Quotes about look
page 100

John Banville photo
Roger Manganelli photo
Max Brooks photo

“Do you know how many times, when I was a kid, going to Europe, having a Frenchman try to get on my case about Vietnam. And that wasn't the problem, do you know what it was like to have other kids, other American students go, "yeah, it's pretty bad, in Vietnam, we should, yeah". And I'd be like, 'but, mhmm, French Indochina.', and they'd be like, "Oh is that near Vietnam" (groans). We don't educate our young people, and then we send them out into the world, as ambassadors as lameness. So no, no world empire, I don't want to be responsible for the plumbing in Rwanda, but we do need to become as much of a student of them as they are of us. Because, here's the thing. Well, the problem with the global village, remember in the early 90's, with the term now, global village, well the problem with the global village is that a lot of people are waking up realizing that they are in the global villages ghetto. And now with media, we are broadcasting these images of our wealth, and our power, our society, and the people in the global village are looking up on the hill seeing that mansion, but we're not looking down into the slum, and we need to do that. There's just so many times you can drive slowly through the ghetto in a rich convertible before you get carjacked. So this is what I mean, we need to engage…”

Max Brooks (1972) American author

Lecture of Opportunity | Max Brooks: World War Z https://www.youtube.com/watch?v=-nGG5E04cog

Billy Childish photo

“Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.”

Billy Childish (1959) British musician

Tim Teeman, "The importance of being Childish", http://www.timesonline.co.uk/article/0,,22876-2475809.html The Times, 2006-12-02
On a party in the mid-1990s.

Megyn Kelly photo

“Hold on. I realize — can, just, just — I realize something's happening in Ferguson, but we're talking about something important here, so can you at least split-screen the video? I realize — look, the protesters and the police are clashing again, alright? They’re clashing again. But we're talking about the dead— the death of an American”

Megyn Kelly (1970) American reporter

of an American who was beheaded, and Pete deserves his say.
After footage of Ferguson, Missouri police chasing protesters over the shooting of Michael Brown was aired while contributor Pete Hegseth spoke to her about ISIS beheading journalist James Foley.
2014-08-19
The Kelly File
Fox News, quoted in * 2014-08-21
Megyn Kelly Scolds Producers for Interrupting ISIS Discussion with Ferguson Video
Andrew Kirell
Media Matters for America
http://www.mediaite.com/tv/megyn-kelly-scolds-producers-for-interrupting-isis-discussion-with-ferguson-video/
2014-08-27

Ralph Ellison photo

“Had the price of looking been blindness, I would have looked.”

Source: Invisible Man (1952), Chapter 1.

Prem Rawat photo
Lawrence Lessig photo
Nina Shatskaya photo
Leo Tolstoy photo
Russell Brand photo

“Noel Gallagher looks like a mum's mate.”

Russell Brand (1975) British comedian, actor, and author

Radio 2 Show (2007–2008)

William Ellery Channing photo
Gloria Estefan photo

“Dad joined the US Army by this point [1964], and initially he was stationed in Texas and then South Carolina. But the Vietnam war brought our normal life to an end. Once again, Dad was gone. Communications were very basic back then: Dad couldn't just pick up a cellphone and let us know he was okay. Months would go by without a letter or anything. Eventually he bought two tape recorders -- one he kept with him and one for our house. Dad used to talk into the recorder and send the tapes home. Then we would gather round our machine and tell Dad stories. And I would sing. I still have all the tapes, but I can't listen to them. It hurts too much. After Dad came back from Nam, he wasn't well. He'd been poisoned by Agent Orange and needed quite a lot of looking after. Mum was busy trying to get her Cuban qualifications revalidated by a US university, so I had to take care of Dad and my little sister [Becky]. It was tough. Toward the end, Dad was too far gone and he didn't really know what was hapening around him. I joined Miami Sound Machine in 1975 and we were getting quite successful, but Dad didn't even know who I was. He had to be moved to the hospital. On my wedding day in 1978 [September 2] I went to visit him, still wearing my wedding dress. That was the last time that he said my name. Dad died in 1980, but he touches my life every day. On my last album [Unwrapped] I did a lot of writing while I was looking at a picture of him in his younger days -- so happy and in the prime of his life. I'm not sure if he sees me, but I can feel him all around me. I hope he knows that I am so very proud of him.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The [London] Sunday Times (November 17, 2006)
2007, 2008

Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Charlie Brooker photo
Richard Nixon photo
Ben Harper photo
James Freeman Clarke photo
Susan Kay photo
David Bowie photo

“The tragic youth was going down on me
(…)
I've been right and I've been wrong
Now I'm back where I started from
Never looked over reality's shoulder”

David Bowie (1947–2016) British musician, actor, record producer and arranger

"Reality"
Song lyrics, Reality (2003)

Christopher Monckton photo
Jeffrey Tucker photo
Peggy Noonan photo

“Some things in life need to be mysterious. Sometimes you need to just keep walking. … It’s hard for me to look at a great nation issuing these documents and sending them out to the world and thinking, oh, much good will come of that.”

Peggy Noonan (1950) American author and journalist

Concerning release of information about accusations against George W. Bush, in "Winners & Sinners" in Columbia Journalism Review (19 April 2009) http://www.cjr.org/full_court_press/winners_sinners_12.php?page=all&print=true

Smokey Robinson photo

“People say I'm the life of the party
'Cause I tell a joke or two.
Although I might be laughing loud and hearty,
Deep inside I'm blue.

So take a
good look at my face.
You know my smile looks out of place.
If you look closer, it's easy to trace
The tracks of my tears.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

The Tracks of My Tears, written by Smokey Robinson, Marvin Tarlin, and Pete Moore (1965)
Song lyrics, With The Miracles

William Grey Walter photo
Neal Stephenson photo
Clay Shirky photo

“Gutenberg’s press flooded the market. In the early 1500s John Tetzel, the head pardoner for German territories, would sweep into a town with a collection of already printed indulgences, hawking them with a phrase usually translated as “When a coin a coffer rings / A soul for heaven springs.” The nakedly commercial aspects of indulgences, among other things, enraged Martin Luther, who in 1517 launched an attack on the Church in the form of his famous Ninety-five Theses. He first nailed the theses to a church door in Wittenberg, but copies were soon printed up and disseminated widely. Luther’s critique, along with the spread of Bibles translated into local languages, drove the Protestant Reformation, plunging the Church (and Europe) into crisis. The tool that looked like it would strengthen the social structure of the age instead upended it. From the vantage point of 1450, the new technology seemed to do nothing more than offer the existing society a faster and cheaper way to do what it was already doing. By 1550 it had become apparent that the volume of indulgences had debauched their value, creating “indulgence inflation”—further evidence that abundance can be harder for a society to deal with than scarcity. Similarly, the spread of Bibles wasn’t a case of more of the same, but rather of more is different—the number of Bibles produced increased the range of Bibles produced, with cheap Bibles translated into local languages undermining the interpretative monopoly of the clergy, since churchgoers could now hear what the Bible said in their own language, and literate citizens could read it for themselves, with no priest anywhere near. By the middle of the century, Luther’s Protestant Reformation had taken hold, and the Church’s role as the pan-European economic, cultural, intellectual, and religious force was ending.”

Clay Shirky (1964) American technology writer

Cognitive Surplus : Creativity and Generosity in a Connected Age (2010)

Simon Soloveychik photo
John C. Wright photo
Wesley Willis photo
Amir Taheri photo
Ernest Rutherford photo

“I know what the atom looks like!”

Ernest Rutherford (1871–1937) New Zealand-born British chemist and physicist

David Wilson, Rutherford, Simple Genius (1983)

Lewis Pugh photo

“Don’t look for other people to validate your dreams. If it feels right, just go for it.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

p 262
21 Yaks And A Speedo (2013)

Leo Tolstoy photo
Julian of Norwich photo
Chris Carter photo

“We've got The X-Files, and I believe what we're looking for is in them. I'm more certain than ever the truth is out there, Scully.”

Chris Carter (1956) American television and film producer, director and writer

Paper Clip [3.2] (29 September 1995) Mulder to Scully
The X-Files (1993-2002)

Jeremy Clarkson photo
Jim Butcher photo
Elizabeth May photo

“We Canadians think that Canada is a modern, well informed democracy. We look down our noses at the dumbed down content on Fox News and CNN, without noticing that we are rapidly heading in the same direction.”

Elizabeth May (1954) Canadian politician

Source: Losing Confidence - Power, politics, And The Crisis In Canadian Democracy (2009), Chapter 4, Democracy and the Media, p. 123

Harvey Mansfield photo
Diogenes Laërtius photo

“Often when he was looking on at auctions he would say, "How many things there are which I do not need!"”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Socrates, 10.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 2: Socrates, his predecessors and followers

Henri de Toulouse-Lautrec photo

“I am quite incapable of doing them [making landscapes], even the shadow. My trees look like spinach and my sea like heaven knows what.... [the Mediterranean landscape was] the devil to paint, precisely because it is so beautiful.”

Henri de Toulouse-Lautrec (1864–1901) French painter

young Lautrec comments his own paintings of the landscape, when he was c. 15 years old.
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 46 - remark to his friend Etienne Devismes - in Nice, 1879

Theodore L. Cuyler photo
Jeff Foxworthy photo
Buck Owens photo
Donald J. Trump photo
James Martineau photo
Mark Heard photo
Eric S. Raymond photo
Theodore L. Cuyler photo
George W. Bush photo

“Some folks look at me and see swagger, which in Texas is called 'walking.”

George W. Bush (1946) 43rd President of the United States

Speech accepting the Republican nomination for President in New York City (September 2004). Reported in the New York Times http://www.nytimes.com/2005/11/13/magazine/13safire.html.
2000s, 2004

John Updike photo

“Look, Nelson. Maybe I haven't done everything right in my life. I know I haven't. But I haven't committed the greatest sin. I haven't laid down and died."
"Who says that's the greatest sin?”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

"Everybody says it. The church, the government. It's against Nature, to give up, you've got to keep moving. That's the thing about you. You're not moving. You don't want to be here, selling old man Springer's jalopies. You want to be out there, learning something." He gestures toward the west. "How to hang glide, or run a computer, or whatever."
Rabbit is Rich (1981)

“The environment is located in the mind of the actor and is imposed by him on experience in order to make that experience more meaningful. It is seldom dawns on organizational theorists to look for environments inside of heads rather than outside of them.”

Karl E. Weick (1936) Organisational psychologist

Karl. E. Weick (1977, p. 273), as cited in: James R. Taylor, Elizabeth J. Van Ever. The Emergent Organization: Communication As Its Site and Surface. (1999), p. 285
1970s

Sarah Grimké photo

“At sixty I look back on a life of deep disappointments, of withered hopes, of unlooked for suffering, of severe discipline. Yet I have sometimes tasted exquisite joy and have found solace for many a woe in the innocence and earnest love of Theodore's children. But for this my life would have little to record of mundane pleasures.”

Sarah Grimké (1792–1873) American abolitionist

Letter to Harriot Hunt (1853), as quoted in The Grimké Sisters from South Carolina: Pioneers for Woman's [sic] Rights and Abolition, p. 241, by Gerda Lerner. Editorial Oxford University Press, 1998. ISBN 0195106032.

Larry Niven photo
Statius photo

“So a lioness that has newly whelped, beset by Numidian hunters in her cruel den, stands upright over her young, gnashing her teeth in grim and piteous wise, her mind in doubt; she could disrupt the groups and break their weapons with her bite, but love for her offspring binds her cruel heart and from the midst of her fury she looks round at her cubs.”
Ut lea, quam saeuo fetam pressere cubili venantes Numidae, natos erecta superstat, mente sub incerta torvum ac miserabile frendens; illa quidem turbare globos et frangere morsu tela queat, sed prolis amor crudelia vincit pectora, et a media catulos circumspicit ira.

Source: Thebaid, Book X, Line 414

Daljit Nagra photo

“Look We Have Coming to Dover!”

Daljit Nagra (1966) British poet, teacher and broadcaster

Title of poem and book

P. L. Deshpande photo

“Before marriage, she looked so.. (Pu La completes) Thin!”

P. L. Deshpande (1919–2000) Marathi writer, humourist, actor, dramatist

In his hilarious work 'Mi ani majha shatrupaksha' (Me and my enemy party), Pu La criticizes people who bore others by telling them accounts of their travels, showing them pictures of holidays or discussing their housing construction plans. This particular quote is from a situation when the author is forced to sit through a painfully slow and boring display of old photographs by a husband and wife.
It is a play on the English word "looked" and the Marathi word "thin", which is pronounced "lukdi". The character who speaks the first part of the quote is intermingling English and Marathi in the lines.
From his various literature

Jean Vanier photo

“.. we will continue to despise people until we have recognized, loved, and accepted what is despicable in ourselves. So that, then we go down, what is it that is despicable in ourselves? And there are some elements despicable in ourselves, which we don't want to look at, but which are part of our natures, that we are mortal.”

Jean Vanier (1928–2019) Canadian humanitarian

On Being, The Wisdom of Tenderness (transcript) http://www.onbeing.org/program/wisdom-tenderness/transcript/1369 Interview with Krista Tippett, December 24, 2009
From interviews and talks

Sharron Angle photo
Donald Barthelme photo

““How does one conquer fear, Don B.?”
“One takes a frog and sews it to one’s shoe,” he said.
“The left or the right?”
Don B. gave me a pitying look.
“Well, you’d look mighty funny going down the street with only one frog sewed to your shoes, wouldn’t you?" he said. “One frog on each shoe.””

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Teachings of Don B.: A Yankee Way of Knowledge”, pp. 7–8.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

Pat Condell photo

“If you're looking at the Bible for a guide to living a compassionate, wise and humane life, well, frankly you've got more chance of finding a lap dancing club in Mecca or a virgin in a catholic orphanage.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"What have I got against religion?" (4 March 2007) http://uk.youtube.com/watch?v=oSZYN8UV6yg
2007

Grant Morrison photo
Charles Bukowski photo
George Jean Nathan photo

“One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

[Lumley, Frederick, New Trends in 20th Century Drama: A Survey Since Ibsen and Shaw, Barrie and Jenkins, 1972, London, 12, 978-0-19-519680-1]

John Muir photo
Tucker Max photo
Friedrich Hayek photo

“She was a very good-looking woman, and extremely intelligent. But she wasn’t really very female; she had too much of a male intelligence.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Conversation https://www.youtube.com/watch?v=qNwceWargfs&feature=youtu.be&t=2m10s with Alchian (1978); About Vera Lutz, published in Nobel Prize-Winning Economist: Friedrich A. von Hayek https://archive.org/details/nobelprizewinnin00haye (1983), p. 363
1960s–1970s

Marcus Orelias photo

“I’m hearing stop the violence but that can’t be. As long as we don’t look at ourselves, as a society”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Exercise Control
Rebel of the Underground (2013)

Marissa Mayer photo
William Morley Punshon photo
Eric Hoffer photo

“We usually see only the things we are looking for — so much so that we sometimes see them where they are not.”

Eric Hoffer (1898–1983) American philosopher

Section 237
The Passionate State Of Mind, and Other Aphorisms (1955)

Emma Goldman photo
William Makepeace Thackeray photo
Edgar Cayce photo
Gary Johnson photo
Garrison Keillor photo
Bill Engvall photo
Al Gore photo

“Your object is to see yourself exactly as you are. Self-knowledge is the discovery of the new: it looks beyond the world that has all the answers and no solutions.”

Barry Long (1926–2003) Australian spiritual teacher and writer

Knowing Yourself: The True in the False (1996)

Charles Dickens photo

“The first sentence of the actual Life of Alexander lives up to Plutarch's warning words. 'Alexander's descent, as a Heraclid on his father's side from Caranus, and as an Aeacid on his mother's side from Neoptolemus, is one of the matters which have been completely trusted.' While the Heraclid and Aeacid descent went unquestioned by ancient writers, the citation of Caranus as the founding father in Macedonia and so analogous to Neoptolemus in Molossia was not only controversial but must have been known to be controversial by Plutarch. For he was conversant with the histories of Herodotus and Thucydides. which had looked to Perdiccas as the founding father in Macedonia. Caranus was inserted as a forerunner of Perdiccas in Macedonia only at the turn of the fifth century: he appeared as such in the works of fourth-century writers, such as Marsyas the Macedonian historian (FGrH 135/6 i- 14) who on my analysis was used by Pompeius Trogus (Prologue 7 'origines Macedonicae regesque a conditorc gentis Carano'). Thus the dogmatic statement of Plutarch, that Caranus was the forerunner, should have been qualified, if he had been writing scientific history. But because the statement conveyed a belief which Alexander certainly held in his lifetime it was justified in the eyes of a biographer and in the eyes of those who were more concerned with biographical background than with historical facts. If Plutarch had been challenged, he would no doubt have claimed that his belief was based on his own wide reading of authors who had studied the origins of Macedonia and provided 'completely trusted' data.”

N. G. L. Hammond (1907–2001) British classical scholar

"Sources for Alexander the Great: An Analysis of Plutarch's 'Life' and Arrian's 'Anabasis Alexandrou'", p.5, Cambridge Classical Studies

Jozef Israëls photo

“.. on my travels, for example, abroad,.. I see things that attract me, in the works of others, - which impress me. That's what you reflect upon at times. And when you come home you think: Me too have to make something like that... Then you start, and when it's finished it looks like the work of that person or another... But your own originality doesn't get lost, - your sentiment remains!.. And this happens not only to me, - this happens to others also... Unintentionally you continue to build on motives of others..”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..op mijn reizen bijvoorbeeld, in het buitenland,. ..ik zie dingen die me aantrekken, in werken van anderen, - die me imponeeren. Daar denk-je dan eens over na. En als je dan thuiskomt denk-je: zoo iets moet ik toch óók eens maken.. .Dan begin-je eraan, en als 't klaar is lijkt het op het werk van dien of dien.. Maar je eigen originaliteit gaat tòch niet verloren, - je sentiment blijft!. ..En zo gaat het niet alleen met mij, - zoo gaat het ook met anderen.. .Je bouwt onwillekeurig voort op motieven van ànderen..
Quoted by N.H. Wolf, in 'Bij onze Nederlandsche kunstenaars. IV. - Jozef Israëls, Grootmeester der Nederlandsche Schilders', in Wereldkroniek, 8 Feb. 1902
Quotes of Jozef Israels, after 1900

“Nobody thought Mel Gibson could play a Scot but look at him now! An Alcoholic racist!”

Frankie Boyle (1972) Scottish comedian

Frankie Boyle Live (2008)

J. M. G. Le Clézio photo
Jean-François Lyotard photo
Miley Cyrus photo

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

William Gibson photo

“Your saving grace, Danielle, is that you make the rest of your kind look vaguely human.”

Source: Mona Lisa Overdrive (1988), Ch. 25

Letitia Elizabeth Landon photo
Keith Richards photo

“I looked upon myself, in a sort of romantic and silly way, as like a laboratory.”

Keith Richards (1943) British rock musician, member of The Rolling Stones

He tells Rolling Stone of his drug-taking past; reported in " In quotes: Keith Richards http://news.bbc.co.uk/1/hi/entertainment/6526133.stm", BBC (April 4, 2007).

Jane Goodall photo
Chinua Achebe photo