Quotes about sound
page 20

“Sarkozy was elected last year by insisting on immigrants speaking French and insisting that they integrate into the French culture…Obama’s call for Americans to learn Spanish to accommodate the onslaught of Mexican immigrants makes the French government sound like Rush Limbaugh.”

Rachel Marsden (1974) journalist

Contrasting Barack Obama with French President Nicolas Sarkozy Barack Obama Has Little In Common With Europe http://www.humanevents.com/article.php?id=27669

Learning

“As I understand it, the claim is that the less you use Homeopathy, the better it works. Sounds plausible to me.”

David Deutsch (1953) British physicist

http://web.archive.org/web/20040817050226/http://www.qubit.org/people/david/index.php?blog=20040808030513
Weblog

Understanding

“In my larger work, the Mishnah Torah, I have contented myself with briefly stating the principles of our faith and its fundamental truths, together with such hints as approach a clear exposition. In this work, however, I address those who have studied philosophy and have acquired sound knowledge, and who while firm in religious matters are perplexed and bewildered on account of the ambiguous and figurative expressions employed in the holy writings.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction

Truth, Faith, Knowledge, Study

“If [music] has that tag on it, regardless if it sounds like that or not they’ll never go and find out what it really sounds like. To be labeled “emo” is sometimes very apropos, because there are a bunch of bands that actually sound like carbon copies of each other. But again, that’s music, so.”

Joe Trohman (1984) American musician

My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)

Music

“When the iPhone was first announced, CEO Steve Jobs spewed enough BS to cover a football field full of babies 3 feet deep in bullshit, which sounds cool because he could have potentially murdered a football field full of babies, but he passed on this opportunity by introducing the phone instead.”

Maddox (1978) American internet writer

The iPhone is a piece of shit, and so is your face. http://www.thebestpageintheuniverse.net/c.cgi?u=iphone The Best Page in the Universe

Football, Baby

“Everything you say always sounds exactly right, my friend. You have the gift of turning confusion into an epigram.’ He smiled.
‘Yes, but it is a kind of tyranny with me, for I am far too neat for my own good. And life, as we know, is mostly chaos.”

Nick Drake (poet) (1961) British writer

Ch 3
The Rahotep series, Book 2: Tutankhamun

Life, Smile

“How do you find what's going to make everybody have this strange reaction in their bodies, this response that's sort of chemical and physical all at once—this noise and emotion that changes how you sit? A laugh is a weird sound, and when you get a couple thousand people making it at once, it's really strange. But when I can feel proud of myself for causing it, it's great.”

Billy Crystal (1948) American actor

Interview with Oprah Winfrey

People, Feeling, Change

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Love, Life, Women, Men

“THE fountain's low singing is heard on the wind,
Like a melody bringing sweet fancies to mind;
Some to grieve, some to gladden: around them they cast
The hopes of the morrow, the dreams of the past.
Away in the distance is heard the vast sound,
From the streets of the city that compass it round,
Like the echo of mountains, or ocean's deep call;
Yet that fountain's low singing is heard over all.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Middle Temple Gardens
The Vow of the Peacock (1835)

Dreams, Hope, Mountain, Singing

“It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!”

Miriam Makeba (1932–2008) South African singer and civil rights activist

Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010

People, Beauty, Music, Way

“[A]t the risk of sounding like a broken record: this is a far-right, militarist state. Such states tend to experience uprisings only when they have failed by militarist or nationalist standards, as the Argentinian junta did in 1982.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, Interview with Joshua Stanton (August 2017)

“.. the equivalence of sounds, gratings, scratches, explosions, shots, blows, hammering, shouts, resonance, echoes in space; meditation of a cosmic theme, reflection for the contemplation of the earth, of magma, of lava, of ash; battlefield; garden; play-field; destiny of the ephemeral... Far from the cliché people have of artists holding the baggage of necessary originality, personality, style, etc., that calls for an outsider's discussion of the works, for the author there is, foremost, a nucleus of thought that is more anonymous and collective and of which artists are but humble servants. This is surely the zone where wisdom is deposited, the wisdom that one may really find beneath all ideologies and the contingencies of this world. It is the impulse of our life instinct for knowledge, love and freedom that has been kept and fed by the wisdom of all time.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Love, Life, Wisdom, People

“Argument is generally waste of time and trouble. It is better to present one’s opinion and leave it to stick or no as it may happen. If sound, it will probably in the end stick, and the sticking is the main thing.”

Samuel Butler (1835–1902) novelist

Argument
The Note-Books of Samuel Butler (1912), Part X - The Position of a HomoUnius Libri

Time

“A charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of life.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

This Lime-tree Bower my Prison
Bartlett's Familiar Quotations, 10th ed. (1919)

Life, Heart

“There is no competition of sounds between a nightingale and a violin.”

Dejan Stojanovic (1959) poet, writer, and businessman

Dancing of Sounds http://www.poetrysoup.com/famous/poem/21378/Dancing_of_Sounds From the poems written in English

“It was not hard to persuade people that the market was sound; as always in such times they asked only that the disturbing voices of doubt be muted and that there be tolerably frequent expressions of confidence.”

John Kenneth Galbraith book The Great Crash, 1929

Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929), Chapter V, The Twilight of Illusion, Section II, p. 70

People, Confidence, Time

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

Way, Soul, Intelligence, Communication

“The bells which toll for mankind are—most of them, anyway—like the bells of Alpine cattle; they are attached to our own necks, and it must be our fault if they do not make a cheerful and harmonious sound.”

Peter Medawar (1915–1987) scientist

The Future of Man, 1959
1950s

““Petersburg socialism seems cold to the likes of our Cossacks, who would rather worship personalities than embrace ideas.”
I shared his irony. “You make them sound like Americans.””

Michael Moorcock book The Steel Tsar

The Steel Tsar (1981)
Source: Book 2, Chapter 4 “The Black Ships” (p. 361)

Idea, Personality

“Music is the art of sounds in the movement of time.”

Ferruccio Busoni (1866–1924) Italian composer, pianist, conductor, editor, writer, and piano teacher

The Essence of Music (1923)

Art, Music, Time

“The suggestion that words are symbols for things, actions, qualities, relationships, et cetera, is naive, a gross simplification. Words are slippery customers. The full meaning of a word does not appear until it is placed in its context, and the context may serve an extremely subtle function -- as with puns, or double entendre. And even then the "meaning" will depend upon the listener, upon the speaker, upon their entire experience of language, upon their knowledge of one another, and upon the whole situation. Words do not "mean things" in a one-to-one relation like a code. Words, too, are empirical signs, not copies or models of anything; truly, onomatopoeia and gestures frequently seem to possess resemblance, but this resemblance does not bear too close examination. A cockerel may seem to say cook-a-doodle-do to an Englishman, but a German thinks it says kikeriki, and a Japanese kokke-kekko. Each can paint only with the phonetic sound of his own language.”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), What Is It That We Communicate?, p. 10-11

Knowledge, Thinking, Appearance, Painting

“So then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today’s avant-garde tried to write about? One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As [Lewis] Hyde… puts it, "Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy the cage." This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly funny to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300-page novel full of nothing by trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed.”

David Foster Wallace (1962–2008) American fiction writer and essayist

E Unibus Pluram: Television and U.S. Fiction
Essays

Way, Feeling, Time, Country

“These Disciplines [mathematics] serve to inure and corroborate the Mind to a constant Diligence in Study; to undergo the Trouble of an attentive Meditation, and cheerfully contend with such Difficulties as lie in the Way. They wholly deliver us from a credulous Simplicity, most strongly fortify us against the Vanity of Scepticism, effectually restrain from a rash Presumption, most easily incline us to a due Assent, perfectly subject us to the Government of right Reason, and inspire us with Resolution to wrestle against the unjust Tyranny of false Prejudices. If the Fancy be unstable and fluctuating, it is to be poised by this Ballast, and steadied by this Anchor, if the Wit be blunt it is sharpened upon this Whetstone; if luxuriant it is pared by this Knife; if headstrong it is restrained by this Bridle; and if dull it is roused by this Spur. The Steps are guided by no Lamp more clearly through the dark Mazes of Nature, by no Thread more surely through the intricate Labyrinths of Philosophy, nor lastly is the Bottom of Truth sounded more happily by any other Line. I will not mention how plentiful a Stock of Knowledge the Mind is furnished from these, with what wholesome Food it is nourished, and what sincere Pleasure it enjoys. But if I speak farther, I shall neither be the only Person, nor the first, who affirms it; that while the Mind is abstracted and elevated from sensible Matter, distinctly views pure Forms, conceives the Beauty of Ideas, and investigates the Harmony of Proportions; the Manners themselves are sensibly corrected and improved, the Affections composed and rectified, the Fancy calmed and settled, and the Understanding raised and excited to more divine Contemplation. All which I might defend by Authority, and confirm by the Suffrages of the greatest Philosophers.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 31: Prefatory Oration

Pleasure, Truth, Lie, Food

“The dissection of words into sounds is contrary to the purpose of language and applies musical principles to an independent realm whose symbolism is aimed at a logical comprehension of one’s environment.... the value of language depends on comprehensibility rather than musicality”

Richard Huelsenbeck (1892–1974) German poet

as quoted in The Sound of Poetry / The poetry of Sound, ed. Marjorie Perloff & Craig Dworkin; University of Chicago Press, 2009, p. 310, note 22
a critic on the sound-poetry of Dadaist Hugo Ball

Music, Dependency

“Eagle of the land, extensive thy glance.
I would have requested an active courser
Of vigorous trot, the price of the spoil of Taliesin.
One is the violent course on the bottom and the summit,
One is the gift of a baron to a lord.
One is the herd of stags in their fight.
One is the wolf not covetous of broom,
One is the country where a son is born,
And of one form and one sound is the battle-place of warriors.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Taliesin, a Song to Urien

Wolf, Fight, Country

“The music that of common speech
but slanted so that each detail
sounds unexpected as a sharp
inserted in a simple scale.”

Dana Gioia (1950) American writer

"The Next Poem" http://www.danagioia.net/poems/thenextpoem.htm Poetry, The Gods of Winter (1991)

Music

“I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation.
"Welcome to my house! Enter freely and of your own free will!"”

Bram Stoker book Dracula

Jonathan Harker's journal
Dracula (1897)

Light, Housing

“During my high school years, a boy from my neighborhood named Malcolm chose me to be his friend for a season. His elbow nudged my book in the public library one Saturday afternoon as he sprawled forward across the table feigning some condition—boredom, I suppose. His voice was like shadow—as whispery and as indistinct as shadow, due to an adolescent change. “Do you want to wrestle?” he asked. I have never met anyone since who speaks as Malcolm spoke: He daydreamed; he pronounced strategies out loud (as I raked elm leaves from our lawn and piled them in the curb)—about how he would befriend this boy or that boy, never anyone I knew; Malcolm went to a different high school. “First,” he said, “I will tease him about his freckles. Then I will tease him about his laugh—how his laugh sounds a little like a whinny sometimes. I won’t go too far. You should see how his wrist pivots as he dribbles down the court. “He’s got these little curls above his sideburns. I wish I had those.””

Richard Rodríguez (1944) American journalist and essayist

(He would catch me up on the way to the library.) “What are you reading? We read that last year. Not really a war story, though, is it? Want to go eat French toast?”
Darling: A Spiritual Autobiography (2013)

War, Books, School, Way

“(Sylvia’s answering machine) Hi, at the sound of the beep please tell me what you like best about me.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 86

“I have not used rhyme, because what is really, in the long run, of most interest to American readers is what the poems say; and if one uses rhyme, it is impossible not to sacrifice sense to sound.”

Arthur Waley (1889–1966) British academic

Translations from the Chinese (1941), p. 1

Sense

“[My aim is] to design logic as a calculating discipline, especially to give access to the exact handling of relative concepts, and, from then on, by emancipation from the routine claims of natural language, to withdraw any fertile soil from "cliché" in the field of philosophy as well. This should prepare the ground for a scientific universal language that, widely differing from linguistic efforts like Volapük [a universal language like Esperanto, very popular in Germany at the time], looks more like a sign language than like a sound language.”

Ernst Schröder (1841–1902) German mathematician

Source: V. Peckhaus, "19th Century Logic between Philosophy and Mathematics," Bulletin of Symbolic Logic, 5 (1999), 433-450.

Nature, Effort, Universe, Time

“[After]
Burnt to the dust, an ashy heap
Was every cottage round;—
I listened, but I could not hear
One single human sound:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Glencoe from The London Literary Gazette (12th July 1823)
The Vow of the Peacock (1835)

“We are the Choice of the Will: God, when He gave the word
That called us into line, set in our hand a sword;

Set us a sword to wield none else could lift and draw,
And bade us forth to the sound of the trumpet of the Law.”

William Ernest Henley (1849–1903) English poet, critic and editor

Source: Poems (1898), Rhymes And Rhythms, II

God, Law, Drawing

“Bonfires dot the rolling hillsides
Figures dance around and around
To drums that pulse out echoes of darkness
And moving to the pagan sound.”

Loreena McKennitt (1957) Canadian musician and composer

The Visit (1991), All Souls Night

Dance

“In our worship of certainty we must distinguish between the sound certainty and the sham, between what is gold and what is tinsel; and then, when certainty is attained, we must remember that it is not the only good; that we can buy it at too high a price; that there is danger in perpetual quiescence as well as in perpetual motion; and that a compromise must be found in a principle of growth.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Page 17
Other writings, The Growth of the Law (1924)

“Look down from in high places
Lift up the ground
Without a sound
[…]
Check altitude
Check your heart
'n this cloudless blue
'n this starlight night…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Crises (1983)

Heart, Night

“This is what fascinates Shaw: this enormous force that ignores our human preferences, our logic and intellect. It fascinates him because to be suddenly gripped by it is to see that human beings are not the accidental products of a mechanical universe — that they are not 'alone'. As social animals, we live in a narrow but apparently logical world with a well-defined identity and position. But man is the satellite of a double-star; there is also an inner-world that seems to have a completely different set of laws from the rational universe. And in fact, if we judge this 'rational universe' by its own laws, we see that it is not self-complete and self-explanatory; space must end somewhere, time must have a stop; but the alternative propositions sound equally 'logical': space is infinite; time has neither beginning nor end. The answer to these paradoxes must be that the outer universe is not self-complete; it is only half a universe. The inner world is the other half. But at present we know very little about this inner world. It is only within the present century that its existence has been clearly recognized by psychology.”

Colin Wilson (1931–2013) author

Source: Bernard Shaw: A Reassessment (1969), p. 167

World, Law, Star, Universe

“Now I’m not saying that Keynes was right about everything, that we should treat The General Theory as a sort of secular bible - the way that Marxists treat Das Kapital. But the essential truth of Keynes’s big idea - that even the most productive economy can fail if consumers and investors spend too little, that the pursuit of sound money and balanced budgets is sometimes (not always!) folly rather than wisdom - is as evident in today’s world as it was in the 1930s. And in these dangerous days, we ignore or reject that idea at the world economy’s peril.”

Paul Krugman (1953) American economist

"Why aren't we all Keynesians yet?", Fortune (Aug. 3, 1998)

Wisdom, Money, Truth, World

“I grew up with the colors of war -- the red colors of fire and blood, the brown tones of earth as it explodes in our faces and the piercing silver of an exploded missile, so bright that nothing can protect your eyes from it. I grew up with the sounds of war -- the staccato sounds of gunfire, the wrenching booms of explosions, ominous drones of jets flying overhead and the wailing warning sounds of sirens. These are the sounds you would expect, but they are also the sounds of dissonant concerts of a flock of birds screeching in the night, the high-pitched honest cries of children and the thunderous, unbearable silence. "War," a friend of mine said, "is not about sound at all. It is actually about silence, the silence of humanity."”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

War, Children, Color, Bird

“The use of force is non-moral, that is to say, it is good or bad depending on the motive behind its use and the effects of it application. To reason by analogy from the justification of the use of force to a justification of war is to endanger sound decisions and may lead to disastrous consequences.”

Kirby Page (1890–1957) American clergyman

"What is War?" (1924)

War, Motivation, Decision, Dependency

“Our first appreciation of music comes through the sounds of the mother, especially her voice and her lullaby. Our earliest musical expression, of which speech is a part, is in a sense a duet with her. And later in life we should still be able to discern the voice of love in the music.”

John Diamond (doctor) (1934) Australian doctor

Source: The Life Energy in Music, Vol. 1 (1981), p. 25

Love, Life, Music, Sense

“They left me, by the side of the road, with a plastic bag and all kinds of bitterness Well, in my mind, and I can say this forever I suppose, and people might laugh at it, but I don't think I ever really left The Libertines, nor can I ever leave The Libertines, you know, having been a founder of the band with Carl, but that sounds silly, doesn't it, seeing as they played all the festivals without me and made it difficult, no - impossible, for me to play live with them.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

December 2004, Newsnight; when asked whether he left The Libertines or The Libertines left him
Music and politics

People, Thinking

“I lie back. They've "refurbished" the room. I loathe the word, its blunt sound (as if someone with a cold were trying to say "furnished"), and don't say it without irony.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

Lie

“No solitary miscreant, scarcely any solitary maniac, would venture on such actions and imaginations, as large communities of sane men have, in such circumstances, entertained as sound wisdom.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Wisdom, Men, Imagination, Communication

“For, by the logic of Concord, Lexington, and Bunker Hill, and by the principles enforced by this nation in its boasted Declaration of Independence, Capt. Brown was a hero, struggling against fearful odds, not for his own advantage, but to redeem others from a horrible bondage, to be justified in all that he aimed to achieve, however lacking in sound discretion. And by the same logic and the same principles, every slave-holder has forfeited his right to live, if his destruction be necessary to enable his victims to break the yoke of bondage; and they, and all who are disposed to aid them by force and arms, are fully warranted in carrying rebellion to any extent, and securing freedom at whatever cost.”

William Lloyd Garrison (1805–1879) American journalist

No. 170 (28 October 1859)
The Liberator (1831 - 1866)

Fear, Freedom

“For most of history poetry has been an oral art, it retains the vestiges of orality, an experience embedded in the sensuality of sounds.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

Art, History

“O wretched is the dame, to whom the sound,
"Your lord will soon return," no pleasure brings.”

Charles Maturin (1782–1824) Irish writer

Bertram (first staged May 9, 1816), Act II, scene 5.

Pleasure

“The secret virtues which lie hid in salt confirm the same. For salt whiteneth all thinges, it hardeneth all thinges, it preserveth all thinges, it giveth favour to all thinges, it is that masticke which gleweth all thinges together, it gathereth and knitteth all minerall matters, and of manie thousand peeces it maketh one masse. This salt giveth sounde to all thinges, and without the sounde no metall will wring in his shirle voyce. Salt maketh men merrie, it whiteneth the flesh, and it giveth beautie to all reasonable creatures, it entertayneth that love and amitie which is betwixt the male and female, through the great vigour and stirring uppe which it provoketh in the engendering members; it helpeth to procreation, it giveth unto creatures their voyce, as also unto metalles. * * * * * And it is salt that maketh all seedes to flourish and growe, and although the number of men is verie small, which can give any true reason whie dungue shoulde doe anie good in arable groundes, but are ledde thereto more by custome than anie philosophicall reason, nevertheless it is apparaunt that no dungue, which is layde uppon barraine groundes, could anie way enrich the same, if it were not for the salt which the straw and hay left behinde them by their putrifaction.”

Hugh Plat (1552–1608) writer

As cited in: Robert Kemp Philp (1859, p. 73)
The Jewell House of Art and Nature, 1594

Love, Men, Lie, Secret

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“That sounds like a disadvantage.”

Peter Greenaway (1942) British film director

Georgina and Michael
The Cook, The Thief, His Wife, and Her Lover

“All creation complains and moans, my dear lord Commissarius. Complaint is its distinctive sound.”

Halldór Laxness (1902–1998) Icelandic author

the bishop of Skálholt
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

“Down through the ceiling comes a fire siren and people screaming that we're supposed to ignore. The gunshots and tires squeeling, sounds wee have to pretend are okay. They don't mean anything. It's just television. An explosion vibrates down from the upstairs. A woman begs someone not to rape her. It's not real. It's just a movie. We're the culture that cried wolf.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 17

People, Wolf

“Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent.
But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.”

George Gissing (1857–1903) English novelist

Source: Our Friend the Charlatan (1901), Ch. II

Life, Women, Justice, Sex

“The friends of genuine, and I will add of rational Christianity, have not, however, on the whole, much reason to regret that their enemies have not made these distinctions; since by this means, we have been taught to make them ourselves; so that Christianity is perhaps as much indebted to its enemies, as to its friends, for this important service. In their indiscriminate attacks, whatever has been found to be untenable has been gradually abandoned, and I hope the attack will be continued till nothing of the wretched outworks be left; and then, I doubt not, a safe and impregnable fortress, will be sound in the center, a fortress built upon a rock, against which the gates of death will not prevail.”

Joseph Priestley book An History of the Corruptions of Christianity

General Conclusions, Part I : Containing Considerations addressed to Unbelievers and especially to Mr. Gibbon
An History of the Corruptions of Christianity (1782)

Death, Hope

“It is imagination that has taught man the moral sense of color, of contour, of sound and of scent. It created, in the beginning of the world, analogy and metaphor. It disassembles creation, and with materials gathered and arranged by rules whose origin is only to be found in the very depths of the soul, it creates a new world, it produces the sensation of the new. As it has created the world (this can be said, I believe, even in the religious sense), it is just that it should govern it.”

Charles Baudelaire (1821–1867) French poet

C'est l'imagination qui a enseigné à l'homme le sens moral de la couleur, du contour, du son et du parfum. Elle a créé, au commencement du monde, l'analogie et la métaphore. Elle décompose toute la création, et, avec les matériaux amassés et disposés suivant des règles dont on ne peut trouver l'origine que dans le plus profond de l'âme, elle crée un monde nouveau, elle produit la sensation du neuf. Comme elle a créé le monde (on peut bien dire cela, je crois, même dans un sens religieux), il est juste qu'elle le gouverne. "Lettres à M. le Directeur de La revue française," III: La reine des facultés http://fr.wikisource.org/wiki/Salon_de_1859_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#III._.E2.80.94_La_reine_des_facult.C3.A9s Salon de 1859 (1859)

World, Color, Soul, Imagination

“Somebody pinch me. You know what? I'm a pretty sound sleeper, that may not be enough. Somebody shoot me in the face. Is he really not here tonight? Dammit.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Expressing his awe at being so close to the president.
White House Correspondents' Association Dinner (2006)

“Inaudible music may seem an odd notion, even a foolishly Romantic one—although it is partly the Romantic prejudice in favor of sensuous experience that makes it seem odd. Still, there are details of music which cannot be heard but only imagined, and even certain aspects of musical form which cannot be realized in sound even by the imagination.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Music, Imagination

“Sounds cool. Looks cool. Feels cool.”

Joe Satriani (1956) American guitar player

On what he likes most about the guitar, as quoted by Metal Edge (April 1994).

Feeling

“Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.”

Ezra Pound book The Spirit of Romance

The Spirit of Romance (1910), p. 5

Mathematics, Science

“I love the sound of those engines.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

about Formula One cars, quoted at Indy 500 Speedway. Hot Race, Hot Folks At Indy 500 Speedway http://press.xtvworld.com/article12011.html June 9, 2006

Love

“Affluent enviros are all for wind farms, until one is proposed that might mar the serenity of a sail from the crew-necked precincts near Nantucket Sound. Then it's clean energy for thee, not for me.”

Charles Krauthammer (1950–2018) American journalist

Column, September 11, 2009, "The Van Jones Matter" http://www.jewishworldreview.com/cols/krauthammer091109.php3#.U31vNsJOWUk at jewishworldreview.com. 2000s, 2009

“If a tree falls in the woods and no one’s around to hear it, it still very probably makes a sound. A baseball game that’s played with no one around to watch it, though — that’s a different proposition.”

Carson Cistulli (1979) American poet and writer

Hell Isn’t (Necessarily) Other People (2010)

Game, Tree

“You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On credit for the Bat out of Hell albums.
A chat with Meat Loaf (2006)

People, Hell, Understanding, Time

“Such as the lute, touch'd by no hand
Save by an angel's, wakes and weeps,
Such is the sound that now to land
From the charmed water sweeps.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Haunted Lake
The Golden Violet (1827)

Angels, Water

“Thoughts that are light, clear, distinct, finished; and words that resemble their thoughts. Words that often retain their meaning even when they are detached from others and that please when isolated as sounds.”

Joseph Joubert (1754–1824) French moralist and essayist

Light

“.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.”

Carlo Carrà (1881–1966) Italian painter

Quote in The painting of Sounds, Noises and Smells Carrà, in 'Lacerba' vol. 1. no. 17, 1,Florence, 1 September 1913, pp. 186-187
1910's

Way, Mood, Sense, Light

“the hollow voice
Of that old crone, the only living sound;
Her face, on which mortality has writ
Its closing, with the wan and bony hand,
Raised like a spectre's—and yourself the while,
Cold from the midnight chill, and white with fear,
Your large blue eyes darker and larger grown
With terror's chain'd attention, and your breath
Suppress'd for very earnestness.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Ancestress (Spoken by Jaromir to Bertha)
The Venetian Bracelet (1829)

Fear

“Protocols:
Number 1, paras. 9,10
If every State has two foes, and if in regard to the external foe it is allowed and not considered immoral to use every manner and art of conflict, as for example to keep the enemy in ignorance of plans of attack and defense, to attack him by night or in superior numbers, then in what way can the same means in regard to a worse foe, the destroyer of the structure of society and the commonweal, be called immoral and not permissible?
Is it possible for any sound logical mind to hope with any success to guide crowds by the aid of reasonable counsels and arguments,, when any objection or contradiction, senseless though it may be, can be made and when such objection may find more favor with the people, whose powers of reasoning are superficial?
Graves: The basic ideas are the same despite word changes like… “two kinds of enemies” versus, “two foes.””

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.74

People, Hope, Art, Way

“Do not despair
For Johnny-head-in-air;
He sleeps as sound
As Johnny underground.”

John Pudney (1909–1977) British writer

For Johnny.

Sleep, Despair

“I'd like to see people try to sample the sound less and try to sample the style a bit more. Some people see this sort of 'copying' as offensive… I'm inclined to think the opposite - all music is built on imitation and expansion.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

People, Music, Thinking

“The chief pleasure of his life in these days was to go down the road and look through the window in the wall in the hope of seeing the beautiful Island. … the sight of the Island and the sounds became very rare … and the yearning for the sight … became so terrible that John thought he would die if he did not have them again soon. … it came into his head that he might perhaps get the old feeling-for what, he thought, had the Island ever given him but a feeling?–by imagining. He shut his eyes and set his teeth again and made a picture of the Island in his mind.”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 12–13
The Pilgrim's Regress (1933)

Life, Pleasure, Beauty, Hope

“We are apt to imagine that this hubbub of Philosophy, Literature, and Religion, which is heard in pulpits, lyceums, and parlors, vibrates through the universe, and is as catholic a sound as the creaking of the earth's axle. But if a man sleeps soundly, he will forget it all between sunset and dawn.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

January 6, 1842
Journals (1838-1859)

Religion, Imagination, Literature, Sleep

“I once played charades with a couple that was deaf….. they were amazing. I mean, none of this sounds like business.”

Zach Galifianakis (1969) American actor and comedian

Saturday Night Live (May 4, 2013)

Business

“The world's got a nosebleed, it said
And we're flooding, but we keep on cutting the trees and the forests!
And we keep on paying those freaks on the TV
Who claim they will save us, but want to enslave us, and
Sweating like demons, they scream through our speakers
But we leave the sound on 'cause silence is harder, and
No one's the killer and no one's the martyr
The world that has made us can no longer contain us
And prophets are silent and rotting away.”

Regina Spektor (1980) American singer-songwriter and pianist

"Consequence of Sounds"
Songs (2002)

World, Tree, Silence

“Did you sleep well last night?” asked Glorian.
“Yes, I suppose,” said Dore, “although I was trouble by a strange dream.”
“Oh? Perhaps it was some sort of omen. Tell me of it.”
“Certainly,” said Dore. “I dreamed of a domino.”
“Just one?”
“Yes, just the one. All night. No people or sounds in the dream, just the domino. The five-three.”
“Wonderful!” cried Glorian. “The five-three is a lucky little devil. It presages victory after hardships. It confirms your inner ambition, but counsels you to avoid extremes, to temper pleasure with practicality. Advances in music, art, and drama are indicated. Rely on good manners and good taste. The five-three is a domino of hope and good news.”

George Alec Effinger (1947–2002) Novelist, short story writer

“Are you making that up?” said Dore suspiciously.
Source: What Entropy Means to Me (1972), Chapter 6 “A Perilous Scheme” (p. 111).

People, Pleasure, Dreams, Hope

“You can tell
By the laugh in the dark
at the sound of the bell
You can tell
It's the nucleus burning
inside of the cell…”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Milwaukee" · YouTube video https://www.youtube.com/watch?v=VqSYzOXkthg Song lyrics, The Both (2014)

““Who can fathom the workings of the criminal mind?” I said, trying to sound intelligent.”

Eoin Colfer book Half Moon Investigations

Half Moon Investigations (2006)

Intelligence

“Again I hear the creaking step! —
He's rapping at the door! —
Too well I know the boding sound
That ushers in a bore.”

John Godfrey Saxe (1816–1887) American poet

"My Familiar".

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Basshunter Calling Time

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter Calling Time

Love, People, Music, Mood

“No one ever took music away from me, but I’m damned if it ever sounds quite as good as it used to when I was twenty.”

Alastair Reynolds book Century Rain

Source: Century Rain (2004), Chapter 36 (p. 555)

Music

“He sounded like Jean-François Revel, a French socialist writer who talks about one of the great unexplained phenomena of modern astronomy: namely, that the dark night of fascism is always descending in the United States and yet lands only in Europe.”

Tom Wolfe book Mauve Gloves & Madmen, Clutter & Vine

"The Intelligent Coed's Guide to America"
Mauve Gloves & Madmen, Clutter & Vine (1976)

Night

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Men, Dogs, Guy, Feeling

“History has an ebb and flow of justice, but history also has a visible direction set by liberty and the author of liberty. When the Declaration of Independence was first read in public and the Liberty Bell was sounded in celebration, a witness said, "It rang as if it meant something." In our time it means something still. America, in this young century, proclaims liberty throughout all the world and to all the inhabitants thereof. Renewed in our strength — tested, but not weary — we are ready for the greatest achievements in the history of freedom.”

George W. Bush (1946) 43rd President of the United States

2000s, 2005, Second Inaugural Address (January 2005)

World, Justice, History, Freedom

“I used to practice scales, but I think mainly in positions. I do runs that go from position to position, basically around chord shapes. I can get around pretty easily from one position to another, and on a good night it sound pretty hot. I'll take chances. Sometimes I'll trip over myself, but most times I'm lucky.”

Albert Lee

[Denyer, Ralph, The Guitar Handbook, 2002, 140, 0-679-74275-1]

Thinking, Chance, Time, Night

“The technique of management, in its human relationships, can be best described as the technique of handling or managing people, which should be based on a deep and enlightened human understanding. The technique of organization may be described as that of relating specific duties or functions in a completely coordinated scheme. This statement of the difference between managing and organizing clearly shows their intimate relationship. It also shows, which is our present purpose, that the technique of organizing is inferior, in logical order, to that of management. It is true that a sound organizer may, because of temperamental failings, be a poor manager, but on the other hand it is inconceivable that a poor organizer may ever make a good manager… The prime necessity in all organization is harmonious relationships based on integrated interests, and, to this end, the first essential is an integrated and harmonious relationship in the duties, considered in themselves.”

James D. Mooney (1884–1957) American businessman

Source: Onward Industry!, 1931, p. 14-15; As cited in: Morgen Witzel (2003) Fifty Key Figures in Management. p. 197-8

People, Understanding

“I met a girl who works at the Double Tree front desk, she gave me her phone number. It's zero. I tried to call her from here and some other woman answered. I said "You sound older!"”

Mitch Hedberg (1968–2005) American stand-up comedian

Mitch All Together (2003)

Girl, Tree

“To a clergyman lying under a vow of chastity any act of sex is immoral, but his abhorrence of it naturally increases in proportion as it looks safe and is correspondingly tempting. As a prudent man, he is not much disturbed by incitations which carry their obvious and certain penalties; what shakes him is the enticement bare of any probable secular retribution. Ergo, the worst and damndest indulgence is that which goes unwhipped. So he teaches that it is no sin for a woman to bear a child to a drunken and worthless husband, even though she may believe with sound reason that it will be diseased and miserable all its life, but if she resorts to any mechanical or chemical device, however harmless, to prevent its birth, she is doomed by his penology to roast in Hell forever, along with the assassin of orphans and the scoundrel who forgets his Easter duty.”

H.L. Mencken book Treatise on the Gods

Treatise on the Gods (1930; 2nd Edition 1946)
1930s

Life, Disease, Penalty, Sex

“A slight sound at evening lifts me up by the ears, and makes life seem inexpressibly serene and grand. It may be Uranus, or it may be in the shutter.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

July 10-12, 1841
Journals (1838-1859)

Life

“Its constitution the glittering and sounding generalities of natural right which make up the Declaration of Independence.”

Rufus Choate (1799–1859) American politician

Letter to the Maine Whig Committee (1856). Six years earlier, Choate gave a lecture in Providence which was reviewed by Franklin J. Dickman in the Journal of December 14, 1849. Unless Choate used the words "glittering generalities", and Dickman made reference to them, it would seem as if Dickman must have the credit of originating the catchword. Dickman wrote: "We fear that the glittering generalities of the speaker have left an impression more delightful than permanent". Reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Nature

“No magical alarm sounded, though I did hit my head five times on a pebble†.
†Once each on five different pebbles. Not the same pebble five times. Just want to make that clear. Sometimes you human beings are so dense.”

Jonathan Stroud book The Amulet of Samarkand

The Amulet of Samarkand (2003)

Time

“Not many sounds in life, and I include all urban and rural sounds, exceed in interest a knock at the door.”

Charles Lamb book Essays of Elia

Valentine's Day.
Essays of Elia (1823)

Life

“Before I met him, I wasted so much time. I was just annoying and narcissistic, and smelled bad. He’s protective without being possessive, passionate without needing to show his temper. I’m sorry, I know I sound insipid.”

Anne Hathaway (1982) American actress

On her boyfriend, Raffaello Follieri, as quoted in "Anne Hathaway : I'm Not a Saint" in People magazine (20 February 2007)

Passion, Time

“There are simply two kinds of music, good music and the other kind … the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

Where Is Jazz Going? Music Journal (1962) Reproduced in The Duke Ellington Reader, ISBN 978-0-19-509391-9.

Music, Success

“The other major impression to emerge from Magick Without Tears is that -- as odd as it sounds -- one of Crowley's chief drawbacks was his sense of humour. This is a disability he shares with Bernard Shaw: both were driven by a strange compulsion to be flippant. But when he becomes absorbed in an idea, Shaw can remain serious for a sufficiently long time to convince the reader of his intellectual stature. In Crowley, the flippancy has the tone of a schoolmaster trying to be funny for the benefit of the sixth form, or a muscular Christian trying to convince you that he isn't really religious. 'How can a yogi ever feel worried?... That question I have been expecting for a very long time!' (Crowley has never learned that exclamation marks give the impression of a gushing schoolgirl.) 'And what you expect is to see my middle stump break the wicket-keeper's nose, with the balls smartly fielded by Third Man and Short Leg!' It makes us aware that there was something wrong with Crowley's 'self-image.”

Colin Wilson (1931–2013) author

He is one of those people who, no matter how hard they try, never feel quite grown up.
Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

People, Feeling, Idea, Question

“I have often thought since that there is sound sense in what was once said by the late Lord C. J. Eyre, that the sooner a bad precedent was gotten rid of, the better.”

Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron

King v. Stone (1800), 1 East, 648 n. (a).

Sense

“In poetry much of the sense and most of the pleasure resides in the sounds the poem make.”

Michael Schmidt (poet) (1947) American poet

The Great Modern Poets, London, 2006

Pleasure, Sense

“Life is experienced holistically with sensations pouring in through every physical and mental organ of perception. Art exists embodied in physical elements—especially meticulously calibrated aspects of sight and sound—which scholarly explication can illuminate but never fully replace. However conceptually incoherent and subjectively emotional, the amateur response to poetry comes closer to the larger human purposes of the art—which is to awaken, amplify, and refine the sense of being alive—than does critical commentary”

Dana Gioia (1950) American writer

19
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Life, Art, Sense

“If an angel were ever to tell us anything of his philosophy I believe many propositions would sound like 2 times 2 equals 13.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

B 44
Aphorisms (1765-1799), Notebook B (1768-1771)

Angels, Time

“Software people seem to have a love-hate relationship with metrics. On one hand, they despise and distrust anything that sounds or looks like a measurement. They are quick to point out the "flaws" in the arguments of anyone who talks about measuring software products, software processes, and (especially) software people. On the other hand, these same people seem to have no problems identifying which programming language is the best, the stupid things that managers do to "ruin" projects, and who's methodology works in what situations.”

Edward V. Berard

Edward V. Berard (1998) " Metrics for object-oriented software engineering http://www.ipipan.gda.pl/~marek/objects/TOA/moose.html." The Object Agency, Inc.

Love, Hate, People, Stupidity

“From the preponderance of talent, we may always infer the soundness and vigour of the commonwealth; but from the preponderance of riches, its dotage and degeneration.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; VIII
Lacon (1820)

Quotes about sound page 20

Quotes about sound
page 20