
Reported in James Freeman Clarke, Book of Worship for the Congregation and the Home (1852), p. 431.
Reported in James Freeman Clarke, Book of Worship for the Congregation and the Home (1852), p. 431.
Source: Dream of the Red Chamber (1958), p. 307
hence the name "crimson"
A Short History of Chemistry (1937)
The History of Rome - Volume 2
“There are purple grapes in the Land of Git-Thare.”
The Land of Git-Thare, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About
An old Man’s Idyll, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Night came—the deep and purple time
Of summer in a southern clime.”
The Vow of the Peacock (1835)
p, 125
The Word of God and the Word of Man (1928)
“Often a purple patch or two is tacked on to a serious work of high promise, to give an effect of colour.”
Inceptis gravibus plerumque et magna professis
purpureus, late qui splendeat, unus et alter
adsuitur pannus.
Inceptis gravibus plerumque et magna professis
purpureus, late qui splendeat, unus et alter
adsuitur pannus.
Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 14
(10th August 1822) Sketches from Drawings by Mr. Dagley. Sketch the Third. The Cup of Circe
The London Literary Gazette, 1821-1822
shadows that follow very strict rules
Quote from Maria Buszek, online - note 22 http://mariabuszek.com/mariabuszek/kcai/Expressionism/Readings/SignacDelaNeo.pdf
Seurat's quote from: Jules Christophe, Seurat, in 'Les Hommes d'aujourd'hui', no. 368, March-April 1890
From Delacroix to Neo-Impressionism, 1899
Daniel Drake (1834). Discourse on the History, Character, and Prospects of the West: Delivered to the Union Literary Society of Miami University, Oxford, Ohio, at Their Ninth Anniversary, September 23, 1834. Truman and Smith. p. 31
"Cars"
Song lyrics, Other songs
The Beetle.
Bartlett's Familiar Quotations, 10th ed. (1919)
These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)
Source: 1880's, Renoir – his life and work, 1975, pp. 156-157 : quote, 1881 on the illusion by sunlight, from Renoir et ses amis, Georges Riviere.
Source: 1990's, Rauschenberg, Art and Live, 1990, p. 206
“King's Cross!
What shall we do?
His Purple Robe
Is rent in two!”
King's Cross
Nursery Rhymes of London Town (1916)
Skyline Pigeon
Song lyrics, Empty Sky (1969)
(2nd February 1822) Poetic Sketches, No.4
The London Literary Gazette, 1821-1822
This Train Don't Stop There Anymore
Song lyrics, Songs from the West Coast (2001)
"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764)
"City Vignettes, I: Dawn"
Helen of Troy and Other Poems (1911)
Letter from Patton to his wife, written on November 10, 1968. As quoted in Growing Up Patton (2012) by Benjamin Patton, p. 295
Vol. 4, Part: 1. Chapter 2 Pg. 47 - "Rule of the Sullan Restoration" Translated by W.P. Dickson.
The History of Rome - Volume 4: Part 1
Kush
Official Mix tapes, The Leak (2007)
Pouf Positive
Untold Decades: Seven Comedies of Gay Romance (1988)
pg. 47
Pretty Mess book (2018)
“To prevent Incitatus, his favourite horse, from being disturbed he always picketed the neighbourhood with troops on the day before the races, ordering them to enforce absolute silence. Incitatus owned a marble stable, an ivory stall, purple blankets, and a jewelled collar; also a house, a team of slaves, and furniture – to provide suitable entertainment for guests whom Gaius invited in its name. It is said that he even planned to award Incitatus a consulship.”
Incitato equo, cuius causa pridie circenses, ne inquietaretur, viciniae silentium per milites indicere solebat, praeter equile marmoreum et praesaepe eburneum praeterque purpurea tegumenta ac monilia e gemmis domum etiam et familiam et supellectilem dedit, quo lautius nomine eius invitati acciperentur; consulatum quoque traditur destinasse.
Source: The Twelve Caesars, Gaius Caligula, Ch. 55
1900's, Let's Murder the Moonlight!' (1909)
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 54: Lead paragraph
1850s, The Present Aspect of the Slavery Question (1859)
Context: This negative doctrine of Mr. Douglas that there are no rights anterior to governments is the end of free society. If the majority of a political community have a right to establish slavery if they think it for their interest, they have the same right to declare who shall be enslaved. The doctrine simply substitutes the despotic, irresponsible tyranny of many for that of one. If the majority shall choose that the interest of the State requires the slaughter of all infants born lame, of all persons more than seventy years of age, they have the right to slaughter them, according to what is called the Democratic doctrine. Do you think this a ludicrous and extreme case? But if the majority have a right to deprive a man of his liberty at their pleasure, they have an equal right to take his life. For life is no more a natural right than liberty. The individual citizen, according to Mr. Douglas, is not secure in his person, in his property, in his family, for a single moment from the whim or the passion or the deliberate will of the majority, if expressed as law. Might is not right. I have the power to hold a child by the throat until he turns purple and dies. But I have not the right to do it. A State or a Territory has the power to steal a man's liberty or labor, and to hold him and his children's children forever in slavery. It has the power to do this to any man of any color, of any age, of any country, who is not strong enough to protect himself. But it has no more right to do it to an African than to an American or an Irishman, no more right to do it to the most ignorant and forsaken foreigner than to the prosperous and honored citizen of its own country. We are going to do what Patrick Henry did in Virginia, what James Otis and Samuel Adams did in Massachusetts, what the Sons of Liberty did in New York, ninety years ago. We are going to agitate, agitate, agitate. You say you want to rest. Very well, so do we — and don't blame us if you stuff your pillow with thorns. You say you are tired of the eternal Negro. Very well, stop trying to turn a man into a thing because he happens to be black, and you'll stop our mouths at the same time. But while you keep at your work, be perfectly sure that we shall keep at ours. If you are up at five o'clock, we shall be up at four. We shall agitate, agitate, agitate, until the Supreme Court, obeying the popular will, proclaims that all men have original equal rights which government did not give and cannot justly take away.
A statement regarding the Emmett Till murder.
Paris Review interview (1958)
Context: If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. Maybe the purpose of this sorry and tragic error committed in my native Mississippi by two white adults on an afflicted Negro child is to prove to us whether or not we deserve to survive. Because if we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.
The Departure, st. 1
The Day-Dream (1842)
Context: And on her lover's arm she leant,
And round her waist she felt it fold,
And far across the hills they went
In that new world which is the old:
Across the hills, and far away
Beyond their utmost purple rim,
And deep into the dying day
The happy princess follow'd him.
“Purple haze, all in my brain
Lately things just don't seem the same”
Purple Haze
kiss the sky is often misheard by listeners as kiss this guy (see wikipedia mondegreen). Aware of that, in concerts, Jimi sometimes sang "'Scuse me while I kiss THAT guy".
Song lyrics, Are You Experienced? (1967)
Context: Purple haze, all in my brain
Lately things just don't seem the same,
Acting funny, but I don't know why,
'Scuse me while I kiss the sky.
“Early impressions are hard to eradicate from the mind. When once wool has been dyed purple, who can restore it to its previous whiteness?”
Difficulter eraditur, quod rudes animi praebiberunt. Lanarum conchylia quis in pristinum colorem revocet?
Letter 107
Letters
The Clerk's Vision (1949)
Context: No use going out or staying at home. No use erecting walls against the impalpable. A mouth will extinguish all the fires, a doubt will root up all the decisions. It will be everywhere without being anywhere. It will blur all the. mirrors. Penetrating walls and convictions, vestments and well-tempered souls, it will install itself in the marrow of everyone. Whistling between body and body, crouching between soul and soul. And all the wounds will open because, with expert and delicate, although somewhat cold, hands, it will irritate sores and pimples, will burst pustules and swellings and dig into the old, badly healed wounds. Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!
It is not the sword that shines in the confusion of what will be. It is not the saber, but fear and the whip. I speak of what is already among us. Everywhere there are trembling and whispers, insinuations and murmurs. Everywhere the light wind blows, the breeze that provokes the immense Whiplash each time it unwinds in the air. Already many carry the purple insignia in their flesh. The light wind rises from the meadows of the past, and hurries closer to our time.
Letter to F.W Weber (1950); published in New York—Pennsylvania Collector (8 August 1991)
Context: How do ideas come? What a question! If they come of their own accord, they are apt to arrive at the most unexpected time and place. For the most part the place is out of doors, for up in this northern wilderness when nature puts on a show it is an inspiring one. There seem to be magic days once in a while, with some rare quality of light that hold a body spellbound: In sub-zero weather there will be a burst of unbelievable color when the mountain turns a deep purple, a thing it refuses to do in summer. Then comes the hard part: how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, air and space, there is no such thing as sitting down outside and trying to make a “portrait” of it. It lasts for only a minute, for one thing, and it isn’t an inspiration that can be copied on the spot...
Part I, section xxii, stanza 11
Maud; A Monodrama (1855)
"Queen of the Black Coast" (1934)
Context: "There is life beyond death, I know, and I know this, too, Conan of Cimmeria"--she rose lithely to her knees and caught him in a pantherish embrace--"my love is stronger than any death! I have lain in your arms, panting with the violence of our love; you have held and crushed and conquered me, drawing my soul to your lips with the fierceness of your bruising kisses. My heart is welded to your heart, my soul is part of your soul! Were I still in death and you fighting for life, I would come back to the abyss to aid you--aye, whether my spirit floated with the purple sails on the crystal sea of paradise, or writhed in the molten flames of hell! I am yours, and all the gods and all their eternities shall not sever us!"
" Oenone http://www.sc.edu/library/spcoll/britlit/tenn/oenone.html", st. 3 (1832)
“I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle.”
Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!
Discussing http://www.nicap.org/articles/ShalettsArticle1.pdf a fisherman's report http://www.waterufo.net/item.php?id=1148 of purplish spheres with portholes maneuvering over the Crow River, Ontario, Are Space Visitors Here?, Fate (summer 1948)
The Finest Story in the World http://www.telelib.com/authors/K/KiplingRudyard/prose/ManyInventions/fineststory.html (1893).
Other works
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik wou kraaien schilderen in een groote plek van eenzaam zwart met doodgraverskop en pooten. Maar sterker was de natuur, die me een beest deed maken flonkerend van blauw en paars, een ingetogen oogenlust.
In a letter of Mankes to Annie van Beuningen-Eschauzier, 30 Nov. 1919; in particular collection; as cited Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, pp. 49-50
1915 - 1920
And no one laughed at all."
As quoted in "Hoopla of Movie Stardom Catches Up With Whoopi" by Philip Wuntch, Fort Lauderdale Sun Sentinel (January 3, 1986), p. 6S.
The Guardian https://www.theguardian.com/books/2007/oct/18/bookerprize2007.thebookerprize
According to the Lady's Book of Flowers, 1842 , this is the centaury
Source: The London Literary Gazette, 1824