Quotes about writing
page 5

Billy the Kid photo

“I don’t blame you for writing of me as you have. You had to believe other stories, but then I don’t know if any one would believe anything good of me anyway.”

Billy the Kid (1859–1881) American cattle rustler, gambler, horse thief, outlaw, cowboy and ranch hand

Billy the Kid's comment to a Las Vegas Gazette reporter (December, 1880)
About Billy the Kid website http://www.aboutbillythekid.com/index.html

Edgar Allan Poe photo

“Few persons can be made to believe that it is not quite an easy thing to invent a method of secret writing which shall baffle investigation. Yet it may be roundly asserted that human ingenuity cannot concoct a cipher which human ingenuity cannot resolve.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" A Few Words on Secret Writing http://www.lfchosting.com/eapoe/works/essays/fwsw0741.htm" in Graham's Magazine (July 1841).

Jan Hus photo

“God is my witness that I have never taught or preached that which false witnesses have testified against me. He knows that the great object of all my preaching and writing was to convert men from sin. In the truth of that gospel which hitherto I have written, taught and preached, I now joyfully die.”

Jan Hus (1369–1415) Czech linguist, religion writer, theologist, university educator and science writer

Jan Hus (1415); quoted in: Encyclopaedia Britannica: A Dictionary of Arts, Sciences, and General Literature, Volume 12, 1891, p. 401

Jean De La Fontaine photo

“For thee I'll trace in verses which I write
Some sketches, paintings which indeed are light,
And if the prize of pleasing thee I do not bear away,
At least, the honour I shall have of having tried I say.”

Jean De La Fontaine (1621–1695) French poet, fabulist and writer.

Je vais t'entretenir de moindres aventures,
Te tracer en ces vers de légères peintures;
Et si de t'agréer je n'emporte le prix,
J'aurai du moins d'honneur de l'avoir entrepris.
Book I (1668), Dedication "To Monseigneur the Dauphin".
Fables (1668–1679)

Jöns Jacob Berzelius photo
R.L. Stine photo
Kathleen Norris photo
Bertrand Russell photo

“I am writing to you to tell you of my decision to return to your Government the Carl von Ossietzsky medal for peace. I do so reluctantly and after two years of private approaches on behalf of Heinz Brandt, whose continued imprisonment is a barrier to coexistence, relaxation of tension and understanding between East and West… I regret not to have heard from you on this subject. I hope that you will yet find it possible to release Brandt through an amnesty which would be a boon to the cause of peace and to your country.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to Walter Ulbricht, January 7, 1964. Russell would later write, in his autobiography: "The abduction and imprisonment by the East Germans of Brandt, who had survived Hitler's concentration camps, seemed to me so inhuman that I was obliged to return to the East German Government the Carl von Ossietzky medal which it had awarded me. I was impressed by the speed with which Brandt was soon released".
1960s

Samael Aun Weor photo
Peter Handke photo

“Tense, unnerved, and close to madness before writing—and when I read what I’ve written it looks so calm.”

Peter Handke (1942) Austrian writer, playwright and film director

Source: Das Gewicht der Welt [The Weight of the World], p. 16

Dmitri Shostakovich photo
Swathi Thirunal Rama Varma photo

“All that I write whether poetry or music centred around God. This is an act of faith in me. Music is not worth its name otherwise.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181

Art Garfunkel photo
José Saramago photo

“Sometimes I say that writing a novel is the same as constructing a chair: a person must be able to sit in it, to be balanced on it. If I can produce a great chair, even better. But above all I have to make sure that it has four stable feet.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Interview with Katherine Vaz, José Saramago http://bombsite.com/issues/999/articles/3565, BOMB Magazine, June 2001.

Bertrand Russell photo
Augustin Louis Cauchy photo

“This is a book by a writer who does some teaching, not a book by a teacher who does some writing, and one of the satisfactions of the craft is that there's always something new to learn.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Introduction, p. viii.
On Writing Well (Fifth Edition, orig. pub. 1976)

Peter Paul Rubens photo

“I have neither time to live nor to write. I am therefore cheating my art by stealing a few evening hours to write this most inadequate and negligent reply to the courteous and elegant letters of yours.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to his friend Peiresc, Dec. 1634 - LPPR, 393; as quoted by Simon Schrama, in Rembrandt's eyes, Alfred A. Knopf - Borzoi Books, New York 1999, p. 403
At a speed which was daunting even for someone of his facility, Rubens was asked to supply the designs for four stages and five triumphal arches in the city Antwerp. Though he could rely on his scholarly friends for help with the allegorical program and his workshop for assistance in fabricating them, he still became 'overburdened' with the work
1625 - 1640

Robert Burns Woodward photo
Kurt Vonnegut photo
Abraham Lincoln photo
Stanley Kubrick photo

“Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Video acceptance speech of the D.W. Griffiths Lifetime Achievement Award (1999) - video and transcript http://www.indelibleinc.com/kubrick/kubrick-dga.html

“I think men and women who write poetry or write music or paint are finally responsible for what they do. They are entitled to praise for any success they achieve and they should not complain of just criticism.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

H.P. Lovecraft photo
Chris Hedges photo
Ludwig Wittgenstein photo
Girish Raghunath Karnad photo

“I have been lucky in having multipronged career. You know how I have been an actor, a publisher, a film maker. But in none of these fields have I felt quite as much at home as play writing.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Source: [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 117-18]

Fernando Pessoa photo

“I have now so many fundamental thoughts, so many really metaphysical things to say, that I suddenly get tired and decide not to write more, not to think more, but allow the fever of saying to make me sleepy, and fondle, with closed eyes, as if to a cat, all that I could have said.”

Ibid., p. 56
The Book of Disquiet
Original: Tenho neste momento tantos pensamentos fundamentais, tantas coisas verdadeiramente metafísicas para dizer, que me canso de repente, e decido não escrever mais, não pensar mais, mas deixar que a febre de dizer me dê sono, e eu faça festas, como a um gato, a tudo quanto poderia ter dito.

Jordan Peterson photo

“Imagine that each of these layers of existence are like patterns. They're patterns within patterns within patterns within patterns, and there's a way of making all that harmonious. That's what music models. That's why music is so meaningful. You take a beautiful orchestral composition, and they're doing different things are different levels. But they all flow together harmoniously, and you're right in the middle of that as a listener. And it fills you almost with a sense of religious awe, even if you're a punk rock nihilist. The reason for that is because the music is modeling the manner of Being that's harmonious. It's the proper way to exist. Religious writings, in the deepest sense, are guidelines to that mode of Being. They're not true like scientific knowledge is true. They're hyper true, or meta-true. It's like this: if you take the most true things about your life, and then you take the most true things about ten other people's lives, and then we amalgamate them into a single figure. That would be like a literary hero. And then we take a thousands literary heroes and we extract out from them what makes the most heroic person - that's a religious deity. That's what Christ is. He's a meta-hero. And that sits at the bottom of Western Civilization. Christ's archetypal mode of Being is True Speech. That's the fundamental idea of Western Civilization, and it's right.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Claude Monet photo
Napoleon I of France photo

“Whatever shall we do in that remote spot? Well, we will write our memoirs. Work is the scythe of time.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

On board H.M.S. Bellerophon (August 1815)

Gloria Estefan photo

“When you are happy it is harder to write”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

songs
Gayle King XM satellite radio program (October 23, 2006)
2007, 2008

Arthur Miller photo

“I understand his longing for immortality … Willy's writing his name in a cake of ice on a hot day, but he wishes he were writing in stone.”

Arthur Miller (1915–2005) playwright from the United States

On Willy Loman in Death of a Salesman, as quoted in The New York Times (9 May 1984)

Theodor W. Adorno photo

“Who, in the end, is to take it amiss if even the freest of the free spirits no longer write for an imaginary posterity, … but only for the dead God?”

Wer will es schließlich selbst den allerfreiesten Geistern verübeln, wenn sie nicht mehr für eine imaginäre Nachwelt schreiben, deren Zutraulichkeit die der Zeitgenossen womöglich noch überbietet, sondern einzig für den toten Gott?
E. Jephcott, trans. (1974), § 133
Minima Moralia (1951)

Lewis Carroll photo
René Descartes photo
Virginia Woolf photo

“As for the soul: why did I say I would leave it out? I forget. And the truth is, one can't write directly about the soul. Looked at, it vanishes; but look at the ceiling, at Grizzle, at the cheaper beasts in the Zoo which are exposed to walkers in Regent's Pak, and the soul slips in. Mrs Webb's book has made me think a little what I could say of my own life. But then there were causes in her life: prayer; principle. None in mine. Great excitability and search after something. Great content – almost always enjoying what I'm at, but with constant change of mood. I don't think I'm ever bored. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say 'This is it'? What is it? And shall I die before I can find it? Then (as I was walking through Russell Square last night) I see mountains in the sky: the great clouds, and the moon which is risen over Persia; I have a great and astonishing sense of something there, which is 'it' – A sense of my own strangeness, walking on the earth is there too. Who am I, what am I, and so on; these questions are always floating about in me. Is that what I meant to say? Not in the least. I was thinking about my own character; not about the universe. Oh and about society again; dining with Lord Berners at Clive's made me think that. How, at a certain moment, I see through what I'm saying; detest myself; and wish for the other side of the moon; reading alone, that is.”

Virginia Woolf (1882–1941) English writer

Saturday 27 February 1926
A Moment's Liberty (1990)

Origen photo
Ozzy Osbourne photo
John Updike photo

“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Hugging the Shore, foreword (1983)

Barack Obama photo
Theodor W. Adorno photo

“Writing poetry after Auschwitz is barbaric.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

[N]ach Auschwitz ein Gedicht zu schreiben, ist barbarisch...
Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.
Kulturkritik und Gesellschaft [Cultural Criticism and Society] (1951); this quote is more famously known in the forms "No poetry after Auschwitz" or "There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz."

Barack Obama photo

“We need a President who is fighting for all Americans, not one who writes off nearly half the country.”

Barack Obama (1961) 44th President of the United States of America

Tweet https://twitter.com/BarackObama/status/248112876240379904 (18 Sep 2012)
2012

Bertrand Russell photo
John Lydon photo
Friedrich Nietzsche photo

“But for Socrates, tragedy did not even seem to "tell what's true", quite apart from the fact that it addresses "those without much wit", not the philosopher: another reason for giving it a wide berth. Like Plato, he numbered it among the flattering arts which represent only the agreeable, not the useful, and therefore required that his disciples abstain most rigidly from such unphilosophical stimuli — with such success that the young tragedian, Plato, burnt his writings in order to become a pupil of Socrates.”

Nun aber schien Sokrates die tragische Kunst nicht einmal "die Wahrheit zu sagen": abgesehen davon, dass sie sich an den wendet, der "nicht viel Verstand besitzt", also nicht an den Philosophen: ein zweifacher Grund, von ihr fern zu bleiben. Wie Plato, rechnete er sie zu den schmeichlerischen Künsten, die nur das Angenehme, nicht das Nützliche darstellen und verlangte deshalb bei seinen Jüngern Enthaltsamkeit und strenge Absonderung von solchen unphilosophischen Reizungen; mit solchem Erfolge, dass der jugendliche Tragödiendichter Plato zu allererst seine Dichtungen verbrannte, um Schüler des Sokrates werden zu können.
Source: The Birth of Tragedy (1872), p. 68

José Saramago photo

“Ah, who will write the history of what might have been?”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Fernando Pessoa (as Álvaro de Campos), quoted by José Saramago in The Stone Raft (1986), p. 9
Misattributed

Bill Hicks photo
Oscar Wilde photo
Oscar Wilde photo

“Meredith is a prose Browning, and so is Browning. He used poetry as a medium for writing in prose.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

Fernando Pessoa photo

“When I write, I solemnly visit myself.”

Ibid., p. 287
The Book of Disquiet
Original: Quando escrevo, visito-me solenemente.

Gabriel Iglesias photo

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

Albert Schweitzer photo
Galileo Galilei photo
Ludwig Wittgenstein photo
H.P. Lovecraft photo
Fernando Pessoa photo

“I don't write in Portuguese. I write myself.”

Ibid., p. 353
The Book of Disquiet
Original: Eu não escrevo em português. Escrevo eu mesmo.

Virginia Woolf photo
Omar Bradley photo
H.P. Lovecraft photo
H.P. Lovecraft photo

“Everything I loved had been dead for two centuries—or, as in the case of Graeco-Roman classicism, for two milenniums. I am never a part of anything around me—in everything I am an outsider. Should I find it possible to crawl backward through the Halls of Time to that age which is nearest my own fancy, I should doubtless be bawled out of the coffee-houses for heresy in religion, or else lampooned by John Dennis till I found refuge in the deep, silent Thames, that covers many another unfortunate. Yes, I seem to be a decided pessimist!—But pray do not think, gentlemen, that I am utterly forlorn and misanthropick creature. … Despite my solitary life, I have found infinite joy in books and writing, and am by far too much interested in the affairs of the world to quit the scene before Nature shall claim me. Though not a participant in the Business of life; I am, like the character of Addison and Steele, an impartial (or more or less impartial) Spectator, who finds not a little recreation in watching the antics of those strange and puny puppets called men. A sense of humour has helped me to endure existence; in fact, when all else fails, I never fail to extract a sarcastic smile from the contemplation of my own empty and egotistical career!”

H.P. Lovecraft (1890–1937) American author

Letter to "The Keicomolo"—Kleiner, Cole, and Moe (October 1916), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 27
Non-Fiction, Letters

H.P. Lovecraft photo
Nicholas Negroponte photo

“When you write a computer program you've got to not just list things out and sort of take an algorithm and translate it into a set of instructions. But when there's a bug — and all programs have bugs — you've got to debug it. You've got to go in, change it, and then re-execute … and you iterate. And that iteration is really a very, very good approximation of learning.”

Nicholas Negroponte (1943) American computer scientist

Nicholas Negroponte: A 30-year history of the future http://www.ted.com/talks/nicholas_negroponte_a_30_year_history_of_the_future, July 2014, TED Talks (about 13:40 into 19:43 video).
A 30-year history of the future, TED Talk (2014)

George Bird Evans photo
Pierre Joseph Proudhon photo
Fernando Pessoa photo

“By the painful light of the factory’s huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.

O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Pierre-Auguste Renoir photo

“Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead.”

Gene Fowler (1890–1960) American journalist

Attributed without citation in Janice R. Matthews et al. (2000) Successful Scientific Writing. p. 53
Sometimes attributed to Douglas Adams.

Temple Grandin photo
Barack Obama photo
Antonin Scalia photo

“In law school, I never understood [antitrust law]. I later found out, in reading the writings of those who now do understand it, that I should not have understood it because it did not make any sense then.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

On Antitrust law: Supreme Court Confirmation Hearings, 8/5/1986, transcript http://a255.g.akamaitech.net/7/255/2422/22sep20051120/www.gpoaccess.gov/congress/senate/judiciary/sh99-1064/31-110.pdf at p. 36).
1980s

Ozzy Osbourne photo

“Let me explain something to you - you have not been standing in front of thirty thousand decibals for thirty-five years - write me a note!”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

The Osbournes television show

Eric Hoffer photo
Virginia Woolf photo
Barack Obama photo
Virginia Woolf photo
Chris Colfer photo
Martin Luther photo
Leon Trotsky photo
Joseph Stalin photo

“Bukharin's a swine and surely worse than a swine because he thinks it below his dignity to write a couple of lines.”

Joseph Stalin (1879–1953) General secretary of the Communist Party of the Soviet Union

Bol'shevistskoe rukovodstvo. Perepiska 1912-1927, [Bolshevik Leadership, Correspondence 1912-1927], p. 90
Stalin's speeches, writings and authorised interviews

Leonardo Da Vinci photo
Isaac Bashevis Singer photo
Lewis Carroll photo
Virginia Woolf photo
Federico Fellini photo
Arshile Gorky photo
Lewis Carroll photo
Lady Gaga photo

“I want your love and I want your revenge
You and me could write a bad romance”

Lady Gaga (1986) American singer, songwriter, and actress

Bad Romance, written by Lady Gaga and RedOne
Song lyrics, The Fame Monster (2009)

John Henry Newman photo
Claude Monet photo
Lewis Carroll photo
Orhan Pamuk photo

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Evelyn Waugh photo

“One can write, think and pray exclusively of others; dreams are all egocentric.”

Evelyn Waugh (1903–1966) British writer

Diary entry (5 October 1962)

Thomas Mann photo

“What they, in their innocence, cannot comprehend is that a properly constituted, healthy, decent man never writes, acts, or composes.”

"Tonio Kröger" on general opinions about artists.
Tonio Kröger (1903)

Barack Obama photo
Mark Twain photo

“…why doesn't somebody write a tract on "How to Be a Christian and yet keep your Hands off of Other People's Things."”

Mark Twain (1835–1910) American author and humorist

Source: Autobiography of Mark Twain, Vol. 3 (2015), p. 222

Kent Beck photo

“Any fool can write code that a computer can understand. Good programmers write code that humans can understand.”

Kent Beck (1961) software engineer

Source: Refactoring: Improving the Design of Existing Code, 1999, p. 15

Saul Bellow photo