity.”

John McClellan Holmes (1834–1911) US Christian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 112.

Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Antonio Cocchi photo
Joseph Smith, Jr. photo
Alfred P. Sloan photo
Jean Cocteau photo

“There are too many souls of wood not to love those wooden characters who do indeed have a soul.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

On marionettes, as quoted in The New York Times (15 February 1987)

Anton Chekhov photo
C. Wright Mills photo
Edward Albee photo
William Ellery Channing photo
Thomas Nagel photo
Letitia Elizabeth Landon photo
John Updike photo

“Each morning my characters greet me with misty faces willing, though chilled, to muster for another day's progress through the dazzling quicksand the marsh of blank paper.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

“Marching through a Novel” in Tossing and Turning (1977)

Charles Grey, 2nd Earl Grey photo
Olly Blackburn photo

“The core idea was to be as realistic as possible and we wanted people to identify with the characters.”

Olly Blackburn Film director and screenwriter

[Edinburgh International Film Festival, www.edfilmfest.org.uk, http://www.edfilmfest.org.uk/news/2008/06/self-portrait-olly-blackburn, Olly Blackburn, News - Self portrait: Olly Blackburn, 20 June 2008, 23 February 2012]

George Boardman the Younger photo
Prasanta Chandra Mahalanobis photo

“Infelicity is an ill to which all acts are heir which have the general character of ritual or ceremonial, all conventional acts.”

J. L. Austin (1911–1960) English philosopher

Austin (1975, p. 18–19) as cited in: James Loxley (2006) Performativity. p. 81.

Fernand Léger photo

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

Brigham Young photo

“It has been observed here this morning that we are called fanatics. Bless me! That is nothing. Who has not been called a fanatic who has discovered anything new in philosophy or science? We have all read of Galileo the astronomer who, contrary to the system of astronomy that had been received for ages before his day, taught that the sun, and not the earth, was the centre of our planetary system? For this the learned astronomer was called "fanatic," and subjected to persecution and imprisonment of the most rigorous character. So it has been with others who have discovered and explained new truths in science and philosophy which have been in opposition to long-established theories; and the opposition they have encountered has endured until the truth of their discoveries has been demonstrated by time. The term "fanatic" is not applied to professors of religion only…I will tell you who the real fanatics are: they are they who adopt false principles and ideas as facts, and try to establish a superstructure upon a false foundation. They are the fanatics; and however ardent and zealous they may be, they may reason or argue on false premises till doomsday, and the result will be false. If our religion is of this character we want to know it; we would like to find a philosopher who can prove it to us. We are called ignorant; so we are: but what of it? Are not all ignorant? I rather think so. Who can tell us of the inhabitants of this little planet that shines of an evening, called the moon? When we view its face we may see what is termed "the man in the moon," and what some philosophers declare are the shadows of mountains. But these sayings are very vague, and amount to nothing; and when you inquire about the inhabitants of that sphere you find that the most learned are as ignorant in regard to them as the most ignorant of their fellows. So it is with regard to the inhabitants of the sun. Do you think it is inhabited? I rather think it is. Do you think there is any life there? No question of it; it was not made in vain. It was made to give light to those who dwell upon it, and to other planets; and so will this earth when it is celestialized. Every planet in its first rude, organic state receives not the glory of God upon it, but is opaque; but when celestialized, every planet that God brings into existence is a body of light, but not till then. Christ is the light of this planet. God gives light to our eyes.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 13:271 (July 24, 1870)
1870s

Fritz Todt photo

“We do not build speedways, but roads which correspond to the character of the German landscape.”

Fritz Todt (1891–1942) German engineer and senior Nazi figure

Quoted in "Vortrag in der Leipzig-Hochschule am 6.2.1934" in Die Autobahn, 4/1934, p. 125.

Henry Adams photo
Hermann von Helmholtz photo
Géza Révész photo
John Maynard Keynes photo

“[I]nfatuation with characters still pervades American classrooms and holds back essential improvement in instruction.”

John DeFrancis (1911–2009) American linguist

"The Prospects for Chinese Writing Reform" (2006, p. 25) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf
"The Prospects for Chinese Writing Reform" (2006)

Anne Brontë photo
Bryant Gumbel photo

“In the first two years this is a man [Clinton] who tried his best to balance the budget, to reform health care, to fight for gay rights, to support personal freedoms. Couldn’t those be considered doing the right things, evidence of true character?”

Bryant Gumbel (1948) American sportscaster

To David Maraniss, MSNBC’s InterNight, October 10, 1996. Real Video http://www.mediaresearch.org/rm/projects/99/gumbel8/segment1.ram

Mike Tyson photo
Frederick Douglass photo

“And here I hold that a liberal and brotherly welcome to all who are likely to come to the United States is the only wise policy which this nation can adopt. It has been thoughtfully observed that every nation, owing to its peculiar character and composition, has a definite mission in the world. What that mission is, and what policy is best adapted to assist in its fulfillment, is the business of its people and its statesmen to know, and knowing, to make a noble use of this knowledge. I need not stop here to name or describe the missions of other or more ancient nationalities. Our seems plain and unmistakable. Our geographical position, our relation to the outside world, our fundamental principles of government, world-embracing in their scope and character, our vast resources, requiring all manner of labor to develop them, and our already existing composite population, all conspire to one grand end, and that is, to make us the perfect national illustration of the unity and dignity of the human family that the world has ever seen. In whatever else other nations may have been great and grand, our greatness and grandeur will be found in the faithful application of the principle of perfect civil equality to the people of all races and of all creeds. We are not only bound to this position by our organic structure and by our revolutionary antecedents, but by the genius of our people. Gathered here from all quarters of the globe, by a common aspiration for national liberty as against caste, divine right govern and privileged classes, it would be unwise to be found fighting against ourselves and among ourselves, it would be unadvised to attempt to set up any one race above another, or one religion above another, or prescribe any on account of race, color or creed.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Chinmayananda Saraswati photo

“Character is formed from the repeated choice of thoughts and action. Make the right choice - You shall have a firm and noble character.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

André Maurois photo