Quotes about theme

A collection of quotes on the topic of theme, other, likeness, time.

Quotes about theme

“At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Star, Painting, Night, Forgetting

“In every class society that's ever existed, the ruling element does not rule nakedly. They always adorn their rule with myths, themes and symbols to justify their position at the apex of the social pyramid.”

Michael Parenti (1933) American academic

"The 1% Pathology And The Myth of Capitalism" October 19, 2012 http://www.youtube.com/watch?v=jKyX7GNHYkQ&t=218

“A game that keeps a smile on the player's face is a wonderful thing. Nintendo's theme for 2006 will be "Create new fun". Spread the fun of games to everyone. To do this, we must return to the beginning, to recapture the essence that made people who enjoy games even now enjoy them in the first place.”

Shigeru Miyamoto (1952) Japanese video game designer and producer

Source: Famitsu

People, Smile, Game

“If there is a God, he is within. You don't ask God to give you things, you depend on God for your inner theme.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

God, Dependency

“A genius doesn't adjust his treatment of a theme to a tyrant's taste”

Aleksandr Solzhenitsyn book One Day in the Life of Ivan Denisovich

Source: One Day in the Life of Ivan Denisovich (1962)

“The truth is often terrifying, which I think is one of the motifs of Larry and Andrew’s cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo’s choice to know the truth. It’s a beautiful, beautiful story.”

Keanu Reeves (1964) Canadian actor, director, producer and musician

Knowledge, Truth, Beauty, Thinking

“For any comedian, your life informs your point of view, the way you see the world. My comedy comes through the prism of race or class, because those are two worlds that collided for me growing up. And I guess that’s served me well, because those themes cross over countries and continents. We’re all still dealing with those issues today.”

Trevor Noah (1984) South African comedian

On how his upbringing informs his comedy in “Life’s Work: An Interview with Trevor Noah” https://hbr.org/2018/09/lifes-work-an-interview-with-trevor-noah in Harvard Business Review (September-October, 2018) Personal life

World, Life, Way, Country

“A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Music, Feeling, Mood

“There are only a few notes. Just variations on a theme.”

John Lennon (1940–1980) English singer and songwriter

“Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.”

Alberto Moravia (1907–1990) Italian writer and journalist

Life, Bird

“If we shadows have offended,
Know but this and all is mended.
That you have but slumbered here,
While these visions did appear,
And this weak and idle theme,
No more yielding, but a dream.”

William Shakespeare A Midsummer Night's Dream

Source: A Midsummer Night's Dream

Dreams, Appearance

“Seeing that I can find no subject specially useful or pleasing — since the men who have come before me have taken for their own every useful or necessary theme — I must do like one who, being poor, comes last to the fair, and can find no other way of providing himself than by taking all the things already seen by other buyers, and not taken but refused by reason of their lesser value. I, then, will load my humble pack with this despised and rejected merchandise, the refuse of so many buyers; and will go about to distribute it, not indeed in great cities, but in the poorer towns, taking such a price as the wares I offer may be worth.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Men, Way

“Screams from the haters, got a nice ring to it
I guess every superhero need his theme music.”

Kanye West (1977) American rapper, singer and songwriter

Power
Lyrics, My Beautiful Dark Twisted Fantasy (2010)

Music

“But, as it is, this pied collection
begs your indulgence — it's been spun
from threads both sad and humoristic,
themes popular or idealistic,
products of carefree hours, of fun,
of sleeplessness, faint inspirations,
of powers unripe, or on the wane,
of reason's icy intimations,
and records of a heart in pain.”

Aleksandr Pushkin book Eugene Onegin

Eugene Onegin (1823)
Original: (ru) Но так и быть — рукой пристрастной Прими собранье пестрых глав, Полусмешных, полупечальных, Простонародных, идеальных, Небрежный плод моих забав, Бессониц, легких вдохновений, Незрелых и увядших лет, Ума холодных наблюдений И сердца горестных замет.

Heart, Sadness, Pain

“In the long run, the most vicious predators, like most dread disease-causing microbes, bring about their own ruin by killing their victims. Restrained predation—the attack that doesn't kill or does kill only slowly—is a recurring theme in evolution. The predatory precursors of mitochondria invaded and exploited their hosts, but the prey resisted. Forced to be content with an expendable part of the prey (its waste)… some mitochondria precursors grew but never killed their providers. …The original prey was probably a larger bacterium like Thermoplasma.”

Lynn Margulis (1938–2011) American evolutionary biologist

Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors (1986)

Disease, Parting

“By means of ever more effective methods of mind-manipulation, the democracies will change their nature; the quaint old forms— elections, parliaments, Supreme Courts and all the rest—will remain. The underlying substance will be a new kind of non-violent totalitarianism. All the traditional names, all the hallowed slogans will remain exactly what they were in the good old days. Democracy and freedom will be the theme of every broadcast and editorial—but democracy and freedom in a strictly Pickwickian sense. Meanwhile the ruling oligarchy and its highly trained elite of soldiers, policemen, thought-manufacturers and mind-manipulators will quietly run the show as they see fit.”

Aldous Huxley book Brave New World Revisited

Source: Brave New World Revisited (1958), Chapter 3, p. 25

Democracy, Nature, Sense, Freedom

“Unforced, as conversation passed,
he had the talent of saluting
felicitously every theme,
of listening like a judge-supreme
while serious topics were disputing,
or, with an epigram-surprise,
of kindling smiles in ladies' eyes.”

Aleksandr Pushkin book Eugene Onegin

Source: Eugene Onegin (1823), Ch. 1, st. 5.

Smile

“He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to provide a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr Pinfold maintained, most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters — Dickens and Balzac even — were flagrantly guilty.”

Evelyn Waugh book The Ordeal of Gilbert Pinfold

Source: The Ordeal of Gilbert Pinfold (1957), Chapter 1

Men, Books, Time, Success

“I lifted my glass to my lips when suddenly I stopped and felt all my blood rush to my heart.
This is what I heard:
"What's the theme of the novel you're working on?"
"Truth," replied Pierre Villiers.
"What?" exclaimed his friend.
"A succession of human beings caught just as they are."”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI

Truth, Success, Heart

“Necessity is the theme and the inventress, the eternal curb and law of nature.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Law, Nature

“A science in its infancy is the least satisfactory, and, at the same time, the most profitable theme for a general description.”

Herbert Dingle (1890–1978) British astronomer

Preface, page v
Modern Astrophysics, London, 1924

Science, Time

“Meno: I feel, somehow, that I like what you are saying.
Socrates: And I, Meno, like what I am saying. Some things I have said of which I am not altogether confident. But that we shall be better and braver and less helpless if we think that we ought to enquire, than we should have been if we indulged in the idle fancy that there was no knowing and no use in seeking to know what we do not know; — that is a theme upon which I am ready to fight, in word and deed, to the utmost of my power.”

Plato book Meno

Meno

Feeling, Confidence, Thinking, Fight

“In this Valley, the wayfarer leaveth behind him the stages of the “oneness of Being and Manifestation” and reacheth a oneness that is sanctified above these two stations. Ecstasy alone can encompass this theme, not utterance nor argument; and whosoever hath dwelt at this stage of the journey, or caught a breath from this garden land, knoweth whereof We speak.”

Bahá'u'lláh (1817–1892) founder of the Bahá'í Faith

The Seven Valleys Of Bahá’u’lláh

“Pointless but intense excitement holds us in TV dramas. We hear threatening music. A killer with a gun steals into the bedroom of a sleeping woman. More subliminal sounds of danger, pointlessly ominous. The woman wakes and runs into the kitchen for a knife. The cops are on the case. We watch as the criminal is pursued through night streets; shots, a death; a body falls from a roof. Then time is up, another drama begins. Now we are in a church. No, we are in a lecture hall; no again — a drawer opens in a morgue. A woman is looking for her kidnapped child. Then that ends, and we are on the veld with zebras and giraffes. Then with Lenin at a mass meeting. And suddenly we flash away to a cooking school; we are shown how to stuff a turkey. Next the Berlin Wall comes down. Or flags are burning. Or a panel is worrying about the rug crisis. More and more public themes, with less and less personal consciousness. Clearly, personal consciousness is shrinking.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), pp. 159-160
It All Adds Up (1994)

Death, School, Music, Sleep

“I don't know why my brain has kept all the words to the Gilligan's Island theme song and has deleted everything about triangles.”

Jeff Foxworthy (1958) American stand-up comedian

The Tonight Show, 27 March 2007

“3. Finally, we are contemporaries of a new departure in the doctrine of truth, following the dissolution of its relation of organic concretion to knowledge. It is noticeable, after the fact, that to this day veracity, as I call it, has reigned without quarter: however strange it may seem, it is quite appropriate to say that truth is a new word in Europe (and elsewhere). Moreover, this theme of truth crosses the paths of Heidegger (who was the first to subtract it from knowledge), the mathematicians (who broke with the object at the end of the last century, just as they broke with adequation), and the modern theories of the subject (which displace truth from its subject pronunciation).”

Alain Badiou (1937) French writer and philosopher

Introduction
Being and Event (1988)

Truth, Departure, Knowledge

“Though I remained insensitive to the subtleties and delicate gradations of colour.... my eyes at least did not deceive me when I drew back and looked at the subject in its broad lines, and this was the starting-point of new compositions... Slowly I tried my strength in innumerable rough sketches which convinced me... I could see as clearly as ever when it came to vivid colours isolated in a mass of dark tones. How was I to put this to use? My intentions gradually became clearer... I said to myself, as I made my sketches, that a series of general impressions, captured at the times of day when I had the best chance of seeing correctly, would not be without interest. I waited for the idea to consolidate, for the grouping and composition of the themes to settle themselves in my brain little by little, of their own accord; and the day when I felt I held enough cards to be able to try my luck with a real hope of success, I determined to pass to action, and did so.”

Claude Monet (1840–1926) French impressionist painter

remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920

Hope, Idea, Chance, Time

“My name may not be on the ballot, but our progress is on the ballot. Tolerance is on the ballot. Democracy is on the ballot. Justice is on the ballot. Good schools are on the ballot. Ending mass incarceration – that's on the ballot right now! And there is one candidate who will advance those things. And there's another candidate whose defining principle, the central theme of his candidacy is opposition to all that we've done. There's no such thing as a vote that doesn't matter. It all matters. And after we have achieved historic turnout in 2008 and 2012, especially in the African-American community, I will consider it a personal insult, an insult to my legacy, if this community lets down its guard and fails to activate itself in this election. You want to give me a good sendoff? Go vote.”

Barack Obama (1961) 44th President of the United States of America

Remarks by the President at Congressional Black Caucus Foundation 46th Annual Phoenix Awards Dinner https://www.whitehouse.gov/the-press-office/2016/09/18/remarks-president-congressional-black-caucus-foundation-46th-annual (18 September 2016) 2016

School, Justice, Democracy, Communication

“The ways in which these economic processes, largely originating in the US, have, in short order, flowed around the world is breathtaking and, unfortunately, well illustrates this book's major themes.”

George Ritzer (1940) American sociologist

Preface, p. xiii
Globalization - A Basic Text (2010)

Books, World, Way

“Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write.”

Kenzaburō Ōe (1935) Japanese author

Conversations with History interview (1999)
Context: Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write. From the periphery, we can write the story of the human being and this story can express the humanity of the center, so when I say the word periphery, this is a most important creed of mine.

Imagination, Literature

“Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

Law, Music, Game, Nature

“The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Responses in a publicity questionnaire on Lord of the Flies from the American publishers, as quoted in Who Rules?: Introduction to the Study of Politics (1971) by Dick W. Simpson, p. 16
Context: The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable. The whole book is symbolic in nature except the rescue in the end where adult life appears, dignified and capable, but in reality enmeshed in the same evil as the symbolic life of the children on the island. The officer, having interrupted a man-hunt, prepares to take the children off the island in a cruiser which will presently be hunting its enemy in the same implacable way. And who will rescue the adult and his cruiser?

Nature, Dependency

“Thy grace, thy more than beauty,
Shall be an endless theme of praise,
And love — a simple duty.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" To Frances S. Osgood http://www.readbookonline.net/readOnLine/595/" (1845). Context: Thou wouldst be loved? — then let thy heart From its present pathway part not! Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise, And love — a simple duty.

Love, Beauty

“The most significant attribute and personality trait someone can possess is constant renewal; the continual process of renewing our wisdom in our personal life and in the workplace."

The above quote is an excerpt from the speech I gave the Broward County, City and County Managers Association in 1994. The theme of the presentation was how to identify higher-quality applicants and employees currently working in the organization. The concept is simple; some constantly learn what’s new and keep up to date on innovations and technology, while most only learn and are diffused by the renewal group.”

Gandolfo – (RJ Intindola)

2000

Personality, Learning, Life, Wisdom

“The first of these blessed charlatans to talk about God or religion will be condemned to being jeered at, scoffed at, covered with mud at all crossroads of the major French towns. If that scoundrel breaks that same law a second time, he will be locked away in an eternal prison. Let the most insulting blasphemies, the most atheistic writings be fully authorized, so that we may completely extirpate those horrifying toys of our childhoods from human hearts and memories. Let us hold a contest to find at last the text most capable of Enlightening Europeans about such a major subject; and let a substantial prize be established by the Nation as recompense for the man who, having said and proved everything about his theme, will leave his compatriots only a sickle to shatter all these phantoms and a straightforward heart to detest them.”

Marquis de Sade Philosophy in the Bedroom

Yet Another Effort, Frenchmen, If You Would Become Republicans
Philosophy in the Bedroom (1795)

Childhood, God, Time, Religion

“It is simply wrong to begin with a theme, symbol or other abstract unifying agent, and then try to force characters and events to conform to it.”

Thomas Pynchon (1937) American novelist

Source: Slow Learner: Early Stories

“Give me one good reason why I shouldn't chop him into worthless-bastard-themed confetti.
--Isabelle Lightwood”

Cassandra Clare book City of Fallen Angels

Source: City of Fallen Angels

“Something brushed his leg, and he gazed down into the face of Pippi Tucker. The theme from Jaws raced through his head.”

Susan Elizabeth Phillips (1948) American writer

Source: Match Me If You Can

“When men talk about the agony of being men, they can never quite get away from the recurrent theme of self-pity. And when women talk about being women, they can never quite get away from the recurrent theme of blaming men.”

Pat Conroy book The Prince of Tides

Source: The Prince of Tides

Women, Men

“Ultimately, your theme will find you. You don't have to go looking for it.”

Richard Russo (1949) American novelist, short story writer and screenwriter

“The world is full of abandoned meanings. In the commonplace I find unexpected themes and intensities.”

Don DeLillo book White Noise

Source: White Noise (1984)

World

“They say great themes make great novels.. but what these young writers don't understand is that there is no greater theme than men and women.”

John O'Hara (1905–1970) American journalist

Women, Men, Understanding

“People need routines. It's like a theme in music. But it also restricts your thoughts and actions and limits your freedom. It structures your priorities and in some cases distorts your logic.”

Haruki Murakami book 1Q84

Source: 1Q84

People, Music, Freedom

“It’s good.’ She chirps the last bit as if that were all to say about a book: It’s good or it’s bad. I liked it or I didn’t. No discussions of the writing, the themes, the nuances, the structure. Just good or bad. Like a hot dog.”

Gillian Flynn book Gone Girl

Source: Gone Girl

Books, Dogs

“To produce a mighty book, you must choose a mighty theme.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Books

“I'll publish right or wrong:
Fools are my theme, let satire be my song.”

George Gordon Byron English Bards and Scotch Reviewers

Source: English Bards and Scotch Reviewers (1809), Line 5.

Fools

“To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Source: Moby-Dick or, The Whale

Books

“I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?”

Akira Kurosawa (1910–1998) Japanese film maker

People, Question, Thinking

“If my work has a theme, I suspect it is a simple one: that most human beings are inescapably alone, and therein lies their tragedy.”

Richard Yates (1926–1992) Novelist, short story writer

“In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.”

John Steinbeck (1902–1968) American writer

Journal entry (1938), quoted in the Introduction to a 1994 edition of Of Mice and Men by Susan Shillinglaw, p. vii
Context: In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. Try to understand each other.

Love, Men, Hate, World

“This is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson done,
Thee fully forth emerging, silent, gazing, pondering the themes thou lovest best.
Night, sleep, and the stars.”

Walt Whitman book Fulles d'herba

Source: Leaves of Grass

Books, Art, Soul, Star

“I pursue no objectives, no systems, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes, or variations that lead to mastery. I steer clear of definitions. I don't know what I want. I am inconsistent, non-committal, passive; I like the indefinite, the boundless; I like continual uncertainty.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 60, note 92

Time

“Some years later, I yielded completely to the impulse, persuaded that medical quackery has been—and is—an important theme in American social and intellectual history.”

James Harvey Young (1915–2006) American historian

Source: The Toadstool Millionaires: A Social History of Patent Medicines in America Before Federal Regulation (1961), p. vii

History

“The Christian is today the villain. It is his morality which is regarded as degenerate and perverted and twisted, and the pervert is regarded as the misunderstood, sensitive soul. I can spend hours citing various modern writers who play variations of that theme.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Homosexuality (n. d.)

Soul

“My foreign policy will always put the interests of the American people and American security above all else… That will be the foundation of every single decision that I will make. America First will be the major and overriding theme of my administration.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, April, Foreign Policy Speech (27 April 2016)

People, Decision

“Ken also identified the corporation, not “the market,” as the defining institution of modern economic activity, developing these and related themes both in his teaching and in such widely celebrated books as American Capitalism (1952) and The New Industrial State (1967). But his interest in these ideas persisted throughout his life. The central importance of the corporation, and the fear that government was no longer able to provide an adequate countervailing force against corporate influence exerted both legally and otherwise, was the subject of his last book, The Economics of Innocent Fraud”

Amartya Sen (1933) Indian economist

2004
Stephen A. Marglin, Richard Parker, Amartya Sen, and Benjamin M. Friedman, “John Kenneth Galbraith”, Harvard Gazette (February 7, 2008)
2000s

Life, Books, Fear, Idea

“But when a great artist or a great writer lays hold upon either sort of ugliness he transfigures it instantaneously. With a touch from the magic ring he metamorphoses it into beauty. His Is a sort of fairy alchemy. His Is a sort of fairy alchemy.
When Velasquez, paints Sebastian, King Philip's dwarf, he gives him such an appealing look that we read the poor creature's secret and see the tragedy it involved — a man forced to get his living by discarding his human dignity, and becoming a toy, a living joke. The more poignant his martyrdom, within that misshapen body, the more beautiful the artist's work.
When Millet paints a poor rustic leaning upon a hoe, a wretch broken by fatigue, scorched by the sun, degraded as a beast of the field, he has only to add an expression of resignation in order to make this hideous nightmare a magnificent symbol of humanity.
When Shakespeare gives us Tago or Richard III, and when Racine gives us Néron and Narcisse, moral ugliness, interpreted by minds so clear, so penetrating, becomes a marvelous theme of beauty.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Secret, Beauty, Reading, Sun

“Incorporating in their colorful, slashing, superbly readable pages, the major themes of the "left" opposition under Walpole, these libertarian tracts, emerging first in the form of denunciations of standing armies in the reign of William III, left an indelible imprint on the "country" mind everywhere in the English-speaking world.”

Bernard Bailyn book The Ideological Origins of the American Revolution

Source: The Ideological Origins of the American Revolution (1967), Chapter II, SOURCES AND TRADITIONS, p. 36.

World, Color, Country

“It is also the becoming-space of the spoken chain - which has been called temporal or linear; a becoming-space which makes possible both writing and every correspondence between speech and writing, every passage from one to the other.
The activity or productivity connoted by the a of différance refers to the generative movement in the play of differences. The latter are neither fallen from the sky nor inscribed once and for all in a closed system, a static structure that a synchronic and taxonomic operation could exhaust. Differences are the effects of transformations, and from this vantage the theme of différance is incompatible with the static, synchronic, taxonomic, ahistoric motifs in the concept of structure.”

Jacques Derrida book Positions

Source: Positions (1982), p. 28

“"You must tell them that there must be a new union or there will be chaos," he [Shevardnadze] implored me. That evening, when I hosted republic leaders for dinner — a mixed group of presidents, prime ministers, and foreign ministers — I saw around the table and in the conversation a microcosm of the post-coup Soviet Union’s potential — and its problems. Whatever euphoria that they felt with their post-putsch independence declarations had given way to a marked degree of realism. "Independence sounds nice, but we have to live, and we have to be practical," observed the Prime Minister of Moldova, Valeriu Muravsky. That was the persistent theme that I heard from every one of the republic leaders, with the sole exception of the Georgian Prime Minister, Vissarion Gugushvili, though even he spoke of the need for economic cooperation once Georgian independence was recognized internationally.”

James Baker (1930) Former U.S. Secretary of State

The Politics of Diplomacy: Revolution, War and Peace 1989-1992 (1995) by James Addison Baker, p. 531
1995

Way, Problem

“It [the Mauve-district in the U. S. ] relates to a theme which appears on-and-off, of pictures that often have one central vast shape, district, or territory; in this case, the shape itself [a square] is a play on the very shape of the canvas”

Helen Frankenthaler (1928–2011) American artist

quote in 1969 Quote from 'The collection', MOMA, online http://www.moma.org/collection/object.php?object_id=80712 1960s

Quotes, Appearance

“These plays and stories have for their continual theme the passing away of gods and men and cities before the mysterious power which is sometimes called by some great god's name but more often 'Time.' His travellers, who travel by so many rivers and deserts and listen to sounding names none heard before, come back with no tale that does not tell of vague rebellion against that power, and all the beautiful things they have seen get something of their charm from the pathos of fragility. This poet who has imagined colours, ceremonies and incredible processions that never passed before the eyes of Edgar Allen Poe or of De Quincey, and remembered as much fabulous beauty as Sir John Mandeville, has yet never wearied of the most universal of emotions and the one most constantly associated with the sense of beauty; and when we come to examine those astonishments that seemed so alien we find that he has but transfigured with beauty the common sights of the world.”

Lord Dunsany (1878–1957) Irish writer and dramatist

About

Men, God, World, Beauty

“I can remember being young enough, long ago, to believe that in Tennessee Williams the giant themes of Greek tragedy had returned, all hung about with Magnolias. Ignorance of Greek tragedy helped in this view.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Over the tarp'
Essays and reviews, The Crystal Bucket (1982)

Help

“John asked what he could do to help my campaign for governor.
"Write a campaign song," I replied.
"Okay," said John, "what's the theme?"
"Our campaign slogan is 'Come together, join the party.'"
"Great title," said John. He grabbed his guitar and started improvising.
: Come together right now.
Don't come tomorrow, don't come alone,
Come together right now,
Over me.
:* On first proposing that John Lennon write a song for his California gubernatorial campaign; this eventually developed into the Beatles song, "Come Together", p. 281 ”

Timothy Leary book Flashbacks

Flashbacks, An Autobiography (1983)

Help

“That was the theme of the Million Mom March: I don't need a brain — I've got a womb.”

Ann Coulter (1961) author, political commentator

"For Womb the Bell Tolls" (16 May 2000).
2000

Moms

“In my books I have lifted bits from various religions in trying to come to a better understanding; I've made use of religious themes and symbols. Now, as the world becomes more pagan, one has to lead people in the same direction in a different way.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

People, Books, World, Religion

“Exposing the children to multiple views (except those of Christians) and training them to supposedly be open-minded so that they can decide for themselves seem to be a common theme these days. As Christians, however, we are to “train up a child in the way he should go, and when he is old he will not depart from it” (Proverbs 22:6). We must give our children a strong biblical foundation of truth and equip them with answers. Yes, we can show them the other views out there in the world, but we also must show them why they are false and why God’s Word is true. We need to teach them clearly the difference between truth and error—between good and evil. We are not doing our duty as Christians if we are not striving to train them up in the fear of the Lord”

Ken Ham (1951) Australian young Earth creationist

Psalm 34:11 "Church-Sponsored Evolution Camp" http://blogs.answersingenesis.org/blogs/ken-ham/2014/07/13/church-sponsored-evolution-camp/, Around the World with Ken Ham (July 13, 2014) Around the World with Ken Ham (May 2005 - Ongoing)

God, Children, Truth, World

“Stalin's strategy at the end of World War II was to acquire a small "buffer zone between Russia and Germany, consisting of Estonia, Latvia, Lithuania, Poland, Czechoslovakia, Hungary, Romania, Bulgaria, Yugoslavia, Albania, and most of Germany. In an effort to garner public support in these nations, Stalin mounted a public-relations campaign around the upbeat theme "Maybe We Won't Have Your Whole Family Shot," and in 1945 Eastern Europe decided to join the Communist bloc by a vote of 28,932,084,164,504,029-0. Heartened by this mandate, Stalin immediately ordered construction work to begin on the Iron Curtain, which was given its name by Sir Winston Churchill, who, in a historic anecdote at a dinner party, said, "Madam, I may be drunk, but an iron curtain has descended upon BLEAAARRRGGGHHH."”

Dave Barry (1947) American writer

Source: Dave Barry Slept Here: A Sort of History of the United States (1989), p. 126

War, World, Family, Support

“The fact that we are I don't know how many millions of people, yet communication, complete communication, is completely impossible between two of those people, is to me one of the biggest tragic themes in the world.”

Georges Simenon (1903–1989) Belgian writer

Interviewed in Paris Review, Summer 1955; reprinted in Malcolm Cowley (ed.) Writers at Work (New York: Viking Press, 1959) p. 153.

People, World, Communication

“Before seeing Truffaut's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid — I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity — a poetic comedy that's really funny.”

Pauline Kael (1919–2001) American film critic

Review of Small Change, from When The Lights Go Down (Holt, Rinehart and Winston, 1980, ISBN 0-030-42511-5).

Children, Nature, Change, Childhood

“The Democratic Party, whatever that is, lacks a vision or an ideology. But many people have said this. Why? That is because it is a conglomeration of mutually exclusive parts. It contains a large part of the American working class, which has suffered greatly since the Great Recession began. But it also contains a lot of Wall Street people and well-to-do people, and new technologists. What policies is going to unite these people? It's hard to find a unifying theme among them, other than they don’t want the Republicans in power. Now, that often gets you fairly far, but it doesn't allow you to govern very effectively.”

Eric Foner (1943) American historian

"How Radical Change Occurs: An Interview With Historian Eric Foner" http://www.thenation.com/article/how-radical-change-occurs-interview-historian-eric-foner/ (3 February 2015), by Mike Konczal, The Nation 2010s

People, Suffering, Parting

“The theme of Cosmology, which is the basis of all religions, is the story of the dynamic effort of the World passing into everlasting unity, and of the static majesty of God's vision, accomplishing its purpose of completion by absorption of the World's multiplicity of effort.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Pt. V, ch. II, sec. V.
1920s, Process and Reality: An Essay in Cosmology (1929)

God, World, Religion, Effort

“A general theme for what I'm trying to convey and what actually drove me and my very industrious and creative project members over all these years, is… that there is much more to it than pictures. It has to be a picture language. There has to be meaning there, and the meaning is useful. You're trying to solve problems. So it really comes down to man machine problem solving. Better means of communication and expression is what always has driven our work.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Retrospectives : The Early Years in Computer Graphics at at MIT, Lincoln Lab and Harvard (1989), p. 26.

Communication, Problem

“The Emperor cult provided an alternative way of producing order and of ordering social relationships and thus an alternative to traditional politics. Without awareness of this context, Paul's writings might indeed be seen as nonpolitical. Paul is political in a different way, however, not by challenging the administration and official politics but by resisting three of the most powerful mechanisms of control of the Roman Empire: The emperor cult, the system of patronage, and the prominent themes of the empire's rhetoric.”

Joerg Rieger (1963) divinity school scholar

Source: Christ and Empire (2007), p. 30

Way

“The proper form of science is explanation and argument, and the proper form of religion and morality is exhortation and command; but that of art is simply the directest embodiment of its theme as the theme itself requires. Assured that the theme is compatible with the ideal nature of art, the artist knows that it will justify itself and work its own work, if it can only find expression in its natural embodiment.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.201-2

Religion, Art, Nature, Science

“This became Delacroix's theme: that the achievements of the spirit — all that a great library contained — were the result of a state of society so delicately balanced that at the least touch they would be crushed beneath an avalanche of pent-up animal forces.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 8: Delacroix

Animals

“Towards the end of 1958, I greatly increased.... the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time... In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.... dirty clothes (socks, T-shirt, underpants…), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977

Time, Clothes, Box

“In our time mathematics has penetrated into economics so solidly, widely and variously, and the chosen theme is connected with such a variety of facts and problems that it brings us to cite the words of which are very popular in our country: "One can not embrace the unembraceable". The appropriateness of this wise sentence is not diminished by the fact that the great thinker is only a pen-name.”

Leonid Kantorovich (1912–1986) Russian mathematician

Lead paragraph
"Mathematics in Economics: Achievements, Difficulties, Perspectives," 1975

Mathematics, Problem, Time, Country

“In pursuing the wraith that was Paul Curtis, I more than ever was aware that what lives after a shooting man is what has been published of his writings. Memories of the man grow dim and not too rarely become confused […] almost but not quite capturing for me a presence that surfaced like a zither theme in a suspense movie.”

George Bird Evans (1906–1998) American writer

George Bird Evans Introduces (1990)

Memory

“No themes are so human as those that reflect for us, out of the confusion of life, the close connection of bliss and bale, of the things that help with the things that hurt, so dangling before us forever that bright hard medal, of so strange an alloy, one face of which is somebody's right and ease and the other somebody's pain and wrong.”

Henry James book What Maisie Knew

What Maisie Knew.
Prefaces (1907-1909)

Life, Pain, Help, Hurt

“Whenever a work's structure is intentionally one of its own themes, another of its themes is art.”

Annie Dillard (1945) American writer

Quoted by Ted Nelson in Literary Machines (1982)

Art

“Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1976
1945 - 1970
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 25

People, Quotes, Reality

“The harder I work, the luckier I get'. It was Thomas Jefferson who started the stream of variations on that theme. He should have added, 'The harder I work on one thing, the unluckier I get on all the other commitments I haven’t had time for'.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 472, entry on Time Fallacies http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

Time

“Laughing at the clueless mouthfarts of cute twenty somethings who spent their high-school years with vocal coaches or plastic surgeons is another variation on the theme "Are we getting dumber?"”

Laura Penny (1975) Canadian journalist

Source: More Money than Brains (2010), Chapter six, More is Less, p. 184

School

“Reality is far more complex and messy than many of the grander themes and explanations would have us believe.”

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 2, A New Geo-Economy, p. 14

Reality

“Individuals are trained to recognize recurring elements and common themes.”

Roger Smith (executive) (1925–2007) CEO

Training

“Beliefs seldom become doubts; they become ritual. They become intrinsic parts of the social heritage, themes of public celebration.”

H. W. Schneider (1817–1887)

The Puritan Mind (1930) p. 98.

Parting

“To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime. There's sex for self-improvement start to finish and there's sex for killing time straight through; sex that is therapeutic at first only to end up as nothing-better-to-do, and vice versa. Our human sex life- how shall I put it?- differs fundamentally from the sex life of a whale. We are not whales- and this constitutes one great theme underscoring our sex lives.”

Haruki Murakami (1949) Japanese author, novelist

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

Life, Sex, Sleep, Time

“This theme of literal creation is so inwrought into the structure of historic thinking, that it will require a long struggle on the part of criticism to get rid of it. Through the influence of the Church and the philosophical schools, it may be said to have become in fact institutional, so that combating it is like fighting organised civilisation itself. Yet one can make the truth clear, that only by the dislodgment of it is the success of the deeper principle possible which is the real soul of civilisation, — I mean the principle of moral life, the life of duty freely followed.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Appendix B: The System in its Ethical Necessity and its Practical Bearings, p.394

Life, Truth, School, Soul

“One of the things that motivated my old friend Andrew Breitbart was his righteous indignation at being called a racist. That's a running theme in his book, "Righteous Indignation."”

Jonah Goldberg (1969) American political writer and pundit

2010s, 2018, Andrew Breitbart would tell Steve Bannon to stay in Europe (2018)

Books, Motivation

“Kandinsky was an optimist; he had been interested, at first, in fairy tales and legends and chivalrous themes of the past, but he then became increasingly interested, after 1908, in formulating what he called the art of the future rather than indulging in romantic visions of the past. Kubin, on the other hand was a pessimist, always haunted by the past and suspicious of the future. This basic difference in their temperaments made their discussions all the more fruitful, and their friendship was the more intense.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 118

Friendship, Art, Past, Future

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984). Three-and-a-half star reviews

War, Way, Idea, Science

“Earlier the films were given an 'A' certificate simply because they had lots of violence and horror, but nowadays there are a lot of sex and double-meaning dialogues. The themes become so predominantly vulgar and we can't possibly edit out a film's theme. So how do we re-censor these films to make them U or U/A?”

Pahlaj Nihalani

On implementing a new policy under which A-rated film cannot be recut and released for television, as quoted in " Shocker! Adult Films Won't Be Re-Censored For TV! http://www.9xe.com/3574" 9xe (9 July 2015)

Sex

“The romantics of the 19th century thought that the artist is at war with society, and must be destroyed by it eventually; this is the theme of all of Hoffmann's stories. I suggested -- in The Outsider and the subsequent five books of the 'cycle' -- that the fault lies partly with the artist, for preferring pessimism and self-pity to serious thought, and that the 'outsider' must eventually learn to accept his position as a spiritual leader of society. The church once provided the link between 'outsiders' and society, standing for the world of values, of 'meanings; beyond the present. The artists of the 19th century found themselves without this visible symbol of non-material values, and were, as Hoffmann says, frequently destroyed by society, or by their own destiny of standing outside it. I concluded that they must learn to stand alone, to be twice as strong, for half the problems of our civilization are due to 'the treason of the intellectual', their tendency to opt out and collapse in self-pity.”

Colin Wilson (1931–2013) author

Source: Tree By Tolkien (1974), p. 25-26

War, Books, World, Problem

“The hardest theme in science fiction is that of the alien. The simplest solution of all is in fact quite profound—that the real difficulty lies not in understanding what is alien, but in understanding what is self. We are all aliens to each other, all different and divided. We are even aliens to ourselves at different stages of our lives. Do any of us remember precisely what it was like to be a baby?”

Greg Bear (1951) American writer best known for science fiction

"Introduction to 'Plague of Conscience'", The Collected Stories of Greg Bear (2002)

Understanding, Science, Baby

“The theme of this book, and the underlying premise of the external perspective on organizations, is that organizational activities and outcomes are accounted for by the context in which the organization is embedded.”

Jeffrey Pfeffer (1946) American academic

2003; 39
The External Control of Organizations, 1978

Books

“If the theme is simple, you can include a hundred details that create the illusion of actuality better.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

In Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

“Arms, and the man who first, by Fate's command,
From Ilion flying, sought Italia's strand,
And gain'd Lavinium, are my themes of song.
Long toss'd by waves, on land he suffer'd long:
From power supernal, such his doom of woe;
Pursued by vengeful Juno as her foe.”

Charles Symmons (1749–1826) Welsh poet

Book I, lines 1–6
The Æneis (1817)

Fate, Flying

“Yet even here all these peoples have remained rooted in their sacred homelands for centuries. Though oppressed and colonized by outsiders, they have never been expelled en masse, and so the theme of restoration to the homeland has played little part in the conceptions of these peoples. There are, however, two peoples, apart from the Jews, for whom restoration of the homeland and commonwealth have been central: the Greeks and the Armenians, and together with the Jews, they constitute the archetypal Diaspora peoples, or what John Armstrong has called ‘mobilized diasporas° Unlike diasporas composed of recent mi migrant workers—Indians, Chinese and others in Southeast Asia, East Africa and the Caribbean— mobilized diasporas are of considerable antiquity, are generally polyglot and multi-skilled trading communities and have ancient, portable religious traditions. Greeks, Jews, and Armenians claimed an ancient homeland and kingdom, looked back nostalgically to a golden age or ages of great kings, saints, sages and poets, yearned to return to ancient capitals with sacred sites and buildings, took with them wherever they went their ancient scriptures, sacred scripts and separate liturgies, founded in every city congregations with churches, clergy and religious schools, traded across the Middle East and Europe using the networks of enclaves of their co-religionists to compete with other ethnic trading networks, and used their wealth, education and economic skills to offset their political powerlessness)”

Anthony D. Smith (1939–2016) British academic

Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.

People, Age, Education, School

“This theme of mismeasurement interacts with the designation of the one hundred years between 1870 and 1970 as the “special century.” Measurement errors are greatest in the early years, both in the scope of the standard of living and in the extent of price index bias. Clearly the welfare benefits to consumers in the categories of life entirely omitted from GDP were greatest long ago: the transition from the scrub board to the automatic washing machine was a more important contributor to consumer welfare than the shift from manual to electronic washing machine controls or from a twelve-pound tub to an eighteen pound tub. The most important unmeasured benefit of all, the extension of life expectancy, occurred much more rapidly from 1890 to 1950 than afterward.”

Robert J. Gordon (1940) American economist

Source: The Rise and Fall of American Growth, 2016, p. 13

Life, Error