Billy the Kid's comment to a Las Vegas Gazette reporter (December, 1880)
About Billy the Kid website http://www.aboutbillythekid.com/index.html
Quotes about writing
page 5
" A Few Words on Secret Writing http://www.lfchosting.com/eapoe/works/essays/fwsw0741.htm" in Graham's Magazine (July 1841).
Jan Hus (1415); quoted in: Encyclopaedia Britannica: A Dictionary of Arts, Sciences, and General Literature, Volume 12, 1891, p. 401
Je vais t'entretenir de moindres aventures,
Te tracer en ces vers de légères peintures;
Et si de t'agréer je n'emporte le prix,
J'aurai du moins d'honneur de l'avoir entrepris.
Book I (1668), Dedication "To Monseigneur the Dauphin".
Fables (1668–1679)
Jöns Jacob Berzelius, Essay on the Cause of Chemical Proportions, and on some circumstances relating to them: together with a short and easy method of expressing them', Annals of Philosophy, 1814, 3,51-2.
Reading Rockets interview http://www.readingrockets.org/books/interviews/stine/transcript hi you know it’s me cardi B
Kathleen Norris, on the publication of her seventy-eighth book, as cited in: James Charlton. The Writer's quotation book. 1985. p. 34
Letter to Walter Ulbricht, January 7, 1964. Russell would later write, in his autobiography: "The abduction and imprisonment by the East Germans of Brandt, who had survived Hitler's concentration camps, seemed to me so inhuman that I was obliged to return to the East German Government the Carl von Ossietzky medal which it had awarded me. I was impressed by the speed with which Brandt was soon released".
1960s
Source: Das Gewicht der Welt [The Weight of the World], p. 16
Letter to Isaac Glikman, February 26, 1960; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 354.
V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181
Interview with Katherine Vaz, José Saramago http://bombsite.com/issues/999/articles/3565, BOMB Magazine, June 2001.
Part III: Man and Himself, Ch. 20: The Happy Man, p. 201
1950s, New Hopes for a Changing World (1951)
Introduction, p. viii.
On Writing Well (Fifth Edition, orig. pub. 1976)
In a letter to his friend Peiresc, Dec. 1634 - LPPR, 393; as quoted by Simon Schrama, in Rembrandt's eyes, Alfred A. Knopf - Borzoi Books, New York 1999, p. 403
At a speed which was daunting even for someone of his facility, Rubens was asked to supply the designs for four stages and five triumphal arches in the city Antwerp. Though he could rely on his scholarly friends for help with the allegorical program and his workshop for assistance in fabricating them, he still became 'overburdened' with the work
1625 - 1640
Robert Burns Woodward, "Art and Science in the Synthesis of Organic Compounds: Retrospect and Prospect," in Pointers and Pathways in Research (Bombay:CIBA of India, 1963).
1860s, "If Slavery Is Not Wrong, Nothing Is Wrong" (1864)
Video acceptance speech of the D.W. Griffiths Lifetime Achievement Award (1999) - video and transcript http://www.indelibleinc.com/kubrick/kubrick-dga.html
Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill
Letter to Weird Tales editor Edwin Baird printed in Weird Tales 3, no. 3 (March 1924), pp. 89-92. Quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 122
Non-Fiction, Letters
Source: “ 25:13 Our Only Hope Will Come Through Rebellion http://www.youtube.com/watch?v=TOlg_2qAbUA” (2014)
Preview; lead paragraph
The Administrative State, 1948
On his Tractatus Logico-Philosophicus, in a letter to Ludwig von Ficker (1919), published in Wittgenstein : Sources and Perspectives (1979) by C. Grant Luckhard
1910s
Source: [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 117-18]
Ibid., p. 56
The Book of Disquiet
Original: Tenho neste momento tantos pensamentos fundamentais, tantas coisas verdadeiramente metafísicas para dizer, que me canso de repente, e decido não escrever mais, não pensar mais, mas deixar que a febre de dizer me dê sono, e eu faça festas, como a um gato, a tudo quanto poderia ter dito.
Concepts
in a letter from Zaandam, The Netherlands, to Camille Pissarro (still in England), 17 June 1871; Cited in: Marianne Alphant (1994), Claude Monet en Holland, p. 87
1870 - 1890
On board H.M.S. Bellerophon (August 1815)
“When you are happy it is harder to write”
songs
Gayle King XM satellite radio program (October 23, 2006)
2007, 2008
On Willy Loman in Death of a Salesman, as quoted in The New York Times (9 May 1984)
Letter to Pierre Chanut (Nov. 1, 1646) as quoted by Amir Aczel, Descartes' Secret Notebook (2005) citing René Descartes: Correspondance avec Elizabeth et autres lettres (1989) ed., Jean-Marie and M. Beysaade, pp. 245-246.
“How divine scripture should be interpreted,” On First Principles, book 4, chapter 2, Readings in World Christian History (2013), p. 70
On First Principles
I've been doing it now for 30 years. Some of the fans are older, but I've picked up new fans along the way.
Launch.com, October 30, 1998
Hugging the Shore, foreword (1983)
2008, A More Perfect Union (March 2008)
“Writing poetry after Auschwitz is barbaric.”
[N]ach Auschwitz ein Gedicht zu schreiben, ist barbarisch...
Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.
Kulturkritik und Gesellschaft [Cultural Criticism and Society] (1951); this quote is more famously known in the forms "No poetry after Auschwitz" or "There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz."
Tweet https://twitter.com/BarackObama/status/248112876240379904 (18 Sep 2012)
2012
The Problem of China (1922), Ch. XI: Chinese and Western Civilization Contrasted
1920s
Nun aber schien Sokrates die tragische Kunst nicht einmal "die Wahrheit zu sagen": abgesehen davon, dass sie sich an den wendet, der "nicht viel Verstand besitzt", also nicht an den Philosophen: ein zweifacher Grund, von ihr fern zu bleiben. Wie Plato, rechnete er sie zu den schmeichlerischen Künsten, die nur das Angenehme, nicht das Nützliche darstellen und verlangte deshalb bei seinen Jüngern Enthaltsamkeit und strenge Absonderung von solchen unphilosophischen Reizungen; mit solchem Erfolge, dass der jugendliche Tragödiendichter Plato zu allererst seine Dichtungen verbrannte, um Schüler des Sokrates werden zu können.
Source: The Birth of Tragedy (1872), p. 68
“Ah, who will write the history of what might have been?”
Fernando Pessoa (as Álvaro de Campos), quoted by José Saramago in The Stone Raft (1986), p. 9
Misattributed
“Meredith is a prose Browning, and so is Browning. He used poetry as a medium for writing in prose.”
The Critic as Artist (1891), Part I
“When I write, I solemnly visit myself.”
Ibid., p. 287
The Book of Disquiet
Original: Quando escrevo, visito-me solenemente.
I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)
Source: Culture and Value (1980), p. 75e
Letter to a round-robin letter-writing group called "the Coryciani" (14 July 1936), quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 339
Non-Fiction, Letters
“I don't write in Portuguese. I write myself.”
Ibid., p. 353
The Book of Disquiet
Original: Eu não escrevo em português. Escrevo eu mesmo.
Source: A Soldier's Story (1951), p. ix.
Letter to "The Keicomolo"—Kleiner, Cole, and Moe (October 1916), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 27
Non-Fiction, Letters
Letter to Elizabeth Toldridge (8 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, p. 316
Non-Fiction, Letters
Nicholas Negroponte: A 30-year history of the future http://www.ted.com/talks/nicholas_negroponte_a_30_year_history_of_the_future, July 2014, TED Talks (about 13:40 into 19:43 video).
A 30-year history of the future, TED Talk (2014)
Source: What is Property? (1840), Ch. I: "Method Pursued in this Work. The Idea of a Revolution"
Property is theft! is a more famous translation of the original: La propriété, c'est le vol!
<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
Source: 1880's, Renoir – his life and work, 1975, p. 169 : quote from Renoir's letter to his art-seller Durand-Ruel, 21st November 1881
Attributed without citation in Janice R. Matthews et al. (2000) Successful Scientific Writing. p. 53
Sometimes attributed to Douglas Adams.
Page 282 of An Anthropologist On Mars By Oliver Sacks
Announcement of Candidacy for President of the United States. (10 February 2007)
2007
On Antitrust law: Supreme Court Confirmation Hearings, 8/5/1986, transcript http://a255.g.akamaitech.net/7/255/2422/22sep20051120/www.gpoaccess.gov/congress/senate/judiciary/sh99-1064/31-110.pdf at p. 36).
1980s
2013, Remarks on Economic Mobility (December 2013)
Letter to Leonard Woolf (28 March 1941), from The Virginia Woolf Reader (1984) edited by Mitchell A. Leaska, p. 369, ISBN 0156935902
Letter to Wolfgang Capito (9 July 1537)
Bol'shevistskoe rukovodstvo. Perepiska 1912-1927, [Bolshevik Leadership, Correspondence 1912-1927], p. 90
Stalin's speeches, writings and authorised interviews
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Fame's Penny-Trumpet st. 1 & 2
Rhyme? and Reason? (1883)
Source: 1930 - 1941, from 'Arshile Gorky, – Goats on the roof' (2009), p. 132: in a letter to his sister Vartush Mooradian, after Mai 1938
Eight or Nine Wise Words About Letter-Writing (1890)
“I want your love and I want your revenge
You and me could write a bad romance”
Bad Romance, written by Lady Gaga and RedOne
Song lyrics, The Fame Monster (2009)
Sermon 26: 'The Parting of Friends' http://www.newmanreader.org/works/subjects/sermon26.html (sermon preached on Monday, 25 September, 1843.).
In his letter from Normandy to art-critic and friend Gustave Geffroy, 24 April 1889; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1870 - 1890
Eight or Nine Wise Words About Letter-Writing (1890)
" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).
“One can write, think and pray exclusively of others; dreams are all egocentric.”
Diary entry (5 October 1962)
Dynamic Capability as a Source of Change, 2008
2014, Review of Signals Intelligence Speech (June 2014)
Source: Autobiography of Mark Twain, Vol. 3 (2015), p. 222
Source: Refactoring: Improving the Design of Existing Code, 1999, p. 15
"The Sealed Treasure" (1960), p. 60
It All Adds Up (1994)