Quotes about blush

A collection of quotes on the topic of blush, herring, likeness, love.

Quotes about blush

Eugene V. Debs photo
Mark Twain photo

“Man is the Only Animal that Blushes. Or needs to.”

Pudd'nhead Wilson's New Calendar, Ch. XXVII
Following the Equator (1897)

Virginia Woolf photo
Jane Austen photo
Elizabeth Barrett Browning photo
Jonathan Safran Foer photo
Virginia Woolf photo
Friedrich Nietzsche photo
José Saramago photo

“My problem in this situation is to know whether I should have blushed before or if l should be blushing now, I can recall having seen you blush once, When, When I touched the rose in your office, Women blush more easily than men, we're the weaker sex, Both sexes are weak, I was also blushing, How come you know so much about the weakness of the sexes, I know my own weakness, and something about the weakness of others.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

O meu problema, nesta situação, é saber se já deveria ter corado antes, ou se é agora que devo corar, Lembro-me de a ter visto corar uma vez, Quando, Quando toquei na rosa que estava no seu gabinete, As mulheres coram mais que os homens, somos o sexo frágil, Ambos os sexos são frágeis, eu também corei, Sabe assim tanto da fragilidade dos sexos, Sei da minha própria fragilidade, e alguma coisa da dos outros.
Source: The History of the Siege of Lisbon (1989), p. 219

Ed Sheeran photo
Mohammad Reza Pahlavi photo
Carlo Goldoni photo

“The blush is beautiful, but it is sometimes inconvenient.”

Carlo Goldoni (1707–1794) Italian playwright and librettist

Bello è il rossore, ma è incommodo qualche volta.
I. 3.
Pamela (c. 1750)

Edgar Allan Poe photo
Giovanni Pico della Mirandola photo

“This much will I say for myself — and on this point I do not blush for praising myself — that I have never philosophized save for the sake of philosophy, nor have I ever desired or hoped to secure from my studies and my laborious researches any profit or fruit save cultivation of mind and knowledge of the truth — things I esteem more and more with the passage of time. I have also been so avid for this knowledge and so enamored of it that I have set aside all private and public concerns to devote myself completely to contemplation; and from it no calumny of jealous persons, nor any invective from enemies of wisdom has ever been able to detach me.”
Dabo hoc mihi, et me ipsum hac ex parte laudare nihil erubescam, me numquam alia de causa philosophatum nisi ut philosopharer, nec ex studiis meis, ex meis lucubrationibus, mercedem ullam aut fructum vel sperasse alium vel quesiisse, quam animi cultum et a me semper plurimum desideratae veritatis cognitionem. Cuius ita cupidus semper et amantissimus fui ut, relicta omni privatarum et publicarum rerum cura, contemplandi ocio totum me tradiderim; a quo nullae invidorum obtrectationes, nulla hostium sapientiae maledicta, vel potuerunt ante hac, vel in posterum me deterrere poterunt.

25. 158-159; translation by A. Robert Caponigri
Oration on the Dignity of Man (1496)

Saint Patrick photo

“I confess to my Lord and do not blush in his sight, because I am not lying; from the time when I came to know him in my youth, the love of God and fear of him increased in me, and right up until now, by God's favour, I have kept the faith.”

Saint Patrick (385–461) 5th-century Romano-British Christian missionary and bishop in Ireland

The Confession (c. 452?)
Context: So I hope that I did as I ought, but I do not trust myself as long as I am in this mortal body, for he is strong who strives daily to turn me away from the faith and true holiness to which I aspire until the end of my life for Christ my Lord, but the hostile flesh is always dragging one down to death, that is, to unlawful attractions. And I know in part why I did not lead a perfect life like other believers, but I confess to my Lord and do not blush in his sight, because I am not lying; from the time when I came to know him in my youth, the love of God and fear of him increased in me, and right up until now, by God's favour, I have kept the faith.

Cecily von Ziegesar photo
Thomas Gray photo

“Full many a gem of purest ray serene,
The dark unfathomed caves of ocean bear:
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.”

Thomas Gray (1716–1771) English poet, historian

St. 14
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
Source: An Elegy Written In A Country Churchyard

Tom Robbins photo
Cassandra Clare photo

“Big bad merc, down with a basic hip toss. In your place I'd be blushing.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

Lev Grossman photo
Cassandra Clare photo
Jane Austen photo
Agatha Christie photo
Suzanne Collins photo
Alexander Pope photo

“Do good by stealth, and blush to find it fame.”

Source: An Essay on Man

Libba Bray photo
Sophie Kinsella photo
Ian McEwan photo
Suzanne Collins photo
Richelle Mead photo
Cassandra Clare photo
Sören Kierkegaard photo

“On the secretly blushing cheek is reflected the glow of the heart”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism
Rick Riordan photo
Carrie Fisher photo
Rick Riordan photo
Rick Riordan photo

“Piper gripped his hand and followed him, “If I fall, you’re catching me.” “Uh, sure.” Jason hoped he wasn’t blushing.
Leo stepped out next. “You’re catching me, too, Superman. But I ain’t holding your hand.”

Source: If i fall your catching me" Piper said as she grabbed Jasons arm
"Uh... sure" Jason hoped he wasn't blushing
Leo stepped out next "Your catching me too superman, but i ain't holding your hand"
- The Lost Hero, Aeolus place

Megan Whalen Turner photo
Laurie Halse Anderson photo
Thomas Wolfe photo
Julio Cortázar photo
Charles Darwin photo

“Blushing is the most peculiar and most human of all expressions.”

Source: The Expression of the Emotions in Man and Animals

“It is not the terrible occurrences that no one is spared, — a husband’s death, the moral ruin of a beloved child, long, torturing illness, or the shattering of a fondly nourished hope, — it is none of these that undermine the woman’s health and strength, but the little daily recurring, body and soul devouring care s. How many millions of good housewives have cooked and scrubbed their love of life away! How many have sacrificed their rosy checks and their dimples in domestic service, until they became wrinkled, withered, broken mummies. The everlasting question: ‘what shall I cook today,’ the ever recurring necessity of sweeping and dusting and scrubbing and dish-washing, is the steadily falling drop that slowly but surely wears out her body and mind. The cooking stove is the place where accounts are sadly balanced between income and expense, and where the most oppressing observations are made concerning the increased cost of living and the growing difficulty in making both ends meet. Upon the flaming altar where the pots are boiling, youth and freedom from care, beauty and light-heartedness are being sacrificed. In the old cook whose eyes are dim and whose back is bent with toil, no one would recognize the blushing bride of yore, beautiful, merry and modestly coquettish in the finery of her bridal garb.”

Dagobert von Gerhardt (1831–1910) German writer

To the ancients the hearth was sacred; beside the hearth they erected their lares and household-gods. Let us also hold the hearth sacred, where the conscientious German housewife slowly sacrifices her life, to keep the home comfortable, the table well supplied, and the family healthy."
"von Gerhardt, using the pen-name Gerhard von Amyntor in", A Commentary to the Book of Life. Quote taken from August Bebel, Woman and Socialism, Chapter X. Marriage as a Means of Support.

Letitia Elizabeth Landon photo

“The apple blossoms' shower of pearl,
The pear tree’s rosier hue,
As beautiful as woman's blush,
As evanescent too.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Ray Comfort photo
Gil Vicente photo

“I saw the rose-grove blushing in pride,
I gather'd the blushing rose—and sigh'd—
I come from the rose-grove, mother,
I come from the grove of roses.”

Gil Vicente (1456–1536) Portuguese writer

Viera estar rosal florido,
cogí rosas con sospiro:
vengo del rosale.<p>Del rosal vengo, mi madre,
vengo del rosale.
Del rosal vengo, mi madre — "I Come from the Rose-grove, Mother", as translated by J. Bowring in Ancient Poetry and Romances of Spain (1824), p. 317

Elaine Goodale Eastman photo

“The starry, fragile windflower,
Poised above in airy grace,
Virgin white, suffused with blushes,
Shyly droops her lovely face.”

Elaine Goodale Eastman (1863–1953) American novelist, poet

The First Flowers; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 874.

William Cullen Bryant photo

“But ’neath yon crimson tree
Lover to listening maid might breathe his flame,
Nor mark, within its roseate canopy,
Her blush of maiden shame.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Autumn Woods. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed

Daniel Dennett photo

“Evolution embodies information in every part of every organism. … This information doesn't have to be copied into the brain at all. It doesn't have to be "represented" in "data structures" in the nervous system. It can be exploited by the nervous system, however, which is designed to rely on, or exploit, the information in the hormonal systems just as it is designed to rely on, or exploit, the information embodied in your limbs and eyes. So there is wisdom, particularly about preferences, embodied in the rest of the body. By using the old bodily systems as a sort of sounding board, or reactive audience, or critic, the central nervous system can be guided — sometimes nudged, sometimes slammed — into wise policies. Put it to the vote of the body, in effect….When all goes well, harmony reigns and the various sources of wisdom in the body cooperate for the benefit of the whole, but we are all too familiar with the conflicts that can provoke the curious outburst "My body has a mind of its own!" Sometimes, apparently, it is tempting to lump together some of the embodied information into a separate mind. Why? Because it is organized in such a way that it can sometimes make independent discriminations, consult preferences, make decisions, enact policies that are in competition with your mind. At such time, the Cartesian perspective of a puppeteer self trying desperately to control an unruly body-puppet is very powerful. Your body can vigorously betray the secrets you are desperately trying to keep — by blushing and trembling or sweating, to mention only the most obvious cases. It can "decide" that in spite of your well-laid plans, right now would be a good time for sex, not intellectual discussion, and then take embarrassing steps in preparation for a coup d'etat. On another occasion, to your even greater chagrin and frustration, it can turn a deaf ear on your own efforts to enlist it for a sexual campaign, forcing you to raise the volume, twirl the dials, try all manner of preposterous cajolings to persuade it.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Luís de Camões photo
Helen Keller photo
Fyodor Dostoyevsky photo

“Paper, they say, does not blush, but I assure you it’s not true and that it’s blushing just as I am now, all over.”

Fyodor Dostoyevsky (1821–1881) Russian author

The Brothers Karamazov (1879–1880)

Camille Paglia photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Mark Akenside photo
Anne Brontë photo

“An Arab, by his earnest gaze,
Has clothed a lovely maid with blushes;
A smile within his eyelids plays
And into words his longing gushes.”

William R. Alger (1822–1905) American clergyman and poet

"Love Sowing and Reaping Roses", p. 295.
Poetry of the Orient, 1893 edition

Georges Bernanos photo
Jerome K. Jerome photo
Ian McCulloch photo
H. Rider Haggard photo
André Weil photo
Letitia Elizabeth Landon photo
Walter Scott photo
Edward Young photo

“The man that blushes is not quite a brute.”

Source: Night-Thoughts (1742–1745), Night VII, Line 496.

Letitia Elizabeth Landon photo

“We met in secret : mystery is to love
Like perfume to the flower; the maiden's blush
Looks loveliest when her cheek is pale with fear.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(18th May 1822) Poetic Sketches. Second Series - Sketch the Third. Rosalie
25th May 1822) St. George’s Hospital, Hyde Park Corner see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

James Weldon Johnson photo

“The glory of the day was in her face,
The beauty of the night was in her eyes.
And over all her loveliness, the grace
Of Morning blushing in the early skies.”

James Weldon Johnson (1871–1938) writer and activist

The Glory of the Day Was in Her Face, st. 1.
Fifty Years and Other Poems (1917)

Henry Miller photo
Henry Temple, 3rd Viscount Palmerston photo
Letitia Elizabeth Landon photo
Diogenes Laërtius photo

“Once he saw a youth blushing, and addressed him, "Courage, my boy! that is the complexion of virtue."”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Diogenes, 6.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 6: The Cynics

Rutherford B. Hayes photo

“My only objection to the arrangements there is the two-in-a-bed system. It is bad…. But let your words and conduct be perfectly pure — such as your mother might know without bringing a blush to your cheek…. If not already mentioned, do not tell your mother of the doubling in bed.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Letter to his son, Rutherford P. Hayes (26 February 1875)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Letitia Elizabeth Landon photo
Peter Paul Rubens photo
Letitia Elizabeth Landon photo

“Ah, Woman has no look so sweet
As that, when, half afraid to meet
The look she loves, blushes betray
All the suppressed glance would say.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(15th March 1823) Poetical Catalogue of Pictures. Vandyke consulting his Mistress on a Picture in Cooke's Exhibition.
The London Literary Gazette, 1823

Theodor Mommsen photo

“Let us look back on the events which fill up the ten years of the Sullan restoration. No one of the movements, external or internal, which occurred during this period - neither the insurrection of Lepidus, nor the enterprises of the Spanish emigrants, nor the wars in Thrace and Macedonia and in Asia Minor, nor the risings of the pirates and the slaves - constituted of itself a mighty danger necessarily affecting the vital sinews of the nation; and yet the state had in all these struggles well-night fought for its very existence. The reason was that the tasks were left everywhere unperformed, so long as they might still have been performed with ease; the neglect of the simplest precautionary measures produced the most dreadful mischiefs and misfortunes, and transformed dependent classes and impotent kings into antagonists on a footing of equality. The democracy and the servile insurrection were doubtless subdued; but such as the victories were, the victor was neither inwardly elevated nor outwardly strengthened by them. It was no credit to Rome, that the two most celebrated generals of the government party had during a struggle of eight years marked by more defeats than victories failed to master the insurgent chief Sertorius and his Spanish guerrillas, and that it was only the dagger of his friends that decided the Sertorian war in favour[sic] of the legitimate government. As to the slaves, it was far less an honour[sic] to have confronted them in equal strive for years. Little more than a century had elapsed since the Hannibalic war; it must have brought a blush to the cheek of the honourable[sic] Roman, when he reflected on the fearfully rapid decline of the nation since that great age. Then the (the Roman) Italian slaves stood like a wall against the veterans of Hannibal; now the Italian militia were scattered like chaff before the bludgeons of their runaway serfs. Then every plain captain acted in case of need as general, and fought often without success, but always with honour, not it was difficult to find among all the officers of rank a leader of even ordinary efficiency. Then the government preferred to take the last farmer from the plough rather than forgo the acquisition of Spain and Greece; now they were on the eve of again abandoning both regions long since acquired, merely that they might be able to defend themselves against the insurgent slaves at home. Spartacus too as well as Hannibal had traversed Italy with an army from the Po to the Sicilian Straights, beaten both consuls, and threatened Rome with a blockade; the enterprise which had needed the greatest general of antiquity to conduct it against the Rome of former days could be undertaken against the Rome of the present by a daring captain of banditti. Was there any wonder that no fresh life sprang out of such victories over insurgents and robber-chiefs?”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 1, Chapter 2. "Rule of the Sullan Restoration"
The Government of the Restoration as a Whole
The History of Rome - Volume 4: Part 1

Letitia Elizabeth Landon photo

“Oh, softest is the cheek's love-ray
When seen by moonlight hours
Other roses seek the day,
But blushes are night flowers.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

When Should Lover’s Breathe Their Vows from The London Literary Gazette (24th November 1821)
The Improvisatrice (1824)

Oliver Wendell Holmes photo

“But Memory blushes at the sneer,
And Honor turns with frown defiant,
And Freedom, leaning on her spear,
Laughs louder than the laughing giant.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

A good Time going; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Tim O'Brien photo
Ignatius Sancho photo
Robert Herrick photo

“Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past
But you may stay yet here awhile
To blush and gently smile,
And go at last.”

Robert Herrick (1591–1674) 17th-century English poet and cleric

" To Blossoms http://www.bartleby.com/106/109.html".

John Buchan photo
Dwight L. Moody photo
Lou Reed photo
Joseph Strutt photo
Jerome K. Jerome photo
Melinda M. Snodgrass photo
P. L. Travers photo

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

“In our brave new world, blushing is a form of nostalgia.”

John Leonard (1939–2008) American critic, writer, and commentator

"On Being Embarrassed" (p. 139)
Private Lives in the Imperial City (1979)

Courtney Love photo

“Don't blush when I rip you open.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Loaded"
Song lyrics, Pretty on the Inside (1991)

Thomas Campbell photo

“But sad as angels for the good man's sin,
Weep to record, and blush to give it in.”

Thomas Campbell (1777–1844) British writer

Part II, line 357
Pleasures of Hope (1799)