We Shall Be Free, written by Stephanie Davis and G. Brooks.
Song lyrics, The Chase (1992)
Quotes about beauty
page 37
"The spirit of disobedience: an invitation to resistance"
“In a city [world] as dirty as this,
You gather up, save, and show me
Purely beautiful things.”
Free & Easy
Lyrics, Rainbow
“Late have I loved you, O Beauty ever ancient and ever new! Late have I loved you! And, behold, you were within me, and I out of myself, and there I searched for you.”
Sero te amavi, pulchritudo tam antiqua et tam nova, sero te amavi! et ecce intus eras et ego foris, et ibi te quaerebam.
X, 27, as translated in Theology and Discovery: Essays in honor of Karl Rahner, S.J. (1980) edited by William J. Kelly
Variant translations:
So late I loved you, O Beauty ever ancient and ever new! So late I loved you!
The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf, and Beckett (2007), by Lee Oser, p. 29
Too late I loved you, O Beauty ever ancient and ever new! Too late I loved you! And, behold, you were within me, and I out of myself, and there I searched for you.
Introduction to a Philosophy of Religion (1970) by Alice Von Hildebrand
Confessions (c. 397)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 30.
Conclusion : The Moral of this Examination
A Perplexed Philosopher (1892)
Reported in Jay Babcock, " JOSHUA HOMME: People say [record] labels are evil. No, they’re just lame. http://www.arthurmag.com/2007/12/04/josh-homme-people-say-labels-are-evil-no-theyre-just-lame/", Arthur Magazine (December 4, 2007).
Molly Vetter, friend of Wadewitz — quoted in: Wetzel, Diane. (April 23, 2014). "NP grad, Wikipedia editor dies in Calif." http://www.nptelegraph.com/news/np-grad-wikipedia-editor-dies-in-calif/article_c7be4462-ab39-53ad-b3e8-9055b51d3bdf.html NPTelegraph.com. North Platte, Nebraska. — and: Wetzel, Diane (April 23, 2014). "North Platte grad, 37, Wikipedia editor, dies in climbing fall" http://www.omaha.com/article/20140423/NEWS/140429478/1707. Omaha World-Herald (Omaha, Nebraska).
About
H. P. Lovecraft, quoted in the Del Rey edition of The Charwoman's Shadow
About
“In beauty faults conspicuous grow;
The smallest speck is seen on snow.”
Fable XI, "The Peacock, Turkey, and Goose"
Fables (1727)
“The beautiful seems right
By force of Beauty, and the feeble wrong
Because of weakness.”
Book II.
Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)
“Reader, pray that soon this Iron Age
Will crumble, and Beauty escape the rusting cage.”
"Beauty in This Iron Age" in Starlanes #11 (Fall 1953); re-published in Pearls From Peoria (2006)
'Class hypocrisy of the conservationists', The Times (8 January 1971), p. 10
An extract from the Fabian pamphlet A Social Democratic Britain.
“A single question remained, the age-old cry of anguish: “How could one so beautiful be so base?””
Source: Lyonesse Trilogy (1983-1989), The Green Pearl (1985), Chapter 6, section 1 (p. 434)
"Nobody's Daughter"
Song lyrics, Nobody's Daughter (2010)
“The beauty of behaviour consists in the manner more than the matter of your discourse.”
The Dignity of Human Nature (1754)
Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52
[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:]
Source: 1890s, The Mountains of California (1894), chapter 8: The Forests
Interview with Laura Yorke. Reader's Digest. July 2006
“Must I not here express my wonder that any one should exist who persuades himself that there are certain solid and indivisible particles carried along by their own impulse and weight, and that a universe so beautiful and so admirably arrayed is formed from the accidental concourse of those particles? I do not understand why the man who supposes that to have been possible should not also think that if a countless number of the forms of the one and twenty letters, whether in gold or any other material, were to be thrown somewhere, it would be possible, when they had been shaken out upon the ground, for the annals of Ennius to result from them so as to be able to be read consecutively,—a miracle of chance which I incline to think would be impossible even in the case of a single verse.”
Hic ego non mirer esse quemquam, qui sibi persuadeat corpora quaedam solida atque individua vi et gravitate ferri mundumque effici ornatissimum et pulcherrimum ex eorum corporum concursione fortuita? Hoc qui existimat fieri potuisse, non intellego, cur non idem putet, si innumerabiles unius et viginti formae litterarum vel aureae vel qualeslibet aliquo coiciantur, posse ex is in terram excussis annales Enni, ut deinceps legi possint, effici; quod nescio an ne in uno quidem versu possit tantum valere fortuna.
Book II, section 37
De Natura Deorum – On the Nature of the Gods (45 BC)
Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13]
In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat
1890 - 1920
Source: A Thousand-Mile Walk To the Gulf, 1916, chapter 4: Camping Among the Tombs, page 140
quote from an extract of 'Barbara Hepworth – the Sculptor carves because he must, The Studio, London, vol. 104, December 1932, p. 332
1932 - 1946
Notable examples of Luther's renderings of Hebrew and Greek words
Japan, the Beautiful and Myself (1969)
Un Art de Vivre (The Art of Living) (1939), The Art of Marriage
translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was 't er [op het strand van Scheveningen] goddelijk mooi. Die schuiten lagen in dichte rijen tegen de [strand]-helling en daartussen ging men als tussen een fantastisch gebouwde stad en van boven tussen die geteerde rompen koolzwart, grijs, groen, [en] wit een diepe blauwe lucht.
In Breitner's letter to A.P. van Stolk, nr. 49, Den Haag 17 Dec. 1883; in the RKD-Archive, The Hague; as cited in the master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 31
In 1881 already Breitner had rendered the surroundings of Scheveningen in the large 'Panorama of Mesdag', assisting Mesdag in this huge project
before 1890
On His Mistress, the Queen of Bohemia, stanza 1 (1624). In some versions "moon" replaces "sun". This was printed with music as early as 1624, in Est's "Sixth Set of Books", for example.
quote from Jawlensky's memoirs, 1936/41: Lebenserinnerungen (Memories) p. 119; as cited in Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War http://www.jstor.org/stable/10.1163/j.ctt1w8h0q1.10, by Isabel Wünsche, p. 66
Jawlensky was very pleased with this move from Zurich to Ascona; Werefkin arranged this family's move after Jawlensky fell gravely ill with the Spanish flu. A few years later Jawlensky would leave here.
1936 - 1941
In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000
Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "What is Love?"
An Essay on the Genius and Writings of Pope, Vol. II (1782), pp. 21–24
“It was beautiful and simple as all truly great swindles are.”
"The Octopus Marooned"
The Gentle Grafter (1908)
The Weight of Glory (1949)
as quoted by E.E. Kintner at the Artsimovich Memorial Session of the Seventh International Conference on Plasma Physics and Controlled Nuclear Fusion Research
§ 194-202
Pali Canon, Sutta Pitaka, Khuddaka Nikaya (Minor Collection), Sutta Nipata (Suttas falling down)
“Beauty vanishes like a vapor,
Preach the men of musty morals.”
Evanescence (1900).
" Whodunit? Who Meddled With Out Democracy? https://www.unz.com/imercer/whodunit-who-meddled-with-our-democracy/" February 8, 2018, The Unz Review.
2010s, 2018
Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture I, "On Poetry in General"
version in original Dutch (citaat uit de brief van Jozef Israëls in het Nederlands): Het zal u zeker plaisier doen te vernemen dat naar mijn schilderijtje ['Eerste Liefde', c. 1856] welke gij in Rotterdam gezien hebt eene groote lithografie vervaardigd wordt en wel door Heer Mouilleron, Frankrijks eerste lithograaf.. .Hij wordt zeer mooi.
Quote in his letter from Amsterdam, 1857, to publisher in The Hague; from LTK 1795, XIII nr. 140, University Library of Leiden
Mouilleron was making the lithography at the studio of Israëls on the Rozengracht in Amsterdam, under the eyes of the painter himself
Quotes of Jozef Israels, 1840 - 1870
"Paying through the Doge for Europe", Daily Telegraph, 11 March 2004, p. 22.
2000s, 2004
“People Are Much More Beautiful Than They Think: Long Live Their True Face.”
1940's
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik ben begonnen met Flaubert's Salambô te lezen. 't eerste hoofdstuk was verduveld kranig. Flaubert bevalt me beter dan Zola, de Concourt nog meer. Zonder twijfel kent U de Concourt, Edm. en Jules, twee broers. Manette Salomon vind ik een van hun mooiste scheppingen. Als U dat eens las zou U mij en Uzelf geloof ik een groot genoegen doen. De type van Chassagnol de man die zooveel begrijpt van Kunst, ja er 't zuiverste denkbeeld over heeft van allen, vind ik aanbiddelijk. Hij begrijpt alles en kan daardoor zelf geen kunstenaar zijn of de grootste. Ik beveel dat boek aan iedereen aan, leek of schilder en zal 't me koopen.
Quote of Breitner in his letter to A.P. van Stolk, 15 Nov. 1881; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek) pp. 10-11
before 1890
“Dicko: You looked beautiful and I enjoyed that. I didn’t think that you over thought that at all.”
Australian Idol, Final Performances, Final 4
Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625
Source: The Chocolate War (1974), p. 243
The Homes of England http://digital.library.upenn.edu/women/hemans/records/homes.html, st. 1 (1828).
http://www.youtube.com/watch?v=5y0MD5Yxkgk?t=24m9s
Christopher Hitchens vs Douglas Wilson [2008]
2000s, 2008
“Snow is so beautiful, it doesn't have to be useful.”
Parliament Hill Speech, Ottawa, Canada, (2 June 2009)
2000s
“The evolution of the New Era rests on the cornerstone of Knowledge and Beauty.”
Realm of Light Book II (1931) Epigraph
version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960
Children of Gods, Scions of Apes
The Vision: Reflections on the Way of the Soul (1994)
Hano, Arnold (1967). Greatest Giants of Them All. New York, NY: G.P. Putnam's Sons. pp. 248–249.
Sports-related
A rejuvenated India found an Akbar to put an end to political chaos and social disharmony and a Shah Jahan to dream a dream in marble the like of which is not to be met in the world.
Speech delivered at Patna University Convocation on 27th November 1937.
Public Talks, "Present Continuous - Future Perfect"
Transcript of Emilio Insolera on BBC Radio (October 9, 2017)
Kunnumpuram, Kurien, 2011 “Theological Exploration,” Jnanadeepa: Pune Journal of Religious Studies 14/2 (July-Dec 2011)
On God
1980 - 2000, The Skowhegan Lecture', 1987
The Theology of Civilization (May 1899)
“it has been long and justly remarked, that folly has ever sought alliance with beauty.”
Letter VI
Evelina (1778)
Review of The Essential Mailer by Norman Mailer, p. 267
The War Against Cliché: Essays and Reviews 1971-2000 (2001)
Mathematics, Magic, and Mystery https://books.google.com/books?id=-kOFBQAAQBAJ&pg=PR11#v=onepage&q=%22Mathematical%20magic%20combines%22%23v%3Dsnippet&f=false (1956), p. ix
Attributed in Dag Hammarskjöld, Markings, tr. Leif Sjoberg and W. H. Auden (1964), journal entry for (October 1, 1957).
Quote reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 365.
Mahomet and his successors, George P. Putnam, 1850, p. 330-331.
Mahomet and his successors (1849)
Aristotle, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 5: The Peripatetics
“You touch her skin
And then you think
That she is beautiful
But she don't mean a thing to me”
Tiny Vessels
Transatlanticism (2003)
Source: The Martyrdom of Man (1872), Chapter IV, "Intellect", p. 385.
translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (kort gedicht van Jozef Israëls, in het Nederlands):
Zoo is het
Er hingen eens twee schilderijen,
Juist vlak tegenover elkaar
Regt kleurig en schitterend de eene
En d'ander eenvoudig en waar
** Dat eenvoud en waarheid het kenmerk
Van wetenschap is en van kunst
Och, dat kan het volk niet begrijpen
En [aan] 't klatergoud schonk het zijn gunst.
A short poem of Israëls, written in his letter from The Hague, 13 Dec. 1876 to art-seller Pilgeram & Lefèvre in London; from collection of Fondation Custodia, Institut Neérlandais Paris, input no. 1971-A 506
Quotes of Jozef Israels, 1871 - 1900
original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen
Und dabei entstand<brdas Leben oder das Theater???
Quote, probably 1943, in Charlotte Salomon: Life? or Theatre?, (ed.) Judith C. E. Belinfante et al, Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0, p. 38; as cited om Wikipedia
these are the concluding words of the last overlay: JHM 4924-02 https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924, of the epilogue - quoting ideas of her former love in Germany Alfred Wolfsohn, she called him 'Amadeus Daberlohn' in her paintings
The Pleasures of Love.
as quoted in: Paula Modersohn-Becker, the challenges of pregnancy and the weight of tradition, by Giorgina B. Piccoli and Scott L. Karakas; published in: 'Philosophy, Ethics, and Humanities in Medicine', 6 June 2011, p. 1; as quoted in: M. Bohlmann-Modersohn: Paula Modersohn-Becker: eine Biographie mit Briefen, Albrecht Knaus; Berlin 1995, p. 280
Paula had given birth to her (first) child, Mathilde, on 2 November 1907. Her sudden death, on 21 November 1907, due to thromboembolism, occurred almost immediately after she was allowed to leave her bed for the first time following her delivery; her biographers recount that she combed her hair, adorned it with red roses received as presents, and slowly walked to the living room, where her daughter was in her crib. Paula took the young daughter Mathilde (later called Tille) in her arms and fell down, suddenly.
1906 + 1907