Quotes about spot

A collection of quotes on the topic of spot, likeness, use, doing.

Quotes about spot

“Every one interprets everything in terms of his own experience. If you say anything which does not touch a precisely similar spot in another man's brain, he either misunderstands you, or doesn't understand you at all.”

Aleister Crowley book Diary of a Drug Fiend

Source: Diary of a Drug Fiend

Understanding

“I used to wash the semen off the clothes of the Prophet and even then I used to notice one or more spots on them.”

Aisha (605–678) Muhammad's wife

Sahih Bukhari 1:4:233

Clothes

“There are painters who transform the sun into a yellow spot but there are others who with the help of their art and their intelligence transform a yellow spot into a sun.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

1950s
Source: Sergei Eisenstein (1957), Film form [and]: The film sense, p. 127.

Art, Intelligence, Sun, Help

“According to old records, it has been a rule with the Muslim rulers from the first to build mosques, monasteries, and inns, spread Islam, and put (a stop to) non-Islamic practices, wherever they found prominence (of kufr). Accordingly, even as they cleared up Mathura, Bindraban etc., from the rubbish of non-Islamic practices, the Babari mosque was built up in AH 923 (?) under the patronage of Sayyid Musa Ashiqan in the Janmasthan temple (butkhane Janmsthan mein) in Faizabad Avadh, which was a great place of (worship) and capital of Rama's father'…'A great mosque was built on the spot where Sita ki Rasoi is situated. During the regime of Babar, the Hindus had no guts to be a match for the Muslims. The mosque was built in AH 923 (?) under the patronage of Sayyid Mir Ashiqan' Aurangzeb built a mosque on the Hanuman Garhi' The Bairagis effaced the mosque and erected a temple in its place. Then idols began to be worshipped openly in the Babari mosque where the Sita ki Rasoi is situated.”

Babur (1483–1530) 1st Mughal Emperor

Muraqqa-i-Khusrawî (Tãrîkh-i-Awadh) by Shykh Azmat Alî Kãkorwî Nãmî , cited by Dr. Harsh Narain, "Rama-Janmabhumi Temple: Muslim Testimony", 1990, and quoted in Goel, S.R. Hindu Temples - What Happened to them.

According to Harsh Narain, the publication of the chapter "dealing with the Jihad led by Amir Ali Amethawi for recapture of Hanuman Garhi from the Bairagis" was suppressed "on the ground that its publication would not be opportune in view of the prevailing political situation". Dr. Kakorawi himself lamented that ‘suppression of any part of any old composition or compilation like this can create difficulties and misunderstandings for future historians and researchers’. Muraqqa-i-Khusrawî (Tãrîkh-i-Awadh) by Shykh Azmat Alî Kãkorwî Nãmî. Shykh Azamat Ali Kakorawi Nami (1811–1893), Muraqqa(h)-i Khusrawi also known as the Tarikh-i Av(w)adh cited by Harsh Narain The Ayodhya Temple Mosque Dispute: Focus on Muslim Sources, 1993, New Delhi, Penman Publications. ISBN 8185504164 Quoted in Dr. Harsh Narain: Rama-Janmabhumi Temple Muslim Testimony Harsh Narain (Indian Express, February 26, 1990) and in Shourie, A., & Goel, S. R. (1990). Hindu temples: What happened to them.
Quotes from Muslim histories of early modern era

“If you wish to forget anything on the spot, make a note that this thing is to be remembered.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844) <br class="br">Variant: If you wish to forget anything on the spot, make a note that this thing is to be remembered.

Forgetting

“When I was coming up, trying to get to where I am now, people were so happy for me. They were rooting for me. Now that I'm on top, everyone wants to bring me down. Everyone's trying to tug at me and take my spot… A lot of people say they hate Justin Bieber who haven't even listened to my music. They just hate the idea of me.”

Justin Bieber (1994) Canadian singer-songwriter, record producer, and actor

Interview with V Magazine, as quoted in UsMagazine: Justin Bieber Talks Sex, Drugs and Turning 18 http://www.usmagazine.com/celebrity-news/news/justin-bieber-talks-sex-drugs-and-turning-18-2012101, January 2012

Hate, People, Music, Idea

“From everything that man erects and builds in his urge for living nothing is in my eyes better and more valuable than bridges. They are more important than houses, more sacred than shrines. Belonging to everyone and being equal to everyone, useful, always built with a sense, on the spot where most human needs are crossing, they are more durable than other buildings and they do not serve for anything secret or bad.”

Ivo Andrič (1892–1975) novelist, short story writer

The Bridges, as quoted in The Old Bridge of Mostar and Increasing Respect for Cultural Property in Armed Conflict (2012) by Jadranka Petrovic, p. 65

Secret, Sense, Housing

“There is no servant except that there exists a white spot upon his heart. So when he commits a sin, a black spot arises into that white spot. Then when he repents, this black spot moves away. But if he continues on committing sins, the blackness of this spot increases till such time that it overwhelms and overrides the whiteness. When the whiteness is all covered over (by the blackness), the owner of it (the heart) does never at all return towards beneficence and goodness. And This is what God means when he says: "Nay! rather, what they used to do has become like a rust upon their hearts."”

Muhammad al-Baqir (677–733) fifth of the Twelve Shia Imams

Qur'an, 83:14
Muhammad Kulayni, Usūl al-Kāfī, vol.73, p. 332
Religious Wisdom

God, Time, Heart

“Two artists can suggest two different subject matters and two completely different pictures by using the same spot. Every picture demonstrates certain aspects from the inner life of the painter who made it. For this reason, the orthodox Tachist is wary of letting himself be influenced by Leonardo's famous wall... I grant the painter the right to speak, to laugh, to take a stand and to draw upon all his hallucinatory faculties. But I absolutely refuse to live like a Tachist.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote from 'Max Ernst im Gesprach mit Eduard Roditi' (1967), as cited in Max Ernst, Écritures Paris, 1970, p. 416
1951 - 1976

Life, Drawing

“O Great Beyond, O the keen call of thy flute! I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.”

Rabindranath Tagore (1861–1941) Bengali polymath

5 <br class="br"> The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915) <br class="br">Context: I am restless. I am athirst for faraway things. My soul goes out in a longing to touch the skirt of the dim distance. O Great Beyond, O the keen call of thy flute! I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.

Flying, Forgetting

“The future is what matters — because one never reaches it, but always stays in the present — like the White Queen who had to run like the wind to remain in the same spot.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Future

“Now I know what loneliness is, I think. Momentary loneliness, anyway. It comes from a vague core of the self - - like a disease of the blood, dispersed throughout the body so that one cannot locate the matrix, the spot of contagion.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Disease, Thinking, Loneliness

“Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should? ”

Henri Cartier-Bresson (1908–2004) French photographer

Question, Reality, Wealth

“If we could truly see ourselves the way others see us we'd disappear on the spot.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Way

“Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Sun

“Betrayed and wronged in everything,
I’ll flee this bitter world where vice is king,
And seek some spot unpeopled and apart
Where I’ll be free to have an honest heart.”

Molière The Misanthrope

Source: The Misanthrope

World, Heart

“A reputation once broken may possibly be repaired, but the world will always keep their eyes on the spot where the crack was.”

Joseph Hall (1574–1656) British bishop

World

“I thoroughly disapprove of duels. I consider them unwise and I know they are dangerous. Also, sinful. If a man should challenge me now I would go to that man and take him kindly and forgivingly by the hand and lead him to a quiet retired spot and kill him.”

Mark Twain (1835–1910) American author and humorist

In revised edition, Vol. I, "Friday, January 19, 1906, About Dueling.", p. 298, The Autobiography of Mark Twain, 1959, Charles Neider, Harper & Row
Mark Twain's Autobiography (1924)

“Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn't carry a book around for those inevitable dead spots in life.”

Stephen King (1947) American author

Life, Books, Perfection, Dead

“most people come to know only one corner of their room, one spot near the window, one narrow strip on which they keep walking back and forth.”

Rainer Maria Rilke book Letters to a Young Poet

Source: Letters to a Young Poet

People

“Creative minds are uneven, and the best of fabrics have their dull spots.”

H.P. Lovecraft (1890–1937) American author

“Out, damned spot! out, I say!”

William Shakespeare Macbeth

Source: Macbeth

“Tiffany thought of the little spot in the woods where Granny Weatherwax lay. Remembered.

And knew that You had been right. Granny Weatherwax was indeed here. And there. She was, in fact, and always would be, everywhere.”

Terry Pratchett book The Shepherd's Crown

Source: The Shepherd's Crown

“I spilled spot remover on my dog; now he's gone.”

Steven Wright (1955) American actor and author

Dogs

“If you transmit the rays of the sun through a hole in the shape of a star you will see a beautiful effect of perspective in the spot where the sun's rays fall.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Beauty, Star, Sun

“If I had written King Lear, I would regret it all my life afterwards. Because that work is so big, that its defects show as huge, its monstrous defects, things even minimal in between some scenes and their possible perfection. It's not the sun with spots; it's a broken greek statue.”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 250
The Book of Disquiet
Original: Se eu tivesse escrito o Rei Lear, levaria com remorsos toda a minha vida de depois. Porque essa obra é tão grande, que enormes avultam os seus defeitos, os seus monstruosos defeitos, as coisas até mínimas que estão entre certas cenas e a perfeição possível delas. Não é o sol com manchas; é uma estátua grega partida.

Life, Sun, Perfection

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

José Saramago book Raised from the Ground

Source: Raised from the Ground (1980), pp. 172–174

Men, Fate, Secret, World

“Some drivers have already got out of their cars, prepared to push the stranded vehicle to a spot where it will not hold up the traffic, they beat furiously on the closed windows, the man inside turns his head in their direction, first to one side then to the other, he is clearly shouting something, to judge by the movements of his mouth he appears to be repeating some words, no one word but three, as turns out to be the case when someone finally manages to open the door, I am blind.”

José Saramago book Blindness

Source: Blindness (1995), p. 2

Cars, Appearance

“The point came when people were doing things I didn't feel competent to do myself. I'm not being modest, I honestly get lost. I was lucky in spotting what I did when I did, but there comes a point where you realise what you're doing is not going to be much good.”

Peter Higgs (1929) British physicist

Explaining how he came to follow the race for the discovery of the Higgs boson from the sidelines, as quoted by Ian Sample, in The god of small things, The Guardian, Saturday 17 November 2007.

People, Feeling

“When the last days were upon me, and the ugly trifles of existence began to drive me to madness like the small drops of water torturers let fall ceaselessly upon one spot of their victim's body, I loved the irradiate refuge of sleep. In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods.”

H.P. Lovecraft book Ex Oblivione

"Ex Oblivione" - First published in The United Amateur, 20, No. 4 (March 1921)
Fiction

Love, Life, Beauty, Dreams

“We'd get into these little towns and tell 'em to get out the fastest guy in town and Jesse Owens would spot him ten yards and beat him.”

Jesse Owens (1913–1980) American track and field athlete

Jesse Owens, Champion Athlete (1990)

Guy

“Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.”

Rainer Maria Rilke book Letters to a Young Poet

Letter Four (16 July 1903)
Letters to a Young Poet (1934)

People, Pleasure, World

“Hey farmer, farmer,
Put away that DDT now
Give me spots on my apples
But leave me the birds and the bees
Please!”

Joni Mitchell (1943) Canadian musician

"Big Yellow Taxi"
Songs

Bird, Bee

“They even say that an altar dedicated to Ulysses, with the addition of the name of his father, Laertes, was formerly discovered on the same spot, and that certain monuments and tombs with Greek inscriptions, still exist on the borders of Germany and Rhaetia.”

Tacitus book Germania

Source: Germania (98), Chapter 3

“You put the government on the spot when you even mention Vietnam. They feel embarrassed — you notice that?… It's just a trap that they let themselves get into. … But they're trapped, they can't get out. You notice I said 'they.' They are trapped, They can't get out. If they pour more men in, they'll get deeper. If they pull the men out, it's a defeat. And they should have known that in the first place. France had about 200,000 Frenchmen over there, and the most highly mechanized modern army sitting on this earth. And those little rice farmers ate them up, and their tanks, and everything else. Yes, they did, and France was deeply entrenched, had been there a hundred or more years. Now, if she couldn't stay there and was entrenched, why, you are out of your mind if you think Sam can get in over there. But we're not supposed to say that. If we say that, we're anti-American, or we're seditious, or we're subversive…. They put Diem over there. Diem took all their money, all their war equipment and everything else, and got them trapped. Then they killed him. Yes, they killed him, murdered him in cold blood, him and his brother, Madame Nhu's husband, because they were embarrassed. They found out that they had made him strong and he was turning against them…. You know, when the puppet starts talking back to the puppeteer, the puppeteer is in bad shape….”

Malcolm X (1925–1965) American human rights activist

January 1965, p. 217
Malcolm X Speaks (1965)

Men, Money, War, Feeling

“And it is here under this oak where Evangeline waited for her lover, Gabriel, who never came. This oak is an immortal spot, made so by Longfellow's poem, but Evangeline is not the only one who has waited here in disappointment.
Where are the schools that you have waited for your children to have, that have never come? Where are the roads and the highways that you send your money to build, that are no nearer now than ever before? Where are the institutions to care for the sick and disabled? Evangeline wept bitter tears in her disappointment, but it lasted through only one lifetime. Your tears in this country, around this oak, have lasted for generations. Give me the chance to dry the eyes of those who still weep here!”

Huey Long (1893–1935) American politician, Governor of Louisiana, and United States Senator

Speech given during the 1928 gubernatorial election; quoted in Hugh Davis Graham, Huey Long (1970), p. 40.

Money, Children, School, Disappointment

“You know how fussy and particular I am in painting. I am ever removing the paint and repainting the spot until I am completely exhausted.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Movements in art since 1945, p. 15: (in Gorky Memorial Exhibition, Schwabacher pp. 12)

Painting

“So, to reward him for his run
(As it was baking hot,
And he was over twenty stone),
The King proceeded, half in fun,
To knight him on the spot.”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Explaining the Knight-Mayor's name
Canto 5
Phantasmagoria (1869)

“The Ramayana, the Puranas and the Dharmashastras paint the same portrait of an ancient land, every spot of which is sacred to some cultural memory or the other. The Jainagama and the Tripitaka speak again and again of sixteen Mahajanapadas, which spanned the spread of Bharatavarsha in the life-time of Bhagvan Mahavira and the Buddha. Even a dry compendium on grammar, the Ashtadhyayi of Panini, provides a near complete count of all the Janapadas in ancient India-Gandhara and Kamboja, Sindhu and Sauvira, Kashmir and Kekaya, Madra and Trigarta, Kuru and Panchala, Kaushala and Kashi, Magadha and Videha, Anga and Vanga, Kirata and Kamarupa, Suhma and Udra, Vatsa and Matsya, Abhira and Avanti, Nishadha and Vidarbha, Dandakaranya and Andhra, Karnataka and Kerala, Chola and Pandya. The epic poetry poured out by Kalidasa, Magha, Bharavi and Sriharsha continues the same tradition of talking endlessly about Bharatavarsha as a single and indivisible geographical entity, as a karmabhûmi for Gods and Goddesses, Brahmarshis and Rajarshis, and as higher than heaven for all those who have had the good fortune of being born in it.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Life, God, Memory, Time

“My solos are speech-influenced rhythmically; and harmonically, they're either pentatonic, or poly-scale oriented. And there's the mixolydian mode that I also use a lot…But I'm more interested in melodic things I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

As quoted in The Guitar Handbook (2002) by Ralph Denyer, p. 102

Thinking

“I have at last found a suitable spot and settled her. I have already spend a few days working and started eight canvases, which I hope, if the weather favours me, will give an idea of Norway and the environs of Christiania... This morning I was painting under constant falling snow. You would have burst out laughing seeing me white all over, my beard overgrown with icicles.”

Claude Monet (1840–1926) French impressionist painter

in his letter from Sandviken to Gustave Geffroy, late January 1895; (Geoffrey, 1922, vol 2 pp. 87-88); as cited in: Nathalia Brodskaya, Claude Monet, 2011, p. 106
Similar translation:
One should live here for a year in order to accomplish something of value, and that is only after having seen and gotten to know the country. I painted today, a part of the day, in the snow, which falls endlessly. You would have laughed if you could have seen me completely white, with icicles hanging from my beard like stalactites.
1890 - 1900
Source: Claude Monet, ‎Charles F. Stuckey (1985) Monet: a retrospective, p. 169

Hope, Idea, Painting, Weather

“Tho' lost to sight, to memory dear
Thou ever wilt remain;
One only hope my heart can cheer,—
The hope to meet again.

Oh, fondly on the past I dwell,
And oft recall those hours
When, wandering down the shady dell,
We gathered the wild-flowers.

Yes, life then seemed one pure delight,
Tho' now each spot looks drear;
Yet tho' thy smile be lost to sight,
To memory thou art dear.

Oft in the tranquil hour of night,
When stars illume the sky,
I gaze upon each orb of light,
And wish that thou wert by.

I think upon that happy time,
That time so fondly loved,
When last we heard the sweet bells chime,
As thro' the fields we roved.”

George Linley (1798–1865) British writer

Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.

Love, Life, Smile, Hope

“Whatever shall we do in that remote spot? Well, we will write our memoirs. Work is the scythe of time.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

On board H.M.S. Bellerophon (August 1815)

Time

“Because I want this chamber, I want this city to reflect the truth -- that for all our blind spots and shortcomings, we are a people with the strength and generosity of spirit to bridge divides, to unite in common effort, to help our neighbors, whether down the street or on the other side of the world. I want our actions to tell every child in every neighborhood, your life matters, and we are committed to improving your life chances as committed as we are to working on behalf of our own kids. I want future generations to know that we are a people who see our differences as a great gift, that we’re a people who value the dignity and worth of every citizen -- man and woman, young and old, black and white, Latino, Asian, immigrant, Native American, gay, straight, Americans with mental illness or physical disability. Everybody matters. I want them to grow up in a country that shows the world what we still know to be true: that we are still more than a collection of red states and blue states; that we are the United States of America.”

Barack Obama (1961) 44th President of the United States of America

2015, State of the Union Address (January 2015)

Life, People, Truth, World

“Dinocrates, I appreciate your design as excellent in composition, and I am delighted with it, but I apprehend that anybody who should found a city in that spot would be censured for bad judgement. For as a newborn babe cannot be nourished without the nurse's milk, nor conducted to the approaches that lead to growth in life, so a city cannot thrive without fields and the fruits thereof pouring into its walls.”

Alexander the Great (-356–-323 BC) King of Macedon

Vitruvius, De Architectura Bk. 2, Introduction, Sec. 3

Life

“The soul seems to reside in the judgment, and the judgment would seem to be seated in that part where all the senses meet; and this is called the Common Sense and is not all-pervading throughout the body, as many have thought. Rather is it entirely in one part. Because, if it were all-pervading and the same in every part, there would have been no need to make the instruments of the senses meet in one centre and in one single spot; on the contrary it would have sufficed that the eye should fulfil the function of its sensation on its surface only, and not transmit the image of the things seen, to the sense, by means of the optic nerves, so that the soul — for the reason given above — may perceive it in the surface of the eye.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIV Anatomy, Zoology and Physiology

Soul, Sense, Parting

“India, the ancient Mother, is indeed striving to be reborn, striving with agony and tears, but she strives in vain. What ails her, she who is after all so vast and might be so strong? There is surely some enormous defect, something vital is wanting in us, nor is it difficult to lay our finger on the spot. We have all things else, but we are empty of strength, void of energy. We have abandoned Shakti and are therefore abandoned by Shakti. The Mother is not in our hearts, in our brains, in our arms.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Bhawani Mandir, 1905
India's Rebirth

Tear, Strong, Heart

“Our garden was debated territory between five local cats, and we'd heard that the best way to keep other cats out of the garden was to have one yourself. A moment's rational thought here will spot the slight flaw in this reasoning.”

Terry Pratchett book The Unadulterated Cat

The Unadulterated Cat (1989)

Way, Cats

“During my youth I rather leaned toward the prognosis that the Jews of different countries would be assimilated and that the Jewish question would thus disappear, as it were, automatically. The historical development of the last quarter of a century has not confirmed this view. Decaying capitalism has everywhere swung over to an intensified nationalism, one aspect of which is anti-Semitism. The Jewish question has loomed largest in the most highly developed capitalist country of Europe, Germany. […]
The Jews of different countries have created their press and developed the Yiddish language as an instrument adapted to modern culture. One must therefore reckon with the fact that the Jewish nation will maintain itself for an entire epoch to come. […]
We must bear in mind that the Jewish people will exist a long time. The nation cannot normally exist without common territory. Zionism springs from this very idea. But the facts of every passing day demonstrate to us that Zionism is incapable of resolving the Jewish question. The conflict between the Jews and Arabs in Palestine acquires a more and more tragic and more and more menacing character. I do not at all believe that the Jewish question can be resolved within the framework of rotting capitalism and under the control of British imperialism. […]
Socialism will open the possibility of great migrations on the basis of the most developed technique and culture. It goes without saying that what is here involved is not compulsory displacements, that is, the creation of new ghettos for certain nationalities, but displacements freely consented to, or rather demanded, by certain nationalities or parts of nationalities. The dispersed Jews who would want to be reassembled in the same community will find a sufficiently extensive and rich spot under the sun. The same possibility will be opened for the Arabs, as for all other scattered nations. National topography will become a part of the planned economy. This is the great historic perspective as I see it. To work for international Socialism means to work also for the solution of the Jewish question.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Excerpts of Trotsky’s interview with Jewish Telegraphic Agency (18 January 1937); as quoted in Trotsky and the Jews (1972) by Joseph Nedava, p. 204

People, Youth, Spring, Communication

“Let me tell you something that we Israelis have against Moses. He took us 40 years through the desert in order to bring us to the one spot in the Middle East that has no oil!”

Golda Meir (1898–1978) former prime minister of Israel

At a dinner honoring West German Chancellor Willy Brandt, as reported in The New York Times (10 June 1973)
Unsourced variants: Moses dragged us for 40 years through the desert to bring us to the one place in the Middle East where there was no oil.
Moses dragged us through the desert for 40 years to bring us to the one place in the Middle East where there was no oil.

“I hired a good carriage and had myself driven to Menton, a delightful outing of several hours. Menton is wonderful and is in a splendid setting. I walked to Cap Martin, a famous spot between Menton and Monte Carlo. I saw two motifs there that I want to paint because they are so different from things here, where the sea plays no big part in my studies, where the sea plays no big plays no big part in my studies.”

Claude Monet (1840–1926) French impressionist painter

in a letter to his second wife Alice Hoschedé, 1884; as cited in: Christoph Heinrich, Monet, (2000), p. 64
1870 - 1890

Study, Parting, Painting, Sea

“Every spot of the old world is overrun with oppression. Freedom hath been hunted round the globe.”

Thomas Paine (1737–1809) English and American political activist

1770s, Common Sense (1776)
Context: O ye that love mankind! Ye that dare oppose, not only the tyranny, but the tyrant, stand forth! Every spot of the old world is overrun with oppression. Freedom hath been hunted round the globe. Asia, and Africa, have long expelled her — Europe regards her like a stranger, and England hath given her warning to depart. O! receive the fugitive, and prepare in time an asylum for mankind.

World, Freedom

“There are advantages to being the chairman. One of my favorite perks was picking out an issue and doing what I called a "deep dive." It's spotting a challenge where you think you can make a difference— one that looks like it would be fun— and then throwing the weight of your position behind it. Some might justifiably call it "meddling." I've often done this— just about everywhere in the company.”

Jack Welch (1935) American executive: General Electric CEO

Source: Jack: Straight from the Gut (2001), Ch. 14.

Thinking

“Man always kills the thing he loves, and so we the pioneers have killed our wilderness. Some say we had to. Be that as it may, I am glad I shall never be young without wild country to be young in. Of what avail are forty freedoms without a blank spot on the map?”

Aldo Leopold book A Sand County Almanac

Source: A Sand County Almanac, 1949, "Chihuahua and Sonora: The Green Lagoons", p. 157-158.

Love, Freedom, Country

“The surest means of not losing your mind on the spot: remembering that everything is unreal, and will remain so…”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

“Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel”

Eugène Boudin (1824–1898) French painter

in the studio
Quote from Boudin's sketchbook; as quoted in Boudin at Trouville, by Vivien Hamilton, exh. Catalogue, London John Murray Ltd., 1992, p. 16
undated quotes

Nature, Painting

“An island-farm — broad seas of corn
Stirred by the wandering breath of morn —
The happy spot where I was born.”

Lewis Carroll Three Sunsets and Other Poems

Faces in the Fire (1860), st. 2
Three Sunsets and Other Poems (1898)

Sea, Happiness

“You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either.”

Stefan Zweig book The Post Office Girl

The Post Office Girl (published posthumously in 1982)

Women, People, Alcohol, Lie

“he Party is the highest form of organisation of the proletariat. The Party is the principle guiding force within the class of the proletarians and among the organisations of that class. But it does not by any means follow from this that the Party can be regarded as an end in itself, as a self-sufficient force. The Party is not only the highest form of class association of the proletarians; it is at the same time an instrument in the hands of the proletariatfor achieving the dictatorship, when that has not yet been achieved and for consolidating and expanding the dictatorship when it has already been achieved. The Party could not have risen so high in importance and could not have exerted its influence over all other forms of organisations of the proletariat, if the latter had not been confronted with the question of power, if the conditions of imperialism, the inevitability of wars, and the existence of a crisis had not yet demanded the concentration of all the forces of the proletariat at one point, the gathering of all the threads of the revolutionary movement in one spot in order to overthrow the bourgeoisie and to achieve the dictatorship of the proletariat. The proletariat needs the Party first of all as its General Staff, which it must have for the successful seizure of power. It scarcely needs proof that without a party capable of rallying around itself the mass organisations of the proletariat, and of centralising the leadership of the entire movement during the progress of the struggle, the proletariat in Russia could not have established its revolutionary dictatorship.”

Joseph Stalin (1879–1953) General secretary of the Communist Party of the Soviet Union

Source: The Problems of Leninism, Ch.8

War, Question, Time, Success

“Now, my friends, can this country be saved upon that basis? If it can, I will consider myself one of the happiest men in the world if I can help to save it. If it can't be saved upon that principle, it will be truly awful. But, if this country cannot be saved without giving up that principle. I was about to say I would rather be assassinated on this spot than to surrender it.”

Abraham Lincoln (1809–1865) 16th President of the United States

Some historians have opined that the assassination quip was in response to an assassination threat Lincoln had been notified about earlier.
1860s, Speech in Independence Hall (1861)

Men, World, Help, Country

“Still, there are moments when one feels free from one's own identification with human limitations and inadequacies. At such moments, one imagines that one stands on some spot of a small planet, gazing in amazement at the cold yet profoundly moving beauty of the eternal, the unfathomable: life and death flow into one, and there is neither evolution nor destiny; only being.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Letter to Queen Mother Elisabeth of Belgium (9 January 1939), asking for her help in getting an elderly cousin of his out of Germany and into Belgium. Quoted in Einstein on Peace edited by Otto Nathan and Heinz Norden (1960), p. 282
1930s
Context: The moral decline we are compelled to witness and the suffering it engenders are so oppressive that one cannot ignore them even for a moment. No matter how deeply one immerses oneself in work, a haunting feeling of inescapable tragedy persists. Still, there are moments when one feels free from one's own identification with human limitations and inadequacies. At such moments, one imagines that one stands on some spot of a small planet, gazing in amazement at the cold yet profoundly moving beauty of the eternal, the unfathomable: life and death flow into one, and there is neither evolution nor destiny; only being.

Life, Death, Beauty, Feeling

“I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.”

Claude Monet (1840–1926) French impressionist painter

quote in a letter to Frédéric Bazille, September 25, 1869; as cited in: Bonafoux (1986, 72), cited in Michael P. Farrell (2003) Collaborative Circles: Friendship Dynamics and Creative Work. p. 42
1850 - 1870
Context: [Chopping wood] is harder than you think, and I'll bet that you would not split much wood... All the same, I have probably not reached the end of my troubles. Here is winter at hand, a season not very pleasant for the wretched. Then comes the Salon. Alas! I still won't be in it, for I shall have done nothing. I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.

Dreams, Painting

“Some people will say that words like scum and rotten are wrong for Objective Journalism — which is true, but they miss the point. It was the built-in blind spots of the Objective rules and dogma that allowed Nixon to slither into the White House in the first place.”

Hunter S. Thompson (1937–2005) American journalist and author

1990s, He Was A Crook (1994)
Context: Some people will say that words like scum and rotten are wrong for Objective Journalism — which is true, but they miss the point. It was the built-in blind spots of the Objective rules and dogma that allowed Nixon to slither into the White House in the first place. He looked so good on paper that you could almost vote for him sight unseen. He seemed so all-American, so much like Horatio Alger, that he was able to slip through the cracks of Objective Journalism. You had to get Subjective to see Nixon clearly, and the shock of recognition was often painful.

People, Housing