Quotes about beauty
page 36

Letitia Elizabeth Landon photo
Frederick Buechner photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Stephen Fry photo

“The beauty of the brain is that you can still be as greedy as you like for knowledge and it doesn’t show.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

Radio Times interview (2013)
1990s

John of St. Samson photo
Arnaut Daniel photo

“First of them all was Arnaut Daniel,
Master in love; and he his native land
Honors with the strange beauty of his verse.”

Arnaut Daniel (1150–1210) Occitan troubadour

Fra tutti il primo Arnaldo Danïello
Gran maestro d'amor; ch'a la sua terra
Ancor fa onor col suo dir strano e bello.
Petrarch Il Trionfo d'Amore, capitolo IV, line 40; uncredited translation from petrarch.petersadlon.com http://petrarch.petersadlon.com/read_trionfi.html?page=I-IV.en
Criticism

Prem Rawat photo
Stephen R. Donaldson photo
Mary Wollstonecraft photo
Gene Wolfe photo

“Every theory is true in some discipline.
The beauty of this is that it carries its own confirmation.”

"In Glory like Their Star", The Magazine of Fantasy & Science Fiction, October/November 2001, Reprinted in Gene Wolfe, Starwater Strains (2005)
Fiction

George Bernard Shaw photo

“Riches and Art are spurious receipts for the production of Happiness and Beauty.”

George Bernard Shaw (1856–1950) Irish playwright

#104
1900s, Maxims for Revolutionists (1903)

Jayapala photo
Joseph Joubert photo
Gerard Manley Hopkins photo

“Summer ends now; now, barbarous in beauty, the stooks arise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?”

Gerard Manley Hopkins (1844–1889) English poet

" Hurrahing in Harvest http://www.bartleby.com/122/14.html", lines 1-4
Wessex Poems and Other Verses (1918)

Jane Monheit photo

“It's not so bad to live out of a suitcase. It's a really beautiful life.”

Jane Monheit (1977) American singer

Mlive.com (7/2/2005)

William Ellery Channing photo
Tom Stoppard photo

“Beauty is desired in order that it may be befouled; not for its own sake, but for the joy brought by the certainty of profaning it.”

Tom Stoppard (1937) British playwright

Elle est désirée pour la salir. Non pour elle-même, mais pour la joie goûtée dans la certitude de la profaner.
Misattributed
Source: Georges Bataille, Erotism (1962) [City Lights Books, 1991, trans. Mary Dalwood, ISBN 0872861902], part I, ch. XIII, p. 144.

Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Anne Rice photo
Willa Cather photo
R. A. Salvatore photo
Wendy Doniger photo
George Mallory photo

“One comes to bless the absolute bareness, feeling that here is a pure beauty of form, a kind of ultimate harmony.”

George Mallory (1886–1924) British mountaineer

Letter to his wife Ruth Mallory (1921), acquitted in Everest: The Mountaineering History‎ (2000) by Walt Unsworth, p. 47; also The Wildest Dream: The Biography of George Mallory (2001) by Peter Gillman and Leni Gillman, p. 13

Margaret Cho photo
Amit Ray photo
Pierre Corneille photo

“To die for one’s country is such a worthy fate
That all compete for so beautiful a death.”

Pierre Corneille (1606–1684) French tragedian

Mourir pour le pays est un si digne sort,
Qu’on briguerait en foule une si belle mort.
Horace, act II, scene iii.
Horace (1639)

Gustave Courbet photo
Lyndon B. Johnson photo

“This year we must continue to improve the quality of American life. Let us fulfill and improve the great health and education programs of last year, extending special opportunities to those who risk their lives in our armed forces. I urge the House of Representatives to complete action on three programs already passed by the Senate—the Teacher Corps, rent assistance, and home rule for the District of Columbia. In some of our urban areas we must help rebuild entire sections and neighborhoods containing, in some cases, as many as 100,000 people. Working together, private enterprise and government must press forward with the task of providing homes and shops, parks and hospitals, and all the other necessary parts of a flourishing community where our people can come to live the good life. I will offer other proposals to stimulate and to reward planning for the growth of entire metropolitan areas. Of all the reckless devastations of our national heritage, none is really more shameful than the continued poisoning of our rivers and our air. We must undertake a cooperative effort to end pollution in several river basins, making additional funds available to help draw the plans and construct the plants that are necessary to make the waters of our entire river systems clean, and make them a source of pleasure and beauty for all of our people. To attack and to overcome growing crime and lawlessness, I think we must have a stepped-up program to help modernize and strengthen our local police forces. Our people have a right to feel secure in their homes and on their streets—and that right just must be secured. Nor can we fail to arrest the destruction of life and property on our highways.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Gerard Bilders photo

“It is not my aim and object to paint a cow for the cow's sake or a tree for the tree's, but by means of the whole to create a beautiful and huge impression which nature sometimes creates, also with most simple means. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Het is mijn doel niet eene koe te schilderen om de koe, noch een boom om den boom; het is om door het geheel een indruk te weeg te brengen, dien de natuur somtijds maakt, een grootschen, schoonen indruk, ook door de eenvoudigste middelen.
Quote of Gerard Bilders in his letter c. 1861-1864; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

“Some one wrote to me upon the publication of my book two years ago: “But you live in England! Poor man: then you are a preacher in the desert!” So I am. But I owe something to my desert. The desert is an excellent place for anybody who can make use of it, as biblical and post-biblical experience proves. Without my desert I should not have written my book. Without coming to England I should have become a modern creature, going in for money and motor-cars. For I was born with a fatal inclination for such lighter and brighter kind of things. I was born under a lucky star, so to say: I was born with a warm heart and a happy disposition; I was born to play a good figure in one of those delightful fêtes champêtres of Watteau, Lancret, and Boucher, with a nice little shepherdess on my arm, listening to the sweet music of Rossini and drinking the inspiring “Capri bianco” or “Verona soave” of that beautiful country Italy. But the sky over here is not blue—nor grows there any wine in England—and no Rossini ever lived here; and towards the native shepherdesses I adopted the ways of the Christian towards his beautiful ideals: I admired them intensely but kept myself afar. So there was nothing to console your thirsty and disenchanted traveller in the British Sahara. In the depths of his despair, there was sent to him, as to the traveller in the desert, an enchanting vision, a beautiful fata Morgana rising on the horizon of the future, a fertile and promising Canaan of a new creed that had arisen in Germany (there too as a revulsion against the desert): the philosophy of Friedrich Nietzsche.
So I owe something to the desert. Had I not wandered there so long, I could never have fervently wished to escape nor finally succeeded in coming out of it.”

Oscar Levy (1867–1946) German physician and writer

Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

Ralph Waldo Emerson photo
Ai Weiwei photo

“I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei, interview in “ Change http://www.pbs.org/art21/watch-now/episode-change,” Episode 1, Season Six, Art: 21—Art in the Twenty-First Century, PBS, April 2012.
2010-, 2012

Dorothy Parker photo

“The House Beautiful is, for me, the play lousy.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Review of "The House Beautiful" by Channing Pollock, New Yorker (21 March 1931)

Nico photo

“You are beautiful and you are alone.”

Nico (1938–1988) German musician, model and actress, one of Warhol's superstars

Afraid

Anthony Burgess photo

“A certain ambiguity of rhythm is one of the beauties of a poem”

Anne Ridler (1912–2001) English poet, editor

The Anatomy of Poetry, Marjoie Boulton, Routledge & Kegan, London 1953.

John Harvey Kellogg photo
Alfred Noyes photo
Boniface Mwangi photo
Hariprasad Chaurasia photo
Alexander von Humboldt photo
John Green photo
Herbert Read photo

“Why do we forget our childhood? With rare exceptions we have no memory of our first four, five, or six years, and yet we have only to watch the development of our own children during this period to realize that these are precisely the most exciting, the most formative years of life. Schachtel’s theory is that our infantile experiences, so free, so uninhibited, are suppressed because they are incompatible with the conventions of an adult society which we call ‘civilized’. The infant is a savage and must be tamed, domesticated. The process is so gradual and so universal that only exceptionally will an individual child escape it, to become perhaps a genius, perhaps the selfish individual we call a criminal. The significance of this theory for the problem of sincerity in art (and in life) is that occasionally the veil of forgetfulness that hides our infant years is lifted and then we recover all the force and vitality that distinguished our first experiences—the ‘celestial joys’ of which Traherne speaks, when the eyes feast for the first time and insatiably on the beauties of God’s creation. Those childhood experiences, when we ‘enjoy the World aright’, are indeed sincere, and we may therefore say that we too are sincere when in later years we are able to recall these innocent sensations.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), pp. 16-17

Kent Hovind photo
Samuel R. Delany photo
E.E. Cummings photo
Daniel Abraham photo

“The beautiful thing about losing your illusions, he thought, was that you got to stop pretending.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 18 (p. 184)

David Attenborough photo
Wendell Phillips photo

“Take the whole range of imaginative literature, and we are all wholesale borrowers. In every matter that relates to invention, to use, or beauty or form, we are borrowers.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

Lecture: The Lost Arts, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Richard Rodríguez photo
Alex Hershaft photo
Stephenie Meyer photo
Ernesto Che Guevara photo

“Above all, try always to be able to feel deeply any injustice committed against any person in any part of the world. It is the most beautiful quality of a revolutionary.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Spanish: Sobre todo, sean siempre capaces de sentir en lo más hondo cualquier injusticia cometida contra cualquiera en cualquier parte del mundo. Es la cualidad más linda de un revolucionario.
Letter to his Children (1965)

“If you look at the world with parted lips and a pure heart, and will the good, won't that make a true and beautiful poem? One's heart tells one that it will; and one's heart is wrong. There is no direct road to Parnassus.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Hayley Jensen photo

“Marcia: You look great, you're beautiful and this song suits you. You were being yourself and you did great.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 4

Ken Ham photo
Georges Braque photo

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

Gottfried Helnwein photo

“The first time I saw a picture of Elvis - I was in a state of shock, because I couldn't believe that a human being could be so beautiful.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Helmut Sorge, Los Angeles, 2006

Percy Bysshe Shelley photo
William Wordsworth photo

“A happy youth, and their old age
Is beautiful and free.”

William Wordsworth (1770–1850) English Romantic poet

The Fountain, st. ?? (1799).
Bartlett's Familiar Quotations, 10th ed. (1919)

Simone Bittencourt de Oliveira photo
Herbert Read photo

“There is no beauty in anything rational. Beauty emerges from the unknown, often from the inane, generally irrational, as unforseen combinations.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Phases in English Poetry (1928)

Marcus Aurelius photo
Calvin Coolidge photo

“Newspaper men, therefore, endlessly discuss the question of what is news. I judge that they will go on discussing it as long as there are newspapers. It has seemed to me that quite obviously the news-giving function of a newspaper cannot possibly require that it give a photographic presentation of everything that happens in the community. That is an obvious impossibility. It seems fair to say that the proper presentation of the news bears about the same relation to the whole field of happenings that a painting does to a photograph. The photograph might give the more accurate presentation of details, but in doing so it might sacrifice the opportunity the more clearly to delineate character. My college professor was wont to tell us a good many years ago that if a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Andy Warhol photo
Jane Welsh Carlyle photo

“Oh Lord! If you but knew what a brimstone of a creature I am behind all this beautiful amiability!”

Jane Welsh Carlyle (1801–1866) Scottish writer

Letter to Eliza Stodart (29 February 1836).

William Augustus Muhlenberg photo

“That heavenly music! what is it I hear?
The notes of the harpers ring sweet in mine ear.
And, see, soft unfolding those portals of gold,
The King all arrayed in his beauty behold!”

William Augustus Muhlenberg (1796–1877) United States Anglican Episcopal clergyman

I would not live alway (published 1826), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Pat Conroy photo
Margaret Atwood photo
James Branch Cabell photo

“At what cost, now, may one attempt to write perfectly of beautiful happenings?”

James Branch Cabell (1879–1958) American author

"Auctorial Induction"
The Certain Hour (1916)

Kazimir Malevich photo

“Everywhere there is craft and technique, everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of it awkwardness it obstructs that inner element… All craft, technique, and artistry, like anything beautiful, results in futility and vulgarity.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

critical quote on Constructivism artists
1910 - 1920
Source: 'On poetry'; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65

H. G. Wells photo
Renée Vivien photo
Erasmus Darwin photo
Martin Luther King, Jr. photo
Basil of Caesarea photo
Calvin Coolidge photo

“Civilization is measured in no small part by these standards. The famous beauty and symmetry of the Greek race in its prime was due in no small part to their general participation in athletic games. This meant development.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Democracy of Sports (1924)

Michelle Obama photo

“To all the young women here tonight, and all across the country, let me say those words again: Black girls rock! We rock! We rock! No matter who you are, no matter where you come from, you are beautiful, you are powerful, you are brilliant, you are funny! Let me tell you, I'm so proud of you. My husband, your president, is so proud of you. And we have such big hopes and dreams for every single one of you.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Speech at BET's 2015 Black Girls Rock! event (28 March 2015) http://uk.eonline.com/news/640752/michelle-obama-offers-inspirational-words-at-2015-black-girls-rock-find-out-what-she-said
2010s

Mark Steyn photo
Lyndon B. Johnson photo

“The challenge of the next half century is whether we have the wisdom to use that wealth to enrich and elevate our national life, and to advance the quality of our American civilization….
The Great Society rests on abundance and liberty for all. It demands an end to poverty and racial injustice, to which we are totally committed in our time. But that is just the beginning.
The Great Society is a place where every child can find knowledge to enrich his mind and to enlarge his talents. It is a place where leisure is a welcome chance to build and reflect, not a feared cause of boredom and restlessness. It is a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community.
It is a place where man can renew contact with nature. It is a place which honors creation for its own sake and for what it adds to the understanding of the race. It is a place where men are more concerned with the quality of their goals than the quantity of their goods.
But most of all, the Great Society is not a safe harbor, a resting place, a final objective, a finished work. It is a challenge constantly renewed, beckoning us toward a destiny where the meaning of our lives matches the marvelous products of our labor.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

Remarks at the University of Michigan, Ann Arbor (May 22, 1964). Public Papers of the Presidents of the United States: Lyndon B. Johnson, 1963–64, book 1, p. 704.
1960s

John Muir photo

“With inexpressible delight you wade out into the grassy sun-lake, feeling yourself contained in one of Nature's most sacred chambers, withdrawn from the sterner influences of the mountains, secure from all intrusion, secure from yourself, free in the universal beauty. And notwithstanding the scene is so impressively spiritual, and you seem dissolved in it, yet everything about you is beating with warm, terrestrial, human love, delightfully substantial and familiar.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Glacier Meadows of the Sierra http://books.google.com/books?id=zj2gAAAAMAAJ&pg=PA478", Scribner's Monthly, volume XVII, number 4 (February 1879) pages 478-483 (at page 479); modified slightly and reprinted in The Mountains of California http://www.sierraclub.org/john_muir_exhibit/writings/the_mountains_of_california/ (1894), chapter 7: The Glacier Meadows
1890s, The Mountains of California (1894)

Michio Kaku photo

“Greater than the temptations of beauty are those of method.”

James Richardson (1950) American poet

#114
Vectors: Aphorisms and Ten Second Essays (2001)

Dana Gioia photo
Frances Bean Cobain photo
George Hendrik Breitner photo

“Recently I dreamed of you [of the artist Herman van der Weele and his wife] and that you two were very rich and lived in a beautiful place and that I sat in your room with you and Herman, with beautiful fabrics and wallpapers that I couldn't stop looking to them and you wore black glasses, just like me now [to protect his eyes], but they [black glasses] were so amazingly beautiful and they suited you so well, as is only possible in a dream, and your dress was beautifully deep red blue black with exotic figures woven into it and the walls were yellow and pink. Anyway it was all a miracle of beauty and I wished that.... my eyes were healthy again and that we each could spent hundred thousand guilders a week, then we had built a beautiful yacht and we all sailed to the country of the Mikado [Japan], to have a look there.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900

Edgar Rice Burroughs photo
Philip Roth photo
Margaret Fuller photo
M. C. Escher photo

“The things I want to express are so beautiful and pure.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

Heidi Klum photo
Indra Nooyi photo

“Do you remember campaigns like Keep America Beautiful? What about ‘buckle up’? I believe we need an approach like this to attack obesity. Let us be good industry that does 100% of what is possibly can-not grudgingly, but willingly.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Her exhortation to her executives with her mantram “Performance with a Purpose” quoted in [Nelson, Debra L., Quick, James Campbell, Organizational Behavior.: Science, the Real World, and You, http://books.google.com/books?id=hSnFaZ9ddnsC&pg=PA99, 9 February 2010, Cengage Learning, 978-1-4390-4229-8, 99–]

Prem Rawat photo
Tanith Lee photo

“True beauty is always oddly surprising.”

Book Three, Part II “The Edge of the Sea”, Chapter 2 (p. 353)
The Birthgrave (1975)

Elaine Goodale Eastman photo