Quotes about mirror
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Miyamoto Musashi photo

“I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), Introduction
Context: When I reached thirty I looked back on my past. The previous victories were not due to my having mastered strategy. Perhaps it was natural ability, or the order of heaven, or that other schools' strategy was inferior. After that I studied morning and evening searching for the principle, and came to realise the Way of strategy when I was fifty.
Since then I have lived without following any particular Way. Thus with the virtue of strategy I practise many arts and abilities — all things with no teacher. To write this book I did not use the law of Buddha or the teachings of Confucius, neither old war chronicles nor books on martial tactics. I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.

Stéphane Mallarmé photo

“I am alone in my monotonous country,
While all those around me live in the idolatry
Of a mirror reflecting in its depths serene
Herodiade, whose gaze is diamond keen …”

Stéphane Mallarmé (1842–1898) French Symbolist poet

Hérodiade.
Hérodiade (1898)
Context: I am alone in my monotonous country,
While all those around me live in the idolatry
Of a mirror reflecting in its depths serene
Herodiade, whose gaze is diamond keen...
O final enchantment! yes, I sense it, I am alone.

Terence McKenna photo

“Our ability to destroy ourselves is the mirror image of our ability to save ourselves”

Terence McKenna (1946–2000) American ethnobotanist

Psychedelic Society (1984)
Context: Our ability to destroy ourselves is the mirror image of our ability to save ourselves, and what is lacking is the clear vision of what should be done... What needs to be done is that fundamental, ontological conceptions of reality need to be redone. We need a new language, and to have a new language we must have a new reality... A new reality will generate a new language, a new language will fix a new reality, and make it part of this reality.

Paul Klee photo

“My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (Munich, 1901), # 136, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 48
1895 - 1902

Leonardo Da Vinci photo

“Those men who are inventors and interpreters between Nature and Man, as compared with boasters and declaimers of the works of others, must be regarded and not otherwise esteemed than as the object in front of a mirror, when compared with its image seen in the mirror. For the first is something in itself, and the other nothingness.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Folks little indebted to Nature, since it is only by chance that they wear the human form and without it I might class them with the herds of beasts.
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Pope Gregory I photo

“Holy Scripture presents a kind of mirror to the eyes of the mind, so that our inner face may be seen in it.”
Scriptura sacra mentis oculis quasi quoddam speculum opponitur, ut interna nostra facies in ipsa videatur. Ibi etenim foeda, ibi pulehra nostra cognoscimus.

Pope Gregory I (540–604) Pope from 590 to 604

Morals in the Book of Job, 553d, as translated in Cultural Performances in Medieval France (2007), p. 129
Context: Holy Scripture presents a kind of mirror to the eyes of the mind, so that our inner face may be seen in it. There we learn our own ugliness, there our own beauty.

Leon Trotsky photo

“If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.”

Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

Ivan Illich photo

“Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

John Lennon photo

“I am tryin’ to say it to Yoko, but to all women, you know? On behalf of all men, in a way. If that’s taken it too much on meself, I feel that artists are that – they’re reflections of society… Mirrors.”

John Lennon (1940–1980) English singer and songwriter

Last interview (1980)
Context: I’m 40, I wanna talk to the people my age. I’m happy if the young people like it, and I’m happy if the old people like it, I’m talkin’ to guys and gals that have been through what we went through, together — the sixties group that has survived. Survived the war, the drugs, the politics, the violence on the street – the whole she-bang – that we’ve survived it and we’re here. And I’m talkin’ to them. And the "Woman" song is to Yoko, but it’s to all women. And, because my role in society – or any artist or poet’s role – is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it’s like that’s the job of the artist in society, not to... they’re not some alienated being living on the outskirts of town. It’s fine to live on the outskirts of town, but artists must reflect what we all are. That’s what it’s about – artists, or poets or whatever you wanna call it. And that’s what I’m tryin’ to express on behalf of all the men to all the women, through my own feelings about women – when it dawned on me, "God! It is the other half of the sky" as the late-great Chairman MacDougal said, right? I mean, they are the other half of the sky, and without them there is nothing. And without us there’s nothing. There’s only the two together creating children, creating society. So what’s all this B. S. about, you know, "women are this" and "men are that" – we’re all human, man. We’re all human. And, I am tryin’ to say it to Yoko, but to all women, you know? On behalf of all men, in a way. If that’s taken it too much on meself, I feel that artists are that – they’re reflections of society... Mirrors.

Edgar Allan Poe photo
Stanisław Lem photo
Michael Jackson photo
Millie Bobby Brown photo
Pope Gregory I photo

“Holy Scripture presents a kind of mirror to the eyes of the mind, so that our inner face may be seen in it. There we learn our own ugliness, there our own beauty.”

Pope Gregory I (540–604) Pope from 590 to 604

Morals in the Book of Job, 553d, as translated in Cultural Performances in Medieval France (2007), p. 129
Original: (la) Scriptura sacra mentis oculis quasi quoddam speculum opponitur, ut interna nostra facies in ipsa videatur. Ibi etenim foeda, ibi pulchra nostra cognoscimus.

Napoleon I of France photo
Teal Swan photo
Colin Powell photo

“Always focus on the front windshield and not the review mirror.”

Colin Powell (1937) Former U.S. Secretary of State and retired four-star general
John Berger photo
Drew Barrymore photo
Haruki Murakami photo
Larry Niven photo

“2) Never fire a laser at a mirror.”

Larry Niven (1938) American writer

Niven's Laws

Jorge Luis Borges photo

“It only takes two facing mirrors to build a labyrinth.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature
Holly Black photo
Judy Collins photo
Edward Gibbon photo
Robin McKinley photo
Wally Lamb photo
Emma Donoghue photo

“I looked in my mirror and saw, not myself, but every place I'd never been.”

Emma Donoghue (1969) Irish novelist, playwright, short-story writer and historian

Source: Kissing the Witch: Old Tales in New Skins

Jonathan Safran Foer photo
Cassandra Clare photo
Italo Calvino photo
Cassandra Clare photo
Warren Buffett photo
John Updike photo
Ingmar Bergman photo
Steven Wright photo
Napoleon Hill photo

“Perhaps we shall learn, as we pass through this age, that the 'other self" is more powerful than the physical self we see when we look into a mirror.”

Napoleon Hill (1883–1970) American author

Source: Think and Grow Rich: The Landmark Bestseller - Now Revised and Updated for the 21st Century

Cecelia Ahern photo
Francis Bacon photo
Yoko Ono photo

“Mirror becomes a razor when it's broken. A stick becomes a flute when it's loved.”

Yoko Ono (1933) Japanese artist, author, and peace activist

Source: Grapefruit: A Book of Instructions and Drawings

George Bernard Shaw photo
George Bernard Shaw photo

“Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul.”

The She-Ancient, in Pt. V
Source: 1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.

Rachel Caine photo
Scott Westerfeld photo
Cassandra Clare photo
Laurie Halse Anderson photo
F. Scott Fitzgerald photo
Carson McCullers photo
James Joyce photo
Naomi Shihab Nye photo

“Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.”

Naomi Shihab Nye (1952) American writer

Source: 19 Varieties of Gazelle: Poems of the Middle East

Isobelle Carmody photo
Edgar Lee Masters photo
Paulo Coelho photo
Stanisław Lem photo
Markus Zusak photo
Chuck Palahniuk photo

“It's all mirror, mirror on the wall because beauty is power, the same way money is power, the same way a gun is power.”

Variant: It's all mirror, mirror on the wall because beauty is power the same way money is power the same way a gun is power.
Source: Invisible Monsters

Susan Elizabeth Phillips photo
Derek Walcott photo
Cassandra Clare photo
Cassandra Clare photo
Chuck Palahniuk photo
Frank Herbert photo

“What does a mirror look at?”

Source: Chapterhouse: Dune

James Baldwin photo
Jean Paul Sartre photo
Gene Wolfe photo
Jonathan Stroud photo
Jimi Hendrix photo

“I take my spirit and I smash my mirrors,
And now the whole world is here for me to see,
Now I'm searching for my love to be.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

Room Full Of Mirrors
Song lyrics, Rainbow Bridge (1971)
Context: I used to live in a room full of mirrors,
All I could see was me.
Then I take my spirit and I smash my mirrors,
And now the whole world is here for me to see,
Now I'm searching for my love to be.

Ayn Rand photo
Francesca Lia Block photo

“The girl in the mirror wasn't who I wanted to be and her life wasn't the one I wanted to have.”

Francesca Lia Block (1962) American children's writer

Source: Pink Smog

Jonathan Stroud photo
Andy Warhol photo
Marilyn Monroe photo

“People had a habit of looking at me as if I were some kind of mirror instead of a person. They didn't see me, they saw their own lewd thoughts, then they white-masked themselves by calling me the lewd one.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Variant: People had a habit of looking at me as if I were some kind of mirror instead of a person. They didn't see me, they saw their own lewd thoughts, then they white-masked themselves by calling me the lewd one.
Source: On Being Blonde (2007), p. 54

Charles Bukowski photo
Jeanette Winterson photo
Mitch Albom photo
Stanisław Lem photo