Quotes about stalk

A collection of quotes on the topic of stalk, likeness, down, use.

Quotes about stalk

John Wayne Gacy photo

“The idea that I'm a homosexual thrill killer, that I stroll down the streets and stalk young boys and slaughter them… Hell, if you could see my schedule, my work schedule, you knew damn well that I was never out there.”

John Wayne Gacy (1942–1994) American serial killer and torturer

Biography - John Wayne Gacy: Monster in Disguise. A & E Home Video, 2000. Watched March 1, 2010.

Terry Pratchett photo
Muhammad Iqbál photo
David Levithan photo

“Its a fine line between love and stalking.”

Source: Boy Meets Boy

H.P. Lovecraft photo
Barry Lyga photo

“Are you stalking me, Mr. Fulton?" The idea both amused and horrified Jazz.”

Barry Lyga (1971) American writer

Source: I Hunt Killers

Mark Zuckerberg photo
W. H. Auden photo
Karl Marx photo

“Value, therefore, does not stalk about with a label describing what it is.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. I, Ch. 1, Section 4, pg. 85 (see Warren Buffet).
(Buch I) (1867)

Antonin Scalia photo
Robert Browning photo

“Thus shall he prosper, every day's success
Adding, to what is he, a solid strength —
An aery might to what encircles him,
Till at the last, so life's routine lends help,
That as the Emperor only breathes and moves,
His shadow shall be watched, his step or stalk
Become a comfort or a portent, how
He trails his ermine take significance, —
Till even his power shall cease to be most power,
And men shall dread his weakness more, nor dare
Peril their earth its bravest, first and best,
Its typified invincibility.”

Valence of Prince Berthold, in Act IV.
Colombe's Birthday (1844)
Context: p>He gathers earth's whole good into his arms;
Standing, as man now, stately, strong and wise,
Marching to fortune, not surprised by her.
One great aim, like a guiding-star, above—
Which tasks strength, wisdom, stateliness, to lift
His manhood to the height that takes the prize;
A prize not near — lest overlooking earth
He rashly spring to seize it — nor remote,
So that he rest upon his path content:
But day by day, while shimmering grows shine,
And the faint circlet prophesies the orb,
He sees so much as, just evolving these,
The stateliness, the wisdom and the strength,
To due completion, will suffice this life,
And lead him at his grandest to the grave.
After this star, out of a night he springs;
A beggar's cradle for the throne of thrones
He quits; so, mounting, feels each step he mounts,
Nor, as from each to each exultingly
He passes, overleaps one grade of joy.
This, for his own good: — with the world, each gift
Of God and man, — reality, tradition,
Fancy and fact — so well environ him,
That as a mystic panoply they serve —
Of force, untenanted, to awe mankind,
And work his purpose out with half the world,
While he, their master, dexterously slipt
From such encumbrance, is meantime employed
With his own prowess on the other half.
Thus shall he prosper, every day's success
Adding, to what is he, a solid strength —
An aery might to what encircles him,
Till at the last, so life's routine lends help,
That as the Emperor only breathes and moves,
His shadow shall be watched, his step or stalk
Become a comfort or a portent, how
He trails his ermine take significance, —
Till even his power shall cease to be most power,
And men shall dread his weakness more, nor dare
Peril their earth its bravest, first and best,
Its typified invincibility.Thus shall he go on, greatening, till he ends—
The man of men, the spirit of all flesh,
The fiery centre of an earthly world!</p

Zhuangzi photo

“Whether you point to a little stalk or a great pillar, a leper or the beautiful Hsi-shih, things ribald and shady or things grotesque and strange, the Way makes them all into one.”

Zhuangzi (-369–-286 BC) classic Chinese philosopher

Ch. 2 (tr. Burton Watson, 1964, p. 41)
Context: Whether you point to a little stalk or a great pillar, a leper or the beautiful Hsi-shih, things ribald and shady or things grotesque and strange, the Way makes them all into one. Their dividedness is their completeness; their completeness is their impairment. No thing is either complete or impaired, but all are made into one again. Only the man of far-reaching vision knows how to make them into one. So he has no use [for categories], but relegates all to the constant. The constant is the useful; the useful is the passable; the passable is the successful; and with success, all is accomplished. He relies upon this alone, relies upon it and does not know he is doing so. This is called the Way.

Harper Lee photo

“So he stalked her again. Love makes hunters of us all.”

Source: Wicked: The Life and Times of the Wicked Witch of the West

Cassandra Clare photo
Victor Hugo photo
Jim Butcher photo
Derek Landy photo

“Where's Kraven? Is he stalking me too?"
His mouth went tight. "I'm not stalking you.”

Michelle Rowen (1971) Canadian writer

Source: Dark Kiss

Richelle Mead photo
Jim Butcher photo
Joss Whedon photo
Michael Ondaatje photo
P.G. Wodehouse photo

“Bradbury Fisher shuddered from head to foot, and his legs wobbled like asparagus stalks.”

P.G. Wodehouse (1881–1975) English author

The Heart of a Goof (1926)

John Ogilby photo
Mike Huckabee photo

“Here's the clear "science:"When the male sperm and female egg join, a new and unique life form is created. At conception. Not at birth or viability, or when a lawyer says so. At conception this happens. John McCain got it right; Obama pled less scientific knowledge than a 5th grader.This life is either human or something else. Science irrefutably would declare that the life which is starting from that moment is human. It's not a stalk of broccoli, it's not a parrot, squirrel, or dolphin. It will never become a tree—it can only become a human. It has the entire DNA schedule that it will have for the rest of its life right then. In days it will begin to take on increasingly observable human characteristics and form, but at conception, it is biologically human.If this life is human, then the only issue left is whether this human life falls under the notion that it has a fundamental right of existence or not. If not, it is because we as a culture have decided that some human lives are simply not worth living. If we can decide that about an innocent and unborn baby, we can also decide it on the basis of less absolute criteria than that. If we make that choice (and this is all about "CHOICE," isn’t it?) then someone may decide that a terminally ill person is not a life worth living. Maybe a severely disabled child is a life not worth living; what about a person with a limited IQ? Say that's absurd—that an educated and enlightened society would never be so audacious as to begin to terminate life based on such arbitrary excuses? Maybe you haven't studied Nazi Germany, in which the murder of six million Jews was justified because of their religion and millions of others were murdered because of their politics. Germany was not a primitive, superstitious culture. It was one filled with the intelligentsia and enlightened.This is an important issue. It's why we can't trust Obama with America's future because he's not even sure which Americans are worth saving and which ones aren't. And it's why that for many of us, McCain's selection of a running mate really does matter. Because John McCain clearly is pro life, I will support and vote for him because Obama is not an option for me as a pro life person. I will be disappointed if McCain doesn't pick a true pro life person and realize that should that happen, he will lose many of the very people who supported me. I cannot expect all of you to vote for McCain if he chooses someone whose record isn't pro life. It will be a less than perfect decision for all of us—our only real choices are McCain and Obama; one will protect life and one won't. Some will argue for a 3rd party candidate and I respect that, but in political realities, that is essentially a vote for Obama and I can't go there.”

Mike Huckabee (1955) Arkansas politician

A Message from the Governor
HuckPAC
2008-08-23
http://www.huckpac.com/?Fuseaction=Blogs.View&Blog_id=1848&CommentPage=5
2011-03-01

Cristoforo Colombo photo
Harry Emerson Fosdick photo

“I renounce war for its consequences, for the lies it lives on and propagates, for the undying hatred it arouses, for the dictatorships it puts in place of democracy, for the starvation that stalks after it. I renounce war, and never again, directly or indirectly, will I sanction or support another.”

Harry Emerson Fosdick (1878–1969) American pastor

Armistice sermon The Unknown Soldier (preached Sunday 12 November 1933, immediately following Armistice Day), published in The Secret of Victorious Living (1934); also in I Renounce War : The Story of the Peace Pledge Union (1962) by Sybil Morrison. The sermon inspired Canon Dick Sheppard to write a letter to the press in 1934, leading to the founding of the Peace Pledge Union.

Yves Klein photo
Ralph Waldo Emerson photo

“Hast thou named all the birds without a gun;
Loved the wood-rose, and left it on its stalk.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Forbearance http://www.emersoncentral.com/poems/forebearance.htm
1840s, Poems (1847)

Will Cuppy photo
Arthur Schopenhauer photo
Thomas Wolfe photo
Auguste Rodin photo
Craig Ferguson photo

“He's quiet as well, especially if you stalk him.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

On Brad Pitt.
The Late Late Show with Craig Ferguson (2005–2014)

William Wordsworth photo

“Maidens withering on the stalk.”

William Wordsworth (1770–1850) English Romantic poet

Personal Talk, Stanza 1.
Bartlett's Familiar Quotations, 10th ed. (1919)

Robert E. Howard photo
Stephenie Meyer photo
Ludovico Ariosto photo

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

Charles Darwin photo

“In this case, therefore, the worms judged with a considerable degree of correctness how best to draw the withered leaves of this foreign plant into their burrows; notwithstanding that they had to depart from their usual habit of avoiding the foot-stalk.”

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 2: Habits of Worms, p. 70. http://darwin-online.org.uk/content/frameset?pageseq=85&itemID=F1357&viewtype=image

Samuel Taylor Coleridge photo

“Trochee trips from long to short;
From long to long in solemn sort
Slow Spondee stalks.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Metrical Feet" (1806)

François Arago photo
Mary Wollstonecraft photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Taliesin photo
Noel Fielding photo

“[When asked if he would advocate stalking one's favourite comedian in the hope that one gets to form an award-winning double-act with them and become world famous]”

Noel Fielding (1973) British comedian and actor

People kind of say that I stalked Julian. It's a rumour. He stalked me. No, what happened was that I went to see him a couple of times because I liked him. And he phoned me up and said, 'D'you wanna work with me?’ Because he saw me and went, ‘Jesus Christ! He’s like a king! I’d better harness his talent somehow, I’m getting a bit old now...’ He just liked what I did and I liked what he did, so we made love, and then said ‘let’s write!’ We made love in a way that a man and a small boy make love. Sorry. It’s gone a bit sexual.
HermAphroditeZine, Autumn 1999

Raymond Chandler photo
Camille Paglia photo
Karel Appel photo

“The struggle begins, to harmonize canvas, eye, hand, forms. New apparitions stalk the earth.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Bill Moyers photo
Stanley Baldwin photo
Galway Kinnell photo
L. Frank Baum photo
Camille Paglia photo
Thomas Henry Huxley photo
Bob Dylan photo

“The rifleman's stalking the sick and the lame; preacherman seeks the same. Who'll get there first is uncertain.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Infidels (1983), Jokerman

Letitia Elizabeth Landon photo
John Cowper Powys photo

“Man is the animal who weeps and laughs — and writes. If the first Prometheus brought fire from heaven in a fennel-stalk, the last will take it back — in a book.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

The Pleasures of Literature (1938), p. 17 <!-- London: Cassell -->

Robert Hooke photo
Warren Zevon photo
Robert E. Howard photo
Mo Yan photo
Thomas Merton photo
Charles Olson photo
Joseph Strutt photo
Jane Roberts photo
Claire Danes photo

“It's not called stalking…it's called "passionately following."”

Claire Danes (1979) American actress

Explaining about her character Angela Chase and her crush on Jared Leto's character, Jordan Catalano, while on MTV's TRL (11 August 2007)

Gautama Buddha photo
David Bowie photo
Richard Cobden photo
John Hoole photo
Nick Drake photo
Arthur Schopenhauer photo
Elizabeth Bisland Whetmore photo
Willa Cather photo
Mata Amritanandamayi photo
Hans Ruesch photo
Ernest Becker photo

“What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types—biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killer-bees attacking with a fury and a demonism, sharks continuing to tear and swallow while their own innards are being torn out—not to mention the daily dismemberment and slaughter in "natural" accidents of all types: an earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U. S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness.”

"Psychology and Religion: What Is the Heroic Individual?", pp. 282–283
The Denial of Death (1973)

Kent Hovind photo
Torquato Tasso photo

“Woman, a thing changeable in nature,
more than whistles in the wind and more than the tip
of a supple stalk of wheat.”

Femina, cosa mobil per natura,
Più che fraschetta al vento, e più che cima
Di pieghevole spica.
Act I, scene ii. Compare: "Varium et mutabile semper femina", Virgil, Aeneid, 4.569.
Aminta (1573)

Amanda Filipacchi photo
John Townsend Trowbridge photo
Princess Madeleine, Duchess of Hälsingland and Gästrikland photo
Jerry Coyne photo