Quotes about sound
page 19

Robert E. Howard photo
Chinua Achebe photo
William Kristol photo
Dejan Stojanovic photo
Mark Wahlberg photo
Benedetto Croce photo

“Language is articulated, limited sound organized for the purpose of expression.”

Benedetto Croce (1866–1952) Italian writer, philosopher, politician

Benedetto Croce, quoted in: Geza Revesz, The Origins and Prehistory of Language, London 1956. p. 126

David Harvey photo
Howard S. Becker photo
Pricasso photo

“What had sounded like a great idea in the newsroom, ended up being the longest and most embarrassing moment of my life. Cameras clicked away and Pricasso kept rubbing his bum with colours of purple, pink and orange against my likeness.”

Pricasso (1949) Australian painter

[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About

Henry George Liddell photo

“She was extremely fond of snuff, and blew her nose with a trumpet-like sound on a vast indian silk handkerchief, which she carefully arranged before use with a sort of cushion.”

Henry George Liddell (1811–1898) Headmaster, lexicographer, classical scholar, and dean

Of his Aunt Anna; p. 34.
Colin Gordon, Beyond the Looking Glass (1982)

Thomas Hughes photo
Alfred Noyes photo

“A shadow leaned over me, whispering, in the darkness,
Thoughts without sound;
Sorrowful thoughts that filled me with helpless wonder
And held me bound.”

Alfred Noyes (1880–1958) English poet

"The Shadow" in The Empire Review (1923) Vol. 37, p. 620

J.B. Priestley photo
Martin Amis photo
Luís de Camões photo

“I'll sing a song of love so sweet, so blessed
with harmonious sounds, so true to the name
of love (with two thousand examples), it will enflame
even those with dead hearts in their chest.”

Luís de Camões (1524–1580) Portuguese poet

Eu cantarei de amor tão docemente,
Por uns termos em si tão concertados,
Que dois mil acidentes namorados
Faça sentir ao peito que não sente.
Selected Sonnets: A Bilingual Edition (2008), ed. William Baer, p. 128
Lyric poetry, Sonnets, Eu cantarei de amor tão docemente

William Wordsworth photo
Robert M. La Follette Sr. photo

“Free government is government by public opinion. Upon the soundness and integrity of public opinion depends the destiny of our democracy.”

Robert M. La Follette Sr. (1855–1925) American politician

"Fooling the People as a Fine Art", La Follette's Magazine (April 1918)

“The muse lends me a lyre of myriad tunes,
her brush of myriad tints—I want to play
a wizard working wonders, magic tricks
with all the sounds and colors of the earth.”

Thế Lữ (1907–1989)

Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100

Ted Nelson photo

“I have long been alarmed by people’s sheeplike acceptance of the term ‘computer technology’ — it sounds so objective and inexorable — when most computer technology is really a bunch of ideas turned into conventions and packages.”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Quoted in In Venting, a Computer Visionary Educates http://www.nytimes.com/2009/01/11/business/11stream.html?_r=1 by John Markoff, published January 10, 2009 in the New York Times, page BU4 of the New York edition.

Thomas Henry Huxley photo

“Sound knowledge respecting the habits and mode of life of the man-like Apes has been even more difficult of attainment than correct information regarding their structure.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.1, p. 36

John Morley, 1st Viscount Morley of Blackburn photo
John McLaughlin photo
Piet Mondrian photo
Johnny Marr photo
Vytautas Juozapaitis photo
Donald J. Trump photo
Christine O'Donnell photo

“The Ryan White Care Act provides money for community-based counseling centers. While that may sound noble and compassionate, we know from experience that "AIDS education" becomes a platform for the homosexual community to recruit adolescents and lure teens into a self-destructive sexual lifestyle.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

Concerned Women for America press release
2010-09-15
Christine O'Donnell Does Not Like Gays.
Instaputz
http://instaputz.blogspot.com/2010/09/christine-odonnell-does-not-like-gays.html
2010-10-20

Alice A. Bailey photo
Pat Conroy photo
William Cowper photo

“I am out of humanity's reach.
I must finish my journey alone,
Never hear the sweet music of speech;
I start at the sound of my own.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 9.

Claude Debussy photo

“Every sound perceived by the acute ear in the rhythm of the world about us can be represented musically. Some people wish above all to conform to the rules, I wish only to render what I can hear.”

Claude Debussy (1862–1918) French composer

Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243

William Morley Punshon photo

“I am confident, however old-fashioned this may sound, that funds left in the hands of the public will come into the Exchequer with interest at the time in the future when we need them.”

John James Cowperthwaite (1915–2006) British colonial administrator

February 28, 1962, page 51.
Official Report of Proceedings of the Hong Kong Legislative Council

Paul Krugman photo

“…and Newt [Gingrich] — although somebody said "he’s a stupid man’s idea of what a smart person sounds like," but he is more plausible than the other guys that they’ve been pushing up.”

Paul Krugman (1953) American economist

This Week with Christiane Amanpour http://www.mediaite.com/tv/paul-krugman-newt-gingrich-is-a-stupid-mans-idea-of-what-a-smart-person-sounds-like/, November 20, 2011

Richard Cobden photo

“I cannot believe that the gentry of England will be made mere drumheads to be sounded upon by a Prime Minister to give forth unmeaning and empty sounds, and to have no articulate voice of their own. No! You are the gentry of England who represent the counties. You are the aristocracy of England. Your fathers led our fathers: you may lead us if you will go the right way. But, although you have retained your influence with this country longer than any other aristocracy, it has not been by opposing popular opinion, or by setting yourselves against the spirit of the age. In other days, when the battle and the hunting-fields were the tests of manly vigour, why, your fathers were first and foremost there. The aristocracy of England were not like the noblesse of France, the mere minions of a court; nor were they like the hidalgoes of Madrid, who dwindled into pigmies. You have been Englishmen. You have not shown a want of courage and firmness when any call has been made upon you. This is a new era. It is the age of improvement, it is the age of social advancement, not the age for war or for feudal sports. You live in a mercantile age, when the whole wealth of the world is poured into your lap. You cannot have the advantages of commercial rents and feudal privileges; but you may be what you always have been, if you will identify yourselves with the spirit of the age. The English people look to the gentry and aristocracy of their country as their leaders. I, who am not one of you, have no hesitation in telling you, that there is a deep-rooted, an hereditary prejudice, if I may so call it, in your favour in this country. But you never got it, and you will not keep it, by obstructing the spirit of the age.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Speech in the House of Commons http://hansard.millbanksystems.com/commons/1845/mar/13/effects-of-corn-laws-on-agriculturists (13 March 1845).
1840s

Susan Sontag photo
Dennis Miller photo

“Hey folks, tonight I wanna talk about global warming. Now, The World is Hot and Flat Society is growing increasingly hysterical and that indeed is causing me to sweat a little. In the last month or so, I've heard suggestions that those skeptical of Al Gore's spiritual crisis are deniers and one good way to serve the planet would be to have one less kid and I've also read that mankind is 'a virus' and human beings are 'the AIDS of the earth.' Global warming is officially becoming creepy and I can't tell yet if it's facisitc or fetishistic but it's kinda like piercing or tattoos, I don't even wanna get one, because I see how hooked people are and it spooks me. I just find it odd that we've come to a point in history where if I don't concede that if Manhattan will be completely submerged in 2057 I'm thought to be a delusional contrarian by some of my more zealous fellow citizens. I'm sorry Angst Squad, but if we commissioned a public works project (let's call it 'The Manhattan Project') and tried our hardest to submerge Manhattan in the next 50 years, we couldn't pull it off, mainly because it wouldn't be environmentally sound and you guys would hang it up in the permitting process. Simply put, I can't worry about the earth right now because I'm too worried about the world. Why can't I take terrorism as seriously as Al Gore takes global warming? There are times that you think that liberals only fear car bombs if they have leaky exhaust systems. And why am I constantly beaten over the head with 'the delicate balance of nature'? Am I the only one who watches Animal Planet? Every time I turn it on, I see some demented harp seal chucking peguins down his gullet like they were maitre d'Tic-Tacs. To me, nature always appears more unbalanced than Gary Busey with a clogged eustachian tube. Listen, the weather is just like Hilary's explanation for her war vote: we just don't know, do we? We're here to miss our next Tuesday's weather much less the year 2057. Relax, we'll replace oil when we need to. American ingenuity will kick in and the next great fortune will be made. It's not pretty, but it is historically accurate. We need to run out of oil first. That's why I drive an SUV: so we run out of it more quickly. I consider myself at the vanguard of the environmental movement and I think the individuals who insist on driving hybrids are just prolonging our dillemma and I think that's just selfish. Come on, don't you care about our Mother Earth? Don'tcha?”

Dennis Miller (1953) American stand-up comedian, television host, and actor

6/17 The Half Hour News Hour
The Buck Starts Here

William James photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Gerald Griffin photo

“A place in thy memory, dearest,
Is all that I claim;
To pause and look back when thou hearest
The sound of my name.”

Gerald Griffin (1803–1840) Irish novelist, poet and playwright

A Place in thy Memory, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Rāmabhadrācārya photo
Sathya Sai Baba photo
William O. Douglas photo
Frank Popper photo
Abraham Cowley photo
Alfred Horsley Hinton photo
George William Curtis photo
Glen Cook photo
Gloria Estefan photo
William Vaughn Moody photo
Letitia Elizabeth Landon photo

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Ferdinand de Saussure photo
Luís de Camões photo
John Fante photo
Sidonius Apollinaris photo

“For the man who considers himself the best critic generally studies sound and unsound composition with equal interest, being no more greedy for lofty utterances to praise than for contemptible ones to ridicule. In this way technique, grandeur, and propriety in the use of the Latin language are particularly underrated by the armchair critics, who, with an insensibility which goes hand in hand with scurrility, and wishing to read only what they may criticize, cannot, by their very abuse of literature, be making a proper use of it.”
Nam qui maxume doctus sibi videtur, dictionem sanam et insanam ferme appetitu pari revolvit, non amplius concupiscens erecta quae laudet quam despecta quae rideat. atque in hunc modum scientia pompa proprietas linguae Latinae iudiciis otiosorum maximo spretui est, quorum scurrilitati neglegentia comes hoc volens tantum legere, quod carpat, sic non utitur litteris, quod abutitur.

Sidonius Apollinaris (430–489) Gaulish poet, aristocrat and bishop

Lib. 3, Ep. 14, sect. 2; vol. 2, p. 59.
Epistularum

Sam Cooke photo
Oliver Wendell Holmes photo

“The sound of a kiss is not so loud as that of a cannon, but its echo lasts a deal longer.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Professor at the Breakfast Table (1859), Ch. XI.

Neil deGrasse Tyson photo
Tom Baker photo
Thomas Hood photo

“There is a silence where hath been no sound,
There is a silence where no sound may be,—
In the cold grave, under the deep, deep sea,
Or in the wide desert where no life is found.”

Thomas Hood (1799–1845) British writer

Sonnet, Silence; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Sawao Yamanaka photo
Adam Mickiewicz photo

“Sound as a burrow'd marmot he slept
On the straw where he'd tumbled fully-dressed that night.”

Book Four: Tadeusz' Awakening (trans. Christopher Adam Zakrzewski).
Pan Tadeusz (Sir Thaddeus) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_pan.htm

Hendrik Werkman photo

“Last week we made a bike ride along cornfields with the harvest ready to be brought in. Here and there it was already brought in. Heavily loaded cars rolled back home, and it sounds so nice when the car comes after you.... and what a fruit tree loaded with ripening fruit. It is all full of promises and full of mild softness. As you say, it is the late-summer melancholy.... moreover one can weep for this dying everywhere on the fields, without any mercy.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Vorige week maakten we een fietstocht langs korenvelden met de oogst gereed om binnen gehaald te worden. Hier en daar werd ze al binnen gehaald. Zwaar beladen wagens rolden huiswaarts en wat klinkt dat gezellig wanneer zo'n wagen achter je aanrijdt. . . En wat een vruchtboomen vol beladen met het rijpende fruit. Het is alles vol beloften en vol milde zachtheid. Zooals je zegt, het is de nazomersche melancholie.. ..ook kan men wenen om dit sterven overal op de velden, zonder genade.
Quote in a letter (nr. 344) 30 August 1943, to August Henkels; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 187
1940's

George Herbert photo

“639. Emptie vessels sound most.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Bruce Schneier photo

“In China, programs have to be certified by the government in order to be used on computers there, which sounds an awful lot like the Apple store.”

Bruce Schneier (1963) American computer scientist

[Schneier, Bruce (speaker), 19 June 2013, 2013, Bruce Schneier: Talks at Google, English, https://www.youtube.com/watch?v=m3NJ-Ow2Lvg, 18:56, Google Inc.]

Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Neil Peart photo
Ben Croshaw photo

“Ah, those were the days. David Bowie, Status Quo, The Beatles … no end of artists I could say I enjoyed in order to sound clever and pretentious.”

Ben Croshaw (1983) English video game journalist

The Dark Side of Beatles Songs
Fully Ramblomatic, Reviews

Joe Strummer photo
Calvin Coolidge photo
Nick Bostrom photo
Glen Cook photo

“My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html

Otto Weininger photo
Henry Wadsworth Longfellow photo
David Foster Wallace photo
Dante Gabriel Rossetti photo

“I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).

Bernie Sanders photo

“Anybody help me out here, because I don't remember the figures, but my recollection is over 10,000 innocent people were killed in Gaza. Does that sound right? I don't have it in my number… but I think it's over 10,000. My understanding is that a whole lot of apartment houses were leveled. Hospitals, I think, were bombed. So yeah, I do believe and I don't think I'm alone in believing that Israel's force was more indiscriminate than it should have been.”

Bernie Sanders (1941) American politician, senator for Vermont

As quoted in "Massively inflating toll, Sanders suggests Israel killed ‘over 10,000 innocents’ in Gaza" http://www.timesofisrael.com/massively-inflating-death-toll-sanders-says-israel-killed-over-10000-innocents-in-gaza/ by Eric Cortellessa, The Times of Israel (5 April 2016)
"Sanders' estimate far exceeds even Palestinian sources, which estimate that 1,462 Palestinians were killed out of the 2,251 Gaza War fatalities in 2014. Israeli figures are lower." Ariel Cohen, "Sanders: Israel 'indiscriminately' killed '10,000' Palestinians" http://www.washingtonexaminer.com/sanders-israel-indiscriminately-killed-10000-palestinians/article/2587752 Washington Examiner (5 April 2016)
2010s, 2016

Joseph H. Hertz photo

“"Accept the true from whatever source it come," is sound rabbinic doctrine — even if it be from the pages of a devout Christian expositor or of an iconoclastic Biblical scholar, Jewish or non-Jewish.”

Joseph H. Hertz (1872–1946) British rabbi

Preface (p. vii)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Adelaide Crapsey photo

“Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp'd, break from the trees
And fall.”

Adelaide Crapsey (1878–1914) American writer

November Night.
Verses (1915)

David Boreanaz photo

“Of course, your voice always sounds better in the shower for some reason, maybe it's just the octaves or, I don't know, the water, I have no idea.”

David Boreanaz (1969) American actor, famous for Angel and Buffy

BBC interview http://www.bbc.co.uk/cult/buffy/angel/interviews/boreanaz/printpage.html

Dejan Stojanovic photo

“Possible is more a matter of attitude, a matter of decision, to choose among the impossible possibilities, when one sound opportunity becomes a possible solution.”

Dejan Stojanovic (1959) poet, writer, and businessman

Possibility http://www.poemhunter.com/poem/possibility-3/
From the poems written in English

Walter Scott photo
Thomas Moore photo

“Oh, call it by some better name,
For friendship sounds too cold.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Ballads and Songs. Oh, Call It by Some Better Name, st. 1.

Wassily Kandinsky photo

“.. the works of Mozart. They create a welcome pause amidst the storms of our inner life, a vision of consolation and hope, but we hear them like sounds of another, vanished and essential unfamiliar age. Clashing discords, loss of equilibrium..”

Wassily Kandinsky (1866–1944) Russian painter

Quote from: On the Spiritual in Art, 1911; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 17
1910 - 1915

Larry Wall photo

“I don't like this official/unofficial distinction. It sound, er, officious.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702221943.LAA20388@wall.org, 1997]
Usenet postings, 1997