Quotes about theme (370 quotes, page 3)

“How does the philosophical question differ from the non-philosophical question? To philosophize means, we said, to direct one's view toward the totality of the world. So is that a philosophical question (and that alone) which has for its explicit and formal theme the sum-total of all existing things? No! What is peculiar and distinctive about a philosophical question is that it cannot be posed, considered, or answered (so far at least as an answer is possible) without "God and the world" also coming into consideration, that is, the whole of what exists.”

Josef Pieper (1904–1997) German philosopher

Since "the answers of the special sciences" do not reach "the horizon of total reality", they are given "without having to speak at the same time of 'God and the world.'" (p. 96)
Source: Leisure, the Basis of Culture (1948), The Philosophical Act, p. 95

God , World , Question

“We never fully understood why Milosevic decided to give Sarajevo to the Muslims. But in retrospect, the best explanation may be that he was fed up with the Bosnian Serbs and had decided to weaken their Pale base by giving away the Serb-controlled part of Sarajevo. By giving the Federation all of Bosnia's capital, perhaps Milosevic wanted to weaken Karadzic and stregthen the Serbs in other parts of Bosnia, especially Banja Luka. This explanation was consistent with one of Milosevic's main themes at Dayton: that the Bosnian Serb leadership had become an impediment, even though he had earlier made common cause with them. Milosevic had often talked of strengthening the "intellectuals" and businessmen of Banja Luka in order to weaken Pale; now he seemed to be putting his theory into action.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p.293

Parting

“In the 14th Century an anonymous English mystic wrote a book called The Cloud of Unknowing, the main theme of which is that God cannot be apprehended by man's intellect and that only love can pierce the "cloud of unknowing" which lies between Him and us. I feel that in my own life anything I have done of possible worth has happened in spite of my gross, worldly self. I have been no more than the vessel used to convey ideas above my intellectual capacities. When people praise passages I have written, more often than not I can genuinely say, 'Did I write that?' I don't think this is due to my having a bad memory, because I have almost total recall of trivialities. I see it as evidence of the part the supernatural plays in lives which would otherwise remain earthbound.”

Patrick White (1912–1990) English-born Australian writer

Australians in a Nuclear War (1983)

Love , Life , God , People

“Although Saussure recognized the necessity of putting the phonic substance between brackets ("What is essential in language, we shall see, is foreign to the phonic character of the linguistic sign" [p. 21]. "In its essence it [the linguistic signifier] is not at all phonic" [p. 164]), Saussure, for essential, and essentially metaphysical, reasons had to privilege speech, everything that links the sign to phone. He also speaks of the "natural link" between thought and voice, meaning and sound (p. 46). He even speaks of "thought-sound" (p. 156). I have attempted elsewhere to show what is traditional in such a gesture, and to what necessities it submits. In any event, it winds up contradicting the most interesting critical motive of the Course, making of linguistics the regulatory model, the "pattern" for a general semiology of which it was to be, by all rights and theoretically, only a part. The theme of the arbitrary, thus, is turned away from its most fruitful paths (formalization) toward a hierarchizing teleology:… One finds exactly the same gesture and the same concepts in Hegel. The contradiction between these two moments of the Course is also marked by Saussure's recognizing elsewhere that "it is not spoken language that is natural to man, but the faculty of constituting a language, that is, a system of distinct signs …," that is, the possibility of the code and of articulation, independent of any substance, for example, phonic substance.”

Jacques Derrida book Positions

Source: Positions, 1982, p. 21

Motivation , Nature , Parting

“"Cuckoo!"
"Cuckoo!"
While I meditated
on that theme
day dawned.”

Fukuda Chiyo-ni (1703–1775) Japanese writer

Source: Ikuko Atsumi, ‎Kenneth Rexroth. Women Poets of Japan. 1982. p. 53

“But Conversation, choose what theme we may,
And chiefly when religion leads the way,
Should flow, like waters after summer show'rs,
Not as if raised by mere mechanic powers.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Conversation (1782), Line 703.

Religion , Way , Water , Summer

“The United States are deemed all the world over to be pre-eminently the land of equality. This was the first feature which struck Europeans when they began, after the peace of 1815 had left them time to look beyond the Atlantic, to feel curious about the phenomena of a new society. This was the great theme of Tocqueville's description, and the starting-point of his speculations; this has been the most constant boast of the Americans themselves, who have believed their liberty more complete than that of any other people, because equality has been more fully blended with it.”

James Bryce, 1st Viscount Bryce (1838–1922) British academic, jurist, historian and Liberal politician

The American Commonwealth: Volume II (New York: The Macmillan Company, 1910), p. 810.
1910s

People , World , Peace , Feeling

“Painting responded to the plague-darkened vision of the human condition provoked by repeated exposure to sudden, inexplicable death. Tuscan painters reacted against Giotto's serenity, preferring sterner, hieratic portrayals of religious scenes and figures. The "Dance of Death" became a common theme for art; and several other macabre motifs entered the European repertory.”

William H. McNeill (1917–2016) Canadian historian

Source: Plagues and Peoples (1976), Ch.4 "The Impact of the Mongol Empire on Shifting Disease Balances, 1200-1500".

Death , Art , Dance , Painting

“I don't think there's necessarily a story, but there's definitely a theme here. One of my favorite kind of dark jokes is, "How do you make God laugh? You make a plan." Nobody ever makes a plan that they're gonna go out and get hit by a car. A plan almost always has a happy ending. Essentially, every plan is a tiny prayer to Father Time. I really like the idea of a plan not being seen as having definite outcomes, but more like little wishes.”

Ben Gibbard (1976) American singer, songwriter and guitarist

On the the title of the Death Cab for Cutie album Plans, as quoted in Mix online (1 January 2006) http://mixonline.com/mag/audio_death_cab_cutie_2/index.html

God , Cars , Idea , Thinking

“I have come to use the pan-Celtic history, which spans from 500 BC to the present, as a creative springboard. The music I am creating is a result of traveling down that road and picking up all manner of themes and influences, which may or may not be overtly Celtic in nature.”

Loreena McKennitt (1957) Canadian musician and composer

Website notes to The Mask And Mirror http://www.quinlanroad.com/explorethemusic/maskandmirror.asp

Music , Travel , History , Nature

“I still carry with me the same themes as always — I'm still compelled to present mystic ideas…”

Donovan (1946) Scottish singer, songwriter and guitarist

Grip interview (1997)

Idea

“Pope John Paul II is a tireless champion of peace who has dealt with the theme of peace often and at some length. Like his predecessors, John Paul II sees a close connection between justice and peace. John Paul II believes that justice is rooted in love and “finds its most significant expression in mercy”. Hence, justice, “if separated from merciful love, becomes cold and cutting.””

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, K. (ed) (2007) World Peace: An Impossible Dream? , Mumbai: St Pauls
On Peace

Love , Peace , Justice

“Prosperity … is necessarily the first theme of a political campaign.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Campaign speech, 1912, PWW 25:99
1910s

“I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn't technical, it isn't just fun.”

Willem de Kooning (1904–1997) Dutch painter

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 50.
1960's

Color , Way , Sense , Painting

“On the other hand, many Muslim historians of medieval India have left for posterity some very detailed, many a time day-to-day, accounts of what happened during the endless encounters between Hindus and Muslims. The dominant theme in these accounts is of mu’mins (Muslims) martyred; of kãfirs (Hindus infidels) despatched to hell; of cities and citadels sacked; of citizens massacred; of Brahmins killed or forced to eat beef; of temples razed to the ground and mosques raised on their sites; of idols broken and their pieces taken to imperial headquarters for being trodden underfoot by the faithful on the steps of the main mosque; of booty captured and carried away on elephants, camels, horses, bullock carts, on the backs of sheep and goats, and even on the heads of Hindu prisoners of war; of beautiful Hindu maidens presented to the sultans and distributed among Muslim generals and nobles; of Hindu men, women and children sold into slavery in markets all over the Islamic world; and of kãfirs converted to the true faith at the point of the sword. The Muslim historians treat every war waged against the Hindus as a jihãd as enjoined by the Prophet and the Pious Caliphs.”

Sita Ram Goel book The Story of Islamic Imperialism in India

The Story of Islamic Imperialism in India (1994)

Women , Men , War , Children

“Cybernetics was defined by Wiener as “the science of control and communication, in the animal and the machine” — in a word, as the art of steermanship, and it is to this aspect that the book will be addressed. Co-ordination, regulation and control will be its themes, for these are of the greatest biological and practical interest.
We must, therefore, make a study of mechanism; but some introduction is advisable, for cybernetics treats the subject from a new, and therefore unusual, angle… The new point of view should be clearly understood, for any unconscious vacillation between the old and the new is apt to lead to confusion.”

W. Ross Ashby (1903–1972) British psychiatrist

Source: An Introduction to Cybernetics (1956), Part I: Mechanism, p. 1: Lead paragraph

Books , Art , Communication , Study

“Yamanaka: "The first thing I want you to know is about dodo's. 'Dodo' is the name of an extinct bird which is big but cannot fly. I made the song likening the 'bird' to bands I like, such as 'a great musician who passed away' or 'the split-up band'. Life is mortal, all things die. The last day will psychically also come to a band. However, I sing this song lightly to oppose these themes, something like "even if I die, I'll be back!" or "Only the pillows won't break up, right!?" It's not a very serious song, more a positive one. This song has an alternative sound, which I really like lately."”

Sawao Yamanaka (1968) Japanese singer-songwriter

Source: http://www.jame-world.com/us/articles-2700-wake-up-the-pillows-interview.html

Life , Bird , Singing , Flying

“The interest in Lego may have come later. Certainly the grown-up Technic variant, with it gears and cogs and motors, fascinated me the most, and presumably some way into adolescence, as I remember constructing a colourful mechanical Wanking Machine during long periods upstairs in my room. The inevitable problem of round pegs and square holes sadly rendered this particular project fruitless, on many levels, but the manufacturers might like to take note of the idea when planning other themed kits for their teenage boy demographic.”

Derren Brown (1971) British illusionist

Books, Confessions of a Conjuror (2010)

Way , Boy , Idea , Problem

“It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30 : About the ambivalence in his own work.

Law , Way , Dependency

“German erudition of his time he held in little esteem. “They go to work like galley slaves,” was his charge. “They do not write on a theme because inspired; but the theme comes first, and with assiduous and laborious study they hope to evolve something brilliant out of it.””

Oscar Levy (1867–1946) German physician and writer

describing the view of Stendhal, p. 84.
The Revival of Aristocracy (1906)

Hope , Study , Time

“[Italian] Fascism was a variant of classical Marxism, a believe system that pressed some themes argued by both Marx and Engels until they found expression in the form of ‘national syndicalism’ that was to animate the first Fascism.”

A. James Gregor (1929–2019) American political scientist

Source: Young Mussolini and the Intellectual Origins of Fascism, (1979), p. xi

Animals

“.. the equivalence of sounds, gratings, scratches, explosions, shots, blows, hammering, shouts, resonance, echoes in space; meditation of a cosmic theme, reflection for the contemplation of the earth, of magma, of lava, of ash; battlefield; garden; play-field; destiny of the ephemeral... Far from the cliché people have of artists holding the baggage of necessary originality, personality, style, etc., that calls for an outsider's discussion of the works, for the author there is, foremost, a nucleus of thought that is more anonymous and collective and of which artists are but humble servants. This is surely the zone where wisdom is deposited, the wisdom that one may really find beneath all ideologies and the contingencies of this world. It is the impulse of our life instinct for knowledge, love and freedom that has been kept and fed by the wisdom of all time.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Love , Life , Wisdom , People

“The Faerie Queene is the most extended and extensive meditation on sex in the history of poetry. It charts the entire erotic spectrum, a great chain of being rising from matter to spirit, from the coarsest lust to chastity and romantic idealism. The poem’s themes of sex and politics are parallel: the psyche, like society, must be disciplined by good government. Spenser agrees with the classical and Christian philosophers on the primacy of reason over animal appetites. He looks forward to the Romantic poets, however, in the way that he shows the sex impulse as ultimately daemonic and barbaric, breeding witches and sorcerers of evil allure. Like the Odyssey, The Faerie Queene is a heroic epic in which the masculine must evade female traps or delays.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 188

Sex , Way , History , Evil

“It is dangerous these days for a male to write even glancingly on feminist themes. Did anyone attack Margaret Atwood’s right to extrapolate religio-machismo in The Handmaid’s Tale? Women writers appear vouchsafed insight into the souls of men—credit that seldom flows the other way. It is a sexist and offensive assumption, which does not advance understanding.”

David Brin book Glory Season

Afterword (p. 561)
Glory Season (1993)

Women , Men , Way , Soul

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”
Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Men , Color , Distant , Sea

“I put my pencil upon the paper, doubtfully, and drew little lines, considering my theme. But I would not long hesitate in this manner, for I knew that all creation must be chaos first, and then gestures in the void before it can cast out the completed thing.”

Hilaire Belloc (1870–1953) writer

Source: The Four Men: A Farrago (1911), p. 160

“The solution, as all thoughtful people recognize, must lie in properly melding the themes of inborn predisposition and shaping through life's experiences. This fruitful joining cannot take the false form of percentages adding to 100—as in “intelligence is 80 percent nature and 20 percent nurture,” or “homosexuality is 50 percent inborn and 50 percent learned,” and a hundred other harmful statements in this foolish format. When two ends of such a spectrum are commingled, the result is not a separable amalgam (like shuffling two decks of cards with different backs), but an entirely new and higher entity that cannot be decomposed”

Stephen Jay Gould book Dinosaur in a Haystack

just as adults cannot be separated into maternal and paternal contributions to their totality
"The Monster's Human Nature", p. 60
Dinosaur in a Haystack (1995)

Life , People , Lie , Intelligence

“Say you've been to MGM (Metro-Goldwyn-Mayer) Disney Studios in Orlando, you'll know that there's an animation studio where you actually walk out of the back door of the animation studio and you're in a theme park. Now you say, hey, that's pretty cool. Could any animation studio have a sort of situation like that that is any cooler? And you think not. Well, you're wrong, I'd say, because here at Big Idea when we walk out our back door, We have the Timework button, we push the button, we open the door[…] and, we're in a mall. Disney has nothing on this. You can be animating one moment, buying candy by the pound the next, or taking a ride on a little train, or going to the food court.”

Phil Vischer (1966) American puppeter

From Disc Two; Behind the Scenes: Big Idea Tour (00:08:57-00:09:36)
Jonah: A VeggieTales Movie DVD (2002)

Food , Idea , Thinking , Animals

“It's the same old theme
Since nineteen-sixteen
In your head, in your head, they are fighting
With their tanks, and their bombs
And their bombs, and their guns
In your head, in your head they are crying
In your head, in your head
Zombie, zombie, zombie-ie-ie
What's in your head, in your head
Zombie, zombie, zombie-ie-ie, oh”

Dolores O'Riordan (1971–2018) Irish singer

"Zombie" (1993)

Fight , Cry

“I love these tales because, in more reasonable attributions of motive, they so beautifully embody a fundamental theme of historical explanation - that consequences of substantial import often arise from triggers of entirely different intent. In other words, current utility bears no necessary relationship with historical origin.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 302
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Love , Motivation

“When I was first in Czechoslovakia, it occurred to me that I work in a society where as a writer everything goes and nothing matters, while for the Czech writers I met in Prague, nothing goes and everything matters. This isn't to say I wished to change places. I didn't envy their persecution and the way in which it heightens their social importance. I didn't even envy them their seemingly more valuable and serious themes. The trivialization, in the West, of much that's deadly serious in the East is itself a subject, one requiring considerable imaginative ingenuity to transform into compelling fiction.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

Way , Imagination , Change , Envy

“I am more and more engrossed with the single poetic theme of Life and Death, for there doesn't seem to be any question more directly relevant than this one of what survives of all the beloved.”

Alun Lewis (1915–1944) Welsh poet

Letter written in 1943; cited from Jeremy Hooker and Gweno Lewis (eds.) Selected Poems of Alun Lewis (London: Unwin, 1987) p. 108.

Life , Death , Question

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Music , Way , Game , Time

“Roger:I think everyone can take different things from the lyrics, so it's up to you if you feel there is a theme,, to me, it's obviously LTJ lyrics and so it's always sort of dark, yet positive at the same time. I think the lyrics usually have some sort of light at the end of the tunnel ideal going on”

Roger Manganelli (1973) American musician

Feeling , Thinking , Light , Time

“I think we need some new Christmas carols with a more modern approach. Of course, I wouldn’t abandon the religious theme completely. How about “Holy Christ, the Christmas Tree’s on Fire”? Or ”Jesus, Can You Believe It’s Christmas Again?” This ought to get the ball rolling; I’m hoping you people will take it from here.”

George Carlin (1937–2008) American stand-up comedian

Source: Books, When Will Jesus Bring the Pork Chops? (2004)

People , Hope , Thinking , Tree

“The idea of evil as it appears in modern secular thought is an inheritance from Christianity. To be sure, rationalists have repudiated the idea; but it is not long before they find they cannot do without it. What has been understood as evil in the past, they insist, is error – a product of ignorance that human beings can overcome. Here they are repeating a Zoroastrian theme, which was absorbed into later versions of monotheism: the belief that ‘as the “lord of creation” man is at the forefront of the contest between the powers of Truth and Untruth.’ But how to account for the fact that humankind is deaf to the voice of reason? At this point rationalists invoke sinister interests – wicked priests, profiteers from superstition, malignant enemies of enlightenment, secular incarnations of the forces of evil. As so often is the case, secular thinking follows a pattern dictated by religion while suppressing religion’s most valuable insights. Modern rationalists reject the idea of evil while being obsessed by it. Seeing themselves as embattled warriors in a struggle against darkness, it has not occurred to them to ask why humankind is so fond of the dark. They are left with the same problem of evil that faces religion. The difference is that religious believers know they face an insoluble difficulty, while secular believers do not. Aware of the evil in themselves, traditional believers know it cannot be expelled from the world by human action. Lacking this saving insight, secular believers dream of creating a higher species. They have not noticed the fatal flaw in their schemes: any such species will be created by actually existing human beings.”

John Gray (1948) British philosopher

The Faith of Puppets: The Faith of Puppets (p. 18-9)
The Soul of the Marionette: A Short Enquiry into Human Freedom (2015)

Truth , World , Religion , Dreams

“I thank you, fellow-citizens, for this magnificent demonstration. In so far as I represent in my heart and life the great doctrines for which you fought, I accept this demonstration as a tribute to my representative character. [Applause. ] In the strength of your hands, in the fervor of your hearts, in the firmness of your faith, in all that betokens greatness of manhood and nobleness of character, the Republic finds its security and glory. [Applause. ] I do not enter upon controverted questions. The time, the place, the situation forbid it. I respect the traditions that require me to speak only of those themes which elevate us all. Again I thank you for the kindness and enthusiasm of your greeting.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Tremendous cheering.
1880s, Speech to the 'Boys in Blue' (1880)

Life , Faith , Question , Time

“In spite of everything, in dealing with the theme at hand, one must, as is often repeated here, take both the changing times and the sensibilities of earlier times into account.”

Regina Jonas (1902–1944) rabbi

Can a Woman Be a Rabbi According to Halachic Sources?

Change , Time

“My main theme is the extension of the nervous system in the electric age”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Robert Fulford, 1964. Letters of Marshall McLuhan (1987), p. 300
1960s
Context: My main theme is the extension of the nervous system in the electric age, and thus, the complete break with five thousand years of mechanical technology. This I state over and over again. I do not say whether it is a good or bad thing. To do so would be meaningless and arrogant.

Age

“It's practically my subject, my theme: solitude and community; the weirdness and terrors of solitude: the stifling and consolations of community. Also, the consolations of solitude.”

Derek Mahon (1941) Poet

Paris Review 154, Spring 2000 http://www.theparisreview.org/interviews/732/the-art-of-poetry-no-82-derek-mahon

Communication , Solitude

“It is an old liberal theme that conservative ideas, being red in tooth and claw, cannot possibly emerge from any notion of the public good.”

Charles Krauthammer (1950–2018) American journalist

2010s, 2010, The great peasant revolt of 2010 (2010)

Idea

“Christopher Columbus discovered the West Indies, and Alexander Graham Bell invented the telephone. We do not call their achievements creations because they are not personal enough. The West Indies were there all the time; and as for the telephone, we feel that Bell's ingenious thought was somehow not fundamental. The groundwork was there, and if not Bell then someone else would have stumbled on the telephone almost as accidently as on the West Indies.
By contrast, we feel that Othello is genuinely a creation. This is not because Othello came out of a clear sky; it did not. There were Elizabethan dramatists before William Shakespeare, and without them he could not have written as he did. Yet within their tradition Othello remains profoundly personal; and though every element in the play has been a theme of other poets, we know that the amalgam of these elements is Shakespeare's; we feel the presence of his single mind. The Elizabethan drama would have gone on without Shakespeare, but no one else would have written Othello…”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Source: The Creative Process, 1958, p. 97-98: As quoted in: S.P. Sector (‎1997). A Study of Issues Relating to the Patentability of Biotechnological Subject Matter. Footnote 51. https://www.ic.gc.ca/eic/site/ippd-dppi.nsf/eng/ip00201.html

Feeling , Time , Personality

“On live performance: "Yes. l’d really like to do some concerts of completely improvised music, but one of the reasons for doing a concert is to experience the enjoyment of the people there, so you have to include excerpts of music from previous albums because they want to hear something they already know and like. There’s nothing wrong with limiting your spontaneous playing to just improvising around old themes, but what is wrong is playing a concert solely to promote a certain record. I’ve never done a concert tour just to promote Heaven and Hell or Chariots or anything like that. That sort of thing seems pointless to me."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

http://www.nemostudios.co.uk/vangelis/interviews/covermag/interviews.htm
Soil Festivities Vangelis Speaks
Dan Goldstein
November 1984
Electronics & Music Maker
1984

People , Music , Hell

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life , God , Hostility , World

“The favorite themes that the animus of the woman dredges up within her sound like this: "I am seeking nothing but love, but 'he' doesn't love me." Or, "There are only two possibilities in this situation," both of which of course are unpleasant (the negative animus never believes in exceptions). One can seldom contradict the animus, for it/he is always right; the only problem is that his opinion is not based on the actual situation. For the most part he gives utterance to seemingly reasonable views, which, however, are slightly at a tangent to what is under discussion.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man

Love , Problem , Parting

“There are four headwinds that are just hitting the American economy in the face. They're demographics, education, debt and inequality. They're powerful enough to cut growth in half. So we need a lot of innovation to offset this decline. And here's my theme: Because of the headwinds, if innovation continues to be as powerful as it has been in the last 150 years, growth is cut in half. If innovation is less powerful, invents less great, wonderful things, then growth is going to be even lower than half of history.”

Robert J. Gordon (1940) American economist

Robert Gordon. " The death of innovation, the end of growth https://www.ted.com/talks/robert_gordon_the_death_of_innovation_the_end_of_growth/transcript," TED Talk, April 2013.

Education , History

“The Bible is the most thought-suggesting book in the world.
No other deals with such grand themes.”

Herrick Johnson (1832–1913) American clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 31.

Books , World

“Very quickly the church found intolerable and inapplicable features in what Jesus Christ demanded and proclaimed. Let us simply take two themes. First, he tells us to be perfect as our Father in heaven is perfect. But how can anyone take this impossibility seriously? … Again, Jesus says, “Go, sell all your goods, give them to the poor, and then come and follow me.” How are we to take this? …
The way opens, then, for the sapping work of theologians of all kinds, then of lawyers, in an attempt to explain that Jesus wanted to say something other than what is written, or that these commandments are meant only for a spiritual elite and are simply counsels for others, or that the order given to the rich young ruler was meant for him alone. In other words, the texts have been wrested in all kinds of ways so that we should not be driven into a corner or forced to recognize the distance between God and us.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

Source: The Subversion of Christianity (1984), pp. 41-42

God , Way , Christ , Perfection

“The pastorate was formed against a sort of intoxication of religious behavior, examples of which are found throughout the Middle East in the second, third, and fourth centuries, and to which certain Gnostic sects in particular bear striking and indisputable testimony. In at least some of these Gnostic sects, in fact, the identification of matter with evil, and as absolute evil, obviously entailed certain consequences. This might be, for example, a kind of vertigo or enchantment provoked by a sort of unlimited asceticism that could lead to suicide: freeing oneself from matter as quickly as possible. There is also the idea, the theme, of destroying matter through the exhaustion of the evils it contains, of committing every possible sin, going to the very end of the domain of evil opened up by matter, and thus destroying matter. Let us sin, then, and sin to infinity. There is also the theme of the nullification of the world of the law, to destroy which one must first destroy the law, that is to say, break every law. One must respond to every law established by the world, or by the powers of the world, by violating it, systematically breaking the law and in effect, overthrowing the reign of the one who created the world.”

Michel Foucault (1926–1984) French philosopher

Lecture 8 (1 March 1978), p. 195
Security, Population, Territory (1978)

World , Law , Behavior , Idea

“In schools, for example, there are courses in the criticism of literature, art criticism, and so forth. The arts are supposed to be 'not real.' It is quite safe, therefore, to criticize them in that regard -- to see how a story or a painting is constructed, or more importantly, to critically analyze the structure of ideas, themes, or beliefs that appear, say, in the poem or work of fiction. When children are taught science, there is no criticism allowed. They are told, 'This is how things are.' Science's reasons are given as the only true statements about reality, with which no student is expected to quarrel. Any strong intellectual explorations or counter versions of reality have appeared in science fiction, for example. Here scientists, many being science-fiction buffs, can channel their own intellectual questioning into a safe form. 'This is, after all, merely imaginative and not to be taken seriously.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 145-146

Children , School , Art , Imagination

“This is discrimination against gay, nautically-themed cupcake mascots.”

Kerry Jackson

Radio From Hell (April 28, 2006)

“In Shakespeare's The Merchant of Venice, act V, scene 1, we find this exchange between the two young lovers: JESSICA: I am never merry when I hear sweet music
LORENZO: The reason is, your spirits are attentiveThe opening of the finale of Beethoven' s 'Emperor' Concerto provides a splendid example of the kind of theme that is the inspiration for this book. A completely unified theme that hangs together beautifully, it nevertheless portrays vividly a series of contrasting sentiments in a succession that amounts to a small narrative …”

Charles Rosen (1927–2012) American pianist and writer on music

Prologue
Music and Sentiment (2010)

Books , Music , Lovers , Success

“… The fame of Gibbon is highest among writers; those especially who have studied for years particular periods included in his theme (and how many those are; for in the East and West he has set his mark on all that is great for ten centuries!) acutely feel and admiringly observe how difficult it would be to say so much, and leave so little untouched; to compress so many telling points; to present in so few words so apt and embracing a narrative of the whole.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. I—Edward Gibbon, National Review, 2, January 1856, 1–42, https://babel.hathitrust.org/cgi/pt?id=nyp.33433081643169;view=1up;seq=43] (quote p. 31)
Edward Gibbon (1856)

Feeling , Study

“My spiritual education… took place at a Unitarian Church. The theme was "many paths to the truth." …even the inconsistencies were illuminating. It became apparent to me that the basic truths were profound enough to transcend apparent contradictions.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

The Singularity Is Near: When Humans Transcend Biology (2005)

Truth , Education

“Meditation on any theme, if positive and honest, inevitably separates him who does the meditating from the opinion prevailing around him, from that which … can be called “public” or “popular” opinion.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

Source: What is Philosophy? (1964), p. 15

“In the end one cannot avoid the conclusion that AIDS unites certain human themes — homosexuality, sexual disease, and death — about which society actively resists enlightenment. These are things that we are unwilling to address or even think about. We don't want to understand them. We would rather fear them.”

Martin Amis (1949) Welsh novelist

"Making Sense of AIDS" (1985)
The Moronic Inferno and Other Visits to America (1986)

Death , Fear , Disease , Understanding

“Bob Dylan: The media is all-pervasive. What can a writer think of to write that you don't see every day in a newspaper or on television?
Interviewer: …Do you think that TV and the media have killed poetry and literature?
Bob Dylan: Oh, absolutely. Absolutely. … What's a writer to do if every idea is exposed in the media before he can get to it or let it evolve? What's a writer gonna write about? … We're living in a science-fiction world. We're living in a world that Disney has conquered. Disney's science fiction. Theme parks, trendy streets, it's all science fiction. So I would say, if a writer has got something to say, he'll have to do it in that–
Interviewer: Outside of the real world?
Bob Dylan: There is a real world. Science fiction has become the real world. Whether we realize it or not, it has.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

The Rome Press Conference (23 July 2001)

World , Literature , Idea , Thinking

“I do not think writers ought ever to sit down and think they must write about some cause, or theme… If they write about their own experiences, something true is going to emerge.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

"Literature Nobel Awarded to Writer Doris Lessing" http://www.npr.org/templates/story/story.php?storyId=15195588 All Things Considered NPR (11 October 2007)

Thinking

“[The title] was the last thing that I chose, after all the songs and the cover art were finished. So none of the songs directly allude to that myth. But the main themes that emerge out of that myth are really close to the themes on the record -- mortality, decadence, an excess of water, isolation, rebirth. The myth is also significant to me because of the way that I encountered it, which relates to one of the huge events the record is about.
I also liked the power of the word itself. I liked how violent and cryptic it felt; it's such a daunting word to encounter. I like how it contrasted this finely rendered, carefully composed front cover -- the painting is information-dense, formal, and stylized; it looks the way something looks when a painter spends a year on it, which is what Benjamin [Vierling] did. So it has all this detail and carefulness to it, which was really important to me and relates very closely to the record. But I also felt like it needed some sort of ballast, or balance, next to it, to reflect the other elements of the record; its innate violence. I wanted a word that was like throwing a brick at the visual on the front cover; I liked that whenever someone looked at that cover they also had to encounter this short, weird word.”

Joanna Newsom (1982) American musician

Interview with Pitchfork (2006)

Art , Way , Water , Painting

“My theme is memory, that winged host that soared about me one grey morning of war-time.”

Evelyn Waugh book Brideshead Revisited

Brideshead Revisited (1945)

War , Memory , Time

“Somehow, women’s romance novels are not titled He Stopped When I Said “No”. They are, though, titled Sweet Savage Love, in which the woman rejects the hand of her gentler lover who saves her from the rapist and marries the man who repeatedly and savagely rapes her. It is this “marry the rapist” theme that not only turned Sweet Savage Love into a best-seller but also into one of women’s most enduring romance novels.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part III: Government as substitute husband, p. 315.

Love , Women , Lovers

“And of course, in my writing, there is the constant theme of music, love of, preoccupation with, music. Music is the single thread making my life into a coherency. … It's my job and my vice mixed together. You can't hope for better than that: having your job and your sin commingled.”

Philip K. Dick (1928–1982) American author

Introduction to The Golden Man (1980)

Love , Life , Hope , Music

“Why did his interest in the concept of spontaneous order and the history of the doctrine of unintended social consequences undergo very little development after the 1960s? All of his political writings are in fact amazingly repetitious, exploring a small number of big themes which, however, are not further refined or extended in new contexts. As organizing concepts, they held, I am convinced, enormous potentialities but nevertheless Hayek himself failed to realize them.”

Mark Blaug (1927–2011) British economist

Hayek revisited (1993)

History

“His [Champlain's] books mark the man,—all for his theme and his purpose, nothing for himself. Crude in style, full of the superficial errors of carelessness and haste, rarely diffuse, often brief to a fault, they bear on every page the palpable impress of truth.”

Francis Parkman (1823–1893) American historian

Pt. II, Ch. 17 Death of Champlain
Pioneers of France in the New World (1865)

Truth , Books , Error

“The deepest, the only theme of human history, compared to which all others are of subordinate importance, is the conflict of skepticism with faith.”

Karl Popper (1902–1994) Austrian-British philosopher of science

Johann Wolfgang von Goethe in "Israel in the Desert" (1819)
Misattributed

Faith , History

“I am startled, occasionally, to find “intelligence” used as the antithesis of “feeling”, as though the two played against each other. Nothing could be further from the truth. No intelligent interpretation is lacking in emotional values. What this probably means is that, depending on gifts and degree of maturity, some natures emphasize brain over heart. Where such an imbalance occurs, it must be corrected by conscious and concentrated application to emotional content. If an interpretation is unduly cerebral, liveness and color can be infused into it by attention to whether the theme is now in the right hand, now in the left; whether it is supported by an accompaniment which has significance of its own, or merely hums along.”

Benno Moiseiwitsch (1890–1963) British musician

Playing in the Grand Style (1950)

Truth , Color , Feeling , Intelligence

“Siphonophores do not convey the message—a favorite theme of unthinking romanticism—that nature is but one gigantic whole, all its parts intimately connected and interacting in some higher, ineffable harmony. Nature revels in boundaries and distinctions; we inhabit a universe of structure. But since our universe of structure has evolved historically, it must present us with fuzzy boundaries, where one kind of thing grades into another.”

Stephen Jay Gould book The Flamingo's Smile

"A Most Ingenious Paradox", p. 95
The Flamingo's Smile (1985)

Nature , Universe , Parting

“But what is this India Home Rule Bill? I will tell you. It is a gigantic quilt of jumbled crotchet work. There is no theme; there is no pattern; there is no agreement; there is no conviction; there is no simplicity; there is no courage. It is a monstrous monument of shame built by pygmies.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

BBC broadcast (29 January 1935), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 595
The 1930s

Home , Courage

“And wherever men are fighting against barbarism, tyranny, and massacre, for freedom, law, and honour, let them remember that the fame of their deeds, even though they themselves be exterminated, may perhaps be celebrated as long as the world rolls round. Let us then declare that King Arthur and his noble knights, guarding the Sacred Flame of Christianity and the theme of a world order, sustained by valour, physical strength, and good horses and armour, slaughtered innumerable hosts of foul barbarians and set decent folk an example for all time.”

Winston S. Churchill book A History of the English-Speaking Peoples

On King Arthur Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

Men , World , Law , Freedom

“It was only in the sixth century, after the Emperor Justinian proclaimed that reincarnation was no longer acceptable and would be considered a heretic doctrine, that Christians began to denounce it. The writings of earlier Christians such as Saint Jerome in the fourth century explain that reincarnation was considered an esoteric doctrine that should be understood and defended by Christian philosophy. In the second century, Origen discussed themes of reincarnation in his book titled On First Principles, which is still available in the library today. As we research different scriptures, we can still find hints of reincarnation in all of them.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume III: Solace for the Heart in Difficult Times (Hari-Nama Press, 2000), Chapter 1 - The Choice Before Humanity

Books

“At the Palace of Wisdom they don't send a boy to do a man's job, they send The Shaman; the Shaman of Sexy. (in reference to Shawn Michaels and his theme song referring to himself as a Sexy Boy)”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Wisdom , Boy

“But now let me return to my theme of the many changes that have taken place since I was last here. There is a jocular saying: ‘To improve is to change; to be perfect is to have changed often.’ I had to use that once or twice in my long career.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Address to a joint session of Congress, Washington, D.C., (17 January 1952) "We Must Not Lose Hope", in The Great Republic : A History of America (2000), Churchill, Random House, p. 399 ISBN 0375754407
Post-war years (1945–1955)

Change , Perfection

“Peter sighed. He turned the palms of his hands up as though to guess at rain. Anna knew him, theme and choreography. The sunshiny spring afternoon seeped through his fingers. He looked up at the witnessing heavens to keep what he could. He dropped his arms and let the rest go.”

Grace Paley (1922–2007) American writer and activist

"The Pale Pink Roast" (1959)

Spring

“It'll say, 'Danny Elfman, who wrote the theme to 'The Simpsons,' etcetera…That's what I'll be remembered for.”

Danny Elfman (1953) American composer, record producer, and actor

On what he believes will be his obituary, from the Los Angeles Times cover story, "A Different Beat", 1999.

“He had a startling genius, but somehow it did n't emerge;
Always on the evolution of things that would n't evolve;
Always verging toward some climax, but he never reached the verge;
Always nearing the solution of some theme he could not solve.”

Sam Walter Foss (1858–1911) American writer

The Inventor, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Thematic analysis is a process for encoding quantitative information. The encoding requires an explicit "code". This may be a list of themes; a complex model with themes, indicators, and qualifications that are causally related; or something in between these two forms. A theme is a pattern found in the information that at minimum describes and organizes the possible observations and at maximum interprets aspects of the phenomenon. A theme may be identified at the manifest level (directly observable in the information) or at the latent level (underlying the phenomenon). The themes may be initially generated inductively from the raw information or generated deductively from theory or prior research.”

Richard Boyatzis (1946) American business theorist

Source: Transforming qualitative information (1998), p. vi-vii.

“He is equally great whether his theme be religion, patriotism, or love. As a political poet he is one of the greatest of all time.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

H. G. Atkins, in Edgar Prestage (ed.) Chivalry (London: Kegan Paul, Trench, Trubner & Co., 1928) pp. 99-100.
Praise

Love , Religion , Time

“The more communities break down and poverty expands, the more anxious and frightened people will retreat into self-delusion. Those who speak the truth—whether about climate change or our system of inverted totalitarianism—will be branded as seditious and unpatriotic. They will be hated for destroying the illusion. This, as Gabler noted, is the danger of a society dominated by entertainment. Such a society, he wrote, “… took dead aim at the intellectuals’ most cherished values. That theme was the triumph of the senses over the mind, of emotion over reason, of chaos over order, or the id over the superego. … Entertainment was Plato’s worst nightmare. It deposed the rational and enthroned the sensational and in so doing deposed the intellectual minority and enthroned the unrefined majority.””

Chris Hedges (1956) American journalist

"The Illusion of Freedom" (2015)

Hate , People , Truth , Communication

“Human life is fiction's only theme.”

Eudora Welty (1909–2001) American author

On Writing (2002)

Life

“Throughout our history - and that of the world - it's always come down to the friction between the haves and have-nots or between the average Joes and the large corporations. So that's a recurring theme in my work.”

Paul Conrad (1924–2010) German theologian

As cited in Longden, T. (2009, March 25). Famous Iowans - Paul Conrad http://data.desmoinesregister.com/dmr/famous-iowans/paul-conrad. The Des Moines Register.

World , History

“I've explored a variety of directions and themes over the years. But I think in my painting you can see the signature of one artist, the work of one wrist.”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, Taschen Köln, 2006, p. 15
1990s - 2000s

Thinking , Painting

“The elegant study… is consistent with the themes of modern cognitive neuroscience. Every aspect of thought and emotion is rooted in brain structure and function, including many psychological disorders and, presumably, genius. The study confirms that the brain is a modular system comprising multiple intelligences, mostly nonverbal.”

Steven Pinker (1954) psychologist, linguist, author

"On Einstein's brain," The New York Times (June 24, 1999)

Intelligence , Study

“I'm perhaps best known for three different kinds of work, which seem disparate to many people but to me run as a unified theme. These are my contributions in conceiving the notion of autopoiesis — self-production — for cellular organization, the enactive view of the nervous system and cognition, and a revising of current ideas about the immune system.”

Francisco Varela (1946–2001) Chilean biologist

The Emergent Self (1995)

People , Idea

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Life , People , World , Music

“I think almost everyone, including me, thought the election of our first black president would lead to new efforts to improve the dismal economic condition of African-Americans. In fact, Obama has seldom touched on the issue of race, and when he has he has emphasized the conservative themes of responsibility and self-help. Even when Republicans have suppressed minority voting, in a grotesque campaign to fight nonexistent voter fraud, Obama has said and done nothing.”

Bruce Bartlett (1951) American historian

2010s, Obama is a Republican (2014)

Fraud , Thinking , Effort , Help

“Writers after Coase have referred to the authority structure of the firm as a "visible hand" that works in combination with Smith's invisible hand. The everyday fact that employers exercise power over their employees — not news to most employees — had been a central theme in Marx's economics, but it was (and generally continues to be) overlooked by most neoclassical economists. Early in his studies Coase noted the similarity between the hierarchical organization of capitalist firms, with their reliance on command relations, and the then-existing system of centralized economic planning in the Communist countries, where production was carried out in accordance with orders from higher authorities and where market competition played little role.”

Samuel Bowles (1939) American economist

Source: Understanding Capitalism: Competition, Command, and Change, 2005, p. 85

Exercises , Study , Country

“Most imprisoned writers have been shut away for their activities as citizens striving for liberation against the oppression of the general society to which they belong. Others have been condemned by repressive regimes for serving society by writing as well as they can; for this aesthetic venture of ours becomes subversive when the shameful secrets of our times are explored deeply, with the artist's rebellious integrity to the state of being manifest in life around her or him; then the writer's themes and characters inevitably are formed by the pressures and distortions of that society as the life of the fisherman is determined by the power of the sea.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

Life , Secret , Time , Sea

“If ever there was a theme song for the business end of the industry, it's: "We can't do that; we didn't do that yesterday."”

Frank Miller (1957) American writer, artist, film director

On the comics industry. p. 111
Eisner/Miller (2005)

Business

“After the Declaration of Independence was signed, Virginia statesman John Page wrote to Thomas Jefferson, 'We know the race is not to the swift nor the battle to the strong. Do you not think an angel rides in the whirlwind and directs this storm?' Much time has passed since Jefferson arrived for his inauguration. The years and changes accumulate. But the themes of this day he would know, our nation's grand story of courage and its simple dream of dignity.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, First inaugural address (January 2001)

Dreams , Angels , Courage , Thinking

“The main theme of this report is a particular facet of the general problem of pre-organization in self-organizing systems, namely, the theory and circuitry of information processing networks. One may consider these networks as a special type of parallel computation channels which extract from the set of all possible inputs a particular subset which is deﬁned by the internal structure of the network. The advantage of such operationally deterministic networks in connection with adaptive systems is the obvious reduction in channel capacity of the adaptors, if it is possible to predetermine classes of inputs which are supposed to be meaningful for those interacting with the automaton”

Heinz von Foerster (1911–2002) Austrian American scientist and cybernetician

Von Foerster (1963, p. ii) as cited in Peter M. Asaro (2007). "Heinz von Foerster and the Bio-Computing Movements of the 1960s," http://cybersophe.org/writing/Asaro%20HVF%26BCL.pdf
1960s

Problem

“The insomniac brain comes in various flavours; different personality types you're forced to share your skull with for several hours. It's like being trapped in a lift with someone who won't shut up. Sometimes your companion is a peppy irritant who passes the time by humming half- remembered TV theme tunes until 7am. Other times it's a morose critic who has recently compiled a 1,500-page report on your innumerable failings and wants to run over it with you a few times before going to print. Worst of all is the hyper-aware sportscaster who offers an uninterrupted commentary describing which bits of your body are currently the least comfortable. No matter where you put that leg, he won't be satisfied. And he's convinced you've got one arm too many.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 26 October 2009. http://www.guardian.co.uk/commentisfree/2009/oct/26/charlie-brooker-sleeping-lessons
Guardian columns

Time , Personality

“The Ethics of Competition is a book of Frank H. Knight's writings on a common theme: the problem of social control and its various implications. Knight believed in free economic institutions but was also aware that the competitive economic system could be improved. One of the central figures of neoclassical economics in the twentieth century, Knight pursued a lifelong campaign against irrationalities of nationalism, religious fanaticism, and group conflict, while conceding that these were fundamental orientations of human action that might yet frustrate his own work as an economist. While Knight vigorously defended human freedom and the liberal order, he also was sufficiently moved by the shortcomings of liberalism as to condemn it as rife with abuse.”

Frank Knight (1885–1972) American economist

Abstract
The Ethics of Competition, 1935

Books , Problem , Freedom

“In 1947, Muslim society succeeded in extorting recognition as a separate culture and nation and getting the country vivisected on that basis. It is another matter that… we go on harping on the theme of the truncated India’s belonging to Hindus and Muslims alike and its culture’s being a composite culture, a culture composed of Hindu and Muslim religio-cultural traditions.”

Harsh Narain (1921–1995) Indian writer

Source: Myths of Composite Culture and Equality of Religions (1990), p. 24

Country

“War, as Rousseau pointed out long before Tolstoy took up the theme, only makes manifest events already determined by moral causes (Emile, Bk. IV). For this reason our main energies must be directed against the moral causes of war. Those moral causes lie within ourselves — and pacifists should not suppose for a moment that they are pure in heart in this respect.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

The Redempton of the Robot (1969)
Other Quotes

War , Lie , Heart

“Conservative clergymen now used their ministerial authority to argue, quite explicitly, that New Dealers were the ones violating the Ten Commandments. … They insisted that the welfare state was not a means to implement Christ's teaching about caring for the poor and the needy, but rather a perversion of Christian doctrine. In a forceful rejection of the public service themes of the Social Gospel, they argued that the central tenet of Christianity remained the salvation of the individual. If any political and economic system fit with the religious teachings of Christ, it would have to be rooted in a similarly individualistic ethos. Nothing better exemplified such values, they insisted, than the capitalist system of free enterprise.”

Kevin M. Kruse (1972) American historian

Source: One Nation Under God: How Corporate America Invented Christian America (2015), p. 7

Christ

“It has been a continuing theme of this book that our commitment to any approach to the problems of existence (the overcoming of the world, the humanization of the world, and the struggle with the world first among them) can enjoy no definitive justification. Its demands always exceed, immeasurably, its grounds for making them. It says, “Follow me.” It can never give a conclusive reason to do so. All that it can do is to make an incomplete argument and a defeasible appeal. It cannot escape the circularity in all our large-scale transformative projects: for better or worse, each of them is a partly self-fulfilling prophecy. If it is embraced and it works, it remakes part of experience in its image.”

Roberto Mangabeira Unger The Religion of the Future

Source: The Religion of the Future (2014), p. 298-9

Books , World , Problem , Parting

“I, for my part, do not conceive an act as having causes, and I consider myself satisfied when I have found in it not its ‘factors’ but the general themes which it organizes: for our decisions gather into new syntheses and on new occasions the leitmotif that governs our life”

Jean Paul Sartre book Saint Genet

P 461
Saint Genet, Actor and Martyr (1952)

Life , Decision , Parting

“A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society.”

Theodore Kaczynski book Industrial Society and Its Future

"Disruption Of The Power Process In Modern Society", item 64
Industrial Society and Its Future (1995)

People , Sense , Affliction , Appearance

“When we retell a Bible story at Big Idea we will go through the Bible story very carefully. We'll figure out the key plot points, they key themes and we'll set those aside as, you know, sacred, cannot be messed with. And then, we'll mess with everything else. We'll just have lots and lots of goofy fun with everything else to make the story fresh even to grown-ups.”

Phil Vischer (1966) American puppeter

From Disc Two; Behind the Scenes: Jonah and the Bible (00:00:00-00:00:21)
Jonah: A VeggieTales Movie DVD (2002)

Idea

“For example, Rothko and I came to an agreement on the question of the subject matter; if we were to do something which could develop in some direction other than the accepted directions of that time, it would be necessary to use different subjects to begin with, and 1942, we embarked on a series of paintings that attempted to use mythological subject matter, preferably from Greek mythology. I did a series of paintings on the theme of Oedipus and Rothko did a series of paintings on other Greek themes….. this offered a possibility of a way out [of a. o. Social Realism and Cubism ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s

Way , Question , Time , Painting

Quotes about theme page 3

Quotes about theme
page 3