“Now a nation’s character is in its literature.”

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Letitia Elizabeth Landon785

English poet and novelist 1802–1838

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“I am more and more convinced that poetry is the universal possession of mankind, revealing itself everywhere and at all times in hundreds and hundreds of men. … I therefore like to look about me in foreign nations, and advise everyone to do the same. National literature is now a rather unmeaning term; the epoch of world literature is at hand, and everyone must strive to hasten its approach.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Conversations with Eckermann (entry for 31 January 1827)

“Latin literature would almost certainly have been lost without the Irish, and illiterate Europe would hardly have developed its great national literatures without the example of the Irish, the first vernacular literature to be written down.”

Thomas Cahill book How the Irish Saved Civilization

Source: How the Irish Saved Civilization (1995), Ch. VI What Was Found

“The Bruce, with which the Scottish contribution to English literature begins, long held its place as the national epic of Scotland.”

John Barbour (1316–1395) Scottish poet

Kenneth Sisam Fourteenth Century Verse and Prose (Oxford: Clarendon Press, 1964) p. 108.
Criticism

“Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print", it is the closing down of the heart of the nation, a slashing to pieces of its memory.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.
Variant translation, as quoted in TIME (25 February 1974).
Nobel lecture (1970)
Context: Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print", it is the closing down of the heart of the nation, a slashing to pieces of its memory. The nation ceases to be mindful of itself, it is deprived of its spiritual unity, and despite a supposedly common language, compatriots suddenly cease to understand one another

“The point is not that contemporaneity is insignificant. … It is rather that there is something more important at stake in the temporal character of literature: its relation to history, understood as change and development, rather than as context and frame.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 14.

“Before the conquest, the Filipinos had a literature written in characters of their own, and its manifestation in verse constituted of maxims, proverbs, boat-songs, nuptial-songs, war songs, love-songs, and the like.”

Epifanio de los Santos (1871–1928) Filipino politician

As a quote in Quirino & Hilario's "Short History of Tagalog Literature" in Thinking for Ourselves. Manila Oriental Co. 1924, p. 56-57.

“Georgia's character - now and forever - celebrates tolerance, embraces diversity, relishes lively and open debate, and above all, respects liberty and human dignity. Georgia is a democracy, because above all - its national identity is rooted in the traditions of democracy.”

Mikheil Saakashvili (1967) Georgian-Ukrainian politician, President of Georgia and Governor of Odessa

Remarks to the Parliamentary Assembly of the Council of Europe (2005) <br class="br">Source: As quoted in "Remarks of the President of Georgia H.E. Mikheil Saakashvili to the Parliamentary Assembly of the Council of Europe" https://reliefweb.int/report/georgia/remarks-president-georgia-he-mikheil-saakashvili-parliamentary-assembly-council (26 January 2005), ReliefWeb

“Reality is not an inspiration for literature. At its best, literature is an inspiration for reality.”

Romain Gary (1914–1980) French writer and diplomat

“The original dispute was one of poetic diction… From an interest in the minor problem of poetic diction I was led to see that the problem was really one of a suitable medium for all branches of Chinese literature. The question now became: In what language shall the New China produce its future literature? My answer was: The classical language, so long dead, can never be the medium of a living literature of a living nation; the future literature of China must be written in the living language of the people. "No dead language can produce a living literature." And the living language I proposed as the only possible medium of the future literature of China, was the pei-hau, the vulgar tongue of the vast majority of the population, the language which, in the last 500 years, had produced the numerous novels read and loved by the people, though despised by the men of letters. I wanted this much despised vulgar tongue of the people and the novels to be elevated to the position of the national language of China, to the position enjoyed by all the modern national languages in Europe.”

Hu Shih (1891–1962) Chinese philosopher, essayist and diplomat

The Chinese Renaissance (Chicago: University of Chicago Press, 1934), p. 50

“We have to realize the fact that the Arab nation is a great nation and will remain stable as its roots are solid; what is happening now does not suit it nor its history.”

Mohammed bin Rashid al-Maktoum (1949) Emirati politician

Leadership & Success quotes, http://www.sheikhmohammed.co.ae/vgn-ext-templating/v/index.jsp?vgnextoid=d2778960a5a11310VgnVCM1000004d64a8c0RCRD&appInstanceName=default, sheikhmohammed.ae.

“Now a nation’s character is in its literature.”

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Letitia Elizabeth Landon785

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