Quotes about purple

A collection of quotes on the topic of purple, likeness, light, lighting.

Quotes about purple

Lin Yutang photo
Rudyard Kipling photo

“He wrapped himself in quotations - as a beggar would enfold himself in the purple of Emperors.”

The Finest Story in the World http://www.telelib.com/authors/K/KiplingRudyard/prose/ManyInventions/fineststory.html (1893).
Other works
Source: Many Inventions
Context: When next he came to me he was drunk—royally drunk on many poets for the first time revealed to him. His pupils were dilated, his words tumbled over each other, and he wrapped himself in quotations—as a beggar would enfold himself in the purple of emperors.

Alice Walker photo
Alice Walker photo
Nikola Tesla photo
Lil Boosie photo

“Smokin on Purple”

Lil Boosie (1982) American rapper from Baton Rouge, Louisiana
William Shakespeare photo

“[Thou] mad mustachio purple-hued maltworms!”

William Shakespeare (1564–1616) English playwright and poet

Source: Henry IV: Part 1

W.B. Yeats photo

“There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.”

W.B. Yeats (1865–1939) Irish poet and playwright

Source: Selected Poetry

Alice Hoffman photo
Frances Hodgson Burnett photo
Cassandra Clare photo
Jimi Hendrix photo

“Anger he smiles towering in shiney metallic purple armour,
Queen jealousy envy waits behind him,
Her fiery green gown sneers at the grassy ground.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

Bold as Love
Song lyrics, Axis: Bold as Love (1967)

Etty Hillesum photo
Napoleon I of France photo

“A little while ago, I stood by the grave of the old Napoleon, a magnificent tomb, and I gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Robert G. Ingersoll, The Liberty of Man, Woman and Child
About

Edgar Allan Poe photo
Sennacherib photo

“The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold”

Sennacherib (-740–-681 BC) King of Assyria

Lord Byron, The Destruction of Sennacherib
About

Stéphane Mallarmé photo
Jim Butcher photo
Kim Harrison photo

“When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.”

Jenny Joseph (1932–2018) Poet

Poem Warning http://www.poemhunter.com/poem/warning/
Source: Warning: When I Am an Old Woman I Shall Wear Purple

Harriet Beecher Stowe photo

“Calvin: I won't eat any cereal that doesn't turn the milk purple.
p86”

Bill Watterson (1958) American comic artist

The Authoritative Calvin and Hobbes
Source: The Authoritative Calvin and Hobbes: A Calvin and Hobbes Treasury

Sylvia Plath photo
Carl Sandburg photo
Sylvia Plath photo
Eudora Welty photo
Rick Riordan photo
Cassandra Clare photo
Alice Walker photo
Sue Monk Kidd photo
Janet Evanovich photo
Jack Kerouac photo
Rick Riordan photo
Lil Boosie photo
John Muir photo

“That memorable day died in purple and gold, and just as the last traces of the sunset faded in the west and the star-lilies filled the sky, the full moon looked down over the rim of the valley, and the great rocks, catching the silvery glow, came forth out of the dusky shadows like very spirits.”

John Muir (1838–1914) Scottish-born American naturalist and author

" A Rival of the Yosemite: The Cañon of the South Fork of King's River, California http://books.google.com/books?id=fWoiAQAAIAAJ&pg=PA77" The Century Magazine, volume XLIII, number 1 (November 1891) pages 77-97 (at page 86)
1890s

Berthe Morisot photo

“Use materials with forceful MUSCULAR colours – the reddest of reds, the most purple of purples, the greenest of greens, intense yellows, orange, vermillion – and SKELETON tones of white, grey and black.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914

Anna Sui photo

“To stand out in the crowd I liked the color purple.”

Anna Sui (1964) American fashion designer

CNN Interview (July 31, 2004)

Letitia Elizabeth Landon photo

“Where do purple bubbles swim,
But upon the goblet's brim?
Drink not deep, howe'er it glow
Sparkles never lie below.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - Lady Isabelle’s First Song
The Golden Violet (1827)

Felicia Hemans photo
Vitruvius photo

“They make a fine purple colour by treating bilberry in the same way and mixing it with milk.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter XIV, Sec. 2

Arthur Rimbaud photo

“I have seen the sunset, stained with mystic horrors,
Illumine the rolling waves with long purple forms,
Like actors in ancient plays.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

J'ai vu le soleil bas, taché d'horreurs mystiques,
Illuminant de longs figements violets,
Pareils à des acteurs de drames très-antiques.
St. 9
Le Bateau Ivre http://www.mag4.net/Rimbaud/poesies/Boat.html (The Drunken Boat) (1871)

Yves Klein photo
Arshile Gorky photo
Letitia Elizabeth Landon photo
George Eliot photo
Torquato Tasso photo

“The purple morning left her crimson bed,
And donned her robes of pure vermilion hue,
Her amber locks she crowned with roses red,
In Eden's flowery gardens gathered new.”

Torquato Tasso (1544–1595) Italian poet

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

Robert Jeffress photo

“The poignancy of things
A purple flower
The blossoms of spring
And the light snow of winter
How they fall”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Paul Signac photo

“Of the three primary colors, the three binary ones are formed. If you add to one of these the primary tone that is its opposite, it cancels it out. This means that you produce the required half-tone. Therefore, adding black is not adding a half-tone, it is soiling the tone whose true half-tone resides in this opposite me have just described. Hence the green shadows found in red. The heads of the two little peasants. The yellow one had purple shadows; the redder and more sanguine one had green ones.”

Paul Signac (1863–1935) French painter

Quoted by Maria Buszek, online - note 19 http://mariabuszek.com/mariabuszek/kcai/Expressionism/Readings/SignacDelaNeo.pdf
The notebook where this sentence appears was only published, in facsimile, in 1913 by J. Guiffrey. Signac therefore must have consulted it at the Conde Museum, in Chantilly. This Moroccan travel document was bought at the Delacroix sale by the painter Dauzats for the Duc of Aumale.
From Delacroix to Neo-Impressionism, 1899

Charlotte Salomon photo

“.. Thus in the presence of the scorching sun, purple sea, and luxuriant blossoms, the memory of an experience of her fervid early love [Daberlohn = Alfred Wolfsohn ] came back to her. And she tried to visualize that face, that figure. And Io, she succeeded, and she noticed that this was a very interesting occupation. For she discovered that that figure…”

Charlotte Salomon (1917–1943) German painter

Charlotte's 6th ending, written page in brush, related to JHM no. 4922v https://charlotte.jck.nl/detail/M004922/part/character/theme/keyword/M004922: (553) 'Life? or Theater..', p. 818
Charlotte Salomon - Life? or Theater?

Gelett Burgess photo

“Ah, yes, I wrote the "Purple Cow"—
I'm Sorry, now, I wrote it;
But I can tell you Anyhow
I'll Kill you if you Quote it!”

Gelett Burgess (1866–1951) artist, art critic, poet, author and humorist

Poem Confession: and a Portrait Too, Upon a Background that I Rue (1897)
Reacting to the many parodies of his poem.
Confession (1897)

“No royal palace was prepared for him;
No silken courtiers slid from room to room,
Gathering together in the gorgeous gloom
Of purple hangings, drooping rich and dim;”

John Stanyan Bigg (1828–1865) British writer

Ode to the Centenary of Burns http://www.gerald-massey.org.uk/massey/dmc_burns_centenary2.htm#7 (1858)

Steven Erikson photo

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“Fame to a woman is indeed but a royal mourning in purple for happiness.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Dashiell Hammett photo

“"Remember, I've got no idea what this is all about," said the girl when they were in the living room, a narrow room, where blue fought with red without ever compromising on purple.”

Dashiell Hammett (1894–1961) American writer

"The Assistant Murderer" (published in Black Mask, February 1926)
Short Stories

P.G. Wodehouse photo
Lucian photo
John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Alfred Russel Wallace photo
Gelett Burgess photo

“I never saw a purple cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one!”

Gelett Burgess (1866–1951) artist, art critic, poet, author and humorist

The Purple Cow (1895)

“Thus, severed by the ruthless plough,
Dim fades a purple flower:
Their weary necks so poppies bow,
O'erladen by the shower.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book IX, p. 324

Letitia Elizabeth Landon photo
Jerry Falwell photo

“He [Tinky Winky] is purple—the gay-pride color, and his antenna is shaped like a triangle—the gay pride symbol.”

Jerry Falwell (1933–2007) American evangelical pastor, televangelist, and conservative political commentator

"Parents Alert: Tinky Winky Comes Out of the Closet" (February 1999), National Liberty Journal, quoted in [1999-02-15, Gay Tinky Winky bad for children, BBC News, http://news.bbc.co.uk/2/hi/entertainment/276677.stm]
about Tinky Winky, a character on the children's program Teletubbies

Vincent Van Gogh photo
Margaret Cho photo
Bert McCracken photo

“Whether the color of your skin is black, white, yellow, brown or purple -- the extent of this tragedy is so incredibly devastating that we had to do something.”

Bert McCracken (1982) American musician

Statement about Hurricane Katrina on website of The Used, reported in L. Martinez (September 10, 2005) "Rockers plug in for Katrina", Ventura County Star, p. 1.

Elinor Glyn photo
Letitia Elizabeth Landon photo
Christopher Pitt photo
Willa Cather photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Angus Young photo

“You should hear me on my own. It’s horrendous.
I saw Deep Purple live once and I paid money for it and I thought, Geez, this is ridiculous.”

Angus Young (1955) Scottish Australian guitarist

1983 Interview in West Hollywood, California (Sunset Marquis Hotel)

Letitia Elizabeth Landon photo
Charles Bukowski photo
Marcus Aurelius photo
John Milton photo
Franz Marc photo
Victor Hugo photo

“Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Italiens ou français, la misère nous regarde tous. Depuis que l'histoire écrit et que la philosophie médite, la misère est le vêtement du genre humain; le moment serait enfin venu d'arracher cette guenille, et de remplacer, sur les membres nus de l'Homme-Peuple, la loque sinistre du passé par la grande robe pourpre de l'aurore.
Letter To M. Daelli on Les Misérables (1862)

Henry Wadsworth Longfellow photo
Sarah Doudney photo
Prince photo

“I never meant 2 cause u any sorrow
I never meant 2 cause u any pain
I only wanted 2 one time see u laughing
I only wanted 2 see u laughing in the purple rain.”

Prince (1958–2016) American pop, songwriter, musician and actor

Purple Rain
Song lyrics, Purple Rain (1984)

Jim Gaffigan photo

“In Indiana, I wasn't anything special. But in New York, I've gone out with girls with purple hair who go out with me because I'm exotic!”

Jim Gaffigan (1966) comedian, actor, author

Frazier Moore, Associated Press (December 27, 2000) "Comic Gaffigan Gets A Hayseed's Welcome to New York", Sun-Sentinel, p. 3E.

Thomas Gray photo

“O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.”

Thomas Gray (1716–1771) English poet, historian

I. 3, Line 16
The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)

Sylvia Plath photo
Julian (emperor) photo

“By purple death I'm seized and fate supreme.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Source: General sources, Lines from Homer's Iliad which Julian recited upon his elevation to Caesar by Constantius II, as recorded by Ammianus Marcellinus in book XV of his history; such elevations had often proven fatal to others.