“And loveliest sight of all, in front of the fire, stretched at full length, was his tiger – and on him – also at full length – reclined the lady, garbed in some strange clinging garment of heavy purple crepe, its hem embroidered with gold, one white arm resting on the beast's head, her back supported by a pile of the velvet cushions, and a heap of rarely bound books at her side, while between her red lips was a rose not redder than they – an almost scarlet rose.”

Source: The Diviners

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

Pena, sung by Jeff Cotton, better known as Antennae Jimmy Semens
Trout Mask Replica (1969)

At the Sign of the Lyre (1885).

Source: The Rime of the Ancient Mariner

Assim como a bonina, que cortada
Antes do tempo foi, cândida e bela,
Sendo das mãos lascivas maltratada
Da menina que a trouxe na capela,
O cheiro traz perdido e a cor murchada:
Tal está morta a pálida donzela,
Secas do rosto as rosas, e perdida
A branca e viva cor, co'a doce vida.
Stanza 134 (tr. William Julius Mickle)
Epic poetry, Os Lusíadas (1572), Canto III

"The Nightingale and the Rose"
The Happy Prince and Other Tales (1888)

A Flower Given To My Daughter, p. 11
Pomes Penyeach (1927)

Source: L'Allegro (1631), Line 110