Quotes about show
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William Shakespeare photo

“A dress should be tight enough to show you're a woman and loose enough to prove you're a lady.”

Edith Head (1897–1981) American film and television costumer

Source: The Dress Doctor

Friedrich Nietzsche photo

“They call you heartless; but you have a heart and I love you for being ashamed to show it.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Yukio Mishima photo
Tom Stoppard photo
Mark Twain photo
Walter Benjamin photo
Paul Valéry photo

“God made everything out of nothing. But the nothingness shows through.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Mauvaises Pensées et Autres (1941)

Terry Pratchett photo
Malcolm X photo
Tennessee Williams photo

“The theatre is a place where one has time for the problems of people to whom one would show the door if they came to one's office for a job.”

Tennessee Williams (1911–1983) American playwright

Quoted in "Tennessee Williams" in Profiles (1990) by Kenneth Tynan (first published as a magazine article in February 1956)

Laurell K. Hamilton photo
Alessandro Baricco photo
Orhan Pamuk photo
Albert Schweitzer photo
Albert Schweitzer photo

“The purpose of human life is to serve and to show compassion and the will to help others.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Variant: The purpose of human life is to serve, and to show compassion and the will to help others.

John Lennon photo

“The thing the sixties did was to show us the possibilities and the responsibility that we all had. It wasn't the answer. It just gave us a glimpse of the possibility.”

John Lennon (1940–1980) English singer and songwriter

Interview for KFRC RKO Radio (8 December 1980)

Mark Twain photo
Anne Frank photo
Virginia Woolf photo
Robert Browning photo

“Our times are in his hand
Who saith, "A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!"”

Source: Dramatis Personae (1864), Rabbi Ben Ezra, Line 1.
Context: Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in his hand
Who saith, "A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!"

René Girard photo
Fritjof Capra photo

“Subatomic particles do not exist but rather show 'tendencies to exist', and atomic events do not occur with certainty at definite times and in definite ways, but rather show 'tendencies to occur'.”

Source: The Turning Point (1982), p. 82.
Source: The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism
Context: At the subatomic level, matter does not exist with certainty at definite places, but rather shows "tendencies to exist," and atomic events do not occur with certainty at definite times and in definite ways, but rather show "tendencies to occur."

Abraham Lincoln photo
F. Scott Fitzgerald photo

“Show me a hero and I will write you a tragedy.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Notebook E (1945) edited by Edmund Wilson
Quoted, Notebooks

Terry Pratchett photo
Oscar Wilde photo
Oscar Wilde photo
Chuck Palahniuk photo
Holly Black photo
Benjamin Disraeli photo

“This shows how much easier it is to be critical than to be correct.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech http://hansard.millbanksystems.com/commons/1860/jan/24/address-in-answer-to-her-majestys-speech in the House of Commons (24 January 1860); see also Lord Byron, "Notes to Canto II" (1812), Childe Harold's Pilgrimage: "How much easier it is to be critical than to be correct".
1860s
Variant: How much easier it is to be critical than to be correct.

C.G. Jung photo

“Show me a sane man and I will cure him for you.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology
F. Scott Fitzgerald photo
Malcolm X photo
William Shakespeare photo
Douglas Adams photo
Bertrand Russell photo
Raymond Chandler photo

“I don't mind your showing me your legs. They're very swell legs and it's a pleasure to make their acquaintace. I don't mind if you don't like my manners. They're pretty bad. I grieve over them during the long winter nights.”

Source: The Big Sleep (1939), chapter 3
Context: Her hot black eyes looked mad. "I don't see what there is to be cagey about," she snapped. "And I don't like your manners."
"I'm not crazy about yours," I said. "I didn't ask to see you. You sent for me. I don't mind your ritzing me or drinking your lunch out of a Scotch bottle. I don't mind your showing me your legs. They're very swell legs and it's a pleasure to make their acquaintance. I don't mind if you don't like my manners. They're pretty bad. I grieve over them during the long winter evenings. But don't waste your time trying to cross-examine me."

Bruce Lee photo

“Showing off is the fool's idea of glory.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker
Richelle Mead photo
Robert Greene photo
Michael J. Fox photo
Pablo Neruda photo
Merce Cunningham photo
Bertrand Russell photo
Stephen King photo

“Your job isn't to find these ideas but to recognize them when they show up.”

Stephen King (1947) American author

Source: On Writing: A Memoir of the Craft

Fernando Pessoa photo

“Lord, may the pain be ours, And the weakness that it brings, But at least give us the strength, Of not showing it to anyone!”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Source: Poems of Fernando Pessoa

Theodore Roosevelt photo

“Each one must do his part if we wish to show that the nation is worthy of its good fortune.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, The Strenuous Life: Essays and Addresses (1900), National Duties
Context: Exactly as each man, while doing first his duty to his wife and the children within his home, must yet, if he hopes to amount to much, strive mightily in the world outside his home, so our nation, while first of all seeing to its own domestic well-being, must not shrink from playing its part among the great nations without. Our duty may take many forms in the future as it has taken many forms in the past. Nor is it possible to lay down a hard-and-fast rule for all cases. We must ever face the fact of our shifting national needs, of the always-changing opportunities that present themselves. But we may be certain of one thing: whether we wish it or not, we cannot avoid hereafter having duties to do in the face of other nations. All that we can do is to settle whether we shall perform these duties well or ill.

Anne Frank photo
Terry Pratchett photo
Miloš Forman photo
Premchand photo

“My ideal of a woman is a combination of sacrifice, care and purity at one place. Sacrifice without a hope for reward, without showing any dissatisfaction and purity like Ceaser’s wife, which does not bring any regret.”

Premchand (1880–1936) Hindi writer

He wrote many of his novels in Hindi on his avowed words, in page=90.
Portrayal of Women in Premchands Stories A Critique

Jesse Owens photo
Periyar E. V. Ramasamy photo
John Locke photo
Barack Obama photo
Barack Obama photo
Socrates photo
Muhammad al-Baqir photo
Ludwig Wittgenstein photo
Tryon Edwards photo
Michelle Trachtenberg photo

“Actually, I believe in the third season, one of the characters says, "Three hundred and something", which is the number of days from that point that I would appear on the show. Which is awesome.”

Michelle Trachtenberg (1985) American actress

BBC interview http://www.bbc.co.uk/cult/buffy/interviews/trachtenberg/printpage.html
Referring to Graduation Day and Restless

Matthew Perry (actor) photo

“It's been more than a show. It's been a wonderful support group. It's a group of people that love each other, that come together every day to try to make America laugh. What better thing is there to do than that?”

Matthew Perry (actor) (1969) American actor

Gail Pennington (May 2, 2004) "Farewell, "Friends": Sitcom's Finale on Thursday Night May Draw Up to 85 Million Viewers", The St. Louis Post-Dispatch, p. F1.

Theodore Roosevelt photo
Livy photo

“The result showed that fortune helps the brave.”

Livy (-59–17 BC) Roman historian

Book VIII, sec. 29
History of Rome

Napoleon I of France photo

“The genius continually discovers fate, and the more profound the genius, the more profound the discovery of fate. To spiritlessness, this is naturally foolishness, but in actuality it is greatness, because no man is born with the idea of providence, and those who think that one acquires it gradually though education are greatly mistaken, although I do not thereby deny the significance of education. Not until sin is reached is providence posited. Therefore the genius has an enormous struggle to reach providence. If he does not reach it, truly he becomes a subject for the study of fate. The genius is an omnipotent Ansich [in itself] which as such would rock the whole world. For the sake of order, another figure appears along with him, namely fate. Fate is nothing. It is the genius himself who discovers it, and the more profound the genius, the more profoundly he discovers fate, because that figure is merely the anticipation of providence. If he continues to be merely a genius and turns outward, he will accomplish astonishing things; nevertheless, he will always succumb to fate, if not outwardly, so that it is tangible and visible to all, then inwardly. Therefore, a genius-existence is always like a fairy tale if in the deepest sense the genius does not turn inward into himself. The genius is able to do all things, and yet he is dependent upon an insignificance that no one comprehends, an insignificance upon which the genius himself by his omnipotence bestows omnipotent significance. Therefore, a second lieutenant, if he is a genius, is able to become an emperor and change the world, so that there becomes one empire and one emperor. But therefore, too, the army may be drawn up for battle, the conditions for the battle absolutely favorable, and yet in the next moment wasted; a kingdom of heroes may plead that the order for battle be given-but he cannot; he must wait for the fourteenth of June. And why? Because that was the date of the battle of Marengo. So all things may be in readiness, he himself stands before the legions, waiting only for the sun to rise in order to announce the time for the oration that will electrify the soldiers, and the sun may rise more glorious than ever, an inspiring and inflaming sight for all, only not for him, because the sun did not rise as glorious as this at Austerlitz, and only the sun of Austerlitz gives victory and inspiration. Thus, the inexplicable passion with which such a one may often rage against an entirely insignificant man, when otherwise he may show humanity and kindness even toward his enemies. Yes, woe unto the man, woe unto the woman, woe unto the innocent child, woe unto the beast of the field, woe unto the bird whose flight, woe unto the tree whose branch comes in his way at the moment he is to interpret his omen.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Søren Kierkegaard The Concept of Anxiety, Nichol p. 98-100 (1844)
About

Terry Pratchett photo
Barack Obama photo
Glenn Gould photo

“Never be clever for the sake of being clever
For the sake of showing off.”

Glenn Gould (1932–1982) Canadian pianist

"So You Want To Write A Fugue", work's text

Plautus photo

“In one hand he is carrying a stone, while he shows the bread with the other.”
Altera manu fert lapidem, panem ostentot altera

Alternate translation: And so he thinks to ‘tice me like a dog, by holding bread in one hand, and a stone, ready to knock my brains out, in the other.
Aulularia, Act II, sc. 2, line 18
Cf. Jesus, [Matthew, 7:9, KJV]: "Or what man is there of you, whom if his son ask bread, will he give him a stone?"
Aulularia (The Pot of Gold)

Kurt Vonnegut photo
Henry L. Stimson photo

“The only way to make a man trustworthy is to trust him; and the surest way to make him untrustworthy is to distrust him and show your distrust.”

Henry L. Stimson (1867–1950) United States Secretary of War

The Bomb and the Opportunity (March 1946)

Cardinal Richelieu photo

“Harshness towards individuals who flout the laws and commands of state is for the public good; no greater crime against the public interest is possible than to show leniency to those who violate it.”

Cardinal Richelieu (1585–1642) French clergyman, noble and statesman

As quoted in Champlain's Dream‎ (2008) by David Hackett Fischer

Ernest Hemingway photo
Stephen Hawking photo

“To show this diagram properly, I would really need a four dimensional screen. However, because of government cuts, we could manage to provide only a two dimensional screen.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

The Beginning of Time (1996)

Jean Jacques Rousseau photo
Muhammad photo

“'Amr ibn Shu'ayb's grandfather said, "The Messenger of Allah, may Allah bless him and grant him peace, said, "Anyone who does not show mercy to our young people nor honour our old people is not one of us."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh-as-Saliheen by Imam Al-Nawawi, volume 3, hadith number 355
Sunni Hadith

Muhammad photo
Theodore Roosevelt photo
Nadine Gordimer photo

“Television and newspapers show people's lives at a certain point. But novels tell you what happened after the riot, what happened when everybody went home.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Yonder Mark (ed.), The Quotable Gordimer, 2014.

John Chrysostom photo
Fernando Pessoa photo

“If I had written King Lear, I would regret it all my life afterwards. Because that work is so big, that its defects show as huge, its monstrous defects, things even minimal in between some scenes and their possible perfection. It's not the sun with spots; it's a broken greek statue.”

Ibid., p. 250
The Book of Disquiet
Original: Se eu tivesse escrito o Rei Lear, levaria com remorsos toda a minha vida de depois. Porque essa obra é tão grande, que enormes avultam os seus defeitos, os seus monstruosos defeitos, as coisas até mínimas que estão entre certas cenas e a perfeição possível delas. Não é o sol com manchas; é uma estátua grega partida.

Gabriel Iglesias photo

“The first time I came here, I got the chance to meet some people, and they said, "You know what, Gabriel, have you ever been here, have you ever been to Chicago?" I'm like, "No, it's my first time." They said, "Well, you know, we'd like to take you out eat if you're down." And I'm like, "Well, hello!" [Audience laughs] "I'm very down!" They took me to a restaurant called Portillo's." [Audience cheers] You've heard of it? So, we get there, and it was, it was very, very good. The hot dogs were delicious, I had a chicken chopped salad, it was amazing. I had a beef dip, really really good. But it wasn't until the meal was almost over that these new friends of mine said, "We'd like for you to try something you've might not have ever had before." And I'm like, "That's not likely." I said, "So, what is it you want me to try?" And they said, "Well, they sell a thing here at Portillo's called a Chocolate Cake Shake." [Audience cheers] I said, "You had me at 'Chocolate'." They said, "Well, you gotta go to the special window and you gotta order it from the lady." I go, "Okay, cool." So, I get up and walk to the lady, and she's like, "Can I help you?" I said, "Yes, my friends are telling me that I need to try this thing, called a 'Chocolate Cake Shake'." "Okay, what size would you like?" "How good is it?" "You'll want a large." [Audience laughs] "Alright, can I please have a large Chocolate Cake Shake?" "No problem." [Imitates her entering the order in on the cash register] And I pay, and she turns around and walks over to this little refrigerator that's on the counter, and she opens it up, and she pulls out a piece of chocolate cake. And I'm thinking to myself, "She must have misunderstood what I said. I didn't ask for a piece of chocolate cake, I asked for a Chocolate Cake Shake." She must've heard what I was thinking, because she's walking by and she's like, "It's gonna happen." She walks over to the blender, she takes the freaking lid off, she just looks at me and does this. [Mimes the cashier turning her hand over, dropping the chocolate cake in the blender] And I was like, "NO!" And she's like, "Oh, yeah." [Mimes the lady pushing the button and the blender blending the cake] And she pours it, and she hands me this, like, 44-ounce chocolate shake, which is WAY more than anybody should be drinking. The straw was so thick, you could almost put your thumb in it, okay? So, I grab this shake, and I begin to attempt to drink it. So, I'm [Mimics him trying to suck the shake through the straw, making heavy "MMM" sounds], and I can see the shake coming up. [Still makes the "MMM" sounds, while using his finger to show how show the shake's coming up the straw] And it hit, and then, all of a sudden, [Mimics his nipples getting hard] "WOOOOO!"”

Gabriel Iglesias (1976) American actor

I'm Sorry For What I Said When I Was Hungry (2016)

Pink (singer) photo
Bertrand Russell photo
Bertrand Russell photo

“I have been accused of a habit of changing my opinions … I am not myself in any degree ashamed of having changed my opinions. What physicist who was already active in 1900 would dream of boasting that his opinions had not changed during the last half century? In science men change their opinions when new knowledge becomes available; but philosophy in the minds of many is assimilated rather to theology than to science. … The kind of philosophy that I value and have endeavoured to pursue is scientific, in the sense that there is some definite knowledge to be obtained and that new discoveries can make the admission of former error inevitable to any candid mind. For what I have said, whether early or late, I do not claim the kind of truth which theologians claim for their creeds. I claim only, at best, that the opinion expressed was a sensible one to hold at the time when it was expressed. I should be much surprised if subsequent research did not show that it needed to be modified. I hope, therefore, that whoever uses this dictionary will not suppose the remarks which it quotes to be intended as pontifical pronouncements, but only as the best I could do at the time towards the promotion of clear and accurate thinking. Clarity, above all, has been my aim.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Preface to The Bertrand Russell Dictionary of Mind, Matter and Morals (1952) edited by Lester E. Denonn
1950s

Virginia Woolf photo
Ronald H. Coase photo
Everett Dean Martin photo

“It must be borne in mind that everything the propagandist does or says is for effect—most commonly the effect on fools. The public wants not truth but a show?”

Everett Dean Martin (1880–1941)

Source: Are We Victims of Propaganda, Our Invisible Masters: A Debate with Edward Bernays (1929), p. 144

Thomas De Quincey photo
Friedrich Nietzsche photo

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)