Daniel Abraham Quotes

Daniel James Abraham , pen names M. L. N. Hanover and James S. A. Corey, is an American novelist, comic book writer, screenwriter, and television producer. He is best known as the author of The Long Price Quartet and The Dagger and the Coin fantasy series, and with Ty Franck, as the co-author of The Expanse series of science fiction novels, written under the joint pseudonym James S. A. Corey. The series has been adapted into the television series The Expanse , with both Abraham and Franck serving as writers and producers on the show.

Under the pseudonym M. L. N. Hanover, Abraham is the author of the Black Sun's Daughter urban fantasy series. With Franck, he wrote the Star Wars novel Honor Among Thieves , again as James S. A. Corey. Abraham collaborated with George R. R. Martin and Gardner Dozois to write the science fiction novel Hunter's Run . A frequent collaborator of Martin, Abraham has adapted several of Martin's novels into comic books and graphic novels, such as A Game of Thrones: The Graphic Novel, and has contributed to Martin's Wild Cards universe.

His short stories have appeared in numerous publications and anthologies, and have been collected in Leviathan Wept and Other Stories . Leviathan Wakes, book one of The Expanse, was nominated for the 2012 Hugo Award for Best Novel and the 2012 Locus Award for Best Science Fiction Novel. His novelette "Flat Diane" was nominated for the Nebula Award. His novelette "The Cambist and Lord Iron: a Fairytale of Economics" was nominated for the Hugo Award and the World Fantasy Award. Abraham is a graduate of Clarion West Writers Workshop 1998.



Wikipedia  

✵ 14. November 1969
Daniel Abraham photo
Daniel Abraham: 141 quotes2 likes

Famous Daniel Abraham Quotes

“It’s the problem with politics. Your enemies are often your allies. And vice versa.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 19 (p. 194)

“Liquor doesn’t make you feel better. Just makes you not so worried about feeling bad.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 42 (p. 427)

Daniel Abraham Quotes about people

“It’s good being young,” he said, “but some people wear it better than others.”

Daniel Abraham

Source: Nemesis Games (2015), Chapter 42 (p. 432)

“Thing about civilization, it’s what keeps people civil. You get rid of one, you can’t count on the other.”

Daniel Abraham

Source: Nemesis Games (2015), Chapter 30 (p. 316)

Daniel Abraham: Trending quotes

“What I want to do is write something that I could read now (39 years old, married, raising a kid, 10 year IT career behind me, post 9-11, post-Bush, etc.) with the same joy I read the Belgariad when I was 16.”

Daniel Abraham

talking about http://asoiaf.westeros.org/index.php/topic/30792-daniel-abraham/page__st__60 his epic fantasy series The Dagger and the Coin <br class="br">Context: For the moment, it&#x27;s called the Dagger and the Coin, but with any luck, that&#x27;ll swap out for a better name. There are some things in the proposal that need to get smoothed out so that everyone&#x27;s on board, but I think it&#x27;ll happen.<br>It&#x27;s a very different from the Long Price books. It looks and feels more like traditional epic fantasy -- quasi-Europe, ferinstance, and some dragons in the background, no 15-year gaps between books -- but the plot structure is packed with everything I think is cool. There are echoes I&#x27;m intentionally building in of from things as familiar as Firefly and The Count of Monte Cristo and as obscure as Tevis&#x27; Queen&#x27;s Gambit and Reck-Malleczewen&#x27;s Diary of a Man in Despair. And the magic system is all about faith and deception, which will be tricky and fun both.<br>What I want to do is write something that I could read now (39 years old, married, raising a kid, 10 year IT career behind me, post 9-11, post-Bush, etc.) with the same joy I read the Belgariad when I was 16.

“I think that the soul of fantasy—or second-world fantasy at least—is our problematic relationship with nostalgia.”

Daniel Abraham

Context: I don&#x27;t find fantasy to be more or less suited to philosophical questions than any other genre, really. I think that the soul of fantasy—or second-world fantasy at least—is our problematic relationship with nostalgia. The impulse to return to a golden age seems to be pretty close to the bone, at least in western cultures, and I wouldn&#x27;t be at all surprised if it&#x27;s a human universal. For me, it&#x27;s tied up with the experience of aging and the impulse to recapture youth. Epic fantasy, I think, takes its power from that. We create golden eras and either celebrate them or—more often—mourn their loss.<br><br>Interview with Peter Orullian http://orullian.com/writing/danielabraham_interview.html

“I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.”

Daniel Abraham

On his blog, talking about genre http://www.danielabraham.com/?p=160 <br class="br">Context: I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.<br>And since the thing that stories most often offer is comfort, you’ve found someplace rich with anxiety and uncertainty. (That’s what I meant when I said to Melinda Snodgrass that genre is where fears pool.)

Daniel Abraham Quotes

“I think there's a real tension between sophistication and accessibility.”

Daniel Abraham

interview with Locus Magazine, June 2008
Context: Writers are a basically insecure bunch. We are convinced that everything we do sucks, all the time. It's something you have to fight. The best way to make sure that your writing will never be particularly good is to use it for something besides telling the story. And I think there's a real tension between sophistication and accessibility.

“I was listening to Tim Powers talking and he said he didn't want his villains just defeated, he wanted them humiliated and destroyed. And I thought: 'I don't. I want my villains to be understood and forgiven.”

Daniel Abraham

interview with Jack Womack in Orbit Books Podcast http://www.orbitbooks.net/2011/04/27/orbit-podcast-episode-3-with-daniel-abraham/

“Too many dots,” Miller said. “Not enough lines.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 10 (p. 109)

“Never knew if you had any luck left unless you pushed it.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 18 (p. 187)

“The beautiful thing about losing your illusions, he thought, was that you got to stop pretending.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 18 (p. 184)

“The enlisted guys will be okay, but the officers get the sense of humor trained out of ’em.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 11 (p. 113)

“Miller was staring at him like an entomologist trying to figure out exactly where the pin went.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 45 (p. 457)

“He cut the connection before she could answer. Long goodbyes weren’t anyone’s strong suit.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 50 (p. 504)

“Say what you will about organized crime, at least it’s organized.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 2 (p. 20)

“She didn’t care. Not caring was how she got through the day.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 16 (p. 170)

“If Miller had ever been called upon to describe her, the phrase deceptive coloration would have figured in.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 2 (p. 21)

“All bluster, no balls.”

Daniel Abraham

Source: Leviathan Wakes (2011), Chapter 22 (p. 228)

“From where he was, the fear had stopped being an emotion and turned into an environment.”

Daniel Abraham

Source: Cibola Burn (2014), Chapter 45 (p. 458)

“There were a lot of holes in that logic that he carefully avoided thinking about.”

Daniel Abraham

Source: Cibola Burn (2014), Chapter 39 (p. 400)

“Human brains needed an answer, even if they had to make up something they knew was bullshit.”

Daniel Abraham

Source: Cibola Burn (2014), Chapter 22 (p. 219)

“We’re the ones who followed the rules here. We came with science teams and a hard dome. We hired them to build our landing platform, and they killed us. We’re the good guys here.”

Daniel Abraham

“And the moral high ground is a lovely place,” Marwick said, as if he were agreeing. “It won’t stop a missile, though.”
Source: Cibola Burn (2014), Chapter 15 (p. 156)

“Everything was an artifact of its function. That’s what made evolution so gorgeous.”

Daniel Abraham

Source: Cibola Burn (2014), Chapter 6 (p. 64)

“Some secrets stayed secrets because nobody knew them. Some because nobody told.”

Daniel Abraham

Source: Cibola Burn (2014), Chapter 5 (p. 55)

“When what came next didn’t matter, anybody could do anything. Nothing had consequences.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 46 (p. 472)

“He still wasn’t sure whether he believed it was true, even. But right now, it needed to be, and so it was.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 41 (p. 423)

“After a certain point, the past becomes irrelevant.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 38 (pp. 387-388)

“History is made up of people recovering from the last disaster.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 32 (p. 335)

“If you’re aiming not to creep me the hell out, you need more practice.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 25 (p. 264)

“Theological anthropology is a lot simpler when humans are the only ones with souls.”

Daniel Abraham

Source: Abaddon's Gate (2013), Chapter 12 (p. 129)

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