Quotes about work
page 81

Babe Ruth photo
Johnnie Cochran photo

“I work not only for the O. J. s, but also the No Js.”

Johnnie Cochran (1937–2005) American lawyer

In reference to many low income clients he represented. http://www.findarticles.com/p/articles/mi_qn4158/is_20050331/ai_n13831681

Revilo P. Oliver photo

“There can be no question but that Christianity was originally a Jewish promotion, and it is noteworthy that the Christians who try to make their cult respectable in the Third Century claim that they repudiate the Jews. One of the earliest to do this was Tertullian, a Carthaginian shyster, whose Apologeticum, a defense of Christianity, was written at the very beginning of the Third Century. He asserts that Christianity is not a conspiracy of revolutionaries and degenerates, as was commonly believed, and claims that it is an association of loving brothers who have preserved the faith that the Jews forsook – which has been the common story ever since. Our holy men salvage Tertullian by claiming that he was "orthodox" in his early writings, but then, alas! became a Montanist heretic, poor fellow. Tertullian is the author of the famous dictum that he believes the impossible because it is absurd (credo quia absurdum), so he is naturally dear to the heart of the pious. How much Jerome and other saints have tampered with the facts to make Tertullian seem "orthodox" in his early works has been most fully shown by Timothy Barnes in his Tertullian (Oxford, 1971), but even he spends a hundred pages pawing over chronological difficulties that can be reconciled by what seems to me the simple and obvious solution: Tertullian, who was evidently a pettifogging lawyer before he got into the Gospel-business, had sense enough to eliminate from his brief for the Christians facts that would have displeased the pagans whom he was trying to convince that Christians represented no threat to civilized society; he accordingly concealed in his apologetic works the peculiar doctrines of the Christian sect to which he had been originally "converted," but he naturally expounded those doctrines in writings intended, not for the eyes of wicked pagans, but for other brands of Christians, whom he wished to convert to his own sect, which was that of Montanus, a very Holy Prophet (divinely inspired, of course) who was a Phrygian, not a Jew, and who had learned from chats with God that since the Jews had muffed their big opportunity at the time of the Crucifixion, Jesus, when he returned next year or the year after that, was going to set up his New Jerusalem in Phrygia after he had raised hell with the pagans and tormented and butchered them in all of the delightful ways so lovingly described in the Apocalypse, the Hymn of Hate that still soothes the souls of "fundamentalist" Christians today. If, in his Apologeticum and similar works, Tertullian had told the stupid pagans that they were going to be tortured and exterminated in a year or two, they might have doubted that Christians were the innocent little lambs that Tertullian claimed they were.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Primo Levi photo

“What to do now? How to detach yourself?
With every work that’s born you die a little.”

"The Work" (1983)
Collected Poems (1984)

Will Cuppy photo
Wendy Brown photo
Arnold Toynbee photo
Samuel Gompers photo

“The labor movement is a movement of the working people, for the working people, by the working people, governed by ourselves, with its policies determined by ourselves…”

Samuel Gompers (1850–1924) American Labor Leader[AFL]

Gompers, Samuel. Proceedings of the Convention. Washington, D.C.: American Federation of Labor, 1923, p. 37.

Robert Olmstead photo
Gillian Anderson photo

“If I chose to have a nanny, I'd be able to pay to have a nanny - a lot of women don't have that opportunity. I don't feel like I'm a working single mom, because I have that option that a lot of people don't have.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Alasdair Ferguson (June 7, 2002) "As The X-Files ends, I realise how much", The Express.
2000s

Michel Foucault photo
Wesley Snipes photo
Asger Jorn photo
Zakir Hussain (politician) photo
Luther H. Gulick photo
Eliezer Yudkowsky photo
Mata Amritanandamayi photo
Jonathan Edwards photo
Asger Jorn photo
John Bright photo
Damian Pettigrew photo
Halldór Laxness photo

“No one is so busy that he hasn't the time to dismantle a work of art.”

Pastor Jón Prímus
Kristnihald undir Jökli (Under the Glacier/Christianity at Glacier) (1968)

Albert Einstein photo
Wassily Kandinsky photo

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Max Aitken, 1st Baron Beaverbrook photo
Alfred Binet photo
John Banville photo
Émile Durkheim photo
Henri-Louis Duhamel du Monceau photo
Alexej von Jawlensky photo

“My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking purely through colour... And now I leave these small – but to me – important works to the future and to the people who love art.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938 - after 1937 Jawlensky couldn't paint any longer because of severe arthritis
Source: 1936 - 1941, Life Memories' (1938), p. 249

Mary Baker Eddy photo
Walker Percy photo
Akio Morita photo
Vincent Van Gogh photo

“I was certainly going the right way for a stroke when I left Paris. I paid for it nicely afterwards! When I stopped drinking, when I stopped smoking so much, when I began again to think instead of trying not to think - good Lord, the depression and the prostration of it! Work in these magnificent natural surroundings [of Arles ] has helped my morale.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 4 May 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 481), p 24
1880s, 1888

“While doing illustrative work for Roderick Peattie, from him I learned the value of the unorthodox.”

Arthur H. Robinson (1915–2004) American geographer

Source: The Look of Maps (1952), p. vii

Noel Gallagher photo

“Kylie Minogue is just a demonic little idiot as far as I'm concerned. She gets cool dance producers to work with her for some bizarre reason, I don't know why. She doesn't even have a good name. It's a stupid name, Kylie, I just don't get it”

Noel Gallagher (1967) British musician

Noel Gallagher cited in " Kylie 'demonic', says Oasis star http://news.bbc.co.uk/2/hi/entertainment/2070390.stm", at news.bbc.co.uk, 27 June, 2002
Controversy with other artists

Nicholas D. Kristof photo
Pete Yorn photo

“It's a lie in the end, you only satisfy your friends. ~ "So Much Work"”

Pete Yorn (1974) American musician

Song lyrics

Dita Von Teese photo
Richard Serra photo

“Space, as my work evolved, really became my subject.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

Patrick Modiano photo

“People are my favourite subject because there are no two alike, so my work never becomes routine.”

Robert Frank (1924–2019) American photographer and filmmaker

Robert Frank interview in: Tom Ang (2010), The Complete Photographer https://books.google.nl/books?id=HX-Fcm6XP5UC&pg=PA43, p. 43

Nisargadatta Maharaj photo
Jack Johnson (musician) photo
Thomas Eakins photo
Jesper Kyd photo
Martin Luther King, Jr. photo

“Look, I'm working with Meg Ryan. I've never done this before, but she's doing amazing work. You should audition her.”

Sandra Seacat (1936) American acting teacher and actress

Interceding on behalf of her persistently typecast student, as quoted by director Jane Campion in "Cut to Darkness: Meg Ryan, survivor, pushes beyond "America's sweetheart" in a raw new film" http://articles.latimes.com/2003/oct/05/entertainment/ca-schruers5/2 by Fred Schruers, in The Los Angeles Times (October 5, 2003)

John Bunyan photo

“But now in this Valley of Humiliation poor Christian was hard put to it, for he had gone but a little way before he espied a foul Fiend coming over the field to meet him; his name is Apollyon. Then did Christian begin to be afraid, and to cast in his mind whether to go back, or to stand his ground. But he considered again, that he had no Armor for his back, and therefore thought that to turn the back to him might give him greater advantage with ease to pierce him with his Darts; therefore he resolved to venture, and stand his ground. For thought he, had I no more in mine eye than the saving of my life, 'twould be the best way to stand.
So he went on, and Apollyon met him. Now the Monster was hideous to behold, he was cloathed with scales like a Fish (and they are his pride) he had Wings like a Dragon, feet like a Bear, and out of his belly came Fire and Smoke, and his mouth was as the mouth of a Lion. When he was come up to Christian, he beheld him with a disdainful countenance, and thus began to question with him.
Apollyon: Whence come you, and whither are you bound?
Christian: I am come from the City of Destruction, which is the place of all evil, and am going to the City of Zion.
Apollyon: By this I perceive thou art one of my Subjects, for all that Country is mine; and I am the Prince and God of it. How is it then that thou hast run away from thy King? Were it not that I hope thou mayest do me more service, I would strike thee now at one blow to the ground.
Christian: I was born indeed in your Dominions, but your service was hard, and your wages such as a man could not live on, for the wages of Sin is death; therefore when I was come to years, I did as other considerate persons do, look out if perhaps I might mend my self.
Apollyon: There is no Prince that will thus lightly lose his Subjects, neither will I as yet lose thee. But since thou complainest of thy service and wages be content to go back; what our Country will afford, I do here promise to give thee.
Christian: But I have let myself to another, even to the King of Princes, and how can I with fairness go back with thee?
Apollyon: Thou hast done in this, according to the Proverb, Changed a bad for a worse: but it is ordinary for those that have professed themselves his Servants, after a while to give him the slip, and return again to me: do thou so to, and all shall be well.
Christian: I have given him my faith, and sworn my Allegiance to him; how then can I go back from this, and not be hanged as a Traitor?
Apollyon: Thou didst the same to me, and yet I am willing to pass by all, if now thou wilt yet turn again, and go back.
Christian: What I promised thee was in my nonage; and besides, I count that the Prince under whose Banner now I stand, is able to absolve me; yea, and to pardon also what I did as to my compliance with thee: and besides, (O thou destroying Apollyon) to speak truth, I like his Service, his Wages, his Servants, his Government, his Company, and Country better than thine: and, therefore, leave off to perswade me further, I am his Servant, and I will follow him.
Apollyon: Consider again when thou art in cool blood, what thou art like to meet with in the way that thou goest. Thou knowest that for the most part, his Servants come to an ill end, because they are transgressors against me, and my ways. How many of them have been put to shameful deaths! and besides, thou countest his service better than mine, whereas he never came yet from the place where he is, to deliver any that served him out of our hands; but as for me, how many times, as all the World very well knows, have I delivered, either by power or fraud, those that have faithfully served me, from him and his, though taken by them, and so I will deliver thee.
Christian: His forbearing at present to deliver them, is on purpose to try their love, whether they will cleave to him to the end: and as for the ill end thou sayest they come to, that is most glorious in their account. For for present deliverance, they do not much expect it; for they stay for their Glory, and then they shall have it, when their Prince comes in his, and the Glory of the Angels.
Apollyon: Thou hast already been unfaithful in thy service to him, and how doest thou think to receive wages of him?
Christian: Wherein, O Apollyon, have I been unfaithful to him?
Apollyon: Thou didst faint at first setting out, when thou wast almost choked in the Gulf of Dispond; thou didst attempt wrong ways to be rid of thy burden, whereas thou shouldest have stayed till thy Prince had taken it off: thou didst sinfully sleep and lose thy choice thing: thou wast also almost perswaded to go back, at the sight of the Lions; and when thou talkest of thy Journey, and of what thou hast heard, and seen, thou art inwardly desirous of vain-glory in all that thou sayest or doest.
Christian:All this is true, and much more, which thou hast left out; but the Prince whom I serve and honour, is merciful, and ready to forgive: but besides, these infirmities possessed me in thy Country, for there I suckt them in, and I have groaned under them, been sorry for them, and have obtained pardon of my Prince.
Apollyon: Then Apollyon broke out into a grievous rage, saying, I am an enemy to this Prince: I hate his Person, his Laws, and People: I am come out on purpose to withstand thee.
Christian: Apollyon beware what you do, for I am in the King's Highway, the way of Holiness, therefore take heed to your self.
Apollyon: Then Apollyon straddled quite over the whole breadth of the way, and said, I am void of fear in this matter, prepare thy self to die, for I swear by my Infernal Den, that thou shalt go no further, here will I spill thy soul; and with that, he threw a flaming Dart at his breast, but Christian had a Shield in his hand, with which he caught it, and so prevented the danger of that. Then did Christian draw, for he saw 'twas time to bestir him; and Apollyon as fast made at him, throwing Darts as thick as Hail; by the which, notwithstanding all that Christian could do to avoid it, Apollyon wounded him in his head, his hand and foot; this made Christian give a little back: Apollyon therefore followed his work amain, and Christian again took courage, and resisted as manfully as he could. This sore combat lasted for above half a day, even till Christian was almost quite spent. For you must know that Christian by reason of his wounds, must needs grow weaker and weaker.
Then Apollyon espying his opportunity, began to gather up close to Christian, and wrestling with him, gave him a dreadful fall; and with that, Christian's Sword flew out of his hand. Then said Apollyon, I am sure of thee now, and with that, he had almost prest him to death, so that Christian began to despair of life. But as God would have it, while Apollyon was fetching of his last blow, thereby to make a full end of this good Man, Christian nimbly reached out his hand for his Sword, and caught it, saying, Rejoice not against me, O mine Enemy! when I fall, I shall arise; and with that, gave him a deadly thrust, which made him give back, as one that had received his mortal wound: Christian perceiving that, made at him again, saying, Nay, in all these things we are more than Conquerors, through him that loved us. And with that, Apollyon spread forth his Dragon's wings, and sped him away, that Christian saw him no more….”

Source: The Pilgrim's Progress (1678), Part I, Ch. IX : Apollyon<!-- (London, Edinburgh, Glasgow, New York and Toronto: Henry Frowde, 1904) -->

Koxinga photo

“Are these not sufficient proofs of your incompetency and inability to resist my forces? I will give you more and stronger ones. But if you still persist in refusing to liften to reason and decline to do my bidding, and if you wish delibrately to rush to your ruin, then I will shortly, in your presence, order your castle [Fort Provintia] to be stormed. If I wish to set my force to work, then I am able to move heaven and Earth. Wherever I go I am destined to win. Therefore take warning, and think the matter over.”

Koxinga (1624–1662) Chinese military leader

Forbidden Nation: A History of Taiwan, 2008, Jonathan Manthorpe, illustrated, Macmillan, 0230614248, 71, Dec. 20 2011 http://books.google.com/books?id=p3D6a7bK_t0C&pg=PA71&dq=koxinga+taiwan+always+chinese&hl=en&ei=NcbiTafrEY3ogQeB7_28Bg&sa=X&oi=book_result&ct=result&resnum=10&ved=0CFYQ6AEwCQ#v=onepage&q=koxinga%20taiwan%20always%20chinese&f=false,

Mike Tyson photo
James Frazer photo
Anton Chekhov photo
Steven Brust photo
Harold Lloyd photo
Louis Brownlow photo
Stendhal photo

“A strange effect of marriage, such as the nineteenth century has made it! The boredom of married life inevitably destroys love, when love has preceded marriage. And yet, as a philosopher has observed, it speedily brings about, among people who are rich enough not to have to work, an intense boredom with all quiet forms of enjoyment. And it is only dried up hearts, among women, that it does not predispose to love.”

Étrange effet du mariage, tel que l'a fait le XIXe siècle! L'ennui de la vie matrimoniale fait périr l'amour sûrement, quand l'amour a précédé le mariage. Et cependant, dirait un philosophe, il amène bientôt chez les gens assez riches pour ne pas travailler, l'ennui profond de toutes les jouissances tranquilles. Et ce n'est que les âmes sèches parmi les femmes qu'il ne prédispose pas à l'amour.
Vol. I, ch. XXIII
Le Rouge et le Noir (The Red and the Black) (1830)

Pat Cadigan photo
Letitia Elizabeth Landon photo
Danny Yamashiro photo

“There has never been any division between my life and my work.<references/”

Marisa Merz (1931–2019) Italian artist

Source: [Zero to Infinity: Arte Povera 1962-1972: Marisa Merz, http://www.tate.org.uk/modern/exhibitions/artepovera/marisamerz.htm, 17 January 2010]

DJ Shadow photo
Dylan Moran photo
John Ruysbroeck photo
William Herschel photo
John Keats photo
George Raymond Richard Martin photo

“I hear you jeering. Pfui. Those of you who know my work only from A SONG OF ICE AND FIRE may not be aware that I was once considered the most romantic science fiction writer of the 70s, back when I was doing my Thousand Worlds stuff.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

On romance in science fiction and fantasy, in his blog http://grrm.livejournal.com/126645.html (January 2010)

Emma Donoghue photo
Richard Feynman photo

“While in Kyoto I tried to learn Japanese with a vengeance. I worked much harder at it, and got to a point where I could go around in taxis and do things. I took lessons from a Japanese man every day for an hour.
One day he was teaching me the word for "see." "All right," he said. "You want to say, 'May I see your garden?' What do you say?"
I made up a sentence with the word that I had just learned.
"No, no!" he said. "When you say to someone, 'Would you like to see my garden?' you use the first 'see.' But when you want to see someone else's garden, you must use another 'see,' which is more polite."
"Would you like to glance at my lousy garden?" is essentially what you're saying in the first case, but when you want to look at the other fella's garden, you have to say something like, "May I observe your gorgeous garden?" So there's two different words you have to use.
Then he gave me another one: "You go to a temple, and you want to look at the gardens…"
I made up a sentence, this time with the polite "see."
"No, no!" he said. "In the temple, the gardens are much more elegant. So you have to say something that would be equivalent to 'May I hang my eyes on your most exquisite gardens?"
Three or four different words for one idea, because when I'm doing it, it's miserable; when you're doing it, it's elegant.
I was learning Japanese mainly for technical things, so I decided to check if this same problem existed among the scientists.
At the institute the next day, I said to the guys in the office, "How would I say in Japanese, 'I solve the Dirac Equation'?"
They said such-and-so.
"OK. Now I want to say, 'Would you solve the Dirac Equation?'”

Richard Feynman (1918–1988) American theoretical physicist

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

Samuel Butler photo
George Hendrik Breitner photo

“.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923

Leo Igwe photo

“For too long, African societies have been identified as superstitious, consisting of people who cannot question, reason or think critically. Dogma and blind faith in superstition, divinity and tradition are said to be the mainstay of popular thought and culture. African science is often equated with witchcraft and the occult; African philosophy with magical thinking, myth-making and mysticism, African religion with stone-age spiritual abracadabra, African medicine with folk therapies often involving pseudoscientific concoctions inspired by magical thinking. Science, critical thinking and technological intelligence are portrayed as Western — as opposed to universal — values, and as alien to Africa and to the African mindset. An African who thinks critically or seeks evidence and demands proofs for extraordinary claims is accused of taking a “white” or Western approach. An African questioning local superstitions and traditions is portrayed as having abandoned or betrayed the essence of African identity. Skepticism and rationalism are regarded as Western, un-African, philosophies. Although there is a risk of overgeneralizing, there are clear indicators that the continent is still socially, politically and culturally trapped by undue credulity. Many irrational beliefs exist and hold sway across the region. These are beliefs informed by fear and ignorance, misrepresentations of nature and how nature works. These misconceptions are often instrumental in causing many absurd incidents, harmful traditional practices and atrocious acts.”

Leo Igwe (1970) Nigerian human rights activist

A Manifesto for a Skeptical Africa (2012)

M. C. Escher photo

“My work is a game, a very serious game.”

M. C. Escher (1898–1972) Dutch graphic artist

No known direct citation to a work or interview with Escher; it appears in The Complete Idiot's Guide to the Perfect Cover Letter (1997) by Susan Ireland, p. 258 http://books.google.co.uk/books?id=9OMcWS5K-JMC&pg=PA258, and The Universal Book of Mathematics : From Abracadabra to Zeno's Paradoxes (2004) by David Darling, p. 107
disputed quotes

Richard Chenevix Trench photo

“Not all who seem to fail have failed indeed,
Not all who fail have therefor worked in vain.
There is no failure for the good and brave.”

Richard Chenevix Trench (1807–1886) Irish bishop

Attributed to Trench by Prof. Connington; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 253.

Jesse Ventura photo

“Orientation of members toward others [is] a cognitive and affective orientation toward the objects of work, which is manifested in a person's interpersonal style.”

Paul R. Lawrence (1922–2011) American business theorist

Source: Organization and environment: Managing differentiation and integration, 1967, p. 7

Tony Benn photo

“I sometimes wish the trade unionists who work in the mass media, those who are writers and broadcasters and secretaries and printers and lift operators of Thomson House would remember that they too are members of our working class movement and have a responsibility to see that what is said about us is true.”

Tony Benn (1925–2014) British Labour Party politician

Chairman's closing address to the Labour Party Conference in Blackpool (6 October 1972); Labour Party Annual Conference Report 1972, p. 349
1970s

Tsunetomo Yamamoto photo
Tim Powers photo

“Work out your own damnation,” he said breathlessly, “in fear and trembling.”

Tim Powers (1952) American writer

Source: Down and Out in Purgatory (2016), p. 114 (parodying Philippians 2.12) https://www.biblegateway.com/passage/?search=Philippians+2%3A12&version=KJV

William Dean Howells photo
Hendrik Lorentz photo
Colley Cibber photo

“Now, by St. Paul, the work goes bravely on.”

Act III, scene 1.
Richard III (altered) (1700)

Frank Stella photo
Robert Burns photo
Alain Aspect photo
John Reid, Baron Reid of Cardowan photo
Roberto Clemente photo