Quotes about nod
page 2

Jim Butcher photo

“A nod is as good as a wink to a blind badger.”

Louise Rennison (1951–2016) British writer

Source: Away Laughing on a Fast Camel

Sarah Dessen photo
James Patterson photo
Jim Butcher photo
Blake Schwarzenbach photo
Eliot Spitzer photo

“Never talk when you can nod and never nod when you can wink and never write an e-mail, because it's death. You're giving prosecutors all the evidence we need.”

Eliot Spitzer (1959) 54th Governor of New York

Warning to criminals.
Pressure Mounts on Spitzer to Resign Over Sex Scandal, PBS NewsHour, March 11, 2008, 2012-10-15 http://www.pbs.org/newshour/bb/law/jan-june08/spitzer_03-11.html,

Lee Child photo
Plutarch photo

“Even a nod from a person who is esteemed is of more force than a thousand arguments or studied sentences from others.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Phocion
Bartlett's Familiar Quotations, 10th ed. (1919)

Apuleius photo

“Behold me, Lucius; moved by thy prayers, I appear to thee; I, who am Nature, the parent of all things, the mistress of all the elements, the primordial offspring of time, the supreme among Divinities, the queen of departed spirits, the first of the celestials, and the uniform manifestation of the Gods and Goddesses; who govern by my nod the luminous heights of heaven, the salubrious breezes of the ocean, and the anguished silent realms of the shades below: whose one sole divinity the whole orb of the earth venerates under a manifold form, with different rites, and under a variety of appellations.”
En adsum tuis commota, Luci, precibus, rerum naturae parens, elementorum omnium domina, saeculorum progenies initialis, summa numinum, regina manium, prima caelitum, deorum dearumque facies uniformis, quae caeli luminosa culmina, maris salubria flamina, inferum deplorata silentia nutibus meis dispenso: cuius numen unicum multiformi specie, ritu vario, nomine multiiugo totus veneratus orbis.

Bk. 11, ch. 5; p. 226.
Metamorphoses (The Golden Ass)

Joseph Addison photo
Lee Iacocca photo
Ursula K. Le Guin photo
Morrissey photo
David Foster Wallace photo

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Raymond Chandler photo

“The old man nodded, as if his neck was afraid of the weight of his head.”

Source: The Big Sleep (1939), chapter 2

Robert Bloomfield photo
Gerald Ford photo

“The pat on the back, the arm around the shoulder, the praise for what was done right and the sympathetic nod for what wasn't are as much a part of golf as life itself.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Dedication speech at the World Golf Hall of Fame, Pinehurst North Carolina, as quoted in The New York Times (12 September 1974)
1970s

Iain Banks photo

““You like music, Mr. Gurgeh?” Hamin asked, leaning over to the man.
Gurgeh nodded. “Well, a little does no harm.””

Source: Culture series, The Player of Games (1988), Chapter 2 (p. 277).

Harry Turtledove photo
Paula Modersohn-Becker photo
Agatha Christie photo
Margaret Hughes photo
George Canning photo

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

John Dryden photo

“With ravished ears
The monarch hears;
Assumes the god,
Affects the nod,
And seems to shake the spheres.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 37–41.

Vivian Stanshall photo
James Frey photo
Elizabeth Drew Stoddard photo
Alexander McCall Smith photo
John Dryden photo
Gordon R. Dickson photo
William Cullen Bryant photo

“And the blue gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

November. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page74 (1824)

Statius photo

“For what cause, youthful Sleep, kindest of gods, or what error have I deserved, alas to lack your boon? All cattle are mute and birds and beasts, and the nodding tree-tops feign weary slumbers, and the raging rivers abate their roar; the ruffling of the waves subsides, the sea is still, leaning against the shore.”
Crimine quo merui, juvenis placidissime divum, quove errore miser, donis ut solus egerem, Somne, tuis? tacet omne pecus volucresque feraeque et simulant fessos curvata cacumina somnos, nec trucibus fluviis idem sonus; occidit horror aequoris, et terris maria adclinata quiescunt.

iv, line 1
Silvae, Book V

Arthur James Balfour photo
Laurell K. Hamilton photo
Omar Khayyám photo

“Before the phantom of False morning died,
Methought a Voice within the Tavern cried,
"When all the Temple is prepared within,
Why nods the drowsy Worshipper outside?"”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."
FitzGerald's first edition (1859).
The Rubaiyat (1120)

Ursula K. Le Guin photo
A.E. Housman photo
Tom Stoppard photo
Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Derek Walcott photo
Alastair Reynolds photo
Glen Cook photo

““Can you read?”
I nodded.
“Rules are posted over there. You got two choices. Obey them. Or be dead.””

Source: The White Rose (1985), Chapter 28, “To the Barrowland” (p. 576)

Ben Folds photo

“You nodded off in my arms watching tv
I won’t move you an inch
Even though my arm’s asleep.”

Ben Folds (1966) American musician

"Gracie", Songs for Silverman (2005).
Song lyrics, Solo

George Chapman photo
Tad Williams photo

“And now the high crest sinks, now the head is nodding overpowered and the huge neck has slipped from around the fleece it guarded, like refluent Po or Nile that sprawls in seven streams or Alpheus when his waters enter the Hesperian world.”
Iamque altae cecidere iubae nutatque coactum iam caput atque ingens extra sua vellera cervix ceu refluens Padus aut septem proiectus in amnes Nilus et Hesperium veniens Alpheos in orbem.

Source: Argonautica, Book VIII, Lines 88–91

Anthony Burgess photo

“And now, as so often happened, my brain in a fever took over the datum of the dream and enriched and expanded it. Norman Douglas spoke pedantically on behalf of the buggers. `We have this right, you see, to shove it up. On a road to Capri I found a postman who had fallen off his bicycle, you see, unconscious, somewhat concussed. He lay in exactly the right position. I buggered him with athletic swiftness: he would come to and feel none the worse.’ The Home Secretary nodded sympathetically while the rain wept on to him in Old Palace Yard. `I mean, minors. I mean, there’d be little in it for us if you restricted the act to consenting males over, say, eighteen. Boys are so pliable, so exquisitely sodomizable. You do see that, don’t you, old man?’ The Home Secretary nodded as if to say: Of course, old public-school man myself, old boy. I saw a lot of known faces, Pearson, Tyrwit, Lewis, Charlton, James, all most reasonable, claiming the legal right to maul and suck and bugger. I put myself in the gathering and said, also most reasonable, that it was nothing to do with the law: you were still left with the ethics and theology of the thing. What we had a right to desire was love, and nothing hindered that right. Oh nonsense, he’s such a bore. As for theology, isn’t there that apocryphal book of the Bible in which heterosexuality is represented as the primal curse?”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

Walter de la Mare photo
Thomas Merton photo
Tad Williams photo
David Weber photo

“No problem, kaja" Lara nodded with exaggerated obeisance. "You may lead, so long as we may follow.”

David Weber (1952) author

"Great kaja! Kill them all!"
"Honorverse", Crown of Slaves (2004)

Nathalia Crane photo
Adolf Hitler photo
Michael Moorcock photo
Victor Villaseñor photo
Richard Dawkins photo
Karen Lord photo

““Never?” he said, dismayed.
“Never,” she reiterated firmly.
He nodded, pretending to be resigned, but secretly he thought that there were always ways to get around “never.””

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 17 “The Sisters in Charge, and the Trickster in Trouble” (p. 134)

Horace photo

“I am displeased when sometimes even the worthy Homer nods;”
Indignor quandoque bonus dormitat Homerus;

Whence the familiar expression, Even Homer nods (i.e. No one is perfect: even the wisest make mistakes).
Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 359

“Jane nodded, and she mentally thanked the several-greats-grandmother who had decided she’d rather risk royal displeasure than give up a book.”

Tina Connolly American writer

Source: Ironskin (2012), Chapter 9, “The Misses Ingel” (p. 149)

John Milton photo
Herman Melville photo
Robert Sheckley photo
Thom Yorke photo
Gerald Ford photo
Robert Frost photo
Philip K. Dick photo

““They say wine will kill you slowly.” He nodded his head solemnly. “But that’s all right, we’re in no hurry.””

Sean Russell (1952) author

Source: World Without End (1995), Chapter 12 (p. 173)

William Julius Mickle photo
Anthony Burgess photo
Robert E. Howard photo
Eugene Field photo

“Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe—
Sailed on a river of crystal light,
Into a sea of dew.”

Eugene Field (1850–1895) American writer

Wynken, Blynken, and Nod http://www.amherst.edu/~rjyanco94/literature/eugenefield/poems/poemsofchildhood/wynkenblynkenandnod.html, st. 1
Love Songs of Childhood (1894)

Martin Lomasney photo

“Don't write when you can talk; don't talk when you can nod your head.”

Martin Lomasney (1859–1933) American politician

Van Nostrand, Albert D. (December 1948). "The Lomasney Legend". The New England Quarterly. 21 (4): 437. JSTOR 361565 https://www.jstor.org/stable/361565

Jonah Goldberg photo
Harry Turtledove photo

“"Let's dicker, Lord Lyons," Lincoln said; the British minister needed a moment to understand he meant bargain. Lincoln gave him that moment, reaching into a desk drawer and drawing out a folded sheet of paper that he set on top of the desk. "I have here, sir, a proclamation declaring all Negroes held in bondage in those areas now in rebellion against the lawful government of the United States to be freed as of next January first. I had been saving this proclamation against a Union victory, but circumstances being as they are-" Lord Lyons spread his hands with genuine regret. "Had you won such a victory, Mr. President, I should not be visiting you today with the melancholy message I bear from my government. You know, sir, that I personally despise the institution of chattel slavery and everything associated with it." He waited for Lincoln to nod before continuing. "That said, however, I must tell you that an emancipation proclamation issued after the series of defeats Federal forces have suffered would be perceived as a cri de coeur, a call for servile insurrection to aid your flagging cause, and as such would not be favorably received in either London or Paris, to say nothing of its probable effect in Richmond. I am sorry, Mr. President, but this is not the way out of your dilemma." Lincoln unfolded the paper on which he'd written the decree abolishing slavery in the seceding states, put on a pair of spectacles to read it, sighed, folded it again, and returned it to its drawer without offering to show it to Lord Lyons. "If that doesn't help us, sir, I don't know what will," he said. His long, narrow face twisted, as if he were in physical pain. "Of course, what you're telling me is that nothing helps us, nothing at all."”

Source: The Great War: American Front (1998), p. 7

Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

William Golding photo