Quotes about work
page 80

Edward Teller photo

“Secrecy in science does not work. Withholding information does more damage to us than to our competitors.”

Edward Teller (1908–2003) Hungarian-American nuclear physicist

As quoted in Proceedings of the International Conference on Lasers '87 (1988) edited by F. J. Duarte, p. 1165

Al Sharpton photo

“But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.”

Al Sharpton (1954) American Baptist minister, civil rights activist, and television/radio talk show host

From the 2004 DNC

Umberto Boccioni photo
E. B. White photo

“There is a decivilizing bug somewhere at work; unconsciously persons of stern worth, by not resenting and resisting the small indignities of the times, are preparing themselves for the eventual acceptance of what they themselves know they don’t want.”

E. B. White (1899–1985) American writer

Harper's Magazine (October 1938); quoted in Scott Elledge, E.B. White: A Biography (New York: Norton, 1984), ch. X: Mr Tilley's Departure (p. 209)

Ernest King photo
Phillip Guston photo
Dennis Ross photo
Orson Scott Card photo
Peter Greenaway photo
Jerry Pournelle photo
Reese Witherspoon photo
Richard Feynman photo
Ron Paul photo
Sir Alexander Cockburn, 12th Baronet photo

“A man might as well play for nothing as work for nothing.”

Sir Alexander Cockburn, 12th Baronet (1802–1880) Lord Chief Justice

In an obituary, Canada Law Journal, January 1, 1881, p. 11. According to the journal: "[Cockburn] subsequently acquired a large practice in London in railway and election cases. Although he did his best for his clients, he was careful that they should do their duty by him, and the story is told that on one occasion, when an election committee met, Mr. Cockburn, the counsel for one of the parties, was absent because his fee had not accompanied the brief and the only message left was that he had gone to the Derby, with the remark that 'A man might as well play for nothing as work for nothing'".
Attributed

Gottfried Feder photo
Richard Dawkins photo
Letitia Elizabeth Landon photo

“I would like to congratulate everybody with the commencement of the "Combined Endeavour 2007" military exercises. This exercise is running simultaneously in Armenia and Germany. We have about 130 participants from 6 countries, this being evidence of importance and actuality of the event. It is notable that the cooperation between the Ministry of Defence of Armenia and the US European Command is developing and implementing a number of projects, and the vivid evidence of this cooperation is this military exercise. This is not the first military exercise in Armenia. Since 2003, we have hosted a number of military exercises organized with the NATO/PfP and the US European Command. It is important that the running of military exercises in Armenia is growing into a good tradition. Especially since, we already have an arrangement of hosting "Cooperative Longbow/Lancer" military exercises in Armenia for 2008. I would also like to mention with appreciation that the planning conference and working meetings before the military exercise would be held in a constructive atmosphere. We have effectively managed to run all preparation activities with joint efforts of the US European Command, the MOD of Armenia and other partners. The communication field is that chain which has fundamental importance for realizing multinational activities. The effectiveness and successes of our cooperation is related to that. This military exercise not only supports the testing of capabilities of participating units and experts, but also an opportunity for developing effective mechanisms for ensuring an interoperability and carrying out the tasks jointly. It is not accidental that Armenia has always expressed its readiness to host such kinds of events, and all participants have been trying to create appropriate conditions for their work. Taking this opportunity, one more time, I would like to thank all participants for their presence here and the US European command for their assistance in organizational matters. I am sure that due to our joint activities, the military exercise would be on a high professional and organizational level. I also hope that while you are in Armenia, you have a chance to make yourselves familiar with our history, culture and will have wonderful impressions. I am sure that on the 10th of May, after the completion of the military exercise, we will ascertain one more time that another multinational military exercise was held with success and fulfilled its tasks. I would like to wish all participants fruitful work and further success. I allow the commencement of the opening of the "Combined Endeavour 2007" military exercise.”

Mikael Harutyunyan (1946) Armenian general

Quoted in 2007 article. [April 27, 2007]

Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64

Syama Prasad Mookerjee photo
Ellsworth Kelly photo
John McCain photo
Stuart A. Umpleby photo
Tom Hanks photo

“When two parties compete, one loses. That's why in ministry, those who have it don't compete with one another; they work to complete one another.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Maimónides photo

“An artisan busies himself with his work for three hours each day and spends nine hours in study.”

Treatise 3: “The Study of the Torah,” Chapter 1, Section 12, H. Russell, trans. (1983), p. 52
Mishneh Torah (c. 1180)

Adam Smith photo
Jacob Leupold photo

“I had not only opportunity of seeing how different things have been made, but also manual work made me strong.”

Jacob Leupold (1674–1727) German multidisciplinary scientist

Jacob Leupold, quoted in: Biography of Jacob Leupold (1674–1727) http://history-computer.com/People/LeupoldBio.html on history-computer.com, 2013

Amit Chaudhuri photo
Frank Lampard photo
George D. Herron photo
Elfriede Jelinek photo

“One suffers work, even if one enjoys doing it.”

Elfriede Jelinek (1946) Austrian writer

P 34
Women As Lovers (1994)

Frank Stella photo
S. H. Raza photo
John Steinbeck photo
Bernie Sanders photo

“The worst disease which can afflict business executives in their work is not, as popularly supposed, alcoholism; it's egotism.”

Harold Geneen (1910–1997) American businessman

Managing, Chapter Eight (Not Alcoholism—Egotism), p. 127.

Jorge Luis Borges photo

“We read the works of the older literature differently from those of our own age; we enjoy them purely aesthetically, that is, indirectly, disinterestedly, perfectly aware of their fictitiousness and of our self-deception.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume IV. Naturalism, impressionism, the film age, 1999, Chapter 1. Naturalism and Impressionism

Peter Cook photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

“In too many modern churches there is no emphasis on theology at all. There is a kind of justification by works or by keeping up with modern trends — anything that will drag in a few more people.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"Author Says Messiah Could Be a Woman".
Conversations with Robertson Davies (1989)

John Burroughs photo
Eben Moglen photo

“It is impossible for a poet to characterize his own work. From other people I gather that I am a gloomy poet, if not a tragic one.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm

Tomáš Baťa photo

“The purpose of the Business Colleges is to teach their students to create values by honest work.”

Tomáš Baťa (1876–1932) Czech businessman

Tomas Bata (1924), cited in: Tribus, Mirón, and C. A. Hayward. Total Quality in Schools of Bisiness and of Engineering. Exergy, Inc. Hayward (1993).

George D. Herron photo
Peter Weiss photo
Vladimir Lenin photo
J.M.W. Turner photo

“Dear Jones, - Two months nearly in getting to this Terra Pictura, and at work; but the length of time is my own fault. [because] I must see the South of France, which almost knocked me up, the heat was so intense, particularly at Nismes and Avignon; and until I got a plunge into the sea at Marseilles, I felt so weak that nothing but the change of scene kept me onwards to my distant point. Genoa, and all the sea-coast from Nice to Spezzia, is remarkably rugged and fine; so is Massa... Hope that you have been better than usual, and that the pictures go on well.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote in Turner's letter from Rome, 13 Oct. 1828 to his friend George Jones; as cited in The Life of J. M. W. Turner R.A. , Walter Thornbury - A new Edition, Revised https://ia601807.us.archive.org/24/items/gri_33125004491185/gri_33125004491185.pdf; London Chatto & Windus, 1897, p. 101
1821 - 1851

Douglas Coupland photo
Jimmy Wales photo

“I'm on it pretty much all the time. I edit Wikipedia every day, I'm on Facebook, I'm on Twitter, I'm reading the news. During one of the US elections, I actually went through my computer and I blocked myself from looking at the major newspaper sites and Google News because I wasn't getting any work done.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

The Independent, October 23rd 2011 http://www.independent.co.uk/news/people/profiles/jimmy-wales-the-internets-shy-evangelist-2374679.html

Garry Kasparov photo
Donald Ervin Knuth photo

“In fact, my main conclusion after spending ten years of my life working on the TEX project is that software is hard. It’s harder than anything else I’ve ever had to do.”

Donald Ervin Knuth (1938) American computer scientist

[Knuth, Donald, 2002, All Questions Answered, Notices of the AMS, 49, 3, 320, http://www.ams.org/notices/200203/fea-knuth.pdf, PDF]

Jim Al-Khalili photo

“All scientists must communicate their work, for what is the point of learning new things about how the world works if you don't tell anyone about them?”

Jim Al-Khalili (1962) British theoretical physicist, author and broadcaster

We can't hide in our labs and leave the talking to Dawkins http://www.guardian.co.uk/commentisfree/2008/nov/25/comment-science-secularism-society-dawkins, The Guardian, Tuesday 25 November 2008.

Niklas Luhmann photo

“We are still spellbound by a tradition that arranged psychological faculties hierarchically, relegating ‘sensuousness’ — that is, perception — to a lower position in comparison to higher, reflective functions of reason and understanding. The most advanced versions of ‘conceptual art’ still follow this tradition. By refusing to base themselves in sensuously perceptible distinctions between works of art and other objects, these works seek to avoid reducing art to the realm of sense perception.”

Niklas Luhmann (1927–1998) German sociologist, administration expert, and social systems theorist

Source: Art As a Social System (2000), p. 5 as cited by Andrew E. McNamara (2010) "Visual acuity is not what it seems : on Ian Burn's 'Late' reflections". In: Ann Stephen (Ed.) Mirror Mirror http://sydney.edu.au/museums/pdfs/Art_Gallery/mirror_mirror_catalogue.pdf.

Stacey Dash photo
Queen Mathilde of Belgium photo
Paul Graham photo

“Jessica and I have always worked hard to teach our kids not to be mean. We tolerate noise and mess and junk food, but not meanness.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Mean People Fail", November 2014

Frederick William Robertson photo
Kurt Lewin photo
Anish Kapoor photo

“It is a conjunction of images I have always loved in his Sonnets to Orpheus and this work is, in a way, a kind of eye which is reflecting images endlessly”

Anish Kapoor (1954) British contemporary artist of Indian birth

On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."

Edward Hopper photo

“In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Hopper quoted this from Ralph Waldo Emerson's book Self Reliance, the book he loved throughout his life
1941 - 1967
Source: 'How Edward Hopper Saw the Light', by Joseph Phelan, at Artcyclopedia online

Mark Satin photo
Brian Leiter photo
William Cobbett photo
Nélson Rodrigues photo

“It's very hard not to be a scoundrel nowadays. Everywhere there are pressures that work towards our personal and collective debasement.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

"Flor de Obsessão: as 1000 melhores frases de Nelson Rodrigues," page 34.

Alexandra Kollontai photo

“My life was as crammed with strenuous work and highly interesting experiences alike.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

“Everybody is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.”

Jasper Johns (1930) American artist

as quoted in photo-exhibition 'Cy Twombly', museum Marseille Amsterdam, autumn 2008
2000s

Milton Friedman photo

“Whether it is in the slums of New Delhi or in the affluence of Las Vegas, it simply isn't fair that there should be any losers. Life is unfair — there is nothing fair about one man being born blind and another man being born with sight. There is nothing fair about one man being born of a wealthy parent and one of an impecunious parent. There is nothing fair about Muhammad Ali having been born with a skill that enables him to make millions of dollars one night. There is nothing fair about Marlene Dietrich having great legs that we all want to watch. There is nothing fair about any of that. But on the other hand, don't you think a lot of people who like to look at Marlene Dietrich's legs benefited from nature's unfairness in producing a Marlene Dietrich. What kind of a world would it be if everybody was an absolute identical duplicate of anybody else. You might as well destroy the whole world and just keep one specimen left for a museum. In the same way, it's unfair that Muhammad Ali should be a great fighter and should be able to earn millions. But would it not be even more unfair to the people who like to watch him if you said that in the pursuit of some abstract idea of equality we're not going to let Muhammad Ali get more for one nights fight than the lowest man on the totem pole can get for a days unskilled work on the docks. You can do that but the result of that would be to deny people the opportunity to watch Muhammad Ali. I doubt very much he would be willing to subject himself to the kind of fights he's gone through if he were to get the pay of an unskilled docker.”

Milton Friedman (1912–2006) American economist, statistician, and writer

From Created Equal, an episode of the PBS Free to Choose television series (1980, vol. 5 transcript) http://www.freetochoosemedia.org/broadcasts/freetochoose/detail_ftc1980_transcript.php?page=5.

Michael Lewis photo
Pope Benedict XVI photo
Thomas Carlyle photo
Florence Earle Coates photo

“She was a great woman with the heart of a little child. Her works praise her; the millions of God's creatures whom she has saved from suffering sing her praise. Where she has gone the recognition of this world counts for little. She has gone where the merciful are blessed, where the pure in heart see God.”

Florence Earle Coates (1850–1927) American writer and poet

Mrs. Coates on her Aunt (ca. September 1916), Mrs. Caroline Earle White—President and founder of The Women's Pennsylvania Society for the Prevention of Cruelty to Animals and the American Anti-Vivisection Society. Caroline Earle White biography on the American Anti-Vivisection Society website http://www.aavs.org/cew.html
Records of the American Catholic Historical Society of Philadelphia, Volume 33 (1922) http://books.google.com/books?id=c1o8AAAAIAAJ&dq=%22florence%20earle%20coates%22%20%22pure%20in%20heart%20see%20god%22&pg=PA52#v=onepage&q=%22she%20was%20a%20great%20woman%22&f=false

Larry Wall photo

“Why Bible quotes exclusively? What happened to the Eastern religions? I'm still working on the Unicode mods.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199807021924.MAA05380@wall.org, 1998]
Usenet postings, 1998

Frances Kellor photo

“Americanization today is little more than an impulse, and its context, as popularly conceived, is both narrow and superficial. As French has been the language of diplomacy in the past, so English is to be the language of the reconstruction of the world. English is the language of 90,000,000 people living in America. The English language is a highway of loyalty; it is a medium of exchange; it is the open door to opportunity; it is a means of common defense. It is an implement of Americanization, but it is not necessarily Americanization. The American who thinks that America is united and safe when all men speak one language has only to look at Austria and to study the Jugo-Slav and Czecho-Slovak nationalistic movements. The imposition of a language is not the creation of nationalism. A common language is essential to a common understanding, and by all means let America open such a line of communication. The traffic that goes over this line is, however, the vital thing, and what that shall be and how it is to be prepared are matters to which but little thought has been given. Even those who urge the abolition of all other languages are indefinite about the restriction. Shall a man after he has learned English be allowed to get news in a foreign language paper and to worship in his native tongue; and if not, what becomes of the liberty which he is urged to learn English in order to appreciate? Are foreign languages to be encouraged as an expression of culture and to be denied as a means of economic and political expression? The English language campaigns in America have failed because they have not secured the support of the foreign-born. Men must have reasons for learning new languages, and America has never presented the case conclusively or satisfactorily. Furthermore, wherever the case has been presented, it has not been done with the proper facilities and under favorable conditions. The working day must not be so long that men cannot study.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Matthieu Ricard photo
Jack Vance photo
George W. Bush photo
John Howard Yoder photo
Amitabh Bachchan photo

“During those five years (of retirement), I traveled a lot and in some of the cities I visited, there was a kind of immediate recognition, whether it was Egypt or the Middle-East, or Russia or Africa. This kind of surprised me. It wasn't so much a reflection on me. It was a reflection on the Hindi film industry. People didn't know me by name, they knew me by my film name. They sang my songs when they saw me on the street, and came up to me and called me Vijay, for instance. I felt that if there is so much recognition of this medium and this industry in totally non-traditional regions of the world, why is it that something is not being done to market this or to promote it at a much larger scale? This is when I thought of the idea of forming a corporation much like international corporations worldwide to get a kind of professionalism and a kind of corporate attitude to the entertainment industry in this country and to be able to exploit it in all parts of the world. That was the attraction. That really brought me back again. Also, during my 30-year career, one of the accusations that used to come my way was that you've never invested back into the film industry. You've invested in pharmaceuticals, in this and that. But you've never invested your money back into the industry. But here, I felt, was one activity that was very genuine. I really was putting money back to raise the standard of working in the industry”

Amitabh Bachchan (1942) Indian actor

On his motivation behind starting ABCL
Quotable quotes by Amitabh Bachchan.

Henry Miller photo
Bernard Cornwell photo
Roger Manganelli photo
Joseph Smith, Jr. photo