Os sentimentos que mais doem, as emoções que mais pungem, são os que são absurdos – a ânsia de coisas impossíveis, precisamente porque são impossíveis, a saudade do que nunca houve, o desejo do que poderia ter sido, a mágoa de não ser outro, a insatisfação da existência do mundo. Todos estes meios tons da consciencia da alma criam em nós uma paisagem dolorida, um eterno sol-pôr do que somos.
The Book of Disquietude, trans. Richard Zenith, text 196
Quotes about tone
A collection of quotes on the topic of tone, likeness, doing, use.
Quotes about tone
to Michael Azerrad in an interview from 1992 or 1993, in Kurt Cobain: About a Son
Interviews (1989-1994), Video
“Tried to call, or at least beep the lord, but didn't have a touch-tone”
"Respiration", Black Star (1998)
Albums, Compilations, Singles, and Cameos
1860s, First State of the Union address (1861)
Address at the launching of the Mabuhay Ang Pilipino Movement, Malacañang (30 November 1972)
1965
Oppenheimer testifying in his defense in his 1954 security hearings, discussing the American reaction to the first successful Russian test of an atomic bomb and the debate whether to develop the "super" hydrogen bombs with vastly higher explosive power; from volume II of the Oppenheimer hearing transcripts http://www.osti.gov/includes/opennet/includes/Oppenheimer%20hearings/Vol%20II%20Oppenheimer.pdf, pg 95/266 (emphasis added)
“Left alone with the dial tone… excuse me, operator, why is no one listening?”
Source: Saving Francesca
Source: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
“Don't look at me in that tone of voice.”
Source: Alice's Adventures in Wonderland & Through the Looking-Glass
Otto Dix quoted by Eva Karcher, in Otto Dix, New York: Crown Publishers, 1987, p. 22; as cited by Roy Forward, in 'Education resource material: beauty, truth and goodness in Dix's War' https://nga.gov.au/dix/edu.pdf, p. 10
Discussing rival soprano Renata Tebaldi, in a television interview with Norman Ross, Chicago (17 November 1957)
1914 - 1916, Pittura e scultura futuriste' Milan, 1914
“If you think that the brass is not blowing hard enough, tone it down another shade or two.”
Recollections and Reflections
Telephone interview quoted by Carol Krucoff. Why Jane's Fonda Exercise;Stress-Busting Workouts and Other News About Staying in Shape. Washington Post, 13 March 1990
The Dietetics of the Soul; Or, True Mental Discipline (1838)
Further account of his conversations with Andrew Pit
The History of the Quakers (1762)
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 96-97
Philosophy of Modern Music (1973) as translated by Anne G. Mitchell and Wesley V. Blomster
"Hypothesis explaining the Properties of Light" (1675)
remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 148, in: 'What he told me – I. The motif'
September 1913 http://poetry.poetryx.com/poems/1576/, st. 3
Responsibilities (1914)
Isaac D'Israeli, Curiosities of Literature, "Quotation".
Misattributed, Isaac D'Israeli
Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."
"I Died as a Mineral", as translated in The Mystics of Islam (1914) edited by Reynold Alleyne Nicholson, p. 125
Variant translation: Originally, you were clay. From being mineral, you became vegetable. From vegetable, you became animal, and from animal, man. During these periods man did not know where he was going, but he was being taken on a long journey nonetheless. And you have to go through a hundred different worlds yet.
As quoted in Multimind (1986) by Robert Ornstein
Context: I died as a mineral and became a plant,
I died as plant and rose to animal,
I died as animal and I was Man.
Why should I fear? When was I less by dying?
Yet once more I shall die as Man, to soar
With angels blest; but even from angelhood
I must pass on: all except God doth perish.
When I have sacrificed my angel-soul,
I shall become what no mind e'er conceived.
Oh, let me not exist! for Non-existence
Proclaims in organ tones, To Him we shall return.
Pupils at Sais (1799)
Context: Over his own heart and his own thoughts he watched attentively. He knew not whither his longing was carrying him. As he grew up, he wandered far and wide; viewed other lands, other seas, new atmospheres, new rocks, unknown plants, animals, men; descended into caverns, saw how in courses and varying strata the edifice of the Earth was completed, and fashioned clay into strange figures of rocks. By and by, he came to find everywhere objects already known, but wonderfully mingled, united; and thus often extraordinary things came to shape in him. He soon became aware of combinations in all, of conjunctures, concurrences. Erelong, he no more saw anything alone. — In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once. He rejoiced to bring strangers together. Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own.
“I could not awaken
My heart to joy at the same tone —
And all I lov'd — I lov'd alone —”
" Alone http://gothlupin.tripod.com/valone.html", l. 1-8 (written 1829, published 1875).
Context: From childhood's hour I have not been
As others were — I have not seen
As others saw — I could not bring
My passions from a common spring —
From the same source I have not taken
My sorrow — I could not awaken
My heart to joy at the same tone —
And all I lov'd — I lov'd alone
Voltaire's account of his conversations with Andrew Pit
The History of the Quakers (1762)
(Oh Shivaji! This land of the Aryans
has been repeatedly attacked by the Mlechchhas non-Indians).
English translation. From a poem by V. D. Savarkar, quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)
“he tells me in a tone full of ice, 'underestimate who or what I care for.”
Source: On the Jellicoe Road
“Love in all eight tones and all five semitones of the word's full octave”
Source: The Capture
“You can take your Law," she said in a measured tone, "and shove it right up your-”
Source: City of Ashes
“Her wish to die was as pervasive as a dial tone: you lift the receiver, it's always there.”
Source: Faithless
Source: Frost Burned
Source: Magic Burns
Source: Emotional Intelligence: Why It Can Matter More Than IQ