Quotes about beauty
page 35

Gloria Estefan photo
John Keats photo
Ben Jonson photo
Ezra Pound photo

“And for one beautiful day there was peace.”

Ezra Pound (1885–1972) American Imagist poet and critic

Notes for CXVII et seq
Drafts and Fragments of Cantos CX-CXVII

David Livingstone photo

“No one can imagine the beauty of the view from anything witnessed in England. It had never been seen before by European eyes; but scenes so lovely must have been gazed upon by angels in their flight.”

David Livingstone (1813–1873) Scottish explorer and missionary

Missionary Travels and Researches in South Africa http://www.gutenberg.org/files/1039/1039-h/1039-h.htm

Aleksis Kivi photo
Ned Rorem photo

“The beautiful are shyer than the ugly, for they move in a world that does not ask for beauty.”

Ned Rorem (1923–2022) American composer

[Who's Who in Contemporary Gay & Lesbian History: From World War II to the Present Day, ISBN 041522974X, 2001, Aldrich, Robert and Wotherspoon, Gary (eds)]

Jeffrey Tucker photo

“It represents a conscious rejection of the failed experience of the entire boomer generation, one that exalted tackiness above beauty, and sexual freedom above the liturgy of courtship.”

Jeffrey Tucker (1963) American writer

Source: "Saved by Swing" by Jeff Tucker, The Rothbard-Rockwell Report, August 1998, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1998aug-00004,

“The Raelian Movement is an atheistic religion that perfectly merges science and spirituality, and it includes many female priests. Men and women must rise above their previous cultural conditioning and look to the future with a new awareness encompassing beauty and femininity.”

Raël (1946) Author of Raëlism and founder and current leader of the Raëlian Movement

Spanish Raelian Movement supports Zapatero's female majority cabinet http://raelianews.org/news.php?extend.278, Raelianews.org (May 14, 2008).

Anton Chekhov photo

“Who but a stupid barbarian could burn so much beauty in his stove and destroy that which he cannot make?”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Act I
Uncle Vanya (1897)

“Hate leaves ugly scars, love leaves beautiful ones.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Love

Aldo Leopold photo

“Bread and beauty grow best together. Their harmonious integration can make farming not only a business but an art; the land not only a food-factory but an instrument for self-expression, on which each can play music to his own choosing.”

Aldo Leopold (1887–1948) American writer and scientist

"The Conservation Ethic" [1933]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 191.
1930s

Carl von Clausewitz photo
Gwyneth Paltrow photo
Pearl S.  Buck photo
Joseph Joubert photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Charles Lindbergh photo
Wolfgang Pauli photo
Henry James photo

“In art economy is always beauty.”

The Altar of the Dead.
Prefaces (1907-1909)

Shahrukh Khan photo

“I believe that my wife is the most beautiful woman in the world.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Pratim D. Gupta

John Ruskin photo
Halldór Laxness photo
Mary Astell photo

“Thus, whether it be wit or beauty that a man’s in love with, there are no great hopes of a lasting happiness; beauty, with all the helps of arts, is of no long date; the more it is, the sooner it decays; and he, who only or chiefly chose for beauty, will in a little time find the same reason for another choice.”

Mary Astell (1666–1731) English feminist writer

Reflection upon Marriage, as quoted in Astell: Political Writings, p. 42, by Mary Astell, Editor Patricia Springborg. Editorial Cambridge University Press, 1996. ISBN 0521428459.

Sarah Jessica Parker photo
Sun Myung Moon photo
Max Beckmann photo
Ken Ham photo
William Ellery Channing photo

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Lewis Pugh photo
Prem Rawat photo
Al Sharpton photo

“But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.”

Al Sharpton (1954) American Baptist minister, civil rights activist, and television/radio talk show host

From the 2004 DNC

Ayn Rand photo
Édouard Vuillard photo

“To say that a thing is beautiful is simply an act of faith, not a measurement on some kind of scale.”

Édouard Vuillard (1868–1940) French painter

2 April 1891.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940

Ono no Komachi photo

“Alas! The beauty
of the flowers has faded
and come to nothing,
while I have watched the rain,
lost in melancholy thought.”

Ono no Komachi (825–900) Japanese poet

Source: Helen Craig McCullough's translations, Kokin Wakashū: The First Imperial Anthology of Japanese Poetry (1985), p. 35

Ralph Waldo Emerson photo
Douglas MacArthur photo

“As I was leaving the hotel this morning, a doorman asked me, "Where are you headed, General?" and when I replied, "West Point," he remarked, "Beautiful place. Have you ever been there before?"”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

Source: Reminiscences (1964), p. 423

Dorothy Parker photo

““Age Before Beauty.” “Pearls Before Swine.””

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Widely attributed to Dorothy Parker and Clare Boothe Luce. “Age before beauty” said Luce while yielding the way. “And pearls before swine,” replied Parker while gliding through the doorway.
Attributed

William Dean Howells photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Thomas Eakins photo
Han-shan photo

“Liberal education is liberation from vulgarity. The Greeks had a beautiful word for “vulgarity”; they called it apeirokalia, lack of experience in things beautiful. Liberal education supplies us with experience in things beautiful.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

“What is liberal education,” p. 8
Liberalism Ancient and Modern (1968)

K-os photo

“We've put animals in categories. There's bad ones — rats and whatever — and there's beautiful ones like dogs and fluffy ones. And that's just gross. Man should love all animals equally and realize it's part of their family.”

K-os (1972) Canadian rapper, singer, songwriter and record producer

"k-os Is Never Silent About Animals", video interview with PETA (11 September 2012) https://www.youtube.com/watch?v=0kRYrf69tWE.

“That's five stars to start with. That's five stars to start with. That's Gil Evans, isn't it? The only thing that disturbed me about this—the whole thing, in its entirety, was tremendously satisfying: performance, orchestration is good, the harmonic usage is beautiful, the contrasting texture of orchestra, the whole thing is just great—but there are certain sections there when the background was so lovely it just seemed like the alto saxophone was out of place. Now this is the type of thing that just makes me smile. I enjoy every minute of it. I don't have to go for a "peak" and then think about something else while I'm listening. Gil Evans' writing, to me, is such a boon that when he came along with the Miles Ahead album, I was thankful, because since about the Stan Kenton Orchestra of 1952, where the writing had been very good, between Mulligan and Rugolo and the whole works, between those periods there had been a void, a retrogression back to the roots, and this took writing back to a standpoint which just wasn't interesting. So when Evans came along, I just flipped.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Evans' arrangement https://www.youtube.com/watch?v=ao4dcHdoR4k of Dizzy Gillespie's "Manteca,", from New Bottle, Old Wine; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Halldór Laxness photo
Matthew Arnold photo

“What really dissatisfies in American civilisation is the want of the interesting, a want due chiefly to the want of those two great elements of the interesting, which are elevation and beauty.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

" Civilization in the United States http://etext.virginia.edu/etcbin/toccer-new2?id=ArnCivi.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=all" (1888)

Stephen Foster photo
Jennifer Beals photo

“[On meditation] …that's the single most important thing that I do…there's something about understanding who you truly are. The essence of everyone is so beautiful that it's startling.”

Jennifer Beals (1963) American actress and a former teen model

Better Nutrition magazine (March 2004) http://jennifer-beals.com/images/press_images/better_nutrition/better4.jpg.

Stephenie Meyer photo
Walt Whitman photo
John Greenleaf Whittier photo

“The Beauty which old Greece or Rome
Sung, painted, wrought, lies close at home.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

To ———, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Robert A. Heinlein photo

“Boats and ships are female because they are beautiful, lovable, expensive—and unpredictable.”

Source: I Will Fear No Evil (1970), Chapter 26, p. 452

Helen Maria Williams photo
James Joyce photo
John Fante photo
Steve Jobs photo
Jean Cocteau photo

“Hasten slowly. Run faster than beauty.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Makoto Shinkai photo

“It is a part of puberty that we just want to go somewhere far away. We only have a vague image, like behind that mountain or a place more beautiful…”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Otaku Mode https://otakumode.com/news/51a71457e918f6a32a072a6e/Interview-with-Director-Makoto-Shinkai-on-His-New-Work-ldquo-The-Garden-of-Words-rdquo-Vol-2
About The Garden of Words

Paul Klee photo

“.. I served Beauty by drawing her enemies.”

Paul Klee (1879–1940) German Swiss painter

Quote of Paul Klee, from 'Diaries I', 1901; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
on his caricatures and his satirical drawings Klee made then
1895 - 1902

Bill Burr photo

“Oh look, an ATM! Ok, here we go! I lost all my money, now what do I do? Get a gun! Rob a casino! Good idea! Look at all the lights! This is beautiful.”

Bill Burr (1968) American actor, comedian and a celebrity podcaster

Premium Blend, episode [2.03], June 20, 1998

Wassily Kandinsky photo

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Ludwig Tieck photo

“The truly beautiful, the great and sublime, when it overpowers us with astonishment and admiration, still does not surprise us as a thing foreign, never heard of, never seen; but, on the other hand, our own inmost nature in such moments becomes clear to us, our deepest remembrances are awakened, our dearest feelings made alive.”

Ludwig Tieck (1773–1853) German poet, translator, editor, novelist, and critic

Das wahrhaft Schöne, Große und Erhabene, so wie es uns in Erstaunen und Verwunderung setzt, überrascht uns doch nicht als etwas Fremdes, Unerhörtes und Niegesehenes, sondern unser eigenstes Wesen wird uns in solchen Augenblicken klar, unsre tiefsten Erinnerungen werden erweckt, und unsre nächsten Empfindungen lebendig gemacht.
"Der Pokal", from Phantasus (1812-16) http://ftp.gwdg.de/pub/misc/gutenberg-de/1996/gutenb/tieck/pokal/pokal2.htm; translation from Thomas Carlyle German Romance: Specimens of its Chief Authors, (London: Tait, 1827), vol. 2, p. 163.

Vita Sackville-West photo
Thorstein Veblen photo
Jack Vance photo
Bhakti Tirtha Swami photo
Dylan Moran photo
John Keats photo
Phillis Wheatley photo

“Creation smiles in various beauty gay
While day to night, and night succeeds day”

Phillis Wheatley (1753–1784) American poet

Works of Providence from Poems on Various Subjects kindle ebook ASIN B0083ZJ7SU

Joseph Joubert photo
Hendrik Lorentz photo
Vincent Van Gogh photo
Donald J. Trump photo

“Sad to see the history and culture of our great country being ripped apart with the removal of our beautiful statues and monuments. You can't change history, but you can learn from it. Robert E Lee, Stonewall Jackson - who's next, Washington, Jefferson? So foolish!”

Donald J. Trump (1946) 45th President of the United States of America

Tweets by @realDonaldTrump https://twitter.com/realDonaldTrump/status/898169407213645824 (17 August 2017)
2010s, 2017, August

Herbert Giles photo
Moshe Safdie photo
Arshile Gorky photo
John Muir photo

“All Nature's wildness tells the same story: the shocks and outbursts of earthquakes, volcanoes, geysers, roaring, thundering waves and floods, the silent uprush of sap in plants, storms of every sort, each and all, are the orderly, beauty-making love-beats of Nature's heart.”

John Muir (1838–1914) Scottish-born American naturalist and author

" Three Adventures in the Yosemite http://books.google.com/books?id=k8dZAAAAYAAJ&pg=P656", The Century Magazine volume LXXXIII, number 5 (March 1912) pages 656-661 (at page 661); modified slightly and reprinted in The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 4: Snow Banners
1910s

Bram van Velde photo

“The beauty other people create is not for the artists. Artists have to live alone.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

“People come to see beauty, and I dance to give it to them.”

Judith Jamison (1943) American dancer

WomenSports magazine, p. 14 (September 1975)

Germaine Greer photo
Victor Villaseñor photo

“A time will come, a time will come,
(Though the world will never be quite the same),
When the people sit in the summer sun,
Watching, watching the beautiful game.”

Arnold Wall (1869–1966) university professor, philologist, poet, mountaineer, botanist, writer, radio broadcaster

Poem: A Time Will Come (1915); Cited in: John Arlott, ‎Fred Trueman (1971) Arlott and Trueman on cricket. p. 173
He is referring to cricket; later, "the beautiful game" was used to describe football.

Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Robert M. Pirsig photo
J. William Fulbright photo
Princess Madeleine, Duchess of Hälsingland and Gästrikland photo
Terence McKenna photo

“Poor shepherdless sheep! it was His delight, as the Good Shepherd, to lead them to rich pastures; and as they sat and stood around Him, they forgot their bodily wants in the beauty and power of His words.”

John Cunningham Geikie (1824–1906) Scottish Presbyterian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 59.