Quotes about writing
page 4

Vladimir Nabokov photo
Louisa May Alcott photo
Mark Twain photo

“Write without pay until somebody offers to pay.”

Mark Twain (1835–1910) American author and humorist
Thomas Mann photo

“A writer is somebody for whom writing is more difficult than it is for other people.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Source: Essays of Three Decades (1942)

Blaise Pascal photo
Isaac Asimov photo

“I write for the same reason I breathe - because if I didn't, I would die.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …
Karen Blixen photo
Flannery O’Connor photo

“I write to discover what I know.”

Flannery O’Connor (1925–1964) American novelist, short story writer
William Shakespeare photo
Bertrand Russell photo

“Your writing is never as good as you hoped; but never as bad as you feared.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist
William Shakespeare photo
Clarice Lispector photo
Virginia Woolf photo
Nelson Algren photo
Ovid photo

“or that writing a poem you can read to no one
is like dancing in the dark.”

Ovid (-43–17 BC) Roman poet

Source: The Poems of Exile: Tristia and the Black Sea Letters

Emil M. Cioran photo
Terry Pratchett photo
Flannery O’Connor photo

“Not-writing is a good deal worse than writing.”

Flannery O’Connor (1925–1964) American novelist, short story writer

Source: The Habit of Being: Letters of Flannery O'Connor

Arthur Miller photo
William Faulkner photo
Tom Waits photo

“The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.”

Tom Waits (1949) American singer-songwriter and actor

Interviewed by J. T. LeRoy, "Strange Innocence," Vanity Fair, July 2001

Chuck Dixon photo
Dmitri Shostakovich photo

“The real geniuses know where their writing has to be good and where they can get away with some mediocrity.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

In conversation with Isaac Glikman, July 4, 1966; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 355.

Benjamin Disraeli photo
H.P. Lovecraft photo

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Ransom Riggs photo
George Lincoln Rockwell photo
Fernando Pessoa photo

“I sometimes think, with a sad delight, that if one day, in a future I no longer belong to, these sentences, that I write, last with praise, I will at last have the people who understand me, those mine, the true family to be born in and be loved. […] I will only be understood in effigy, when affection no longer repays the dead the unaffection that was, when living.”

Ibid., p. 182
The Book of Disquiet
Original: Penso as vezes, com um deleite triste, que se um dia, num futuro a que eu já não pertença, estas frases, que escrevo, durarem com louvor, eu terei enfim a gente que me "compreenda", os meus, a família verdadeiro para nela nascer e ser amado. [...] Serei compreendido só em efígie, quando a afeição já não compense a quem morreu a só desafeição que houve, quando vivo.

Richard Wagner photo

“I am writing Parsifal only for my wife — if I had to depend on the German spirit, I should have nothing more to say.”

Richard Wagner (1813–1883) German composer, conductor

2 December 1877
Cosima Wagner's Diaries (1978)

Saul Bellow photo

“There is only one way to defeat the enemy, and that is to write as well as one can. The best argument is an undeniably good book.”

Saul Bellow (1915–2005) Canadian-born American writer

Quoted by Granville Hicks in The Living Novel: A Symposium (Macmillan, 1957; digitized version in 2006), p. ix
General sources

Plato photo

“Socrates: The disgrace begins when a man writes not well, but badly.
Phaedrus: Clearly.
Socrates: And what is well and what is badly—need we ask Lysias, or any other poet or orator, who ever wrote or will write either a political or any other work, in metre or out of metre, poet or prose writer, to teach us this?”

258d (tr. Benjamin Jowett)
paraphrased in Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig: "And what is good, Phaedrus, and what is not good—need we ask anyone to tell us these things?"
Phaedrus

Muhammad photo
Murasaki Shikibu photo
Albert Schweitzer photo
Abraham Lincoln photo

“Some more in this convention came from Kentucky to Illinois (instead of going to Missouri), not only to better their conditions, but also to get away from slavery. They have said so to me, and it is understood among us Kentuckians that we don't like it one bit. Now, can we, mindful of the blessings of liberty which the early men of Illinois left to us, refuse a like privilege to the free men who seek to plant Freedom's banner on our Western outposts? Should we not stand by our neighbors who seek to better their conditions in Kansas and Nebraska? Can we as Christian men, and strong and free ourselves, wield the sledge or hold the iron which is to manacle anew an already oppressed race? "Woe unto them," it is written, "that decree unrighteous decrees and that write grievousness which they have prescribed."”

Abraham Lincoln (1809–1865) 16th President of the United States

Can we afford to sin any more deeply against human liberty?
From the Speech Delivered Before the First Republican State Convention of Illinois, Held at Bloomington (1856); found in Speeches & Letters of Abraham Lincoln, 1809-1865 (1894), J. M. Dent & Company, p. 56.
Also quoted by Ida Minerva Tarbell, The Life of Abraham Lincoln: Drawn from Original Sources and Containing Many Speeches, Letters, and Telegrams Hitherto Unpublished, and Illustrated with Many Reproductions from Original Paintings, Photographs, etc, Volume 4 (1902), Lincoln History Society http://lincolnhistoricalsociety.org/; and by William C. Whitney; in The Writings of Abraham Lincoln, v. 2' . (1905) Lapsley, Arthur Brooks, New York: G.P. Putnam's Sons
1850s

A.C. Bhaktivedanta Swami Prabhupada photo

“Prabhupada: Yes. That is Tulasi dasa’s remark. So in many passages of his poetry he has not done very justice to woman. And another poetry, he writes, dhol gunar sudra nari. Dhol gunar sudra nari ihe sab sasan ke adhikari. (?) Dhol gunar pasu sudra nari, ihe sab sasan ke adhikari. Dhol, dhol means drum, mrdanga. Gunar, gunar means… What is called English? A fool, fool. Illiterate fool, what is one word?
Brahmananda: Buffoon?
Prabhupada: Maybe buffoon. Buffoon is sometimes troublesome. But gunar means he doesn’t understand very nicely.
Brahmananda: Dullard.
Prabhupada: Dull, dull. Dhol gunar, dhol means drum and gunar means dull. Sudra, and the laborer class. Three. Dhol, gunar, sudra, and pasu, household animals, just like cows, dogs.
Brahmananda: Pet.
Prabhupada: Pet, like that. Dhol gunar sudra pasu and nari. Nari means woman. (laughs) Just see. He has classified the nari amongst these class, dhol, gunar, sudra, pasu, nari. Ihe sab sasan ke adhikari. Sasan ke adhikari means all these are subjected for punishment. And what about the guest?
Govinda dasi: Oh, the guest? It’s coming.
Prabhupada: So sasan ke adhikari means they should be punished. (laughs) Punished means, just like dhol, when the, I mean to say, sound is not very hard, dag-dag, if you beat it on the border, then it comes to be nice tune. Similarly, pasu, animals, if you request, “My dear dog, please do not go there.” Hut! (laughter) “No, my dear dog.” Hut! This is the way.(?) Similarly, woman. If you become lenient, then she will be troublesome. So in India still, in villages, whenever there is some quarrel between husband wife, the husband beats and she is tamed. (laughs) In civilized society, “Oh, you have done this?” Immediately some criminal case. But in uncivilized society they don’t care for court or civilized way of…”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Conversation, New York, April 12, 1969 PrabhupadaBooks.com http://prabhupadabooks.com/conversations/1969/apr/new_york/april/12/1969?d=1
Quotes from other Sources, Quotes from other Sources: Violence and Dictatorship

Chris Colfer photo
Francisco Varela photo
Sharon Stone photo

“An individual who isn't worth the ink it would take to write about him.”

Sharon Stone (1958) American actress and fashion model

About Steven Seagal
Sharon Stone tells all and then some http://web.archive.org/web/20030220075717/http://www.salon.com/people/col/reit/1999/08/13/stone/

Jascha Heifetz photo

“I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

Rich Mullins photo

“The Bible is such an interesting book to me, because it says so many things that you can't really follow it all, I don't think, can you? So I guess that's why God invented highlighters, so we could find the parts we especially like and mark them up and just follow that, cause I think if you follow any of it, you're doing pretty good, except for the part - my favorite part - did you know the most reiterated command in the whole Bible is the command to sing? Now there must be a reason for that. And uh, that's why I sing. I don't really enjoy it, I think it's hard work. I like writing, but I sing because I figure if you find a command that easy to follow you should do it a whole lot. Cause the rest of them are kinda rough, except the first command, the one to be fruitful and multiply. Most people I know have trouble not keeping that command. That's the thing that cracks me up about you know, proof-texting too. Everyone's proof-texting this book about Christ and Christ Himself said, you know, you search the Scriptures to find life, and you're not gonna find it there. But no one underlined that part, not even my folks, because we live in a time when we have come to believe that there are answers… and I don't know why we believe that. And even more worrisome is I'm not even sure why we ever came to believe that questions are all that important.”

Rich Mullins (1955–1997) American christian musician

Wheaton, Illinois http://www.kidbrothers.net/words/concert-transcripts/wheaton-illinois-sep1590-backup-copy.html (April 11, 1997)
In Concert

Prem Rawat photo
Ludwig von Mises photo
Kenzaburō Ōe photo
Kurt Vonnegut photo
Claude Monet photo
Burt Rutan photo
José Saramago photo
Aleksandr Pushkin photo

“Pimen [writing in front of a sacred lamp]:
One more, the final record, and my annals
Are ended, and fulfilled the duty laid
By God on me a sinner. Not in vain
Hath God appointed me for many years
A witness, teaching me the art of letters;
A day will come when some laborious monk
Will bring to light my zealous, nameless toil,
Kindle, as I, his lamp, and from the parchment
Shaking the dust of ages will transcribe
My true narrations.”

(Variant translation):
One more story, just one more,
And then my history's completed,
All my chronicles written down
And my sinner's debt repaid to God.
Not for nothing.
The Lord appointed me to bear witness
For many many years and it was he
Taught me the art of creating books.
One day, in the far future,
some hard-working monk
Will find my painstaking,
anonymous writings.
He'll light his lamp,
as I light mine,
He'lll shake the dust of centuries from these scrolls.
Then he'll copy out, carefully, these true accounts,
So the descendants of today's Christians
May know the past of their native land
Remember their mighty Tsars warmly
For their glory and their knidness
And our Lord's mercy on their sins and crimes.
In my old age I live my life anew.
Pushkin, Alexander (2012). Pushkin's Boris Gudunov. Oberon Books.
Boris Godunov (1825)

Kurt Vonnegut photo

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.”

A close paraphrase of this (beginning "Do not use...") is repeated in a commencement address at Cloves Hall, 27 April 2007, as reprinted in Armageddon in Retrospect
A Man Without a Country (2005)

John Lennon photo
Andreas Vesalius photo
José Saramago photo

“Every novel is like this, desperation, a frustrated attempt to save something of the past. Except that it still has not been established whether it is the novel that prevents man from forgetting himself or the impossibility of forgetfulness that makes him write novels.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Todo o romance é isso, desespero, intento frustrado de que o passado não seja coisa definitivamente perdida. Só não se acabou ainda de averiguar se é o romance que impede o homem de esquecer-se ou se é a impossibilidade do esquecimento que o leva a escrever romances.
Source: The History of the Siege of Lisbon (1989), p. 47

Kenzaburō Ōe photo
Fernando Pessoa photo

“If a man can only write well when drunk, I'll tell him: get drunk. And if he tells me that his liver suffers with it, I'll answer: what's your liver? It's a dead thing that lives as long as you live, and the poems you'll write will live without a as long as.”

English note by the hand of the poet in the same paper sheet: Your poems are of interest to mankind; your liver isn't. Drink till you write well and feel sick. Bless your poems and be damned to you.
Ibid., p. 229
The Book of Disquiet
Original: Se um homem escreve bem só quando está bêbado dir-lhe-ei: embebede-se- E se ele me disser que o seu fígado sofre com isso, respondo: o que é o seu fígado? É uma coisa morta que vive enquanto você vive, e os poemas que escrever vivem sem enquanto.

John Lennon photo
Virginia Woolf photo
Georgie Hyde-Lees photo

“After your death people will write of your love affairs, but I shall say nothing, because I will remember how proud you were.”

Georgie Hyde-Lees (1892–1968) Wife of Yeats

Quoted in Richard Ellman A Long the Riverrun: Selected Essays (1988), p. 253

Gene Simmons photo

“We can't be The Beatles. I can't shine their shoes. I can't sing as well as Paul or John. I can't write those kind of songs. But they would die in my armour and my eight-inch platform heels, and Paul can't spit fire, so there you have it.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

Mojo magazine (December 2009), p. 40.

Anne Frank photo

“However, during the third class he'd finally had enough. "Anne Frank, as punishment for talking in class, write an essay entitled, Quack, Quack, Quack, Said Mistress Chatterback."”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

Writing a story about a teacher who is scolding her for being talkative in class. Variant translations: Quack, Quack, Quack, Said Miss Quackenbush. / Quack, Quack, Quack, Said Miss Natterbeak.
21 June 1942
(1942 - 1944)

Bruce Springsteen photo
George Whitefield photo

“I have just put my soul as a blank into the hand of Jesus, my Redeemer, and desired Him to write on it what He pleases; I know it will be His image.”

George Whitefield (1714–1770) English minister and preacher

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 543.

Greg Bear photo
Virginia Woolf photo
Lady Gaga photo
Abraham Lincoln photo
Jean Jacques Rousseau photo
Vytautas Juozapaitis photo
Pierre Beaumarchais photo

“If censorship reigns, there cannot be sincere flattery, and none but little men are afraid of little writings.”

Sans la liberté de blâmer, il n'est point d'éloge flatteur; et qu'il n'y a que les petits hommes qui redoutent les petits écrits.
Act V, scene iii
The Marriage of Figaro (1778)

Michael Jackson photo
Chris Colfer photo

““I think I just want to leave my mark in some way. I hope I leave the world a better place than it was when I came, and I think the best way I can do that is through acting and writing, and hopefully it will make a difference someday.” —Chris Colfer, How would you like to be remembered?”

Chris Colfer (1990) actor, singer, book author

Interview Quotes, Random Quotes
Source: http://filmreviewonline.com/2012/09/08/glee-chris-colfer/, Online Film Review's journalist Judy Sloane pry's information from Chris Colfer at a party.

Lana Del Rey photo
Virginia Woolf photo
Henri Barbusse photo
John Lennon photo
Virginia Woolf photo
Cesare Borgia photo

“However much Rome may be in the habit of speaking and writing, for my own part, I shall give these libellers a lesson in good manners.”

Cesare Borgia (1475–1507) Duke of Romagna and former Catholic cardinal

Cesare to his father, Pope Alexander VI, (November, 1501), as quoted by Rafael Sabatini, 'The Life of Cesare Borgia', Chapter XI: The Letter to Silvio Savelli.

J. J. Thomson photo
Jordan Peterson photo
Emil M. Cioran photo

“For a writer, to change languages is to write a love letter with a dictionary.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Andrei Tarkovsky photo
Edward Gibbon photo
Mark Twain photo

“We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast; get too angry; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom.
We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom and lie too often. We've learned how to make a living, but not a life; we've added years to life, not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet the new neighbor. We've conquered outer space, but not inner space; we've done larger things, but not better things; we've cleaned up the air, but polluted the soul; we've split the atom, but not our prejudice; we write more, but learn less; plan more, but accomplish less; we make faster planes, but longer lines; we learned to rush, but not to wait; we have more weapons, but less peace; higher incomes, but lower morals; more parties, but less fun; more food, but less appeasement; more acquaintances, but fewer friends; more effort, but less success. We build more computers to hold more information, to produce more copies than ever, but have less communication; drive smaller cars that have bigger problems; build larger factories that produce less. We've become long on quantity, but short on quality.
These are the times of fast foods and slow digestion; tall men, but short character; steep in profits, but shallow relationships. These are the times of world peace, but domestic warfare; more leisure and less fun; higher postage, but slower mail; more kinds of food, but less nutrition. These are the days of two incomes, but more divorces; these quick trips, disposable diapers, cartridge living, throw-away morality, one-night stands, overweight bodies and pills that do everything from cheer, to prevent, quiet or kill. It is a time when there is much in the show window and nothing in the stock room.”

"The Paradox of Our Age"; these statements were used in World Wide Web hoaxes which attributed them to various authors including George Carlin, a teen who had witnessed the Columbine High School massacre, the Dalai Lama and Anonymous; they are quoted in "The Paradox of Our Time" at Snopes.com http://www.snopes.com/politics/soapbox/paradox.asp
Words Aptly Spoken (1995)

Leonardo Da Vinci photo
Stan Lee photo
Jean Jacques Rousseau photo
Adele (singer) photo

“I don't really need to stand out, there's room for everyone. Although I haven't built a niche yet, I'm just writing love songs.”

Adele (singer) (1988) British singer-songwriter

as quoted in Adele - The Biography (2011), by Chas Newkey-Burden.

Ali Khamenei photo

“To the Youth in Europe and North America,
The recent events in France and similar ones in some other Western countries have convinced me to directly talk to you about them. I am addressing you, [the youth], not because I overlook your parents, rather it is because the future of your nations and countries will be in your hands; and also I find that the sense of quest for truth is more vigorous and attentive in your hearts.
I don’t address your politicians and statesmen either in this writing because I believe that they have consciously separated the route of politics from the path of righteousness and truth.
I would like to talk to you about Islam, particularly the image that is presented to you as Islam. Many attempts have been made over the past two decades, almost since the disintegration of the Soviet Union, to place this great religion in the seat of a horrifying enemy. The provocation of a feeling of horror and hatred and its utilization has unfortunately a long record in the political history of the West.
Here, I don’t want to deal with the different phobias with which the Western nations have thus far been indoctrinated. A cursory review of recent critical studies of history would bring home to you the fact that the Western governments’ insincere and hypocritical treatment of other nations and cultures has been censured in new historiographies.
The histories of the United States and Europe are ashamed of slavery, embarrassed by the colonial period and chagrined at the oppression of people of color and non-Christians. Your researchers and historians are deeply ashamed of the bloodsheds wrought in the name of religion between the Catholics and Protestants or in the name of nationality and ethnicity during the First and Second World Wars. This approach is admirable.
By mentioning a fraction of this long list, I don’t want to reproach history; rather I would like you to ask your intellectuals as to why the public conscience in the West awakens and comes to its senses after a delay of several decades or centuries. Why should the revision of collective conscience apply to the distant past and not to the current problems? Why is it that attempts are made to prevent public awareness regarding an important issue such as the treatment of Islamic culture and thought?
You know well that humiliation and spreading hatred and illusionary fear of the “other” have been the common base of all those oppressive profiteers. Now, I would like you to ask yourself why the old policy of spreading “phobia” and hatred has targeted Islam and Muslims with an unprecedented intensity. Why does the power structure in the world want Islamic thought to be marginalized and remain latent? What concepts and values in Islam disturb the programs of the super powers and what interests are safeguarded in the shadow of distorting the image of Islam? Hence, my first request is: Study and research the incentives behind this widespread tarnishing of the image of Islam.
My second request is that in reaction to the flood of prejudgments and disinformation campaigns, try to gain a direct and firsthand knowledge of this religion. The right logic requires that you understand the nature and essence of what they are frightening you about and want you to keep away from.”

Ali Khamenei (1939) Iranian Shiite faqih, Marja' and official independent islamic leader

Message of Ayatollah Seyyed Ali Khamenei To the Youth in Europe and North America http://english.khamenei.ir//index.php?option=com_content&task=view&id=2001, Khamenei.ir (January 21, 2015)
2015

Hilaire Belloc photo
Françoise Sagan photo
Rasmus Lerdorf photo

“I don't know how to stop it, there was never any intent to write a programming language […] I have absolutely no idea how to write a programming language, I just kept adding the next logical step on the way.”

Rasmus Lerdorf (1968) Danish programmer and creator of PHP

Itconversations.com http://itc.conversationsnetwork.org/shows/detail58.html quoted in www.dasgenie.com http://www.dasgenie.com/scrap/archives/000060.html

H.P. Lovecraft photo
Anthony de Mello photo