Quotes about the night
page 4

José Saramago photo
Dana White photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Bruce Springsteen photo
Magnus Carlsen photo

“I feel sorry for players who are always lying awake at night, brooding over their games.”

Magnus Carlsen (1990) Norwegian chess player

ChessBase.com - Magnus Carlsen on his chess career, 15 March 2010 http://www.chessbase.com/newsdetail.asp?newsid=6187

Howard Stern photo

“I cut my pubes last night. My hairs were getting longer than my penis.”

Howard Stern (1954) American radio personality

Stated at the beginning of his radio show on 13 September 2006.

Hans Christian Andersen photo
Rabindranath Tagore photo
Stefan Zweig photo

“He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire. Perhaps only a man can realize to the full the tragedy of such an undesired relationships; for him alone the necessity to resist t is at once martyrdom and guilt. For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! Only a moment ago you felt free, you belonged to yourself and were in debt to no one, and now suddenly you find yourself pursued, hemmed in, prey and object of the unwelcome desires of another. Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fibre of her being, with her body, with her blood. She wants your hands, your hair, your lips, your manhood, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood. She carries you always within her, carries you about with her, no mater whither you may flee. Always you are imprisoned, held prisoner, somewhere else, in some other person, no longer yourself, no longer free and lighthearted and guiltless, but always hunted, always under an obligation, always conscious of this "thinking-of-you" as if it were a steady devouring flame. Full of hate, full of fear, you have to endure this yearning on the part of another, who suffers on your account; and I now know that it is the most senseless, the most inescapable, affliction that can befall a man to be loved against his will - torment of torments, and a burden of guilt where there is no guilt.”

Beware of Pity (1939)

Ray Bradbury photo
Henri de Toulouse-Lautrec photo
Meera Bai photo
Henri Barbusse photo
Fernando Pessoa photo
Ennius photo

“where the Gauls stealthily, at the time of night when sleep falls on men, attacked the high citadel and of a sudden stained with blood walls and watchers.”
Qua Galli furtim noctu summa arcis adorti moenia concubia vigilesque repente cruentant.

Ennius (-239–-169 BC) Roman writer

As quoted by Macrobius in Saturnalia, Book I, Chapter IV (tr. J. Elliott)

Jules Verne photo

“Thus ends the voyage under the seas. What passed during that night — how the boat escaped from the eddies of the maelstrom — how Ned Land, Conseil, and myself ever came out of the gulf, I cannot tell.”

Voici la conclusion de ce voyage sous les mers. Ce qui se passa pendant cette nuit, comment le canot échappa au formidable remous du Maelstrom, comment Ned Land, Conseil et moi, nous sortîmes du gouffre, je ne saurai le dire.
Part II, ch. XXIII: Conclusion
Twenty Thousand Leagues Under the Sea (1870)

Edgar Allan Poe photo
Edgar Allan Poe photo
Ghalib photo
Billy Joel photo
Benjamin Franklin photo

“Remember that time is money. He that can earn ten shillings a day by his labor, and goes abroad, or sits idle, one half of that day, though he spends but sixpence during his diversion or idleness, ought not to reckon that the only expense; he has really spent, rather thrown away, five shillings, besides.
“Remember, that credit is money. If a man lets his money lie in my hands after it is due, he gives me interest, or so much as I can make of it during that time. This amounts to a considerable sum where a man has good and large credit, and makes good use of it.
“Remember, that money is of the prolific, generating nature. Money can beget money, and its offspring can beget more, and so on. Five shillings turned is six, turned again it is seven and three pence, and so on, till it becomes a hundred pounds. The more there is of it, the more it produces every turning, so that the profits rise quicker and quicker. He that kills a breeding sow, destroys all her offspring to the thousandth generation. He that murders a crown, destroys all that it might have produced, even scores of pounds.”
“Remember this saying, The good paymaster is lord of another man’s purse. He that is known to pay punctually and exactly to the time he promises, may at any time, and on any occasion, raise all the money his friends can spare. This is sometimes of great use. After industry and frugality, nothing contributes more to the raising of a young man in the world than punctuality and justice in all his dealings; therefore never keep borrowed money an hour beyond the time you promised, lest a disappointment shut up your friend’s purse for ever.
“The most trifling actions that affect a man’s credit are to be regarded. The sound of your hammer at five in the morning, or eight at night, heard by a creditor, makes him easy six months longer; but if he sees you at a billiard table, or hears your voice at a tavern, when you should be at work, he sends for his money the next day; demands it, before he can receive it, in a lump. ‘It shows, besides, that you are mindful of what you owe; it makes you appear a careful as well as an honest man, and that still increases your credit.’
“Beware of thinking all your own that you possess, and of living accordingly. It is a mistake that many people who have credit fall into. To prevent this, keep an exact account for some time both of your expenses and your income. If you take the pains at first to mention particulars, it will have this good effect: you will discover how wonderfully small, trifling expenses mount up to large sums, and will discern what might have been, and may for the future be saved, without occasioning any great inconvenience.
“For six pounds a year you may have the use of one hundred pounds, provided you are a man of known prudence and honesty.
“He that spends a groat a day idly, spends idly above six pounds a year, which is the price for the use of one hundred pounds.
“He that wastes idly a groat’s worth of his time per day, one day with another, wastes the privilege of using one hundred pounds each day.
“He that idly loses five shillings’ worth of time, loses five shillings, and might as prudently throw five shillings into the sea.
“He that loses five shillings, not only loses that sum, but all the advantage that might be made by turning it in dealing, which by the time that a young man becomes old, will amount to a considerable sum of money.””

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Hesiod photo

“Night, having Sleep, the brother of Death.”

Hesiod Greek poet

Source: The Theogony (c. 700 BC), line 754.

H.P. Lovecraft photo
Huey P. Newton photo
Eddie Vedder photo
Arlo Guthrie photo
Bertrand Russell photo
Bob Seger photo
Barack Obama photo

“And as I said last night, my number one priority in the coming two months is to try to facilitate a transition that ensures our president-elect is successful.”

Barack Obama (1961) 44th President of the United States of America

2016, Presidential transition of Donald Trump (November 2016)

Jane Addams photo

“I dreamed night after night that everyone in the world was dead excepting myself, and that upon me rested the responsibility of making a wagon wheel.”

Jane Addams (1860–1935) pioneer settlement social worker

Source: Twenty Years at Hull-House (1910), Ch. 2

“We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast; get too angry; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom.
We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom and lie too often. We've learned how to make a living, but not a life; we've added years to life, not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet the new neighbor. We've conquered outer space, but not inner space; we've done larger things, but not better things; we've cleaned up the air, but polluted the soul; we've split the atom, but not our prejudice; we write more, but learn less; plan more, but accomplish less; we make faster planes, but longer lines; we learned to rush, but not to wait; we have more weapons, but less peace; higher incomes, but lower morals; more parties, but less fun; more food, but less appeasement; more acquaintances, but fewer friends; more effort, but less success. We build more computers to hold more information, to produce more copies than ever, but have less communication; drive smaller cars that have bigger problems; build larger factories that produce less. We've become long on quantity, but short on quality.
These are the times of fast foods and slow digestion; tall men, but short character; steep in profits, but shallow relationships. These are the times of world peace, but domestic warfare; more leisure and less fun; higher postage, but slower mail; more kinds of food, but less nutrition. These are the days of two incomes, but more divorces; these quick trips, disposable diapers, cartridge living, throw-away morality, one-night stands, overweight bodies and pills that do everything from cheer, to prevent, quiet or kill. It is a time when there is much in the show window and nothing in the stock room.”

"The Paradox of Our Age"; these statements were used in World Wide Web hoaxes which attributed them to various authors including George Carlin, a teen who had witnessed the Columbine High School massacre, the Dalai Lama and Anonymous; they are quoted in "The Paradox of Our Time" at Snopes.com http://www.snopes.com/politics/soapbox/paradox.asp
Words Aptly Spoken (1995)

Plato photo

“And when the father who begat it perceived the created image of the eternal gods, that it had motion and life, he rejoiced and was well pleased; and he bethought him to make it yet more nearly like its pattern. Now whereas that is a living being eternally existent, even so he essayed to make this All the like to the best of his power. Now so it was that the nature of the ideal was eternal. But to bestow this attribute altogether upon a created thing was impossible; so he bethought him to make a moving image of eternity, and while he was ordering the universe he made of eternity that abides in unity an eternal image moving according to number, even that which we have named time. For whereas days and nights and months and years were not before the universe was created, he then devised the generation of them along with the fashioning of the universe. Now all these are portions of time, and was and shall be are forms of time that have come to be, although we wrongly ascribe them unawares to the eternal essence. For we say that it was and is and shall be, but in verity is alone belongs to it: and was and shall be it is meet should be applied only to Becoming which moves in time; for these are motions. But that which is ever changeless without motion must not become elder or younger in time, neither must it have become so in past nor be so in the future; nor has it to do with any attributes that Becoming attaches to the moving objects of sense: these have come into being as forms of time, which is the image of eternity and revolves according to number. Moreover we say that the become is the become, and the becoming is the becoming, and that which shall become is that which shall become, and not-being is not-being. In all this we speak incorrectly. But concerning these things the present were perchance not the right season to inquire particularly.”

Plato book Timaeus

38b, as quoted by R. D. Archer-Hind, The Timaeus of Plato (1888)
Timaeus

Jack McDevitt photo

“At night the sea is very loud,
And voices ride the tide.
At another time, in another place,
Beneath the silent moon,
We laughed together.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Cauldron (2007), Chapter 30 (p. 279)

Rosanna Eleanor Leprohon photo

“Thy soft-breathed hopes with magic might
Have chased from my soul the shades of night”

Rosanna Eleanor Leprohon (1829–1879) Canadian writer

from The Parting Soul and her Guardian Angel

Adi Da Samraj photo
Friedrich Nietzsche photo
José Saramago photo

“That night the blind man dreamt that he was blind.”

Source: Blindness (1995), p. 15

Thomas Mann photo
Adelaide Anne Procter photo

“Be strong to hope, O Heart!
Though day is bright,
The stars can only shine
In the dark night.
Be strong, O Heart of mine,
Look towards the light!”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"Be Strong".
Legends and Lyrics: A Book of Verses (1858)

Golda Meir photo

“I have given instructions that I be informed every time one of our soldiers is killed, even if it is in the middle of the night. When President Nasser leaves instructions that he is to be awakened in the middle of the night if an Egyptian soldier is killed, there will be peace.”

Golda Meir (1898–1978) former prime minister of Israel

Source: https://books.google.com.ar/books?id=iFsKDzuRfNkC&pg=PA35&lpg=PA35&dq=I+have+given+instructions+that+I+be+informed+every+time+one+of+our+soldiers+is+killed,+even+if+it+is+in+the+middle+of+the+night.+When+President+Nasser+leaves+instructions+that+he+is+to+be+awakened+in+the+middle+of+the+night+if+an+Egyptian+soldier+is+killed,+there+will+be+peace.&source=bl&ots=uyEzv-aQ4v&sig=ee9r_1Rchk34xECFV2PoqgnTLYk&hl=es-419&sa=X&ei=_ZOgVNjyBZKDNsT6gbAL&ved=0CBkQ6AEwAQ#v=onepage&q=I%20have%20given%20instructions%20that%20I%20be%20informed%20every%20time%20one%20of%20our%20soldiers%20is%20killed%2C%20even%20if%20it%20is%20in%20the%20middle%20of%20the%20night.%20When%20President%20Nasser%20leaves%20instructions%20that%20he%20is%20to%20be%20awakened%20in%20the%20middle%20of%20the%20night%20if%20an%20Egyptian%20soldier%20is%20killed%2C%20there%20will%20be%20peace.&f=false

André Maurois photo
Mary Butts photo
Pedro Calderón de la Barca photo

“These flowers, which were splendid and sprightly,
Waking in the dawn of the morning,
In the evening will be a pitiful frivolity,
Sleeping in the cold night’s arms.”

Pedro Calderón de la Barca (1600–1681) Spanish dramatist

Éstas que fueron pompa y alegría
despertando al albor de la mañana,
a la tarde serán lástima vana
durmiendo en brazos de la noche fría.
A las flores ("Éstas, que fueron pompa y alegría") http://es.wikisource.org/wiki/A_las_flores_%28Calder%C3%B3n_de_la_Barca%29.

Kamala Surayya photo
Arthur Miller photo
Pablo Picasso photo
Ovid photo

“Blemishes are hid by night and every fault forgiven; darkness makes any woman fair.”
Nocte latent mendae, vitioque ignoscitur omni, Horaque formosam quamlibet illa facit.

Book I, lines 249–250
Ars Amatoria (The Art of Love)

Bashō Matsuo photo
Lawrence M. Krauss photo
H.P. Lovecraft photo
Edgar Allan Poe photo
Tacitus photo
Abraham Lincoln photo
Kurt Vonnegut photo
H.P. Lovecraft photo
Little Richard photo

“There's something I prefer not saying, I will say this. I'm a believer in the God of Abraham, Isaac and Jacob. I believe the seventh-day Sabbath is God's way. I believe we should eat kosher. I was invited to a party night before last. Rod Stewart's. I didn't go, because I open the Sabbath on Friday.”

Little Richard (1932) American pianist, singer and songwriter

When John Waters asked him, Are you Jewish now? http://www.theguardian.com/music/2010/nov/28/john-waters-met-little-richard.
Song lyrics, Others

Mark Twain photo

“Tomorrow night I appear for the first time before a Boston audience — 4000 critics.”

Mark Twain (1835–1910) American author and humorist

Letter to Pamela Clemens Moffet, 9 November 1869, in Albert Bigelow Paine, Mark Twain's Letters: Arranged with Comment (1917), Vol. 1, p. 168 http://books.google.com/books?id=Ia8hAAAAMAAJ&pg=PA168

John Osborne photo

“Archie Rice: Let me know where you're working tomorrow night and I'll come and see you.”

Number 13; this, the music-hall entertainer Archie Rice's acid farewell to his audience, also appears on Osborne's gravestone https://web.archive.org/web/20071020084223/http://www.shropshiregallery.co.uk/towns/clun/IMG_0277.html.
The Entertainer (1957)

Frances Farmer photo
John of the Cross photo

“Oh, night that guided me, Oh, night more lovely than the dawn,
Oh, night that joined Beloved with lover, Lover transformed in the Beloved!”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

O guiding night! O night more lovely than the dawn!
O night that has united the Lover with his beloved, transforming the beloved in her Lover.
Variant translation by Kieran Kavanaugh and Otilio Rodriguez (1991)
Oh night thou was my guide
Oh night more loving than the rising sun
Oh night that joined the lover to the beloved one
transforming each of them into the other.
Variant adapted for music by Loreena McKennitt (1994)
Dark Night of the Soul

George Linley photo

“Tho' lost to sight, to memory dear
Thou ever wilt remain;
One only hope my heart can cheer,—
The hope to meet again.

Oh, fondly on the past I dwell,
And oft recall those hours
When, wandering down the shady dell,
We gathered the wild-flowers.

Yes, life then seemed one pure delight,
Tho' now each spot looks drear;
Yet tho' thy smile be lost to sight,
To memory thou art dear.

Oft in the tranquil hour of night,
When stars illume the sky,
I gaze upon each orb of light,
And wish that thou wert by.

I think upon that happy time,
That time so fondly loved,
When last we heard the sweet bells chime,
As thro' the fields we roved.”

George Linley (1798–1865) British writer

Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.

Thomas Mann photo
Joseph Stella photo
Henry Miller photo
Wernher von Braun photo
Nostradamus photo

“Sitting alone at night in secret study;
it is placed on the brass tripod.
A slight flame comes out of the emptiness and
makes successful that which should not be believed in vain.”

Estant assis de nuit secret estude,
Seul repousé sur la selle d'ærain,
Flambe exigue sortant de solitude,
Fait prosperer qui n'est à croire vain.
Quatrain 1
Les Propheties (1555), Century I

Nick Drake photo

“Going to see the river man,
Going to tell him all I can
About the plan
For lilac time.
If he tells me all he knows
'Bout the way his river flows,
And all night shows
In summertime.”

Nick Drake (1948–1974) British singer-songwriter

River Man
Song lyrics, Five Leaves Left (1969)
Variant: Going to see the river man.
Going to tell him all I can
About the ban
On feeling free.If he tells me all he knows
About the way his river flows,
I don't suppose
It's meant for me.

Aleksandr Pushkin photo
Edgar Allan Poe photo

“Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now — I feel ye in your strength.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" The Coliseum http://infomotions.com/etexts/literature/american/1800-1899/poe-coliseum-674.txt", st. 2 (1833).

John Henry Newman photo
Antonin Scalia photo
Virginia Woolf photo
Roméo Dallaire photo
Shah Abdul Latif Bhittai photo
Nanak photo
Henry Van Dyke photo
Nathaniel Hawthorne photo
Raymond Chandler photo
Sally Ride photo
José Saramago photo

“Fumbling in total darkness, they reached out to each other, naked, he penetrated her with desire and she received him eagerly, and they exchanged eagerness and desire until their bodies were locked in embrace, their movements in harmony, her voice rising from the depth of her being, his totally submerged, the cry that is born, prolonged, truncated, that muffled sob, that unexpected tear, and the machine trembles and shudders, probably no longer even on the ground but, having rent the screen of brambles and undergrowth, is now hovering at dead of night amid the clouds, Blimunda, Baltasar, his body weighing on hers, and both weighing on the earth, for at last they are here, having gone and returned.”

Em profunda escuridão se procuraram, nus, sôfrego entrou nela, ela o recebeu ansiosa, depois a sofreguidão dela, a ânsia dele, enfim os corpos encontrados, os movimentos, a voz que vem do ser profundo, aquele que não tem voz, o grito nascido, prolongado, interrompido, o soluço seco, a lágrima inesperada, e a máquina a tremer, a vibrar, porventura não está já na terra, rasgou a cortina de silvas e enleios, pairou no alto da noite, entre as nuvens, pesa o corpo dele sobre o dela, e ambos pesam sobre a terra, afinal estão aqui, foram e voltaram.
Source: Baltasar and Blimunda (1982), pp. 255–256

Nikola Tesla photo
Sophia de Mello Breyner Andresen photo

“This is the dawn I waited for
The new day clean and whole
When we emerge from night and silence
To freely inhabit the substance of time”

Sophia de Mello Breyner Andresen (1919–2004) Portuguese poet and writer

Esta é a madrugada que eu esperava
O dia inicial inteiro e limpo
Onde emergimos da noite e do silêncio
E livres habitamos a substância do tempo
"25 de Abril" ("25th April 1974"), in Log Book: Selected Poems, trans. ‎Richard Zenith (Carcanet, 1997), p. 78
O Nome das Coisas (1977)

Eugene O'Neill photo
Jack Welch photo
Nikola Tesla photo
Ozzy Osbourne photo
Kurt Vonnegut photo
Leonardo Da Vinci photo
Virginia Woolf photo

“As for the soul: why did I say I would leave it out? I forget. And the truth is, one can't write directly about the soul. Looked at, it vanishes; but look at the ceiling, at Grizzle, at the cheaper beasts in the Zoo which are exposed to walkers in Regent's Pak, and the soul slips in. Mrs Webb's book has made me think a little what I could say of my own life. But then there were causes in her life: prayer; principle. None in mine. Great excitability and search after something. Great content – almost always enjoying what I'm at, but with constant change of mood. I don't think I'm ever bored. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say 'This is it'? What is it? And shall I die before I can find it? Then (as I was walking through Russell Square last night) I see mountains in the sky: the great clouds, and the moon which is risen over Persia; I have a great and astonishing sense of something there, which is 'it' – A sense of my own strangeness, walking on the earth is there too. Who am I, what am I, and so on; these questions are always floating about in me. Is that what I meant to say? Not in the least. I was thinking about my own character; not about the universe. Oh and about society again; dining with Lord Berners at Clive's made me think that. How, at a certain moment, I see through what I'm saying; detest myself; and wish for the other side of the moon; reading alone, that is.”

Virginia Woolf (1882–1941) English writer

Saturday 27 February 1926
A Moment's Liberty (1990)

Kurt Vonnegut photo
Samuel Daniel photo
Victoria Woodhull photo
Bertrand Russell photo
Mark Twain photo
W.B. Yeats photo