“I used to look in my mind for the unwritten page
if my mind was empty enough I could see it
I didn't paint the plane
I just drew this horizontal line
Then I found out about all the other lines
But I realized what I liked was the horizontal line
Then I painted the two rectangles
correct composition
if they're just right”

1970's, The Untroubled Mind', 1971

Adopted from Wikiquote. Last update June 3, 2021. History

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Agnes Martin48

American artist 1912–2004

Agnes Martin (1912–2004) American artist

1980 - 2000, Perfection Is in the Mind', 1995

“I wanted to do something figurative. Well I couldn’t visualize a whole man... I felt that I wanted to make a painting primarily with painterly means. So I flattened out my canvas and made them roughly rectangular divisions, with lines going out in four directions. That is, vertically and horizontally... And then I would free associate, putting whatever came to my mind freely within these different rectangles… I thought of it as related tot the automatic writing the surrealists were interested in.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

“I remained there [in The Netherlands, 1914-18] for the duration of the war, continuing my work of abstraction in a series of church. facades, trees, houses, etc. But I felt that I still worked as an Impressionist and was continuing to express particular feelings, not pure reality. Although I was thoroughly conscious that we can never be absolutely 'objective', I felt that one can become less and less subjective, until the subjective no longer predominates in one's work. More and more I excluded from my painting all curved lines, until finally my compositions consisted only of vertical and horizontal lines which formed crosses, each separate and detached from the other. Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity crossing verticals and horizontals.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: Quote of Mondrian about 1914-1918; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 43

“Criticism, like so many other things, keeps to what has been said before and does not get out of the rut. This business of the 'Beautiful' some see it in curved lines, some in straight lines, but all persist in seeing it as a matter of line. I am now looking out of my window and I can see the most lovely countryside; lines just do not come into my head: the lark is singing, the river sparkles with a thousand diamonds, the leaves are whispering; where, I should like to know, are the lines that produce delicious impressions like these? They refuse to see proportion or harmony except between two lines: all else they regard as chaos, and the dividers alone are judge.”

Eugène Delacroix (1798–1863) French painter

Quote from a letter to Léon Peisse, 15 July 1949; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
this quote refers to Delacroix's refusal to use the line as boundary of the form in his painting art, as a too sharp dividing force in the picture - in contrast to the famous classical painter in Paris then, Ingres
1831 - 1863

“When I started doing the 'Bursts' [paintings Gottlieb started c. 1958] I began to do part of the painting horizontally. It was necessary to do that because I was working with a type of paint which had a particular viscosity, which flowed, and if it were on a vertical surface it would just run. If it were on a horizontal surface, I could control it… I was using a combination of brushes and knives, palette knives… and spatulas… I’ve tried everything, rollers, rags, I’ve put paint on with everything.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

“When I draw horizontals
you see this big plane and you have certain feelings like
you're expanding over the plane
Anything can be painted without representation”

Agnes Martin (1912–2004) American artist

1970's, The Untroubled Mind', 1971

“If the masc. [masculine] is the vertic. [vertical] line, then a man will recognize this element in the rising line of a forest; in the horizont. [horizontal] lines of the sea he will see his complement. Woman, with the horizont. line as element, sees herself in the recumbent lines of the sea, and her complement in the vert. lines of the forest.”

Piet Mondrian (1872–1944) Peintre Néerlandais

[on his two paintings 'Sea' and ' Trees', both made in 1912 https://upload.wikimedia.org/wikipedia/commons/6/65/Trees%2C_1912%2C_Mondrian.jpg <br class="br">note in his sketchbook, undated but c. 1912; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 70 <br class="br">1910's

“As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It’s a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it “harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands …”

Burkard Schliessmann classical pianist

Talkings on Bach

“Now I don't know what it always was with us.
We chose the words, and yeah, we drew the lines.
There was just no way this house could hold the two of us.
I guess that we were just too much of the same kind.”

Bruce Springsteen (1949) American singer and songwriter

"Independence Day"
Song lyrics, The River (1980)

“Sylvester: When was it that you first did a painting with one or two simple lines, horizontal or vertical, across the surface?
Newman: I would say that it began in '46— '47. In those years, whenever I did a painting with one or two elements in it, it did always have a sense of an atmospheric background, I suppose — with the exception of a painting which I called Euclidian Abyss, where the background is black and has some of the white coming through, but there's no true atmosphere.”

Barnett Newman (1905–1970) American artist

Source: 1960 - 1970, Interview with David Sylvester 2. Spring 1965, p. 255

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Agnes Martin48

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