Quotes about sound
page 19

“Kane gazed, awed. This was truly a hell on earth. As in a nightmare he looked into the roaring red cauldron where black insects fought against their doom and perished. The flames leaped a hundred feet in the air, and suddenly above their roar sounded one bestial, inhuman scream like a shriek from across nameless gulfs of cosmic space, as one vampire, dying, broke the chains of silence which had held him for untold centuries. High and haunting it rose, the death cry of a vanishing race.”

Robert E. Howard (1906–1936) American author

"The Hills of the Dead" (1930)

Death, Hell, Silence, Cry

“"You sound as if you question the authority and the decision of the Oracle, who said he should die."
"I do not. Why should I? But the Oracle did not ask me to carry out its decision." […]
"The Earth cannot punish me for obeying her mesenger," Okonkwo said. "A child's fingers are not scalded by a piece of hot yam which its mother puts into its palm."”

Chinua Achebe book Things Fall Apart

Source: Things Fall Apart (1958), Chapter 8 (p. 64)

Question, Decision

“Trump is the proximate, the efficient, cause of the collapse of the conservative movement. The principles of sound conservatism compel us to criticize him, to rebut him, to resist him, and to plan to overcome him.”

William Kristol (1952) American writer

2010s, 2018, The Silent Artillery of Time (2018)

“To transform a grimace into a sound sounds impossible, yet it is possible to transform a vision into music, to go outside an enslaved personality, to become impersonal by transforming into sand, into water, into light.”

Dejan Stojanovic (1959) poet, writer, and businessman

Big Miniature http://www.poetrysoup.com/famous/poem/21376/Big_Miniature From the poems written in English

Music, Light, Water, Personality

“It's all going to go sometime. You can't take it with you. I'm not saying you should wake up every day with sunshine streaming out of your head. If I could get one day a month, I would be very grateful. But I don't want to sound like I'm complaining. I'm just figuring certain things out. It's taken me a while, and some things I could probably do without knowing.”

Mark Wahlberg (1971) American actor, television producer and rap musician

Chris Heath, The making of Mark, The Observer, Sunday 27 February 2000 http://www.guardian.co.uk/film/2000/feb/27/1

“Miss Rasmussen made a welded sculpture. Her statues were—as she would say, smiling—untouched by human hands; and they looked it. You could tell one from another, if you wanted to, but it was hard to want to. You felt, yawning: It’s ugly, but is it Art?
Miss Rasmussen also designed furniture, but people persisted in sitting down in her sculpture, and in asking “What is that named?” of her chairs. This showed how advanced her work was, and pleased her; yet when she laughed to show her pleasure, her laugh sounded thin and strained.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 6: “Art Night”, p. 228

People, Pleasure, Smile, Art

“Language is articulated, limited sound organized for the purpose of expression.”

Benedetto Croce (1866–1952) Italian writer, philosopher, politician

Benedetto Croce, quoted in: Geza Revesz, The Origins and Prehistory of Language, London 1956. p. 126

“Marx set out to resolve the contradictions and to correct the errors in classical political economy. In this he thought he had succeeded very well. Judging by the sound and the fury of the controversy surrounding his interpretations, he either succeeded too well or deluded himself to the success of his enterprise.”

David Harvey (1935) British anthropologist

Source: The Limits To Capital (2006 VERSO Edition), Chapter 2, Production and Distribution, p. 39

Error, Success

“John Cage said that music is the moral evaluation of sound. We might generalize his remark: when we speak of art, we make a moral evaluation of the relative worth of the various contributions to a work. It is no surprise that many of the participants differ with more conventional evaluations and rank their own contributions as more important than that of the artist as conventionally defined.”

Howard S. Becker (1928) American sociologist

Art Worlds (1982)

Art, Music

“What had sounded like a great idea in the newsroom, ended up being the longest and most embarrassing moment of my life. Cameras clicked away and Pricasso kept rubbing his bum with colours of purple, pink and orange against my likeness.”

Pricasso (1949) Australian painter

[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About

Life, Idea

“She was extremely fond of snuff, and blew her nose with a trumpet-like sound on a vast indian silk handkerchief, which she carefully arranged before use with a sort of cushion.”

Henry George Liddell (1811–1898) Headmaster, lexicographer, classical scholar, and dean

Of his Aunt Anna; p. 34.
Colin Gordon, Beyond the Looking Glass (1982)

“From behind the shadow of the still small voice — more awful than tempest or earthquake — more sure and persistent than day and night — is always sounding full of hope and strength to the weariest of us all, "Be of good cheer, I have overcome the world."”

Thomas Hughes (1822–1896) English lawyer, author and cricketer

Part VIII
The Manliness of Christ (1879)

World, Hope, Night

“A shadow leaned over me, whispering, in the darkness,
Thoughts without sound;
Sorrowful thoughts that filled me with helpless wonder
And held me bound.”

Alfred Noyes (1880–1958) English poet

"The Shadow" in The Empire Review (1923) Vol. 37, p. 620

“I wished I had been born early enough to have been called a Little Englander. It was a term of sneering abuse, but I should be delighted to accept it as a description of myself. That little sounds the right note of affection. It is little England I love.”

J.B. Priestley book English Journey

English Journey, 1934. Reprinted in Judy Giles and Tim Middleton Writing Englishness: An Introductory Sourcebook,Routledge, 2003 (p. 26).

Love

“For myself and my loved ones, I want the heat, which comes at the speed of light. I don’t want to have to hang about for the blast, which idles along at the speed of sound.”

Martin Amis book Einstein's Monsters

"Introduction: Thinkability"
Einstein's Monsters (1987)

Love, Light, Speed

“In human history it seems that the idea of using a pictograph in the new function of representing sound may have occurred only three times: once in Mesopotamia, perhaps by the Sumerians, once in China, apparently by the Chinese themselves, and once in Central America, by the Mayas. (Conceivably it was invented only once, but there is no evidence that the Chinese or the Mayas acquired the idea from elsewhere.) The idea that was independently conceived by these three peoples was taken over, as were at times even the symbols themselves, though often in a highly modified form, by others who made adaptations to fit a host of totally different languages. One of the major adaptations, generally attributed to the Greeks, was the narrowing of sound representation from syllabic representation to phonemic representation (Gelb 1963; Trager 1974), after an earlier stage of mixed pictographic and syllabic writing (Chadwick 1967).”

John DeFrancis book The Chinese Language: Fact and Fantasy

The Chinese Language: Fact and Fantasy (1984, p. 139) http://www.pinyin.info/readings/texts/ideographic_myth.html The Chinese Language: Fact and Fantasy (1984)

People, History, Idea, Time

“I'll sing a song of love so sweet, so blessed
with harmonious sounds, so true to the name
of love (with two thousand examples), it will enflame
even those with dead hearts in their chest.”

Luís de Camões (1524–1580) Portuguese poet

Eu cantarei de amor tão docemente,
Por uns termos em si tão concertados,
Que dois mil acidentes namorados
Faça sentir ao peito que não sente.
Selected Sonnets: A Bilingual Edition (2008), ed. William Baer, p. 128
Lyric poetry, Sonnets, Eu cantarei de amor tão docemente

Love, Singing, Heart, Dead

“Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness.”

William Wordsworth (1770–1850) English Romantic poet

London, 1802, l. 9 (1807).

Life, Way, Travel, Soul

“I am really interested in the different ways that language functions… When language begins to break down a little bit, it becomes exciting and communicates in nearly the simplest way that it can function: you are forced to be aware of the sounds and the poetic parts of words. If you deal only with what is known, you’ll have redundancy; on the other hand, if you deal only with the unknown, you cannot communicate at all. There is always some combination of the two, and it is how they touch each other that makes communication interesting.”

Bruce Nauman (1941) American artist

Source: Christopher Cordes, ‎John Yau (1989), Bruce Nauman, 1989 Bruce Nauman, prints 1970-89: a catalogue raisonné, p. xx: In answer of the question "How does your work reflect your views on the use of language today?"

Way, Communication, Parting

“Free government is government by public opinion. Upon the soundness and integrity of public opinion depends the destiny of our democracy.”

Robert M. La Follette Sr. (1855–1925) American politician

"Fooling the People as a Fine Art", La Follette's Magazine (April 1918)

Democracy, Dependency

“The muse lends me a lyre of myriad tunes,
her brush of myriad tints—I want to play
a wizard working wonders, magic tricks
with all the sounds and colors of the earth.”

Thế Lữ (1907–1989)

Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100

Color

“I have long been alarmed by people’s sheeplike acceptance of the term ‘computer technology’ — it sounds so objective and inexorable — when most computer technology is really a bunch of ideas turned into conventions and packages.”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Quoted in In Venting, a Computer Visionary Educates http://www.nytimes.com/2009/01/11/business/11stream.html?_r=1 by John Markoff, published January 10, 2009 in the New York Times, page BU4 of the New York edition.

People, Idea

“Sound knowledge respecting the habits and mode of life of the man-like Apes has been even more difficult of attainment than correct information regarding their structure.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.1, p. 36

Life, Knowledge

“I am not going to enter into this chapter, but you all know that this which is called—I do not much like the name, but I confess I have not a better name—"State Socialism" is what has protected us from revolutionary socialism, which is much a worse thing. Probably a considerable portion of this audience consists of men who live on weekly wages; but I ask you not to rush at the first thing that is offered you, not to believe that because a thing sounds very pleasant—like compulsory reduction, for example, of the hours of labour—do not be quite sure until you have looked round it that it may not end in leaving your condition worse than it found it. I should deplore the advance of State Socialism, though I believe much may be hoped from it. I should regard it as a great disaster, the greatest disaster that could befall this great population, if it did anything to take away your self-reliance, the control of the individual over his own appetites and passions, his own idleness and self-indulgence, and make you look to anything but self-reliance. This, in the long run, would do more harm than good.”

John Morley, 1st Viscount Morley of Blackburn (1838–1923) British Liberal statesman, writer and newspaper editor

Speech at Rochdale town hall (23 April 1890), quoted in 'Mr. Morley At Rochdale', The Times (24 April 1890), p. 6.

Men, Hope, Passion

“A musician is like an ear for humanity, just as a painter is like an eye for humanity. The sounds somehow exist in a different sphere, the musician listens, and brings them out for the world. There's the mystery: that someone can hear something that is essentially soundless and make it into sound.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On his spiritual view of music.
New York Times interview (1972)

World

“They [Mondrian's friends in Paris, Tonia and Wim Stieltjes] are receptive to the new, although they do not know what it is. Thus I do occasionally feel that my effort has not been in vain. They find the idea of the N. B. [= Dutch: nl:Nieuwe Beelding / Neo Plasticism] sound and quite magnificent, but think that it will be quite a long time before people are ready for it.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In a letter to Theo van Doesburg, Paris 1920; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 17
1920's

People, Feeling, Idea, Thinking

“I think when something's over, events have a way of conspiring to make you realise that it's over. As cryptic as that sounds, it's true. Things would happen and I'd be like, Am I going to have to deal with this for the rest of my life? And it was a very, very emotional band. It's in the music. The relationship between me and Morrissey was very emotional. It wasn't volatile in that we would row or anything like that, but it was so intense that if rocked slightly it would be a big deal. Was the lack of a manager important? Massively, I think. I was nursemaiding people when I needed nursemaiding myself. And I couldn't see where we were going to go in the near future musically without repeating ourselves and not being as good.”

Johnny Marr (1963) musician

from "Trouble at Mill" by John Harris, Mojo (April 2001).

Life, People, Music, Way

“Charismatic Lithuanian baritone Vytautas Juozapaitis was a spirited, energetic Don Giovanni who held the audience's rapt attention whenever he was on stage. He had an authoritative sound that could be romantically enticing in an attempt to seduce a lady, but could change instantly into a commanding tone when anyone attempted to thwart his will.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Maria Nokin, "Mozart's 'Don Giovanni'". Ensemble (November 26, 2006) http://www.mvdaily.com/articles/2006/11/don-giovanni3.htm

Change

“I shall never forget the sight of that beautiful boat as she went down, the orchestra playing to the last, the lights burning until they were extinguished by the waves. It sounds so unreal, like a scene on the stage.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 152

Beauty, Light, Forgetting

“Experience taught me a few things. One is to listen to your gut, no matter how good something sounds on paper. The second is that you're generally better off sticking with what you know. And the third is that sometimes your best investments are the ones you don't make.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 1980s, Trump: The Art of the Deal (1987), p. 28

“The Ryan White Care Act provides money for community-based counseling centers. While that may sound noble and compassionate, we know from experience that "AIDS education" becomes a platform for the homosexual community to recruit adolescents and lure teens into a self-destructive sexual lifestyle.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

Concerned Women for America press release
2010-09-15
Christine O'Donnell Does Not Like Gays.
Instaputz
http://instaputz.blogspot.com/2010/09/christine-odonnell-does-not-like-gays.html
2010-10-20

Money, Education, Communication

“This Sunday, for some reason, I had not gone to Church. All the rest of the house-party had gone and there was no one in the house but myself and the servants. I was sitting in the drawing-room reading. The door opened and in walked a tall man dressed in European clothes (very well cut, I remember) but with a turban on his head. He came in and sat down beside me. I was so petrified at the sight of the turban that I could not make a sound or ask what he was doing there. Then he started to talk. He told me there was some work that it was planned that I could do in the world but that it would entail my changing my disposition very considerably; I would have to give up being such an unpleasant little girl and must try and get some measure of self-control. My future usefulness to Him and to the world was dependent upon how I handled myself and the changes I could manage to make. He said that if I could achieve real self-control I could then be trusted and that I would travel all over the world and visit many countries, "doing your Master's work all the time." Those words have rung in my ears ever since. He emphasised that it all depended upon me…”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter I, Part 2

World, Travel, Girl, Change

“It is now fifty years since Woodrow Wilson wrote his brilliant essay on public administration.' It is a good essay to reread every so often; there is so much in it that sounds modern, so much that will hold permanently true… Political scientists owe Woodrow Wilson a debt of gratitude for opening their eyes to the broader importance and implications of administration. His keen mind also discerned the task which would occupy the attention of administrative theorists long after he was gone.”

Marshall E. Dimock (1903–1991) American writer

Source: "The Study of Administration." 1937, p. 28

Gratitude

“Honesty always sounds like impudence to the vain and stupid.”

Orson Scott Card book Stone Tables

Stone Tables (1997)

Stupidity

“You have never been blessed out or bawled out or chewed out unless you got it from The Boo in his prime. Did I say he was five times louder than God? I'm sorry if that sounds sacrilegious and it certainly is not true. The Boo was at least ten times louder than God and I was scared of him my entire cadet career.”

Pat Conroy (1945–2016) American novelist

Eulogy for "The Boo" (May 3, 2006)

God, Time

“I am out of humanity's reach.
I must finish my journey alone,
Never hear the sweet music of speech;
I start at the sound of my own.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 9.

Music

“Every sound perceived by the acute ear in the rhythm of the world about us can be represented musically. Some people wish above all to conform to the rules, I wish only to render what I can hear.”

Claude Debussy (1862–1918) French composer

Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243

People, World, Music

“Though to us — the toilers — it is night still, to Him — the Master who watcheth our labor, and to them — our fellows whose labor is done — "there is light with a clear sky." Though to us, down below, there is but the deafening roar, the shriek of discord, the wail of pain, blent in one jargon of strange sounds which have no chime; to them, above in the high, calm silence, there are heard only the striking of the hour which tells of the sure speed of time, and the voice of the joy-bells already ringing for the world's great bridal.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 114.

Pain, World, Light, Silence

“I am confident, however old-fashioned this may sound, that funds left in the hands of the public will come into the Exchequer with interest at the time in the future when we need them.”

John James Cowperthwaite (1915–2006) British colonial administrator

February 28, 1962, page 51.
Official Report of Proceedings of the Hong Kong Legislative Council

Confidence, Fashion, Time, Future

“…and Newt [Gingrich] — although somebody said "he’s a stupid man’s idea of what a smart person sounds like," but he is more plausible than the other guys that they’ve been pushing up.”

Paul Krugman (1953) American economist

This Week with Christiane Amanpour http://www.mediaite.com/tv/paul-krugman-newt-gingrich-is-a-stupid-mans-idea-of-what-a-smart-person-sounds-like/, November 20, 2011

Stupidity, Guy, Idea, Personality

“I cannot believe that the gentry of England will be made mere drumheads to be sounded upon by a Prime Minister to give forth unmeaning and empty sounds, and to have no articulate voice of their own. No! You are the gentry of England who represent the counties. You are the aristocracy of England. Your fathers led our fathers: you may lead us if you will go the right way. But, although you have retained your influence with this country longer than any other aristocracy, it has not been by opposing popular opinion, or by setting yourselves against the spirit of the age. In other days, when the battle and the hunting-fields were the tests of manly vigour, why, your fathers were first and foremost there. The aristocracy of England were not like the noblesse of France, the mere minions of a court; nor were they like the hidalgoes of Madrid, who dwindled into pigmies. You have been Englishmen. You have not shown a want of courage and firmness when any call has been made upon you. This is a new era. It is the age of improvement, it is the age of social advancement, not the age for war or for feudal sports. You live in a mercantile age, when the whole wealth of the world is poured into your lap. You cannot have the advantages of commercial rents and feudal privileges; but you may be what you always have been, if you will identify yourselves with the spirit of the age. The English people look to the gentry and aristocracy of their country as their leaders. I, who am not one of you, have no hesitation in telling you, that there is a deep-rooted, an hereditary prejudice, if I may so call it, in your favour in this country. But you never got it, and you will not keep it, by obstructing the spirit of the age.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Speech in the House of Commons http://hansard.millbanksystems.com/commons/1845/mar/13/effects-of-corn-laws-on-agriculturists (13 March 1845). 1840s

War, People, Age, World

“Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit "program." No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"About Hodgkin," from Howard Hodgkin Paintings edited by Michael Auping (1995), p. 105,

Art, Way, Appearance, Painting

“Hey folks, tonight I wanna talk about global warming. Now, The World is Hot and Flat Society is growing increasingly hysterical and that indeed is causing me to sweat a little. In the last month or so, I've heard suggestions that those skeptical of Al Gore's spiritual crisis are deniers and one good way to serve the planet would be to have one less kid and I've also read that mankind is 'a virus' and human beings are 'the AIDS of the earth.' Global warming is officially becoming creepy and I can't tell yet if it's facisitc or fetishistic but it's kinda like piercing or tattoos, I don't even wanna get one, because I see how hooked people are and it spooks me. I just find it odd that we've come to a point in history where if I don't concede that if Manhattan will be completely submerged in 2057 I'm thought to be a delusional contrarian by some of my more zealous fellow citizens. I'm sorry Angst Squad, but if we commissioned a public works project (let's call it 'The Manhattan Project') and tried our hardest to submerge Manhattan in the next 50 years, we couldn't pull it off, mainly because it wouldn't be environmentally sound and you guys would hang it up in the permitting process. Simply put, I can't worry about the earth right now because I'm too worried about the world. Why can't I take terrorism as seriously as Al Gore takes global warming? There are times that you think that liberals only fear car bombs if they have leaky exhaust systems. And why am I constantly beaten over the head with 'the delicate balance of nature'? Am I the only one who watches Animal Planet? Every time I turn it on, I see some demented harp seal chucking peguins down his gullet like they were maitre d'Tic-Tacs. To me, nature always appears more unbalanced than Gary Busey with a clogged eustachian tube. Listen, the weather is just like Hilary's explanation for her war vote: we just don't know, do we? We're here to miss our next Tuesday's weather much less the year 2057. Relax, we'll replace oil when we need to. American ingenuity will kick in and the next great fortune will be made. It's not pretty, but it is historically accurate. We need to run out of oil first. That's why I drive an SUV: so we run out of it more quickly. I consider myself at the vanguard of the environmental movement and I think the individuals who insist on driving hybrids are just prolonging our dillemma and I think that's just selfish. Come on, don't you care about our Mother Earth? Don'tcha?”

Dennis Miller (1953) American stand-up comedian, television host, and actor

6/17 The Half Hour News Hour
The Buck Starts Here

War, People, World, Fear

“The practical consequence of such a[n individualistic] philosophy is the well-known democratic respect for the sacredness of individuality,—is, at any rate, the outward tolerance of whatever is not itself intolerant. These phrases are so familiar that they sound now rather dead in our ears. Once they had a passionate inner meaning. Such a passionate inner meaning they may easily acquire again if the pretension of our nation to inflict its own inner ideals and institutions vi et armis upon Orientals should meet with a resistance as obdurate as so far it has been gallant and spirited. Religiously and philosophically, our ancient national doctrine of live and let live may prove to have a far deeper meaning than our people now seem to imagine it to possess.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"Preface"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

People, Imagination, Passion, Dead

“A man possessed of splendid talents, which he often abused, and of a sound judgment, the admonitions of which he often neglected; a man who succeeded only in an inferior department of his art, but who in that department succeeded pre-eminently.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

On John Dryden (1828)

Art

“A place in thy memory, dearest,
Is all that I claim;
To pause and look back when thou hearest
The sound of my name.”

Gerald Griffin (1803–1840) Irish novelist, poet and playwright

A Place in thy Memory, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Memory

“The Supreme God (kaḥ) (Rāma) [is resplendent] on [both] the earth (kau) and in Sāketaloka (ke); from him there is pleasure in the universe and in the sound of the peacock (kekakekākaḥ); he takes pleasure and bliss in the caw of the [Kākabhuśuṇḍi] crow (kākakākākakaḥ); from him there is pleasure for all the worlds (kakaḥ); for him the pain [of exile] is a pleasure (kākaḥ); his crow ([Kākabhuśuṇḍi]) is praiseworthy (kākaḥ); from him there is pleasure for Brahmā (kakaḥ); he calls out [to the devotees] (kākaḥ); from him there is pleasure for Kukā or Sītā (kukākaḥ); he calls out to the [Kākabhuśuṇḍi] crow (kākakaḥ); and from him there are worldly fruits and the bliss of liberation (kukaḥ). ॥ 20.92 ॥”

Rāmabhadrācārya (1950) Hindu religious leader

kaḥ kau ke kekakekākaḥ kākakākākakaḥ kakaḥ ।
kākaḥ kākaḥ kakaḥ kākaḥ kukākaḥ kākakaḥ kukaḥ ॥
Śrībhārgavarāghavīyam

God, Pain, Pleasure, World

“Practise silence, for the voice of God can be heard in the region of your heart only when the tongue and the inner storm are stilled, and the waves (of the mind) are calmed. There will be no temptation for others to shout when you talk to them in whispers. Set the level of the tone yourself: as low as possible, as high as necessary to reach the outermost boundary of the circle you are addressing. Conserve sound, since it is the treasure of the element ether (Akasa), an emanation from God Himself. Reason can prevail only when the arguments are advanced without the whipping up of sound. Silence is the speech of the spiritual seeker. Soft speech is the expression of genuine love. Hate screeches; fear squeals; conceit trumpets; but love sings lullabies, it soothes, it applies balm. Practise the vocabulary of love; unlearn the language of hate and contempt.”

Sathya Sai Baba (1926–2011) Indian guru

"Divine Discourse" (19 February 1970)

Love, God, Hate, Fear

“Inanimate objects are sometimes parties in litigation. A ship has a legal personality, a fiction found useful for maritime purposes. The corporation sole – a creature of ecclesiastical law – is an acceptable adversary and large fortunes ride on its cases…. So it should be as respects valleys, alpine meadows, rivers, lakes, estuaries, beaches, ridges, groves of trees, swampland, or even air that feels the destructive pressures of modern technology and modern life. The river, for example, is the living symbol of all the life it sustains or nourishes – fish, aquatic insects, water ouzels, otter, fisher, deer, elk, bear, and all other animals, including man, who are dependent on it or who enjoy it for its sight, its sound, or its life. The river as plaintiff speaks for the ecological unit of life that is part of it.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, Sierra Club v. Morton, 405 U.S. 727 (1972)
Judicial opinions

Life, Law, Feeling, Fish

“On a Clear Day: Art work that is completely abstract - free from any expression of the environment is like music and can be responded to in the same way. Our response to line and tone and color is the same as our response to sounds... It holds meaning for us that is beyond expression in words.
These prints [title, 'On a Clear Day'] express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognize your feelings at the same time you will realize your full response to this work.”

Agnes Martin (1912–2004) American artist

a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's

Art, Music, Color, Way

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life, Friendship, Mathematics, Sense

“Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.”

Abraham Cowley (1618–1667) British writer

Poem: A Supplication http://www.bartleby.com/106/102.html.

“The louder a sound is, the more we recognize it as being near, so the louder the "tone" of objects that is, the blacker or whiter the nearer they seem; and so if in our picture we wish to give a sense of distance, we must see that the darkest shadows and highest lights are in the foreground : and because we may not be able to materially alter things as the undiscriminating process gives them to us, we must seek for and select those scenes, those subjects, in which this arrangement of highest and deepest tones do come in the foreground, and then take care that our process renders them with fidelity, so that we may not lose the sense of their nearness or the feeling of greater distance of other planes which it is intended they shall give.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 44-45

Feeling, Sense, Light

“But the indication of the strength of our system was moral as well as physical. 'You cannot stand the strain of a civil war and of party spirit combined', said the skeptics. 'You will end in anarchy at the election'. I knew those who apprehended revolution and provisional governments as November approached. In hushed expectation election day dawned. You remember the old story of an agreement of everybody in the world to shout all together at the same moment upon a certain day, and make a noise that would be heard to the stars. The hour came; and it was the most silent moment ever known. The sole sound was the thin, weak cry of one deaf old woman. Everybody else in the world was listening for the prodigious noise. So the Great Election passed in perfect peace. The sun of the ninth of November rose, not upon a convulsed nation tumbling into anarchy, but standing calm, strong, and erect upon its two feet of Union and Liberty, and somewhere upon the ground the tip-end of the tail of a copperhead snake sneaking into his hole.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

War, World, Peace, Star

“In order to qualify for Government grants, Shanti Niketan, the famous institution found by the great Rabindra Nath Tagore, the poet of the soul's Godward aspiration and a great representative of undying India, had to give up its Upanishadic motto: satyam, Sivam, sundaram. These figures represent the deepest and loftiest that spirituality has conceived about man, his aspirations and destiny, his hopes and possibilities. But to the modern secular ears of the present-day rulers, these terms sound communal and antiquated.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Hope, Soul, Communication

“Leadership tip: Sound confident even when you have no idea. Just do not make a habit of it. They will find you out.”

Glen Cook book Water Sleeps

Source: Water Sleeps (1999), Chapter 87 (p. 313)

Confidence, Idea

“There are singers who can captivate a community. There are vocalists whose sound can penetrate deeply into your soul. There are entertainers who can mesmerize, enlighten and entertain, all in one breath. [And there is] Gloria Estefan -- who does it all, effortlessly.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

contactmusic.com (March of 2003)
2007, 2008

Soul, Communication

“Schnabel said that Beethoven's late piano sonatas are music better than could be played. Larkin's best poems are poetry better than can be said, but sayability they sumptuously offer. Larkin demands to be read aloud. His big, intricately formed stanzas, often bridging from one to the next, defeat the single breath but always invite it. As you read, the ideal human voice speaks in your head. It isn't his: as his gramophone records prove, he sounded like someone who expects to be interrupted. It isn't yours, either. It's ours.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Philip Larkin: Somewhere becoming rain'
Essays and reviews, The Dreaming Swimmer (1993)

Music, Reading

“They say something about being safe in the bunker, and how it's almost fun to hear the explosions when they know the bangs can't hurt them. Suddenly there is the sound of a shot, so loud, so close that we all fall silent. It echoes on through all the rooms. "That was a direct hit," cried Helmut [Goebbels] with no idea how right he is. The Fuhrer is dead now.”

Traudl Junge (1920–2002) secretary to Adolf Hitler

Five Days That Shocked the World: Eyewitness Accounts from Europe at the End (2011) by Nicholas Best, p. 185.

Idea, Hurt, Dead

“Professor Bell, in his tortured efforts to sound fair and impersonal, arrives at an aesthetic principle too edifying for Art to bear. He says in effect that you can explore evil, drawing "on the tap roots of the demonic," but you may not approve it. But when you draw on those tap roots, who knows what you will find? Writers just back from their season in hell are likely to be covered in goat blood and tend to rave. The moralists can sort out the evidence later. But the writer with the correct attitude could not have entered hell in the first place.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Honoring Ezra Pound" (1972), p. 59
The Good Word & Other Words (1978)

Art, Hell, Effort, Evil

“Hark, below, the many-voiced earth,
The chanting of the old religious trees,
Rustle of far-off waters, woven sounds
Of small and multitudinous lives awake,
Peopling the grasses and the pools with joy,
Uttering their meaning to the mystic night!”

William Vaughn Moody (1869–1910) United States dramatist and poet

' Act II.
The Fire-Bringer (1904)

People, Tree, Grass, Water

“AND the muffled drum rolled on the air,
Warriors with stately step were there;
On every arm was the black crape bound,
Every carbine was turned to the ground:
Solemn the sound of their measured tread,
As silent and slow they followed the dead.
The riderless horse was led in the rear,
There were white plumes waving over the bier:
Helmet and sword were laid on the pall,
For it was a soldier's funeral.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Improvisatrice (1824)

Horse, Dead

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

People, Books, Smile, Music

“The linguistic entity is not accurately defined until it is delimited, i. e. separated from everything that surrounds it on the phonic chain. These delimited entities or units stand in opposition to each other in the mechanism of language.
One is at first tempted to liken linguistic signs to visual signs, which can exist in space without becoming confused, and to assume that separation of the significant elements can be accomplished in the same way, without recourse to any mental process. The word "form," which is often used to indicate them (cf. the expression "verbal form," "noun form") gives support to the mistake. But we know that the main characteristic of the sound-chain is that it is linear.”

Ferdinand de Saussure book Course in General Linguistics

Source: Cours de linguistique générale (1916), p. 103

Way, Support

“He spoke, and deep a lengthened sigh he drew,
A doleful sound, and vanished from the view:
The frightened billows gave a rolling swell,
And, distant far, prolonged the dismal yell;
Faint and more faint the howling echoes die,
And the black cloud dispersing leaves the sky.”

Luís de Camões (1524–1580) Portuguese poet

Stanza 60, lines 1–4 (tr. William Julius Mickle)-->
Epic poetry, Os Lusíadas (1572), Canto V

Distant

“Willie was sound asleep in her lap, but he sucked her little finger. South of Long Beach we stopped at a drugstore and bought a bottle with a nipple, and a bottle of milk. Willie's eyes opened when she put the nipple to his mouth. He fell to his task like a fiend. Camilla lifted her arms high, ran her fingers through her hair, and yawned with pleasure.”

John Fante book Ask the Dust

Ask the Dust (1939)

Pleasure

“For the man who considers himself the best critic generally studies sound and unsound composition with equal interest, being no more greedy for lofty utterances to praise than for contemptible ones to ridicule. In this way technique, grandeur, and propriety in the use of the Latin language are particularly underrated by the armchair critics, who, with an insensibility which goes hand in hand with scurrility, and wishing to read only what they may criticize, cannot, by their very abuse of literature, be making a proper use of it.”
Nam qui maxume doctus sibi videtur, dictionem sanam et insanam ferme appetitu pari revolvit, non amplius concupiscens erecta quae laudet quam despecta quae rideat. atque in hunc modum scientia pompa proprietas linguae Latinae iudiciis otiosorum maximo spretui est, quorum scurrilitati neglegentia comes hoc volens tantum legere, quod carpat, sic non utitur litteris, quod abutitur.

Sidonius Apollinaris (430–489) Gaulish poet, aristocrat and bishop

Lib. 3, Ep. 14, sect. 2; vol. 2, p. 59.
Epistularum

Way, Literature, Study, Reading

“All day long they work so hard
Till the sun is goin' down.
Working on the highways and byways
And wearing, wearing a frown.
You hear them moanin' their lives away.
Then you hear somebody say:"That's the sound of the men working on the chain gang.
That's the sound of the men working on the chain gang."”

Sam Cooke (1931–1964) American singer-songwriter and entrepreneur

Chain Gang
Song lyrics, Singles

Men, Sun

“The sound of a kiss is not so loud as that of a cannon, but its echo lasts a deal longer.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Professor at the Breakfast Table (1859), Ch. XI.

Kiss

“Life is too short for me to worry about something I have no control over that I don’t even know will happen. People ask ‘if Earth is going to be swallowed by a black hole or if there is some disturbance in the spacetime continuum should we worry about it?’. My answer is ‘no’ because you won’t know about it until it crosses your… your place in space-time. Your beats come to you when nature decides it’s the right time… be it the speed of sound, the speed of light, the speed of electrical impulses we will forever be victims of the time delay between information around us and our capacity to receive it.”

Neil deGrasse Tyson (1958) American astrophysicist and science communicator

WNYC Radio Podcast, RadioLab, "Shorts: What a Slinky Knows" (29 August 2012), Minute 11:33 http://www.radiolab.org/blogs/radiolab-blog/2012/sep/10/what-slinky-knows/ 2010s

Life, People, Nature, Light

“I was honestly very nervous of Constance Wheatcroft. And I wasn't the only one. Her entire family was afraid of her. Dogs were afraid of her. Bindweed in the hedge would wither as she passed; birds would forget their nesting instincts and fly back to north Africa at the sound of her hideous cries.”

Tom Baker (1934) English actor

Family, Dogs, Bird, Flying

“There is a silence where hath been no sound,
There is a silence where no sound may be,—
In the cold grave, under the deep, deep sea,
Or in the wide desert where no life is found.”

Thomas Hood (1799–1845) British writer

Sonnet, Silence; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Life, Silence, Sea

“Yamanaka: "The first thing I want you to know is about dodo's. 'Dodo' is the name of an extinct bird which is big but cannot fly. I made the song likening the 'bird' to bands I like, such as 'a great musician who passed away' or 'the split-up band'. Life is mortal, all things die. The last day will psychically also come to a band. However, I sing this song lightly to oppose these themes, something like "even if I die, I'll be back!" or "Only the pillows won't break up, right!?" It's not a very serious song, more a positive one. This song has an alternative sound, which I really like lately."”

Sawao Yamanaka (1968) Japanese singer-songwriter

Source: http://www.jame-world.com/us/articles-2700-wake-up-the-pillows-interview.html

Life, Bird, Singing, Flying

“Sound as a burrow'd marmot he slept
On the straw where he'd tumbled fully-dressed that night.”

Adam Mickiewicz Pan Tadeusz

Book Four: Tadeusz' Awakening (trans. Christopher Adam Zakrzewski). Pan Tadeusz (Sir Thaddeus) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_pan.htm

Night

“Last week we made a bike ride along cornfields with the harvest ready to be brought in. Here and there it was already brought in. Heavily loaded cars rolled back home, and it sounds so nice when the car comes after you.... and what a fruit tree loaded with ripening fruit. It is all full of promises and full of mild softness. As you say, it is the late-summer melancholy.... moreover one can weep for this dying everywhere on the fields, without any mercy.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Vorige week maakten we een fietstocht langs korenvelden met de oogst gereed om binnen gehaald te worden. Hier en daar werd ze al binnen gehaald. Zwaar beladen wagens rolden huiswaarts en wat klinkt dat gezellig wanneer zo'n wagen achter je aanrijdt. . . En wat een vruchtboomen vol beladen met het rijpende fruit. Het is alles vol beloften en vol milde zachtheid. Zooals je zegt, het is de nazomersche melancholie.. ..ook kan men wenen om dit sterven overal op de velden, zonder genade.
Quote in a letter (nr. 344) 30 August 1943, to August Henkels; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 187
1940's

Cars, Home, Tree, Summer

“639. Emptie vessels sound most.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

“In China, programs have to be certified by the government in order to be used on computers there, which sounds an awful lot like the Apple store.”

Bruce Schneier (1963) American computer scientist

[Schneier, Bruce (speaker), 19 June 2013, 2013, Bruce Schneier: Talks at Google, English, https://www.youtube.com/watch?v=m3NJ-Ow2Lvg, 18:56, Google Inc.]

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death, Truth, World, Music

“I hear the sound of gunfire at the prison gate, Are the liberators here?
Do I hope or do I fear?
For my father and my brother, it’s too late but I must help my mother stand up straight.
Are we the last ones left alive?
Are we the only human beings to survive?
-- Red Sector A (1984)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Fear, Hope, Help

“Ah, those were the days. David Bowie, Status Quo, The Beatles … no end of artists I could say I enjoyed in order to sound clever and pretentious.”

Ben Croshaw (1983) English video game journalist

The Dark Side of Beatles Songs
Fully Ramblomatic, Reviews

“I have a big legacy of The Clash to live up to and I don't intend to uriny on a legend. I intend to build forward into the next century. The music has to be by the musicians, and there's too much changing things by the record company. I got a message for everyone in a record company: We don't care if you lose your job! You ruin music and I'll get all the smoothers out off the way, the people who smooth the sound off. Let the musicians have the music the way they want it, and not the way you think the grandmothers and 3-year olds will gonna buy it. Cause this is not about 3-year olds or grandmothers… This is Rock and Roll!”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

Bizarre Festival (21 August 1999)

People, Music, Way, Thinking

“Foreign relations. At no period in the past 12 years have our foreign relations been in such a satisfactory condition as they are at the present time. Our actions in the recent months have greatly strengthened the American policy of permanent peace with independence. The attitude which our Government took and maintained toward an adjustment of European reparations, by pointing out that it wits not a political but a business problem, has demonstrated its wisdom by its actual results. We desire to see Europe restored that it may resume its productivity in the increase of industry and its support in the advance of civilization. We look with great gratification at the hopeful prospect of recuperation in Europe through the Dawes plan. Such assistance as can be given through the action of the public authorities and of our private citizens, through friendly counsel and cooperation, and through economic and financial support, not for any warlike effort but for reproductive enterprise, not to provide means for unsound government financing but to establish sound business administration ' should be unhesitatingly provided.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Second State of the Union Address (1924)

Wisdom, Peace, Hope, Business

“Many humans look at nature from an aesthetic perspective and think in terms of biodiversity and the health of ecosystems, but forget that the animals that inhabit these ecosystems are individuals and have their own needs. Disease, starvation, predation, ostracism, and sexual frustration are endemic in so-called healthy ecosystems. The great taboo in the animal rights movement is that most suffering is due to natural causes. Any proposal for remedying this situation is bound to sound utopian, but my dream is that one day the sun will rise on Earth and all sentient creatures will greet the new day with joy.”

Nick Bostrom (1973) Swedish philosopher

Albert, a fictional dog in Golden https://nickbostrom.com/fable/retriever.html (2004)

Health, Disease, Dreams, Nature

“The soldiers stumbled forward doggedly, cursing the bite of the wind while reminding one another that generals are seldom of sound mind and unbesmirched ancestry. They would not be generals if they were.”

Glen Cook book She Is the Darkness

Source: She Is the Darkness (1997), Chapter 19 (p. 334)

“My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html

People, Beauty, Music

“I believe that animals have rights which, although different from our own, are just as inalienable. I believe animals have the right not to have pain, fear or physical deprivation inflicted upon them by us. Even if they are on the way to the slaughterhouse, animals have the right to food and water and shelter if it is needed. They have the right not to be brutalized in any way as food resources, for entertainment or any other purpose. … Finding a substitute for animals in research has only recently become an imperative in the scientific community. … One day animals will not be used in the laboratory. How soon that day comes depends on how soon people stop screaming and make the search for alternatives a major research imperative. As long as conferences on the subject sound like feeding time in the monkey house, monkeys along with millions of other animals are going to stay right where they are now — in the laboratory.”

Roger A. Caras (1928–2001) American photographer

"We Must Find Alternatives to Animals in Research," in Newsweek (26 December 1988)

Pain, People, Fear, Food

“The psychical condition of men’s minds may be compared with a set of bells close together, and so arranged that in the ordinary man a bell rings only when one beside it sounds, and the vibration lasts only a moment. In the genius, when a bell sounds it vibrates so strongly that it sets in action the whole series, and remains in action throughout life. The latter kind of movement often gives rise to extraordinary conditions and absurd impulses, that may last for weeks together and that form the basis of the supposed kinship of genius with insanity.”

Otto Weininger book Sex and Character

Source: Sex and Character (1903), pp. 122-123.

Life, Men

“I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.”

Henry Wadsworth Longfellow The Children's Hour

The Children's Hour, St. 2.

“Almost anyone who loves tennis and follows the men's tour on television has, over the last few years, had what might be termed Federer moments. These are times, watching the young Swiss at play, when the jaw drops and eyes protrude and sounds are made that bring spouses in from other rooms to see if you're OK”

David Foster Wallace (1962–2008) American fiction writer and essayist

Federer Both Flesh and Not
Essays

Love, Men, Time

“I’d like to tell you that I come from a long line of German aristocracy and that I’m very rich, but actually it’s a very boring explanation. A man called Tommy Tutt married a lady called Jane Rhind, and suddenly I’ve got a very posh name. And then my parents called me Julian, and suddenly I sound like a prospective Tory MP for West London!”

Julian Rhind-Tutt (1968) British actor

An interview on the Green Wing microsite, asking about where his name came from. http://www.sitcom.co.uk/green_wing/interview_julian.shtml

Parent

“I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).

Light, Grass

“Anybody help me out here, because I don't remember the figures, but my recollection is over 10,000 innocent people were killed in Gaza. Does that sound right? I don't have it in my number… but I think it's over 10,000. My understanding is that a whole lot of apartment houses were leveled. Hospitals, I think, were bombed. So yeah, I do believe and I don't think I'm alone in believing that Israel's force was more indiscriminate than it should have been.”

Bernie Sanders (1941) American politician, senator for Vermont

As quoted in "Massively inflating toll, Sanders suggests Israel killed ‘over 10,000 innocents’ in Gaza" http://www.timesofisrael.com/massively-inflating-death-toll-sanders-says-israel-killed-over-10000-innocents-in-gaza/ by Eric Cortellessa, The Times of Israel (5 April 2016) "Sanders' estimate far exceeds even Palestinian sources, which estimate that 1,462 Palestinians were killed out of the 2,251 Gaza War fatalities in 2014. Israeli figures are lower." Ariel Cohen, "Sanders: Israel 'indiscriminately' killed '10,000' Palestinians" http://www.washingtonexaminer.com/sanders-israel-indiscriminately-killed-10000-palestinians/article/2587752 Washington Examiner (5 April 2016) 2010s, 2016

People, Understanding, Thinking, Help

“"Accept the true from whatever source it come," is sound rabbinic doctrine — even if it be from the pages of a devout Christian expositor or of an iconoclastic Biblical scholar, Jewish or non-Jewish.”

Joseph H. Hertz (1872–1946) British rabbi

Preface (p. vii)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

“Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp'd, break from the trees
And fall.”

Adelaide Crapsey (1878–1914) American writer

November Night.
Verses (1915)

Tree

“Of course, your voice always sounds better in the shower for some reason, maybe it's just the octaves or, I don't know, the water, I have no idea.”

David Boreanaz (1969) American actor, famous for Angel and Buffy

BBC interview http://www.bbc.co.uk/cult/buffy/angel/interviews/boreanaz/printpage.html

Idea, Water

“Possible is more a matter of attitude, a matter of decision, to choose among the impossible possibilities, when one sound opportunity becomes a possible solution.”

Dejan Stojanovic (1959) poet, writer, and businessman

Possibility http://www.poemhunter.com/poem/possibility-3/ From the poems written in English

Attitude, Decision

“Sound, sound the clarion, fill the fife!
To all the sensual world proclaim,
One crowded hour of glorious life
Is worth an age without a name.”

Walter Scott book Old Mortality

Old Mortality, Chap. xxxiv.
Bartlett's Familiar Quotations, 10th ed. (1919)

Life, Age, World

“Oh, call it by some better name,
For friendship sounds too cold.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Ballads and Songs. Oh, Call It by Some Better Name, st. 1.

Friendship

“.. the works of Mozart. They create a welcome pause amidst the storms of our inner life, a vision of consolation and hope, but we hear them like sounds of another, vanished and essential unfamiliar age. Clashing discords, loss of equilibrium..”

Wassily Kandinsky (1866–1944) Russian painter

Quote from: On the Spiritual in Art, 1911; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 17
1910 - 1915

Life, Age, Hope, Loss

“I don't like this official/unofficial distinction. It sound, er, officious.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702221943.LAA20388@wall.org, 1997]
Usenet postings, 1997

Quotes about sound page 19

Quotes about sound
page 19