Quotes about rest
page 20

Herbert Spencer photo

“What is essential to the idea of a slave? We primarily think of him as one who is owned by another. To be more than nominal, however, the ownership must be shown by control of the slave's actions — a control which is habitually for the benefit of the controller. That which fundamentally distinguishes the slave is that he labours under coercion to satisfy another's desires. The relation admits of sundry gradations. Remembering that originally the slave is a prisoner whose life is at the mercy of his captor, it suffices here to note that there is a harsh form of slavery in which, treated as an animal, he has to expend his entire effort for his owner's advantage. Under a system less harsh, though occupied chiefly in working for his owner, he is allowed a short time in which to work for himself, and some ground on which to grow extra food. A further amelioration gives him power to sell the produce of his plot and keep the proceeds. Then we come to the still more moderated form which commonly arises where, having been a free man working on his own land, conquest turns him into what we distinguish as a serf; and he has to give to his owner each year a fixed amount of labour or produce, or both: retaining the rest himself. Finally, in some cases, as in Russia before serfdom was abolished, he is allowed to leave his owner's estate and work or trade for himself elsewhere, under the condition that he shall pay an annual sum. What is it which, in these cases, leads us to qualify our conception of the slavery as more or less severe? Evidently the greater or smaller extent to which effort is compulsorily expended for the benefit of another instead of for self-benefit. If all the slave's labour is for his owner the slavery is heavy, and if but little it is light. Take now a further step. Suppose an owner dies, and his estate with its slaves comes into the hands of trustees; or suppose the estate and everything on it to be bought by a company; is the condition of the slave any the better if the amount of his compulsory labour remains the same? Suppose that for a company we substitute the community; does it make any difference to the slave if the time he has to work for others is as great, and the time left for himself is as small, as before? The essential question is—How much is he compelled to labour for other benefit than his own, and how much can he labour for his own benefit? The degree of his slavery varies according to the ratio between that which he is forced to yield up and that which he is allowed to retain; and it matters not whether his master is a single person or a society. If, without option, he has to labour for the society, and receives from the general stock such portion as the society awards him, he becomes a slave to the society.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

The Man versus the State (1884), The Coming Slavery

Joseph Strutt photo

“And also, of animals when they retired to rest; a hart was said to be harbored, a buck lodged, a roebuck bedded, a hare formed, a rabbit set, &c.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 22
The Sports and Pastimes of the People of England (1801), Animals

Letitia Elizabeth Landon photo
Benjamin Harrison photo

“I knew that my staying up would not change the election result if I were defeated, while if elected I had a hard day ahead of me. So I thought a night's rest was best in any event.”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

As quoted in A Call to America : Inspiring and Empowering Quotations from the 43 presidents of the United States (2002) by Bryan Curtis

Daniel Kahneman photo
Nora Ephron photo
Chinmayananda Saraswati photo

“Do the best and leave the rest.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Marcus Tullius Cicero photo

“For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.”
Quibus enim oculis animi intueri potuit vester Plato fabricam illam tanti operis, qua construi a deo atque aedificari mundum facit; quae molitio, quae ferramenta, qui vectes, quae machinae, qui ministri tanti muneris fuerunt; quem ad modum autem oboedire et parere voluntati architecti aer, ignis, aqua, terra potuerunt; unde vero ortae illae quinque formae, ex quibus reliqua formantur, apte cadentes ad animum afficiendum pariendosque sensus? Longum est ad omnia, quae talia sunt, ut optata magis quam inventa videantur.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book I, section 19
De Natura Deorum – On the Nature of the Gods (45 BC)

Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

George W. Bush photo
Stevie Wonder photo
Emma Goldman photo
Steve Sailer photo
Thomas Carlyle photo
Margaret Atwood photo
Francis Bacon photo

“Like strawberry wives, that laid two or three great strawberries at the mouth of their pot, and all the rest were little ones.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

No. 54
Apophthegms (1624)

Patrick Pearse photo

“And let us make no mistake as to what Tone sought to do, what it remains to us to do. We need to restate our programme: Tone has stated it for us:
"To break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country—these were my objects. To unite the whole people of Ireland, to abolish the memory of all past dissentions, and to substitute the common name of Irishmen in place of the denominations of Protestant, Catholic and Dissenter—these were my means."
I find here implicit all the philosophy of Irish nationalism, all the teaching of the Gaelic League and the later prophets. Ireland one and Ireland free—is not this the definition of Ireland a Nation? To that definition and to that programme we declare our adhesion anew; pledging ourselves as Tone pledged himself—and in this sacred place, by this graveside, let us not pledge ourselves unless we mean to keep our pledge—we pledge ourselves to follow in the steps of Tone, never to rest either by day or night until his work be accomplished, deeming it the proudest of all privileges to fight for freedom, to fight not in despondency but in great joy hoping for the victory in our day, but fighting on whether victory seem near or far, never lowering our ideal, never bartering one jot or tittle of our birthright, holding faith to the memory and the inspiration of Tone, and accounting ourselves base as long as we endure the evil thing against which he testified with his blood.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

İsmail Enver photo
William Blake photo

“When the voices of children are heard on the green
And laughing is heard on the hill,
My heart is at rest within my breast
And everything else is still.”

William Blake (1757–1827) English Romantic poet and artist

Nurse's Song, st. 1
1780s, Songs of Innocence (1789–1790)

T. E. Lawrence photo

“Isn't it true that the fault of birth rests somewhat on the child? I believe it's we who led our parents on to bear us, and it's our unborn children who make our flesh itch.”

T. E. Lawrence (1888–1935) British archaeologist, military officer, and diplomat

Letter in T.E. Lawrence: The Selected Letters (1989) edited By Malcolm Brown, as quoted in "The Hero Our Century Deserved" by Paul Gray in TIME magazine (15 May 1989)

John Mackey (businessman) photo

“I remember one day in August of 2003 I made the decision to become (near) vegan and that once the decision was made I felt great emotional alignment within my heart. I knew this was the right thing for me to do and I also knew that I was making a decision that I would be committed to for the rest of my life. At last my beliefs and my ethics had come into alignment.”

John Mackey (businessman) (1953) is an American businessman. He is the current CEO of Whole Foods Market

Told to Jeffrey Moussaieff Masson, as quoted in Jeffrey Moussaieff Masson, The Face on Your Plate: The Truth About Food (New York: Norton & Company, 2009. ISBN 978-0-393-06595-4), Introduction, p. 15 https://books.google.it/books?id=-LeUV2wr2BoC&pg=PA15.

Jeremy Corbyn photo
Mitt Romney photo
Robert G. Ingersoll photo
Vanna Bonta photo

“The true poem rests between the words.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Servants to Thought"
Shades of the World (1985)

Maria Mitchell photo
Adolf Hitler photo
Henry Hazlitt photo
Frederick William Robertson photo
Gloria Estefan photo

“For the rest of my life, the one song that people will remember -- regardless -- is "Conga"... I never get tired of singing it. It never gets old for me.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007, 2008

Helena Petrovna Blavatsky photo
Omar Khayyám photo
Letitia Elizabeth Landon photo
Pierre Teilhard De Chardin photo

“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”

pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/,
The Phenomenon of Man (1955)

Albert Einstein photo

“I want to know how God created this world. I'm not interested in this or that phenomenon, in the spectrum of this or that element. I want to know His thoughts, the rest are details.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

As quoted in "A Talk with Einstein" in The Listener 54 (1955) p. 123
Attributed in posthumous publications, Einstein and Religion (1999)

Fiona Apple photo

“Interviewer: I read a post on the Internet from a young girl who had been victimized by someone and her position was like, "I can talk about this now because Fiona Apple can talk about what happened to her." Do you look at yourself as a role model for women and girls who've had this experience?
Fiona: That's the only reason I ever brought the whole rape thing up. It's a terrible thing, but it happens to so many people. I mean, 80 percent of the people I've told have said right back to me, "That happened to me too." It's so common, and so ridiculous that it's a hard thing to talk about. It angers me so much because something like that happens to you and you carry it around for the rest of your life. No matter how much therapy you go through, no matter how much healing you go through, it's part of you. I just feel that it's such a tragedy that so many people have to bear the extra burden of having to keep it secret from everyone else. As if it's too icky a subject to burden other people with and everyone's going to think you're a victim forever. Then you've labeled yourself a victim, and you've been taken advantage of, and you're ruined, and you're soiled, and you're not pure, you know.If I'm in a position where people are looking up to me in any way, then it's absolutely my responsibility to be open and honest about this, because if I'm not, what does that say to people? It doesn't change a person -- well, it does change a person but it doesn't take anything away from you. It can only strengthen you. It has made me so angry in the past. Like I wanted to say it to somebody. I really wanted somebody to connect with, somebody to understand me, somebody to comfort me. But I felt like I couldn't say anything about because it was taboo to talk about.”

Fiona Apple (1977) singer-songwriter, musician

Nuvo, "Fiona Apple: The NUVO Interview" April [1997]

James Russell Lowell photo

“I first drew in New England's air, and from her hardy breast
Sucked in the tyrant-hating milk that will not let me rest.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

"On the Capture of Certain Fugitive Slaves Near Washington" (1845)

Erwin Schrödinger photo
Letitia Elizabeth Landon photo
Henry Howard, Earl of Surrey photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Kenneth Arrow photo
Miguel de Unamuno photo
Isaac Leib Peretz photo

“For the rest of the earth’s organisms, existence is relatively uncomplicated. Their lives are about three things: survival, reproduction, death—and nothing else.”

Thomas Ligotti (1953) American horror author

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Eugène Delacroix photo
Hans Urs Von Balthasar photo
Joseph Joubert photo
Elizabeth Barrett Browning photo
Herbert Marcuse photo
H. G. Wells photo
George William Russell photo
Harriet Beecher Stowe photo
George D. Herron photo
Samuel I. Prime photo

“God is the only sure foundation on which the mind can rest.”

Samuel I. Prime (1812–1885) American clergyman, traveler, and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 257.

James Hudson Taylor photo
Christopher Titus photo
Italo Calvino photo
Don Soderquist photo

“I hold the simple belief that if you live your life in the right way guided by values, God will take care of the rest. God’s plans will always be better than the ones we come up with ourselves.”

Don Soderquist (1934–2016)

Don Soderquist “ Live Learn Lead to Make a Difference https://books.google.com/books?id=s0q7mZf9oDkC&lpg=pg=PP1&dq=Don%20Soderquist&pg=PP1#v=onepage&q&f=false, Thomas Nelson, April 2006 p. 173.
On Trusting God

Michel Foucault photo

“A critique is not a matter of saying that things are not right as they are. It is a matter of pointing out on what kinds of assumptions, what kinds of familiar, unchallenged, unconsidered modes of thought the practices that we accept rest.”

Michel Foucault (1926–1984) French philosopher

“Practicing criticism, or, is it really important to think?”, interview by Didier Eribon, May 30-31, 1981, in Politics, Philosophy, Culture, ed. L. Kriztman (1988), p. 155

Denis Diderot photo
Jerome K. Jerome photo
Mike Oldfield photo
Babe Ruth photo
Matthew Mitcham photo
Charles Lyell photo
Jean Cocteau photo

“Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet’s job. The rest is literature.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Mettez un lieu commun en place, nettoyez-le, frottez-le, éclairez-le de telle sorte qu'il frappe avec sa jeunesse et avec la même fraîcheur, le même jet qu'il avait à sa source, vous ferez œuvre de poète. Tout le reste est littérature.
"Le Secret Professionnel" (originally published 1922); later published in Collected Works Vol. 9 (1950)
A Call to Order (1926)

Sienna Guillory photo

“I do, and I hunt. I like small horses best. They're like small men. They have more to prove so they take all the more risks and jump higher and faster than all the rest.”

Sienna Guillory (1975) British actress

THIS CULTURAL LIFE: SIENNA GUILLORY Article http://findarticles.com/p/articles/mi_qn4159/is_20040523/ai_n12754898. The Independent on Sunday. May 23, 2004.
Guillory speaks in response to the question, Do you still ride [horses]?

Isa Bowman photo

“I will be even briefer than Fabian, I thought I would creep in the back and I don’t have to say anything but what I would like to say and I came in when Eddy was 10 speaking and that was because we had a very constructive meeting with the High Commissioner yesterday and we made some decisions which is always good. Where I disagree sometimes with the Greek Cypriots is that I wanted to vote for Turkey never to be in the European Union! I have no interest in Turkey being in the EU until all, a whole host of problems are resolved and it is of course the Cyprus problem for me first on the agenda, but it is the Kurdish problem, its the military backing barracks, and all the rest of that, you know there are no human rights and many human rights violations in Turkey. So whether it takes 20 years or longer that makes me think that Turkey is using Cyprus as a lever to get as much out of it as is possible and of course the longer it takes for them not to be a member the longer that lever takes and the longer we will have 200,000 or 300,000 Turks settled in Cyprus and that becomes a very much bigger problem than it is now already and I think that I have said that at three or four meetings before rather than us talking about the problem of Cyprus which makes that it becomes a problem for the Republic as it is worldwide known we ought to talk about the problem of Turkey, it is really a 100% Turkish problem that they're not acting in the way in which they should be acting and if that’s the case well shove it to them! And I saw about 50 Turkish … [(A Turkish Cypriot member of the audience accused him saying "You are racist!" and returns his comments…. Many interruptions and heckling from the audience, some Greek Cypriots shouted for the Turkish Cypriot to get out if he didn’t like what he was hearing and three or four police officers arrived in the room.)] Well, it has certainly allocated my speech time and I would only say to the gentleman that we have nothing against honest straightforward Turkish Cypriots but Turkey is using the occupied territory to settle Turkish people they don’t necessarily want in Turkey, many are unemployed, that is not racism, that is a set of true facts and I don’t know whether you are a Turkish Cypriot or a Turkish person I have no disrespect for anybody in the world, but I have deep disrespect for the Turkish Government and the Turkish military and that is my last word on that!”

Rudi Vis (1941–2010) British politician

[At the Friends of Cyprus meeting in the Jubilee Room at the House of Commons, 3rd July 2007] (see External links for transcript)

Ernesto Che Guevara photo

“Along the way, I had the opportunity to pass through the dominions of the [http://en.wikipedia.org/wiki/United_Fruit_Company United Fruit], convincing me once again of just how terrible these capitalist octopuses are. I have sworn before a picture of the old and mourned comrade Stalin that I won't rest until I see these capitalist octopuses annihilated.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Letter to his aunt Beatriz describing what he had seen while traveling through Guatemala (1953); as quoted in Che Guevara: A Revolutionary Life (1997) by Jon Lee Anderson ISBN 0802116000

Clarence Thomas photo

“I can't see myself spending the rest of my life as a judge.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

A Silent Justice Speaks Out http://abcnews.go.com/TheLaw/story?id=3664944&page=1.
1990s

Vince Lombardi photo
R. H. Tawney photo
Wolfhart Pannenberg photo
John Ruysbroeck photo
Nathanael Greene photo
Rob Enderle photo

“Given Steve Jobs, for instance, is critical to Apple's success is there anything short of eating live babies on national TV that he should be fired for? Where would you draw that line or should he be held to the same rules and laws that the rest of us are held to?”

Rob Enderle (1954) American financial analyst

Mark Hurd falls, could Larry Ellison and Steve Jobs be next? http://tgdaily.com/opinion/51025-mark-hurd-falls-could-larry-ellison-and-steve-jobs-be-next in TG Daily (10 August 2010)

Paul Klee photo
Richard Strauss photo

“It is better to conduct with the ear instead of with the arm: the rest follows automatically.”

Richard Strauss (1864–1949) German composer and orchestra director

On conducting classical masterpieces. (p44-56).
Recollections and Reflections

Pierre-Auguste Renoir photo
Glenn Jacobs photo
Herbert Giles photo
Clay Shirky photo
Sören Kierkegaard photo

“If I tried to imagine the public as a particular person (for although some better individuals momentarily belong to the public they nevertheless have something concrete about them, which holds them in its grip even if they have not attained the supreme religious attitude), I should perhaps think of one of the Roman emperors, a large well-fed figure, suffering from boredom, looking only for the sensual intoxication of laughter, since the divine gift of wit is not earthly enough. And so for a change he wanders about, indolent rather than bad, but with a negative desire to dominate. Every one who has read the classical authors knows how many things a Caesar could try out in order to kill time. In the same way the public keeps a dog to amuse it. That dog is the sum of the literary world. If there is some one superior to the rest, perhaps even a great man, the dog is set on him and the fun begins. The dog goes for him, snapping and tearing at his coat-tails, allowing itself every possible ill-mannered familiarity – until the public tires, and says it may stop. That is an example of how the public levels. Their betters and superiors in strength are mishandled – and the dog remains a dog which even the public despises. The leveling is therefore done by a third party; a non-existent public leveling with the help of a third party which in its significance is less than nothing, being already more than leveled.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

The Present Age 1846 by Søren Kierkegaard, translated by Alexander Dru 1962, p. 65-66
1840s, Two Ages: A Literary Review (1846)

Paul Wolfowitz photo
Dinah Craik photo

“Two hands upon the breast,
And labour’s done;
Two pale feet crossed in rest,
The race is won.”

Dinah Craik (1826–1887) English novelist and poet

Now and Afterwards; there exists a similar Russian proverb: "Two hands upon the breast, and labour is past".

Rich Mullins photo
James Hamilton photo
Josh Marshall photo
Sun Myung Moon photo
Joseph Massad photo