Quotes about the night
page 5

“Business was so bad the other night the orchestra was playing "Tea for One."”
Don't Put My Name on this Book (1976), p. 92 http://archive.org/stream/dontputmynameont00youn#page/92/mode/2up/search/%22tea+for+one%22
Song "Catch a Falling Star" (1957)

Anderson, Indiana http://www.kidbrothers.net/words/concert-transcripts/anderson-indiana-nov1695.html (November 16, 1995)
In Concert

Source: Speech in the House of Lords (10 December 1876), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), p. 1273.

Epitaph for his daughter, Olivia Susan Clemens (1896), this is actually a slight adaptation of the poem "Annette" by Robert Richardson; more details are available at "The Poem on Susy Clemens' Headstone" http://www.twainquotes.com/headstone.html
Misattributed
Nahj al-Balagha

In reaction to statements by Maurice O'Connor Drury who expressed disapproval of depictions of an ancient Egyptian god with an erect phallus, in "Conversations with Wittgenstein" as quoted in Leading a Human Life: Wittgenstein, Intentionality, and Romanticism (1997) by Richard Thomas Eldridge, p. 130
Attributed from posthumous publications

Patrick Pearse at his court-martial.Publish by the 75th Anniversary Committee, Dublin, 1991.

Opening lines
Phantasmagoria (1869)

Marry the Night, written by Lady Gaga and Fernando Garibay
Song lyrics, Born This Way (2011)

“In the night all cats are gray.”
Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 33.

"The Distracted Public" (1990), pp. 159-160
It All Adds Up (1994)

Poem "O Mostrengo" http://www.inverso.pt/Mensagem/MarPortugues/mostrengo.htm, lines 1–9, trans. Charles Eglington ( Listen to the poem on YouTube https://www.youtube.com/watch?v=L5Ihd-ECpYM)
Message

Le Moniteur Universel, March 22, 1815.
About

1860s, Reply to an Emancipation Memorial (1862)

Song For A Winter's Night, Track 10, United Artists A hauntingly beautiful version http://www.youtube.com/watch?v=dbgfXp5M02M
The Way I Feel (1967)

Chuck Dixon On The Milo Show: ‘My Characters Have Been Morphed Into PC Cyphers’ http://www.breitbart.com/milo/2016/08/04/chuck-dixon-milo-yiannopoulos-show/ (August 24, 2016)

Concepts

Entre le joueur du matin et le joueur du soir il existe la différence qui distingue le mari nonchalant de l'amant pâmé sous les fenêtres de sa belle.
The Wild Ass’s Skin (1831), Part I: The Talisman

“Whatever flames upon the night
Man’s own resinous heart has fed.”
II, st. 2
The Tower (1928), Two Songs From a Play http://poetry.poetryx.com/poems/1741/

The Meaning of Psychology for Modern Man (1934)

Bhagavad-Gita As It Is, Bhaktivedanta Book Trust, 1972. Chapter 10, verse 21, purport. Vedabase http://www.vedabase.com/en/bg/10/21
Quotes from Books: Loving God, Quotes from Books: Regression of Science

2013, "Let Freedom Ring" Ceremony (August 2013)

Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)
See You at the Top (2000)
Variant: Failure is an event, not a person. Yesterday ended last night.

Quoted in Dokumente zum Verständnis der modernen Malerei, Walter Hess, (Hamburg, 1956), p. 98
1921 - 1930

Response to a question asking if he would appear on Who Wants To Be a Millionaire. ALCS News http://www.alcs.co.uk/News%20Events/ALCS%20News/News%20Stories/TerryPratchettInterview.aspx?template=/printerfriendly/alcs-newspf.aspx (May 2006)
General sources

As quoted in Dictionary of Burning Words of Brilliant Writers (1895) by Josiah Hotchkiss Gilbert, p. 612

Televised speech (27 October 1964), cited in Reagan's Reign of Error (1983) by Mark Green
1960s

2014, 25th Anniversary of Polish Freedom Day Speech (June 2014)

He'd say, "Any place is better than here."
Speech (9 November 1963). p. 11.
Malcolm X Speaks (1965)

would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?.
Sec. 341
The Gay Science (1882)

Four Riddles, no. I
Rhyme? and Reason? (1883)

http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Williams on the controversial nature of his flitting between football codes. Sonny Bill Williams regrets nothing http://www.smh.com.au/rugby-league/league-news/sonny-bill-williams-regrets-nothing-20131129-2yfvd.html, by Brad Walter, Sydney Morning Herald, dated 29 November 2013.

Spiritual Canticle of The Soul and The Bridegroom

“I usually have to be home by 10 o'clock and my mom takes my computer away at 10.30pm every night.”
Quoted in Stv entertainment "Justin Bieber's strict mother" http://entertainment.stv.tv/showbiz/176908-justin-biebers-strict-mother/, May 2010

Ch. 18 (Martin Palmer/Elizabeth Breuily, Penguin Publishing 1996)

About.com, "American Wedding's" Bride and Groom Discuss the Third "Pie" Movie http://movies.about.com/cs/americanwedding/a/amwedjbah.htm.

“Slowly, silently, now the moon
Walks the night in her silver shoon.”
Silver.

1900s, A Free Man's Worship (1903)

from "My Day" (January 8, 1936)
Source: https://www2.gwu.edu/~erpapers/myday/displaydoc.cfm?_y=1936&_f=md054227 Eleanor Roosevelt, "My Day, January 8, 1936," The Eleanor Roosevelt Papers Digital Edition (2017), accessed 7/24/2018, https://www2.gwu.edu/~erpapers/myday/displaydoc.cfm?_y=1936&_f=md054227.

"Only Women Bleed" (co-written with Dick Wagner) - Lyrics online http://www.songfacts.com/detail.php?id=3929.
Welcome to My Nightmare (1975)
Context: Man's got his woman to take his seed
He's got the power — oh
She's got the need
She spends her life through pleasing up her man
She feeds him dinner or anything she can.
She cries alone at night too often
He smokes and drinks and don't come home at all.
Only women bleed...

J'accuse! (1898)
Context: A court martial, under orders, has just dared to acquit a certain Esterhazy, a supreme insult to all truth and justice. And now the image of France is sullied by this filth, and history shall record that it was under your presidency that this crime against society was committed.
As they have dared, so shall I dare. Dare to tell the truth, as I have pledged to tell it, in full, since the normal channels of justice have failed to do so. My duty is to speak out; I do not wish to be an accomplice in this travesty. My nights would otherwise be haunted by the spectre of the innocent man, far away, suffering the most horrible of tortures for a crime he did not commit.

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.

“Man, like a light in the night, is kindled and put out.”
Fragment 26
Numbered fragments
“O'er Nature's laws, God cast the veil of night,
Out blaz'd a Newton's soul — and all was light.”
Preserved in Hill's Works (1753), Vol. IV, p. 92, and mentioned as probably derived from Alexander Pope's "Nature and Nature's laws lay hid in night: God said, Let Newton be! — and all was light" in The Epigrammatists: A Selection from the Epigrammatic Literature of Ancient, Mediæval, and Modern Times (1875) by Henry Philip Dodd, p. 329.

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Go Rin No Sho (1645), Introduction
Context: When I reached thirty I looked back on my past. The previous victories were not due to my having mastered strategy. Perhaps it was natural ability, or the order of heaven, or that other schools' strategy was inferior. After that I studied morning and evening searching for the principle, and came to realise the Way of strategy when I was fifty.
Since then I have lived without following any particular Way. Thus with the virtue of strategy I practise many arts and abilities — all things with no teacher. To write this book I did not use the law of Buddha or the teachings of Confucius, neither old war chronicles nor books on martial tactics. I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.

“We are in a great night of the world.”
Light (1919), Ch. XXII - Light
Context: We are in a great night of the world. The thing is to know if we shall wake up to-morrow. We have only one succor — we know of what the night is made. But shall we be able to impart our lucid faith, seeing that the heralds of warning are everywhere few, and that the greatest victims hate the only ideal which is not one, and call it utopian?

Spiritual Canticle of The Soul and The Bridegroom
On her near-death experience and final days in New York
Edie : American Girl (1982)
Context: "The Siege of the Warwick Hotel." I was left alone with a substantial supply of speed. I started having strange, convulsive behavior. I was shooting up every half-hour... thinking that with each fresh shot I'd knock this nonsense out of my system. I'd entertain myself hanging on to the bathroom sink with my hind feet stopped up against the door, trying to hold myself steady enough so I wouldn't crack my stupid skull open. I entertained myself by making a tape... a really fabulous tape in which I made up five different personalities. I realized that I had to get barbiturates in order to stop the convulsions, which lasted either hours. Something was spinning in my head.... I just kept thinking that if I could pop enough speed I'd knock the daylights out of my system and none of this nonsense would go on. None of this flailing around and moaning, sweating like a pig, and whew! It was a heavy scene. When I finally cooled down to what I thought was pretty good shape, I slipped on a little muumuu, ran down the stairs of the Warwick, barefoot to the lobby. My eye caught a mailman's jacket and a sack of mail hanging across the back of a chair in the hall way entrance, and before I knew what I was doing, I whipped on the jacket, flipped the bag over my shoulder, and flew out the door, whistling a happy tune. Suddenly I thought: "My God! This is a federal offense. Fooling around with the mail." So I turned around and rushed back and BAM! the manager was waiting for me. He ordered me into the back office. They telephoned an ambulance from Bellevue and packed me into it. Five policemen. I was back into convulsions again, which was really a drag, and I tried to tell the doctors and the nurses and the student interns that I'd run out of barbiturates and overshot speed.... I could speak sanely, but all my motor nerves were going crazy wild. It looked like I was out of my mind. If you had seen me, you wouldn't have bothered to listen, and none of them did. Oh, God, it was a nightmare. Finally six big spade attendants came and held me down on a stretcher. They terrified me... their force against mine. I got twice as bad. I just flipped. I told them if they'd just let go of me, I would calm down and stop kicking and fighting. But they wouldn't listen and they started to tell each other what stages of hallucinations I was in... how I imagined myself an animal. All these things totally unreal to my mind and just guessed on their part. Oh, it was insane. Then they plunged a great needle into my butt and BAM! out I went for two whole days. When I woke up, wow! Rats all over the floor, wailing and screaming. We ate potatoes with spoons. The doctors at Bellevue finally contacted my private physician, and after five days he came and got me out. They sent me back to Gracie Square, a private mental hospital that cost a thousand dollars a week. I was there for five months. Then I ran away with a patient and we went to an apartment in the Seventies somewhere which belonged to another patient in the hospital, who gave us the keys. The guy I ran away with was twenty, but he'd been a junkie since the age of nine, so he was pretty emotionally retarded and something of a drag. I didn't have any pills, so, kind of ravaging around, I went to see a gynecologist and a pretty well-off one. He asked me if I would like to shoot up some acid with him. I hadn't much experience with acid, but I wasn't afraid. He closed his office at five, and we took off in his Aston Martin and drove up the coast... no, what's the name of that river? The Hudson. We stopped at a motel and he gave me three ampules of liquid Sandoz acid, intravenously, mainlining, and he gave himself the same amount and he completely flipped, I was hallucinating and trying to tell him what I was seeing. I'd say, "I see rich, embroidered curtains, and I see people moving in the background. It's the Middle Ages and I am a princess, " and I told him he was some sort of royalty. We made love from eight in the evening until seven in the morning with ecstatic climax after climax, just going insane with it, until he realized it was seven and he had to get back to his office to open it at eight-thirty. He gave me a shot to calm me down, and because I couldn't come down, I took about fourteen Placidyls. On the way back something very strange happened. I didn't realize I was going to say it, but I said out loud, "I wish I was dead"... the love and the beauty and the ecstasy of the whole experience I'd just gone through were really so alien. I didn't even know the man... it had been a one-night jag... he was married and had children... and I just felt lost. It hardly seemed worth living any more because once again I was alone. He dropped me off at the apartment where I was staying with the runaway patient. I had a little Bloody Mary when I got there, and dropped a few more Placidyls. With my tolerance, nothing should have happened, but I suddenly went into a coma. My eyes rolled back in my head. It was lucky... I had called an aide, Jimmy, at the hospital - he had been a good friend - I had called him anonymously and asked him to come and visit us. He happened to turn up just as I went into the coma. He and the heroin addict tried to wake me up. They slapped me and pumped my chest and they put me in a bathtub full of really cold water. Jimmy began to call hospitals - not psychiatric but medical - and one of them actually told them to let me sleep it off. But Jimmy just flipped. He knew I was dying, and he was right. He called Lenox Hill Hospital, and the police finally came. Jimmy and the heroin addict were taken into custody, and I was rushed to the hospital. I was actually declared dead. My mother was called... and then BAM! I started breathing again. I was pretty shaken up by what happened because I didn't understand how I could have almost gone out on just fifteen Placidyls when I used to live on thirty-five three-grain Tunials a day, plus alcohol. They released Jimmy and the junkie, but of course I was still in the trap. I thought I was fine and that I could leave. But a psychiatrist came to interview me and I was put in the New York State Psychiatric Institute at Columbia Presbyterian Hospital - committed on the grounds of unintentional, unconscious suicide. It was a pretty devastating experience. They put me on eight hundred milligrams of Thorazine four times a day plus six hundred milligrams at bedtime - an ugly-tasting liquid, but it took quick effect and you couldn't hide the pills or spit them out later. I had all kinds of bad reactions from it - I'd get bad tremors and all itchy and wormy. I said I wasn't going to take the stuff any more, no matter what, so they finally took me off it one day. I had a seizure, vomited all over the floor, and I couldn't get tremendous dosages of Thorazine, but they accused me of importing drugs and taking them there in the hospital. My doctor was young... a resident... and I just told him, "You think I've taken drugs. There's no point in even reasoning with you. I'll just go to some other hospital." I expected to go to some plush, tolerable hospital, but I was not accepted in any private hospital with the record they gave me. They committed me to Manhattan State on Ward's Island, in the middle of the East River, next to the prison. It was one of the most unpleasant experiences I've ever been through. Really terrifying. I lived in a big dormitory on a ward with about sixty to eighty women. We did all the mopping, cleaning, making beds, scrubbing toilets. And the people there were just so awful. Really pathetic. Some of them were mean. The staff completely ignored you except to administer medication. I thought it was never going to end. In Manhattan State, even in there, there were pushers. One girl who lived in a smaller dormitory - there were two with about ten beds in them - was pushing speed and heroin. And because I'd been warned that if ever you were caught using drugs in a state hospital you'd be criminally punished, I didn't touch any drugs during the three months I was there.

Context: How do I know that enjoying life is not a delusion? How do I know that in hating death we are not like people who got lost in early childhood and do not know the way home? Lady Li was the child of a border guard in Ai. When first captured by the state of Jin, she wept so much her clothes were soaked. But after she entered the palace, shared the king's bed, and dined on the finest meats, she regretted her tears. How do I know that the dead do not regret their previous longing for life? One who dreams of drinking wine may in the morning weep; one who dreams weeping may in the morning go out to hunt. During our dreams we do not know we are dreaming. We may even dream of interpreting a dream. Only on waking do we know it was a dream. Only after the great awakening will we realize that this is the great dream. And yet fools think they are awake, presuming to know that they are rulers or herdsmen. How dense! You and Confucius are both dreaming, and I who say you are a dream am also a dream. Such is my tale. It will probably be called preposterous, but after ten thousand generations there may be a great sage who will be able to explain it, a trivial interval equivalent to the passage from morning to night.

Ἄριστον μὲν ὕδωρ, ὁ δὲ χρυσὸς αἰθόμενον πῦρ ἅτε διαπρέπει
νυκτὶ μεγάνορος ἔξοχα πλούτου.
Olympian 1, line 1-2; page 1
Closer translation:
Best is water, but gold stands out blazing like fire
at night beyond haughty wealth.
Olympian Odes (476 BC)

“Who rides, so late, through night and wind?
It is the father with his child.”
Der Erlkönig (1782)
Context: Who rides, so late, through night and wind?
It is the father with his child.
He holds the boy in the crook of his arm
He holds him safe, he keeps him warm.

Fiction, The Other Gods (1921)
Context: The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods...' There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging... Hei! Hei! At last! In the dim light I behold the gods of earth!

“Desire to sleep has vanished now,
Spring has arrived in the night
In the wake of a storm.”
Source: Gertrude (1910), p. 164
Context: The south winds roars at night,
Curlews hasten in their flight,
The air is damp and warm.
Desire to sleep has vanished now,
Spring has arrived in the night
In the wake of a storm.

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: "Thou art come back to me, Thou art come back to me! O Thou, whom I had lost!... Why didst Thou abandon me?"
"To fulfil My task, that thou didst abandon."
"What task?"
"My fight."
"What need hast Thou to fight? Art Thou not master of all?"
"I am not the master."
"Art Thou not All that Is?"
"I am not all that is. I am Life fighting Nothingness. I am not Nothingness, I am the Fire which burns in the Night. I am not the Night. I am the eternal Light; I am not an eternal destiny soaring above the fight. I am free Will which struggles eternally. Struggle and burn with Me."

“Just always be waiting for me, and then some night you will hear me crowing.”
Source: Peter and Wendy (1911), Ch. 17
Context: The last thing he ever said to me was, "Just always be waiting for me, and then some night you will hear me crowing."