Quotes about beauty
page 37

“When the last child cries for a crust of bread;
When the last man dies for just words that he said;
When there's shelter over the poorest head,
We shall be free.When the last thing we notice is the color of skin,
And the first thing we look for is the beauty within,
When the skies and the oceans are clean again,
Then we shall be free.”

Garth Brooks (1962) American country music artist

We Shall Be Free, written by Stephanie Davis and G. Brooks.
Song lyrics, The Chase (1992)

Color

“As Simone Weil— perhaps the strangest and most unlikely Thoreauvian solitary, outcast, and transcendentalist of all— wrote, echoing Thoreau's sense of awareness: "The authentic and pure values— truth, beauty, and goodness— in the activity of a human being are the result of one and the same act, a certain application of the full attention to the object." Or, more tersely yet: "Absolutely unmixed attention is prayer."
It is perhaps the saddest, most hopeless thing we can say about our culture that it is a culture of distraction. "Attention deficit" is a cultural disorder, a debasement of spirit, before it is an ailment in our children to be treated with Ritalin.”

Curtis White (1951) American academic

"The spirit of disobedience: an invitation to resistance"

Children, Truth, Sense

“And a wandering beauty is a blade out of its scabbard.
You know how dangerous, gentlemen of threescore?
May you know it yet ten more.”

John Crowe Ransom (1888–1974) American poet

"Judith of Bethulia", line 4.
Chills and Fevers (1924)

“In a city [world] as dirty as this,
You gather up, save, and show me
Purely beautiful things.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Free & Easy
Lyrics, Rainbow

World

“Late have I loved you, O Beauty ever ancient and ever new! Late have I loved you! And, behold, you were within me, and I out of myself, and there I searched for you.”
Sero te amavi, pulchritudo tam antiqua et tam nova, sero te amavi! et ecce intus eras et ego foris, et ibi te quaerebam.

Aurelius Augustinus book Confessions

X, 27, as translated in Theology and Discovery: Essays in honor of Karl Rahner, S.J. (1980) edited by William J. Kelly
Variant translations:
So late I loved you, O Beauty ever ancient and ever new! So late I loved you!
The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf, and Beckett‎ (2007), by Lee Oser, p. 29
Too late I loved you, O Beauty ever ancient and ever new! Too late I loved you! And, behold, you were within me, and I out of myself, and there I searched for you.
Introduction to a Philosophy of Religion (1970) by Alice Von Hildebrand
Confessions (c. 397)

Love, Search

“The life-boat may have a tasteful bend and beautiful decoration, but these are not the qualities for which I prize it; it was my salvation from the howling sea! So the interest which a regenerate soul takes in the Bible, is founded on a personal application to the heart of the saving truth which it contains.”

James Waddel Alexander (1804–1859) American Presbyterian minister and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 30.

Life, Truth, Soul, Heart

“As there are many to whom the beauty and harmony of economic laws are hidden, and to whom the inspiring thought of a social order in which there should be work for all, leisure for all, and abundance for all — in which all might be at least as true, as generous and as manful as they wish to be — is shut out by the deference paid to economic authorities who have as it were given bonds not to find that for which they profess to seek, so there are many to-day to whom any belief in the spiritual element, in the existence of God and in a future life, is darkened or destroyed, not so much by difficulties they themselves find, but by what they take to be the teachings of science.”

Henry George (1839–1897) American economist

Conclusion : The Moral of this Examination
A Perplexed Philosopher (1892)

Life, God, Law, Science

“And the fact of the matter is that everyone should play music because it's such a beautiful gift. It's my religion. But maybe not everyone should play it in front of me. It's okay to play music in your rocking chair or whatever.”

Josh Homme (1973) American musician

Reported in Jay Babcock, " JOSHUA HOMME: People say &#91;record&#93; labels are evil. No, they’re just lame. http://www.arthurmag.com/2007/12/04/josh-homme-people-say-labels-are-evil-no-theyre-just-lame/", Arthur Magazine (December 4, 2007).

Religion, Music

“She really was a person who cared very much about others. She worked for justice and inclusion and making sure that women's voices were heard. She wasn't willing to just accept the world as we were told it was, but worked to help make it more beautiful. I am very grateful for her bringing that into my life.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Molly Vetter, friend of Wadewitz — quoted in: Wetzel, Diane. (April 23, 2014). "NP grad, Wikipedia editor dies in Calif." http://www.nptelegraph.com/news/np-grad-wikipedia-editor-dies-in-calif/article_c7be4462-ab39-53ad-b3e8-9055b51d3bdf.html NPTelegraph.com. North Platte, Nebraska. — and: Wetzel, Diane (April 23, 2014). "North Platte grad, 37, Wikipedia editor, dies in climbing fall" http://www.omaha.com/article/20140423/NEWS/140429478/1707. Omaha World-Herald (Omaha, Nebraska). About

Life, Women, World, Justice

“Inventor of a new mythology and weaver of surprising folklore, Lord Dunsany stands dedicated to a strange world of fantastic beauty... unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision. No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.”

Lord Dunsany (1878–1957) Irish writer and dramatist

H. P. Lovecraft, quoted in the Del Rey edition of The Charwoman's Shadow
About

World, Singing

“Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.”

Gertrude Stein book The Autobiography of Alice B. Toklas

Source: The Autobiography of Alice B. Toklas (1933), p. 259

Music, Reality, Passion

“In beauty faults conspicuous grow;
The smallest speck is seen on snow.”

John Gay (1685–1732) English poet and playwright

Fable XI, "The Peacock, Turkey, and Goose"
Fables (1727)

“The beautiful seems right
By force of Beauty, and the feeble wrong
Because of weakness.”

Elizabeth Barrett Browning (1806–1861) English poet, author

Book II. Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)

“Reader, pray that soon this Iron Age
Will crumble, and Beauty escape the rusting cage.”

Philip José Farmer (1918–2009) American science fiction writer

"Beauty in This Iron Age" in Starlanes #11 (Fall 1953); re-published in Pearls From Peoria (2006)

Age

“To say that we must attend meticulously to the environmental case does not mean that we must go to the other extreme and wholly neglect the economic case. Here we must beware of some of our friends. For parts of the conservationist lobby would do precisely this. Their approach is hostile to growth in principle and indifferent to the needs of ordinary people. It has a manifest class bias, and reflects a set of middle and upper class value judgements. Its champions are often kindly and dedicated people. But they are affluent and fundamentally, though of course not consciously, they want to kick the ladder down behind them. They are highly selective in their concern, being militant mainly about threats to rural peace and wildlife and well loved beauty spots: they are little concerned with the far more desperate problem of the urban environment in which 80 per cent of our fellow citizens live…As I wrote many years ago, those enjoying an above average standard of living should be chary of admonishing those less fortunate on the perils of material riches. Since we have many less fortunate citizens, we cannot accept a view of the environment which is essentially elitist, protectionist and anti-growth. We must make our own value judgement based on socialist objectives: and that judgement must…be that growth is vital, and that its benefits far outweigh its costs.”

Anthony Crosland (1918–1977) British politician

'Class hypocrisy of the conservationists', The Times (8 January 1971), p. 10
An extract from the Fabian pamphlet A Social Democratic Britain.

Love, Hostility, People, Peace

“A single question remained, the age-old cry of anguish: “How could one so beautiful be so base?””

Jack Vance Lyonesse Trilogy

Source: Lyonesse Trilogy (1983-1989), The Green Pearl (1985), Chapter 6, section 1 (p. 434)

Age, Question, Cry

“Asphyxiate all your pain away
Don't try to win; it will only end in disgrace
Translucetize the cold light of day
It's glorious, its terrible, God I need it
It's beautiful, it's ravenous; I'll just feed it
Coil down to your black dark decay
And I will dig my own grave now
I'm miss begotten
I am the last one you save here
It's all gone rotten”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Nobody's Daughter"
Song lyrics, Nobody's Daughter (2010)

God, Pain, Light

“The beauty of behaviour consists in the manner more than the matter of your discourse.”

James Burgh (1714–1775) British politician

The Dignity of Human Nature (1754)

“Simply because I liked it so much I saw it in Venice and thought: I'd like to have that for myself. To start with I only meant to make a copy, so that I could have a beautiful painting at home and with it a piece of that period, all that potential beauty and sublimity... Then my copy went wrong, and the pictures that finally emerged went to show that it just can't be done any more, not even by way of a copy. All I could do was to break the whole thing down and show that it's no longer possible”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52

Way, Quotes, Home, Painting

“I wish I had space to write more of the surpassing beauty of this favorite spruce. … The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.”

John Muir (1838–1914) Scottish-born American naturalist and author

[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:] Source: 1890s, The Mountains of California (1894), chapter 8: The Forests

Love, Lie, Mountain

“I had a very traditional background. My parents are neat people. I'm lucky to have been raised in the most beautiful place -- Amherst, Massachusetts, state of my heart. I'm more patriotic to Massachusetts than to almost any place.”

Uma Thurman (1970) American actress and model

Interview with Laura Yorke. Reader's Digest. July 2006

People, Parent, Heart

“Must I not here express my wonder that any one should exist who persuades himself that there are certain solid and indivisible particles carried along by their own impulse and weight, and that a universe so beautiful and so admirably arrayed is formed from the accidental concourse of those particles? I do not understand why the man who supposes that to have been possible should not also think that if a countless number of the forms of the one and twenty letters, whether in gold or any other material, were to be thrown somewhere, it would be possible, when they had been shaken out upon the ground, for the annals of Ennius to result from them so as to be able to be read consecutively,—a miracle of chance which I incline to think would be impossible even in the case of a single verse.”
Hic ego non mirer esse quemquam, qui sibi persuadeat corpora quaedam solida atque individua vi et gravitate ferri mundumque effici ornatissimum et pulcherrimum ex eorum corporum concursione fortuita? Hoc qui existimat fieri potuisse, non intellego, cur non idem putet, si innumerabiles unius et viginti formae litterarum vel aureae vel qualeslibet aliquo coiciantur, posse ex is in terram excussis annales Enni, ut deinceps legi possint, effici; quod nescio an ne in uno quidem versu possit tantum valere fortuna.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 37
De Natura Deorum – On the Nature of the Gods (45 BC)

Understanding, Thinking, Universe, Chance

“The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves.... everything is contained in the beauty of the work.”

Maurice Denis (1870–1943) French painter

Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13] In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat 1890 - 1920

Color

“Art for Art's Sake means, for its adepts, the pursuit of pure beauty – without any other consideration.”

Théophile Gautier Paris

L'art pour l'art signifie, pour les adeptes, un travail dégagé de toute préoccupation autre que celle du beau en lui-même.
L'art moderne (Paris: Michel Lévy Frères, 1856) p. 151; F. W. Ruckstull Great Works of Art and What Makes Them Great (New York: Putnam, 1925) p. 299

Art

“On no subject are our ideas more warped and pitiable than on death. … Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights. All is divine harmony.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: A Thousand-Mile Walk To the Gulf, 1916, chapter 4: Camping Among the Tombs, page 140

Life, Death, Children, Mountain

“The sculptor carves because he must. He needs the concrete form of stone and wood for the expression of his idea and experience, and when the idea forms the material is found at once. …. I have always preferred direct carving to modelling because I like the resistance of the hard material and feel happier working that way. Carving is more adapted to the expression of the accumulative idea of experience and clay to the visual attitude. An idea for carving must be clearly formed before starting and sustained during the long process of working; also, there are all the beauties of several hundreds of different stones and woods, and the idea must be in harmony with the qualities of each one carved; that harmony comes with the discovery of the most direct way of carving each material according to its nature.”

Barbara Hepworth (1903–1975) English sculptor

quote from an extract of 'Barbara Hepworth – the Sculptor carves because he must, The Studio, London, vol. 104, December 1932, p. 332
1932 - 1946

Way, Feeling, Idea, Nature

“That was what drew him to mathematics. Not because it was rarefied, but because it probed to the subtle, deeper reality. People said that mathematicians were unworldly, and yammered on about how Einstein couldn’t make correct change. Nonsense. Einstein just didn’t give a damn. It was the subtle, the beautiful that concerned him.”

Gregory Benford Artifact

Part 2, Chapter 6 (p. 76)
Artifact (1985)

People, Mathematics, Reality, Change

“He adapted the words to the capacity of the Germans, often at the expense of accuracy. He cared more for the substance than the form. He turned the Hebrew shekel into a Silberling, He used popular alliterative phrases as Geld und Gut, Land und Leute, Rath und That, Stecken und Stab, Dornen und Disteln, matt und müde, gäng und gäbe. He avoided foreign terms which rushed in like a flood with the revival of learning, especially in proper names (as Melanchthon for Schwarzerd, Aurifaber for Goldschmid, Oecolampadius for Hausschein, Camerarius for Kammermeister). He enriched the vocabulary with such beautiful words as holdselig, Gottseligkeit.
Erasmus Alber, a contemporary of Luther, called him the German Cicero, who not only reformed religion, but also the German language.
Luther's version is an idiomatic reproduction of the Bible in the very spirit of the Bible. It brings out the whole wealth, force, and beauty of the German language. It is the first German classic, as King James's version is the first English classic. It anticipated the golden age of German literature as represented by Klopstock, Lessing, Herder, Goethe, Schiller,—all of them Protestants, and more or less indebted to the Luther-Bible for their style. The best authority in Teutonic philology pronounces his language to be the foundation of the new High German dialect on account of its purity and influence, and the Protestant dialect on account of its freedom which conquered even Roman Catholic authors.”

Philip Schaff (1819–1893) American Calvinist theologian

Notable examples of Luther's renderings of Hebrew and Greek words

Age, Religion, Literature, Freedom

“Among flower vases, the ware that is given the highest rank is old Iga, from the sixteenth and seventeenth centuries, and it commands the highest price. When old Iga has been dampened, its colors and its glow take on a beauty such as to awaken on afresh. Iga was fired at very high temperatures. The straw ash and the smoke from the fuel fell and flowed against the surface, and as the temperature dropped, became a sort of glaze. Because the colors were not fabricated but were rather the result of nature at work in the kiln, color patterns emerged in such varieties as to be called quirks and freaks of the kiln. The rough, austere, strong surfaces of old Iga take on a voluptuous glow when dampened. It breathes to the rhythm of the dew of the flowers.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)

Color, Flowers, Nature, Strong

“Marriage is not at all what romantic lovers imagine it to be; it is an institution founded upon an instinct; to be successful, it requires not only physical attraction, but will-power, patience, and the always difficult acceptance of "the other"; finally, if these conditions are fulfilled, a beautiful and lasting affection can be established - a unique and, to those who have never known it, incomprehensible mingling of love, friendship, sensuality, and respect, without which there is no true marriage.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

Love, Friendship, Marriage, Imagination

“Yesterday it was divinely beautiful [at Scheveningen beach]. These barges lay in dense rows against the slope [of the beach], and between them one walked as between a fancy-built city and from above between all those tarred hulls coal-black, gray, green and white, a deep blue sky.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was 't er [op het strand van Scheveningen] goddelijk mooi. Die schuiten lagen in dichte rijen tegen de [strand]-helling en daartussen ging men als tussen een fantastisch gebouwde stad en van boven tussen die geteerde rompen koolzwart, grijs, groen, [en] wit een diepe blauwe lucht.
In Breitner's letter to A.P. van Stolk, nr. 49, Den Haag 17 Dec. 1883; in the RKD-Archive, The Hague; as cited in the master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 31
In 1881 already Breitner had rendered the surroundings of Scheveningen in the large 'Panorama of Mesdag', assisting Mesdag in this huge project
before 1890

“Something you want badly enough can always be gained. No matter how fierce the enemy, how remote the beautiful lady, or how carefully guarded the treasure, there is always a means to the goal for the earnest seeker. The unseen help of the guardian gods of heaven and earth assure fulfillment.”

Dogen (1200–1253) Japanese Zen buddhist teacher

III, 14
Shobogenzo Zuimonki (1238)

God, Help

“You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?”

Henry Wotton (1568–1639) English ambassador

On His Mistress, the Queen of Bohemia, stanza 1 (1624). In some versions "moon" replaces "sun". This was printed with music as early as 1624, in Est's "Sixth Set of Books", for example.

People, Light, Sun, Night

“The great artists are the ones who dare to entitle to beauty things so natural that when they’re seen afterward, people say: Why did I never realize before that this too was beautiful?”

André Gide book The Immoralist

Source: The Immoralist (1902), p. 159

People, Nature

“Doubtless criticism was originally benignant, pointing out the beauties of a work, rather than its defects. The passions of men have made it malignant, as the bad heart of Procrustes turned the bed, the symbol of repose, into an instrument of torture.”

Henry Wadsworth Longfellow (1807–1882) American poet

Table-Talk (1857)

Men, Passion, Heart

“We had a very lovely place [in Ascona with his life-companion Marianne Werefkin ] with a garden directly on the lake. It was on the edge of Ascona. Next to it began the Campagna [landscape], and this Campagna was enchantingly beautiful, like a dream.”

Alexej von Jawlensky (1864–1941) Russian painter

quote from Jawlensky's memoirs, 1936/41: Lebenserinnerungen (Memories) p. 119; as cited in Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War http://www.jstor.org/stable/10.1163/j.ctt1w8h0q1.10, by Isabel Wünsche, p. 66 Jawlensky was very pleased with this move from Zurich to Ascona; Werefkin arranged this family's move after Jawlensky fell gravely ill with the Spanish flu. A few years later Jawlensky would leave here. 1936 - 1941

Love, Life, Dreams

“When a beautiful rose dies beauty does not die because it is not really in the rose. Beauty is an awareness in the mind. It is a mental and emotional response that we make. We respond to life as though it were perfect. When we go into a forest we do not see the fallen rotting trees. We are inspired by a multitude of uprising trees... The goal of life is happiness and to respond to life as though it were perfect is the way to happiness. It is also the way to positive art work.”

Agnes Martin (1912–2004) American artist

In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000

Life, Art, Way, Tree

“It is the call of the beauty — robed ones
To worship the great Beauty.
It is the call of God
Through silent intelligences
And starburst of feelings.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "What is Love?"

God, Feeling, Intelligence

“It were to be wished that no youth of genius were suffered ever to look into Statius, Lucan, Claudian, or Seneca the tragedian; authors who, by their forced conceits, by their violent metaphors, by their swelling epithets, by their want of just decorum, have a strong tendency to dazzle and to mislead inexperienced minds, and tastes unformed, from the true relish of possibility, propriety, simplicity, and nature. […] If I might venture to pronounce so rigorous a sentence, I would say, that the Romans can boast of but eight poets who are unexceptionably excellent,—namely, Terence, Lucretius, Catullus, Virgil, Horace, Tibullus, Propertius, Phaedrus. These only can be called legitimate models of just thinking and writing. Succeeding authors, as it happens in all countries, resolving to be original and new, and to avoid the imputation of copying, become distorted and unnatural. By endeavouring to open an unbeaten path, they deserted simplicity and truth; weary of common and obvious beauties, they must needs hunt for remote and artificial decorations…”

Joseph Warton (1722–1800) English literary critic

An Essay on the Genius and Writings of Pope, Vol. II (1782), pp. 21–24

Truth, Youth, Nature, Thinking

“It was beautiful and simple as all truly great swindles are.”

O. Henry (1862–1910) American short story writer

"The Octopus Marooned"
The Gentle Grafter (1908)

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

God, Pain, Secret, World

“Our relationships as experimentalists with theoretical physicists should be like those with a beautiful woman – we should accept with gratitude any favours she offers, but we should not expect too much nor believe all that is said.”

Lev Artsimovich (1909–1973) Soviet physicist

as quoted by E.E. Kintner at the Artsimovich Memorial Session of the Seventh International Conference on Plasma Physics and Controlled Nuclear Fusion Research

Gratitude

“Joined together with bones and sinews, having a plastering of skin and flesh, covered with hide, the body is not seen as it really is—full of intestines, full of stomach, of the lump of the liver, of bladder, of heart, of lungs, of kidneys and of spleen, of mucus, of saliva, and of sweat, and of lymph, of blood, of synovial fluid, of bile, and of fat, … and its hollow head is filled with brain. A fool, overwhelmed by ignorance, thinks of it as beautiful, but when it lies dead, swollen up and discoloured, cast away in a cemetery, relatives have no regard for it. Dogs devour it, and jackals, and wolves and worms. Crows and vultures devour it, and whatever other living creatures there are. The bhikkhu possessing knowledge here, having heard the Buddha's word, indeed understands it, for he sees the body as it really is.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

§ 194-202
Pali Canon, Sutta Pitaka, Khuddaka Nikaya (Minor Collection), Sutta Nipata (Suttas falling down)

Dogs, Fools, Understanding, Knowledge

“[From Reginald Clinton]: I do not believe that the heart is turned from the Creator by enjoying his works. Of what avail is the sweet breath of the rose, the morning song of the lark? The pleasure they impart is not matter of necessity, and yet we delight in both. The soul of the poet is as much His gift as the fragrance of the flower, or the lay of the bird; and the page where inspired words record heroic deed, touching sorrow, or natural loveliness, is one of those pleasures for which we should be thankful. I, for my part, believe most devoutly in the Almighty mercy, when I see how much that is beautiful and gladdening has been scattered over our pilgrimage here.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Pleasure, Soul, Flowers, Nature

“After a simple dinner I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find this many. Some of them look really big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful, though -the stars are like the trees in the forest, alive”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 15

Star, Tree

“Beauty vanishes like a vapor,
Preach the men of musty morals.”

Harriet Elizabeth Prescott Spofford (1835–1921) American author

Evanescence (1900).

Men

“Cannabis: The reason it's not in the Constitution is because letting states and individuals decide is in the Constitution. That thing of beauty is called the Tenth Amendment: "The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.”

Ilana Mercer South African writer

" Whodunit? Who Meddled With Out Democracy? https://www.unz.com/imercer/whodunit-who-meddled-with-our-democracy/" February 8, 2018, The Unz Review. 2010s, 2018

People

“Emotional landscapes
They puzzle me
The riddle gets solved and you push me up to this state of emergency
How beautiful to be!
State of emergency
Is where I want to be”

Björk (1965) Icelandic singer-songwriter

"Jóga", from Homogenic (1997)
Songs

“The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner, and by the most striking examples of the same quality in other instances.”

William Hazlitt (1778–1830) English writer

Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture I, "On Poetry in General"

Pleasure, Sense

“It certainly will please you to read that after my small painting ['First Love', c. 1856] what you have seen in Rotterdam, a large lithography is being made now by Lord Mouilleron, France's first lithographer… It becomes very beautiful. (translation from original Dutch text: Fons Heijnsbroek).”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat uit de brief van Jozef Israëls in het Nederlands): Het zal u zeker plaisier doen te vernemen dat naar mijn schilderijtje ['Eerste Liefde', c. 1856] welke gij in Rotterdam gezien hebt eene groote lithografie vervaardigd wordt en wel door Heer Mouilleron, Frankrijks eerste lithograaf.. .Hij wordt zeer mooi.
Quote in his letter from Amsterdam, 1857, to publisher in The Hague; from LTK 1795, XIII nr. 140, University Library of Leiden
Mouilleron was making the lithography at the studio of Israëls on the Rozengracht in Amsterdam, under the eyes of the painter himself
Quotes of Jozef Israels, 1840 - 1870

Love, Reading, Painting

“If Amsterdam or Leningrad vie for the title of Venice of the North, then Venice - what compliment is high enough? Venice, with all her civilisation and ancient beauty, Venice with her addiction to curious aquatic means of transport, yes, my friends, Venice is the Henley of the South.”

Boris Johnson (1964) British politician, historian and journalist

"Paying through the Doge for Europe", Daily Telegraph, 11 March 2004, p. 22.
2000s, 2004

“The impurity of the mind is greed, and the impurity of the tongue is falsehood. The impurity of the eyes is to gaze upon the beauty of another man's wife, and his wealth. The impurity of the ears is to listen to the slander of others. O Nanak, the mortal's soul goes, bound and gagged to the city of Death. All impurity comes from doubt and attachment to duality. Birth and death are subject to the Command of the Lord's Will; through His Will we come and go.”

Nanak (1469–1539) Founder of Sikhism

Asa di Var

Death, Soul, Birth, Wealth

“People Are Much More Beautiful Than They Think: Long Live Their True Face.”

Jean Dubuffet (1901–1985) sculptor from France

1940's

People, Thinking

“I started reading Flaubert's 'Salambô'. The first chapter was very strong. I prefer Flaubert above Zola, the Concourt even more. No doubt you know the Concourts, Edm. and Jules, two brothers. 'Manette Salomon' is one of their most beautiful creations. If you could read that, I believe you do me and yourself a great pleasure. The type of Chassagnol, the man who understands so much about Art - yes, he has the purest ideas on art of all - I find [him] adorable. He understands everything and that's why he can not be an artist himself or the greatest. I recommend that book to anyone, layman or painter and I will buy it myself.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik ben begonnen met Flaubert's Salambô te lezen. 't eerste hoofdstuk was verduveld kranig. Flaubert bevalt me beter dan Zola, de Concourt nog meer. Zonder twijfel kent U de Concourt, Edm. en Jules, twee broers. Manette Salomon vind ik een van hun mooiste scheppingen. Als U dat eens las zou U mij en Uzelf geloof ik een groot genoegen doen. De type van Chassagnol de man die zooveel begrijpt van Kunst, ja er 't zuiverste denkbeeld over heeft van allen, vind ik aanbiddelijk. Hij begrijpt alles en kan daardoor zelf geen kunstenaar zijn of de grootste. Ik beveel dat boek aan iedereen aan, leek of schilder en zal 't me koopen. Quote of Breitner in his letter to A.P. van Stolk, 15 Nov. 1881; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek) pp. 10-11 before 1890

Pleasure, Books, Art, Idea

“Dicko: You looked beautiful and I enjoyed that. I didn’t think that you over thought that at all.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 4

Thinking

“Maud Muller, on a summer's day,
Raked the meadows sweet with hay.
Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.”

John Greenleaf Whittier Maud Muller

Maud Muller (1856)

Health, Summer, Wealth

“What distressed me most — more even than my own folly — was the perplexing question, How can beauty and ugliness dwell so near?”

George MacDonald book Phantastes

Phantastes (1858)

Question

“I have been overcome by the beauty and richness of our life together, those early mornings setting out, those evenings gleaming with rivers and lakes below us, still holding the last light. … Those fields of daisies we landed on, and dusty fields and desert stretches. Memories of many skies and earths beneath us — many days, many nights of stars.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

War Within and Without (1980)

Life, Star, Light, Memory

“Death is the mother of beauty”

Wallace Stevens book Harmonium

"Sunday Morning"
Harmonium (1923)

Death

“The light falls so unfavorably on the altar that one can hardly discern the figures or enjoy the beauty of color and the delicacy of the heads and draperies which I executed with great care from nature and completely successfully according to the judgement of all. Therefore, seeing that all the merit in the work is thrown away and since I cannot obtain the honor due my efforts unless the results can be seen, I do not think I will unveil it.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625

Color, Nature, Thinking, Effort

“The pleasure that painting as a dumb art give us, is like what we have from misic, its beautiful forms, vlour and harmony are to the eye what sounds and the harmony are to the ear.”

Jonathan Richardson (1667–1745) English painter

Essay on the Theory of Painting (1725)

Pleasure, Art, Painting

“Carter gestured for silence. But the silence had already fallen. Archie, walking toward the platform for a close view of the proceedings, sucked in his breath, as if he were sipping this sweetest of all events. But he exhaled in surprise and stopped in his tracks as he saw Obie walk on the platform carrying the black box in his hands. Obie smiled maliciously when he caught Archie standing there in surprise, his mouth wide open in astonishment. No one had ever surprised the great Archie that way, and Obie's moment of triumph was a thing of beauty.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 243

Smile, Way, Silence, Box

“The stately Homes of England,
How beautiful they stand!
Amidst their tall ancestral trees,
O'er all the pleasant land.”

Felicia Hemans (1793–1835) English poet

The Homes of England http://digital.library.upenn.edu/women/hemans/records/homes.html, st. 1 (1828).

Home, Tree

“Beware of solipsism. Don't ever think you are the center of the world. Be very careful of assuming that you are the object of a divine design. That there's something special just about being you. That that's all you have to prove - that, why wouldn't a person such as yourself have God on their side; Why wouldn't it be - 'of course God would care who I slept with, what I ate, what holy day I observed, why would He not? Surely that's why the heavens are arranged in the starry beauty and array in the form they take.' -- You are forced to wonder, if maybe - even though it's a less beautiful thought - it could be that the galaxies are not arranged with you in mind.”

Christopher Hitchens (1949–2011) British American author and journalist

http://www.youtube.com/watch?v=5y0MD5Yxkgk?t=24m9s
Christopher Hitchens vs Douglas Wilson [2008]
2000s, 2008

God, World, Thinking, Personality

“Verily, the star of Azrael hovers over the birth of a beautiful woman, the King of the Dead laughs aloud, and ravens whet their black beaks.”

Robert E. Howard (1906–1936) American author

"The Road of Azrael" (1976)

Star, Birth, Dead

“Our beautiful planet is indeed worthy of our study; it was once our cradle—it will soon be our grave: between the dawn and the night of life, it is the scene of our busy action, and from it we shall rise to another state of being.”

Gideon Mantell (1790–1852) British scientist and obstetrician

Vol. 1
The Wonders of Geology (1839)

Life, Business, Study, Night

“Snow is so beautiful, it doesn't have to be useful.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

Parliament Hill Speech, Ottawa, Canada, (2 June 2009)
2000s

“The evolution of the New Era rests on the cornerstone of Knowledge and Beauty.”

Nicholas Roerich (1874–1947) Russian painter, writer, archaeologist, theosophist, enlightener, philosopher

Realm of Light Book II (1931) Epigraph

Knowledge

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Color, Tree, Light, Strong

“How I pity those whose childhood has been unhappy! to them one of the sweetest springs of feeling has been utterly denied, the most green and beautiful part of life laid waste.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Improvisatrice (1824)

Life, Feeling, Spring, Parting

“Yesterday we obeyed kings and bent our necks before emperors. But today we kneel only to truth, follow only beauty, and obey only love.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Children of Gods, Scions of Apes
The Vision: Reflections on the Way of the Soul (1994)

Love, Truth

“McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today—the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.”

Arnold Hano (1922) American writer

Hano, Arnold (1967). Greatest Giants of Them All. New York, NY: G.P. Putnam's Sons. pp. 248–249.
Sports-related

Men, Game, Nature, Teachers

“A green economy begins to replace some of the clunking and chugging of ugly machines with the wise effort of beautiful, skilled people. That means more jobs.”

Van Jones book The Green Collar Economy

The Green Collar Economy (2008)

People, Effort

“It has often been asserted that the polytheistic Hindu failed to establish a spiritual kinship with the monotheistic Muslim who held much that is Indian in scorn and still seeks his spiritual inspiration abroad. How can we say that India ignored the teachings of Islam when we find saints like Nanak and Chaitanya, Namdev and Tukaram, preaching the brotherhood of man and the futility of caste in matters spiritual? Although attempts on Hindu culture and institutions fill the pages of Indian history, how can we assert that Muslims ignored the appeal of Hindu culture when we find Muhammad Jayasi weaving a beautiful romance to illustrate the teachings of Hindu philosophy, when we read the simple devotional hymns of Kabir and Sheikh Farid, who refused to recognise the barriers of caste and creed on the high road to God’s kingdom? “Utter not one disagreeable word,” said Farid, “since the true lord is in all men. Distress no one’s heart for every heart is a precious jewel.” In the same strain did Kabir proclaim, “There is the same God for the Hindu as for the Muslim.””

Syama Prasad Mookerjee (1901–1953) Indian politician

A rejuvenated India found an Akbar to put an end to political chaos and social disharmony and a Shah Jahan to dream a dream in marble the like of which is not to be met in the world.
Speech delivered at Patna University Convocation on 27th November 1937.

Men, God, World, Dreams

“I simultaneously believe that languages are wonderful and awful. You have to hold both of those. Ugly things can be beautiful. And beautiful can get ugly very fast. You know, take Lisp. You know, it's the most beautiful language in the world. At least up until Haskell came along. (laughter) But, you know, every program in Lisp is just ugly. I don't figure how that works.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, "Present Continuous - Future Perfect"

World, Laughter

“You can see the existence of these beautiful signed languages which are incredibly visual, and they require space, they require space to grow.”

Emilio Insolera (1979) Actor and film producer

Transcript of Emilio Insolera on BBC Radio (October 9, 2017)

“It is our Christian task to make ourselves increasingly more free. As one of the beautiful hymns has it: “It is a long road to freedom”. There is a great danger that we will give in to external force or internal compulsion, thus jeopardizing our freedom.”

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, Kurien, 2011 “Theological Exploration,” Jnanadeepa: Pune Journal of Religious Studies 14/2 (July-Dec 2011)
On God

Freedom

“When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on... The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987

Life, Art, Thinking, Perfection

“The conception of life as constructive rather than antagonistic effort finds beautiful illustration in every approach that we make toward true civilization. You measure the quality and the value of the civilization of individuals or peoples, not by the houses which they live in or the clothes which they wear, but by the width and power of their sympathy.”

Charles Fletcher Dole (1845–1927) Unitarian minister, speaker, and writer

The Theology of Civilization (May 1899)

Life, People, Effort, Housing

“Your high beauty, which has no equal in the world, is painful to you except insofar as it seems to adorn and set off your lovely treasure of chastity.”

Francesco Petrarca Il Canzoniere

L'alta beltà ch'al mondo non à pare
noia t'è, se non quanto il bel thesoro
di castità par ch'ella adorni et fregi.
Canzone 263, st. 4
Il Canzoniere (c. 1351–1353), To Laura in Life

Love, Pain, World

“it has been long and justly remarked, that folly has ever sought alliance with beauty.”

Frances Burney book Evelina

Letter VI
Evelina (1778)

“No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.”

Martin Amis (1949) Welsh novelist

Review of The Essential Mailer by Norman Mailer, p. 267
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Death, Fear, Fools, Feeling

“Mathematical magic combines the beauty of mathematical structure with the entertainment value of a trick.”

Martin Gardner (1914–2010) recreational mathematician and philosopher

Mathematics, Magic, and Mystery https://books.google.com/books?id=-kOFBQAAQBAJ&pg=PR11#v=onepage&q=%22Mathematical%20magic%20combines%22%23v%3Dsnippet&f=false (1956), p. ix

Mathematics

“It whispers; all is waiting here
Kept safe for thee, year after year,
Beautiful songs in thousands;
Where hast thou been, where, where?”

Erik Axel Karlfeldt (1864–1931) Swedish poet

Attributed in Dag Hammarskjöld, Markings, tr. Leif Sjoberg and W. H. Auden (1964), journal entry for (October 1, 1957).

Waiting

“The essential difference between that knowledge which is, and that which is not conclusive evidence of Christian character, lies in this: the object of the one is the agreement of the several parts of a theological proposition; the object of the other is moral beauty, the intrinsic loveliness of God and Divine things. The sinner sees and hates; the saint sees and loves.”

Gardiner Spring (1785–1873) American clergyman

Quote reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 365.

Love, God, Hate, Knowledge

“I believe natural beauty stimulates the creative mind and it’s no wonder the residents have always had an affinity to the arts. Growing up I was surrounded by music, dance, theater, literature and given my father owned and operated the only two cinema halls in town, I was a very popular kid on Saturdays when traditionally the two would flock to see the latest “flick” that was playing at either the Capitol Cinema or The Rink”

Erick Avari (1952) Indian actor

formerly a roller skating rink

Art, Music, Literature, Nature

“Cause a costume can be comfortable
It can make you feel more beautiful
It can even make you look like someone else
But it's still you, so there's nothing you can do
Like a bad habit, the one you couldn't kick, there it always is
And it's nothing that no doctor's gonna fix.”

Conor Oberst (1980) American musician

We Are Free Men
There Is No Beginning to the Story (2003)

Feeling

“Many of the visions and revelations handed down as having been given by him are spurious. The miracles ascribed to him are all fabrications of Moslem zealots. He expressly and repeatedly disclaimed all miracles excepting the Koran; which, considering its incomparable merit, and the way in which it had come down to him from heaven, he pronounced the greatest of miracles. And here we must indulge a few observations on this famous document. While zealous Moslems and some of the most learned doctors of the faith draw proofs of its divine origin from the inimitable excellence of its style and composition, and the avowed illiteracy of Mahomet, less devout critics have pronounced it a chaos of beauties and defects; without method or arrangement; full of obscurities, incoherencies, repetitions, false versions of scriptural stories, and direct contradictions. The truth is that the Koran as it now exists is not the same Koran delivered by Mahomet to his disciples, but has undergone many corruptions and interpolations.”

Washington Irving (1783–1859) writer, historian and diplomat from the United States

Mahomet and his successors, George P. Putnam, 1850, p. 330-331.
Mahomet and his successors (1849)

Truth, Faith, Way, Learning

“He used to say that personal beauty was a better introduction than any letter; 18 but others say that it was Diogenes who gave this description of it, while Aristotle called beauty "the gift of God"; that Socrates called it "a short-lived tyranny"; Theophrastus, "a silent deceit"; Theocritus, "an ivory mischief"; Carneades, "a sovereignty which stood in need of no guards."”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Aristotle, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 5: The Peripatetics

God, Personality

“You touch her skin
And then you think
That she is beautiful
But she don't mean a thing to me”

Ben Gibbard (1976) American singer, songwriter and guitarist

Tiny Vessels
Transatlanticism (2003)

Thinking

“As every bird-watcher knows, the beauty of a bird's song is inversely correlated with the colourfulness of its plumage.”

Matt Ridley (1958) economist

Source: The Red Queen (1993), Ch. 5

Bird

“A religion so cheerless, a philosophy so sorrowful, could never have succeeded with the masses of mankind if presented only as a system of metaphysics. Buddhism owed its success to its catholic spirit and its beautiful morality.”

William Winwood Reade (1838–1875) British historian

Source: The Martyrdom of Man (1872), Chapter IV, "Intellect", p. 385.

Religion, Success

“I now began to collect pubic hair, which I figured was a much safer way to go. I’d look for pubic hair in every bathroom after the girls showered, and in my mind’s eye, I’d try to match up each hair with each girl, all the while imaging her beautiful, luscious, wet, hairy, good-feeling bush. I mean, this was the summer that our pool area just seemed to be full of girls all the time. I was quickly becoming a pubic hair expert”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

Way, Feeling, Girl, Time

“That's how it is
One day two paintings were hanging,
Right opposite each other
Really colorful and beautiful the one
And the other simple and honest
* That simplicity and truth are the characteristics
of science and of art.
Well, people can not understand that.
It was to the tinsel that they gave their favor.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (kort gedicht van Jozef Israëls, in het Nederlands):
Zoo is het
Er hingen eens twee schilderijen,
Juist vlak tegenover elkaar
Regt kleurig en schitterend de eene
En d'ander eenvoudig en waar
** Dat eenvoud en waarheid het kenmerk
Van wetenschap is en van kunst
Och, dat kan het volk niet begrijpen
En [aan] 't klatergoud schonk het zijn gunst.
A short poem of Israëls, written in his letter from The Hague, 13 Dec. 1876 to art-seller Pilgeram & Lefèvre in London; from collection of Fondation Custodia, Institut Neérlandais Paris, input no. 1971-A 506
Quotes of Jozef Israels, 1871 - 1900

People, Truth, Art, Color

“The traditional approach is from the periphery inwards, and through time, practice and renunciation, gradually to come upon that inner flower, that inner beauty and love — in fact to do everything to make oneself narrow, petty and shoddy; peel off little by little; take time; tomorrow will do, next life will do — and when at last one comes to the centre one finds there is nothing there, because one's mind has been made incapable, dull and insensitive.
Having observed this process, one asks oneself, is there not a different approach altogether — that is, is it not possible to explode from the centre?”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, (1969)

Love, Life, Flowers, Time

“.. And with dream awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew she had to vanish for a while from the human surface and make every sacrifice in order to create her world anew out of the depths.
And from that came
Life or Theater???”

Charlotte Salomon (1917–1943) German painter

original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen Und dabei entstand<brdas Leben oder das Theater??? Quote, probably 1943, in Charlotte Salomon: Life? or Theatre?, (ed.) Judith C. E. Belinfante et al, Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0, p. 38; as cited om Wikipedia these are the concluding words of the last overlay: JHM 4924-02 https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924, of the epilogue - quoting ideas of her former love in Germany Alfred Wolfsohn, she called him 'Amadeus Daberlohn' in her paintings

Life, World, Dreams, Sun

“The reclusive man who marries the gregarious woman, the timid woman who marries the courageous man, the idealist who marries the realist — we can all see these unions: the marriages in which tenderness meets loyalty, where generosity sweetens moroseness, where a sense of beauty eases some aridity of the spirit, are not so easy for outsiders to recognize; the parties themselves may not be fully aware of such elements in a good match.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Pleasures of Love.

Marriage, Courage, Sense, Loyalty

“"Leicester," she cried, "is this thy love
That thou so oft hast sworn to me,
To leave me in this lonely grove,
Immured in shameful privity?"No more thou com'st with lover's speed,
Thy once beloved bride to see;
But be she alive, or be she dead,
I fear, stern Earl, 's the same to thee."Not so the usage I received
When happy in my father's hall;
No faithless husband then me grieved,
No chilling fears did me appall."I rose up with the cheerful morn,
No lark more blithe, no flower more gay;
And like the bird that haunts the thorn,
So merrily sung the livelong day."If that my beauty is but small,
Among court ladies all despised,
Why didst thou rend it from that hall,
Where, scornful Earl, it well was prized?"”

William Julius Mickle Cumnor Hall

Stanzas 3–7
Cumnor Hall (1784)

Love, Fear, Flowers, Lovers

“Now it's almost as beautiful as Christmas [then Paula suddenly fell to the floor]…. What a pity! [her last words].”

Paula Modersohn-Becker (1876–1907) German artist

as quoted in: Paula Modersohn-Becker, the challenges of pregnancy and the weight of tradition, by Giorgina B. Piccoli and Scott L. Karakas; published in: 'Philosophy, Ethics, and Humanities in Medicine', 6 June 2011, p. 1; as quoted in: M. Bohlmann-Modersohn: Paula Modersohn-Becker: eine Biographie mit Briefen, Albrecht Knaus; Berlin 1995, p. 280
Paula had given birth to her (first) child, Mathilde, on 2 November 1907. Her sudden death, on 21 November 1907, due to thromboembolism, occurred almost immediately after she was allowed to leave her bed for the first time following her delivery; her biographers recount that she combed her hair, adorned it with red roses received as presents, and slowly walked to the living room, where her daughter was in her crib. Paula took the young daughter Mathilde (later called Tille) in her arms and fell down, suddenly.
1906 + 1907

Christmas

“Slow, slow, fresh fount, keep time with my salt tears:
Yet, slower, yet; O faintly, gentle springs:
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop herbs, and flowers,
Fall grief in showers,
Our beauties are not ours;
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature's pride is now, a withered daffodil.”

Ben Jonson Cynthia's Revels

Cynthia's Revels (1600), Act I, scene i

Music, Spring, Flowers, Nature

Quotes about beauty page 37

Quotes about beauty
page 37