Quotes about show
page 3
“A dress should be tight enough to show you're a woman and loose enough to prove you're a lady.”
Source: The Dress Doctor
“They call you heartless; but you have a heart and I love you for being ashamed to show it.”
“The small amount of foolery wise men have makes a great show.”
“God made everything out of nothing. But the nothingness shows through.”
Mauvaises Pensées et Autres (1941)
Quoted in "Tennessee Williams" in Profiles (1990) by Kenneth Tynan (first published as a magazine article in February 1956)
“The purpose of human life is to serve and to show compassion and the will to help others.”
Variant: The purpose of human life is to serve, and to show compassion and the will to help others.
Interview for KFRC RKO Radio (8 December 1980)
“The better you feel about yourself, the less you feel the need to show off.”
Source: The Diary of a Young Girl
“When someone shows you who they are believe them; the first time.”
Source: The One by Whom Scandal Comes
Source: The Turning Point (1982), p. 82.
Source: The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism
Context: At the subatomic level, matter does not exist with certainty at definite places, but rather shows "tendencies to exist," and atomic events do not occur with certainty at definite times and in definite ways, but rather show "tendencies to occur."
“Books serve to show a man that those original thoughts of his aren't very new after all.”
“Show me a hero and I will write you a tragedy.”
Notebook E (1945) edited by Edmund Wilson
Quoted, Notebooks
“The books that the world calls immoral are books that show the world its own shame.”
Source: The Picture of Dorian Gray
“This shows how much easier it is to be critical than to be correct.”
Speech http://hansard.millbanksystems.com/commons/1860/jan/24/address-in-answer-to-her-majestys-speech in the House of Commons (24 January 1860); see also Lord Byron, "Notes to Canto II" (1812), Childe Harold's Pilgrimage: "How much easier it is to be critical than to be correct".
1860s
Variant: How much easier it is to be critical than to be correct.
Source: Journal of a Solitude
“Show me a sane man and I will cure him for you.”
“Let us learn to show our friendship for a man when he is alive and not after he is dead.”
Source: The Great Gatsby (1925), ch. 9
“You show me a capitalist, and I'll show you a bloodsucker”
“Some grief shows much of love,
But much of grief shows still some want of wit.”
Source: Romeo and Juliet
Source: The Big Sleep (1939), chapter 3
Context: Her hot black eyes looked mad. "I don't see what there is to be cagey about," she snapped. "And I don't like your manners."
"I'm not crazy about yours," I said. "I didn't ask to see you. You sent for me. I don't mind your ritzing me or drinking your lunch out of a Scotch bottle. I don't mind your showing me your legs. They're very swell legs and it's a pleasure to make their acquaintance. I don't mind if you don't like my manners. They're pretty bad. I grieve over them during the long winter evenings. But don't waste your time trying to cross-examine me."
“Showing off is the fool's idea of glory.”
“Your job isn't to find these ideas but to recognize them when they show up.”
Source: On Writing: A Memoir of the Craft
Source: Poems of Fernando Pessoa
“Each one must do his part if we wish to show that the nation is worthy of its good fortune.”
1900s, The Strenuous Life: Essays and Addresses (1900), National Duties
Context: Exactly as each man, while doing first his duty to his wife and the children within his home, must yet, if he hopes to amount to much, strive mightily in the world outside his home, so our nation, while first of all seeing to its own domestic well-being, must not shrink from playing its part among the great nations without. Our duty may take many forms in the future as it has taken many forms in the past. Nor is it possible to lay down a hard-and-fast rule for all cases. We must ever face the fact of our shifting national needs, of the always-changing opportunities that present themselves. But we may be certain of one thing: whether we wish it or not, we cannot avoid hereafter having duties to do in the face of other nations. All that we can do is to settle whether we shall perform these duties well or ill.
Source: The Diary of a Young Girl
He wrote many of his novels in Hindi on his avowed words, in page=90.
Portrayal of Women in Premchands Stories A Critique
Quote in Life History Of E.V.Ramasamy, Priyar Center http://www.periyarcentre.in/abtperiyar.html
Reform
Preface to the Reader
The Reasonableness of Christianity (1695)
2013, Remarks on Economic Mobility (December 2013)
2009-06-24
Questions for the President: Prescription for America
ABC News
TV
http://abcnews.go.com/Politics/HealthCare/story?id=7920012
2009
Ibn Shu’ba al-Harrani, Tuhaf al-'Uqul, p. 298
Lectures of 1946 - 1947, as quoted in Ludwig Wittgenstein : A Memoir (1966) by Norman Malcolm, p. 43
1930s-1951
BBC interview http://www.bbc.co.uk/cult/buffy/interviews/trachtenberg/printpage.html
Referring to Graduation Day and Restless
Gail Pennington (May 2, 2004) "Farewell, "Friends": Sitcom's Finale on Thursday Night May Draw Up to 85 Million Viewers", The St. Louis Post-Dispatch, p. F1.
1900s, Inaugural Address (1905)
“The result showed that fortune helps the brave.”
Book VIII, sec. 29
History of Rome
Søren Kierkegaard The Concept of Anxiety, Nichol p. 98-100 (1844)
About
On the role of the press in a democracy
2017, Final News Conference as President (January 2017)
“Never be clever for the sake of being clever
For the sake of showing off.”
"So You Want To Write A Fugue", work's text
“In one hand he is carrying a stone, while he shows the bread with the other.”
Altera manu fert lapidem, panem ostentot altera
Alternate translation: And so he thinks to ‘tice me like a dog, by holding bread in one hand, and a stone, ready to knock my brains out, in the other.
Aulularia, Act II, sc. 2, line 18
Cf. Jesus, [Matthew, 7:9, KJV]: "Or what man is there of you, whom if his son ask bread, will he give him a stone?"
Aulularia (The Pot of Gold)
The Bomb and the Opportunity (March 1946)
As quoted in Champlain's Dream (2008) by David Hackett Fischer
Self-degradation
Letter (15 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
The Beginning of Time (1996)
Riyadh-as-Saliheen by Imam Al-Nawawi, volume 3, hadith number 355
Sunni Hadith
1900s, Inaugural Address (1905)
Yonder Mark (ed.), The Quotable Gordimer, 2014.
Homilies on the Gospel of Saint John http://www.ccel.org/ccel/schaff/npnf114.iv.lxxxiii.html, Homily LXXXI
Ibid., p. 250
The Book of Disquiet
Original: Se eu tivesse escrito o Rei Lear, levaria com remorsos toda a minha vida de depois. Porque essa obra é tão grande, que enormes avultam os seus defeitos, os seus monstruosos defeitos, as coisas até mínimas que estão entre certas cenas e a perfeição possível delas. Não é o sol com manchas; é uma estátua grega partida.
Leave Me Alone, written by Pink and Butch Walker
Song lyrics, I'm Not Dead (2006)
Source: 1910s, Our Knowledge of the External World (1914), p. 8
Preface to The Bertrand Russell Dictionary of Mind, Matter and Morals (1952) edited by Lester E. Denonn
1950s
Source: Are We Victims of Propaganda, Our Invisible Masters: A Debate with Edward Bernays (1929), p. 144
Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)