Quotes about intensity
page 4

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“The great evil, and it was a hard thing to say, was that English officials in India, with many very honourable exceptions, did not regard the lives of the coloured inhabitants with the same feeling of intense sympathy which they would show to those of their own race, colour, and tongue. If that was the case it was not their fault alone. Some blame must be laid upon the society in which they had been brought up, and upon the public opinion in which they had been trained. It became them to remember that from that place, more than from any other in the kingdom, proceeded that influence which formed the public opinion of the age, and more especially that kind of public opinion which governed the action of officials in every part of the Empire. If they would have our officials in distant parts of the Empire, and especially in India, regard the lives of their coloured fellow-subjects with the same sympathy and with the same zealous and quick affection with which they would regard the lives of their fellow-subjects at home, it was the Members of that House who must give the tone and set the example. That sympathy and regard must arise from the zeal and jealousy with which the House watched their conduct and the fate of our Indian fellow-subjects. Until we showed them our thorough earnestness in this matter—until we were careful to correct all abuses and display our own sense that they are as thoroughly our fellow-subjects as those in any other part of the Empire, we could not divest ourselves of all blame if we should find that officials in India did treat with something of coldness and indifference such frightful calamities as that which had so recently happened in that country.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech http://hansard.millbanksystems.com/commons/1867/aug/02/motion-for-an-address in the House of Commons (2 August 1867) on the Orissa famine of 1866
1860s

Richard Rodríguez photo

“Diverting attention from the way in which certain beliefs, desires, attitudes, or values are the result of particular power relations, then, can be a sophisticated way of contributing to the maintenance of an ideology, and one that will be relatively immune to normal forms of empirical refutation. If I claim (falsely) that all human societies, or all human societies at a certain level of economic development, have a free market in health services, that is a claim that can be demonstrated to be false. On the other hand, if I focus your attention in a very intense way on the various different tariffs and pricing schema that doctors or hospitals or drug companies impose for their products and services, and if I become morally outraged by “excessive” costs some drug companies charge, discussing at great length the relative rates of profit in different sectors of the economy, and pressing the moral claims of patients, it is not at all obvious that anything I say may be straightforwardly “false”; after all, who knows what “excessive” means? However, by proceeding in this way I might well focus your attention on narrow issues of “just” pricing, turning it away from more pressing issues about the acceptance in some societies of the very existence of a free market for drugs and medical services. One can even argue that the more outraged I become about the excessive price, the more I obscure the underlying issue. One way, then, in which a political philosophy can be ideological is by presenting a relatively marginal issue as if it were central and essential.”

Source: Philosophy and Real Politics (2008), p. 54.

Stephen R. L. Clark photo
Dorothy Thompson photo
Boris Johnson photo

“Dark forces dragged me away from the keyboard, swirling forces of irresistible intensity and power.”

Boris Johnson (1964) British politician, historian and journalist

"A wise guy playing the fool to win", Sunday Times, 16 July 2000, p. 17.
While at the Daily Telegraph, explaining why his work was usually late.
2000s, 2000

“But how does it come about, step by step, that some complex Systems actually function? This question, to which we as students of General Systemantics attach the highest importance, has not yet yielded to intensive modern methods of investigation and analysis. As of this writing, only a limited and partial breakthrough can be reported, as follows: A COMPLEX SYSTEM THAT WORKS IS INVARIABLY FOUND TO HAVE EVOLVED FROM A SIMPLE SYSTEM THAT WORKED”

John Gall (1925–2014) American physician

Source: Systemantics: the underground text of systems lore, 1986, p. 65 cited in "Quotes from Systemantics – Funny, But Scary Too" Posted on agileadvice.com March 3, 2006 by Mishkin Berteig. This quote was mentioned in General systemantics (1975, p. 71)

Richard Holbrooke photo
Henry Wilson photo
Letitia Elizabeth Landon photo
Iain Banks photo
Bhakti Tirtha Swami photo
Philip K. Dick photo
Ralph Bunche photo
Albert Einstein photo

“Professor Smith has kindly submitted his book to me before publication. After reading it thoroughly and with intense interest I am glad to comply with his request to give him my impression.
The work is a broadly conceived attempt to portray man's fear-induced animistic and mythic ideas with all their far-flung transformations and interrelations. It relates the impact of these phantasmagorias on human destiny and the causal relationships by which they have become crystallized into organized religion.
This is a biologist speaking, whose scientific training has disciplined him in a grim objectivity rarely found in the pure historian. This objectivity has not, however, hindered him from emphasizing the boundless suffering which, in its end results, this mythic thought has brought upon man.
Professor Smith envisages as a redeeming force, training in objective observation of all that is available for immediate perception and in the interpretation of facts without preconceived ideas. In his view, only if every individual strives for truth can humanity attain a happier future; the atavisms in each of us that stand in the way of a friendlier destiny can only thus be rendered ineffective.
His historical picture closes with the end of the nineteenth century, and with good reason. By that time it seemed that the influence of these mythic, authoritatively anchored forces which can be denoted as religious, had been reduced to a tolerable level in spite of all the persisting inertia and hypocrisy.
Even then, a new branch of mythic thought had already grown strong, one not religious in nature but no less perilous to mankind — exaggerated nationalism. Half a century has shown that this new adversary is so strong that it places in question man's very survival. It is too early for the present-day historian to write about this problem, but it is to be hoped that one will survive who can undertake the task at a later date.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Foreword of "Man and his Gods" by Homer W. Smith
Attributed in posthumous publications, Einstein and Religion (1999)

Jerry Coyne photo
Ken Ham photo

“For centuries, 'scientists' have tried to present the dinosaurs as violent monsters because they wanted to scare children. It's no coincidence that most of these men have been atheists or even homosexuals who are possessed by an intense hatred of young boys and girls.”

Ken Ham (1951) Australian young Earth creationist

parody of Dinosaurs of Eden: Tracing the Mystery Through History in Stephenson Billings, " Why Are Liberals Stealing Our Children's Dinosaur Lemonade? http://web.archive.org/web/20120820195648/http://dailybleach.com/why-are-liberals-stealing-our-childrens-dinosaur-lemonade/", Daily Bleach (August 8, 2012)
actual page text: "At this stage you may have two questions: Why did animals like T. rex have fierce-looking sharp teeth if they were vegetarians? And why is the world today one in which there is death, disease, suffering and bloodshed everywhere?"
Misattributed

Daniel Kahneman photo
Mark Rothko photo
Gabriele Münter photo
Letitia Elizabeth Landon photo

“Love, thou hast hopes like summers, short and bright,
Moments of ecstasy, and maddening dreams,
Intense delicious throbs!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Basque girl and Henri Quatre from The London Literary Gazette (12th October 1822)
The Improvisatrice (1824)

Gary Gygax photo
Neal Stephenson photo

“[S]trong racial pride always entails intense awareness of an inferior other. For the North Koreans, foreigners are inferior — even the friendly ones.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, North Korea's Race Problem (February 2010)

John Muir photo

“Cloudy all day. Showery on mtns. to eastward at noon. Fine thunderstorm evening, with grand display of zigzag intensely vivid & very near with keen cracks [and] grand trailing rain … Visited Elk ranch. About sixty old & young. Old bulls carry horns in noble style & grand airs.”

John Muir (1838–1914) Scottish-born American naturalist and author

journal entry, Island Park, Idaho (26 August 1913) — the last field entry http://digitalcollections.pacific.edu/cdm/ref/collection/muirjournals/id/3843/show/3839 in Muir's last field journal
1910s

Charles Dickens photo
Jagadish Chandra Bose photo
Thomas Carlyle photo
Rudolph Rummel photo
Gottfried Helnwein photo
Daniel Dennett photo
Jackson Pollock photo

“Technic is the result of a need new needs demand new technics total control denial of the accident States of order organic intensity energy and motion made visible memories arrested in space, human needs and motives acceptance”

Jackson Pollock (1912–1956) American artist

Quote around 1948-'49; as cited in Abstract Expressionism (1990), David Anfam, p. 121
Pollock wrote this text on the back of a photo of himself taken in his own studio.
1940's

Regina E. Dugan photo

“The DARPA model has three elements:
Ambitious goals. The agency’s projects are designed to harness science and engineering advances to solve real-world problems or create new opportunities. At Defense, GPS was an example of the former and stealth technology of the latter. The problems must be sufficiently challenging that they cannot be solved without pushing or catalyzing the science. The presence of an urgent need for an application creates focus and inspires greater genius.
Temporary project teams. DARPA brings together world-class experts from industry and academia to work on projects of relatively short duration. Team members are organized and led by fixed-term technical managers, who themselves are accomplished in their fields and possess exceptional leadership skills. These projects are not open-ended research programs. Their intensity, sharp focus, and finite time frame make them attractive to the highest-caliber talent, and the nature of the challenge inspires unusual levels of collaboration. In other words, the projects get great people to tackle great problems with other great people.
Independence. By charter, DARPA has autonomy in selecting and running projects. Such independence allows the organization to move fast and take bold risks and helps it persuade the best and brightest to join.”

Regina E. Dugan (1963) American businesswoman, inventor, and technology developer

“Special Forces” Innovation: How DARPA Attacks Problems (2013)

Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Boris Cyrulnik photo
Jeanette Winterson photo
Bram van Velde photo

“My work is independent of my will. My best works are created when driven by an inner strength. This has nothing to do with my will. It is that immediate spontaneity of my intense way of living that makes the difference between my work and a lot of other artists who make art works with their mind.”

Bram van Velde (1895–1981) Dutch painter

Letter to H. E. Kramer, 14-11-1927, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 46 (English translation: Charlotte Burgmans)
1920's

Ellsworth Kelly photo
George Eliot photo

“pleasure wouldn’t exist without the sharp bite of pain. Even the brief flash of orgasm is too intense to be absolutely pleasurable”

have you ever seen anyone who could take anything from me against my will, ever, anywhere, anytime?
The Silver Wolf

Sri Aurobindo photo
Lixion Avila photo
Wassily Kandinsky photo
Umberto Eco photo
Angela Davis photo
Oliver Sacks photo
Archibald Hill photo

“All knowledge, not only that of the natural world, can be used for evil as well as good: and in all ages there continue to be people who think that its fruit should be forbidden. Does the future wlfare, therefore, of mankind depend of a refusal of science and a more intensive study of the Sermon on the Mount? There are others who hold the contray opinion, that more and more of science and its applications alone can bring prosperity and happiness to men. Both of these extremes views seem to me entirely wrong - though the second is the more perilous as more likely to be commonly accepted. The so-called conflict between science and religion is usually about words, too often the words of their unbalanced advocates: the reality lies somewhere in between. "Completeness and dignity", to use Tyndall's phrase, are brought to man by three main channels, first by the religiouos sentiment and its embodiment of ethical principles, secondly by the influence of what is beautiful in nature, human personality, or art, and thirdly, by the pursuit of scientific truth and its resolute use in improving human life. Some suppose that religion and beauty are incompatible: others, that the aesthetic has no relation to the scientific sense: both seem to me just as mistaken as those who hold that the scientific and the religious spirit are necessarily opposed. Co-operation is required, not conflict: for science can be used to express and apply the principles of ethics, and those principles themselves can guide the behaviour of scientific men: while the appreciation of what is good and beautiful can provide to both a vision of encouragement. Is there really then any special ethical dilemma which we scientific men, as distinct from other people, have to meet? I think not: unless it be to convince ourselves humbly that we are just like others in having moral issues to face. It is true that integrity of thought is the absolute condition of oour work, and that judgments of value must never be allowed to deflect our judgements of fact. But in this we are not unique. It is true that scientific research has opened up the possibility of unprecedented good, or unlimited harm, for manking: but the use is made of it depends in the end on the moral judgments of the whole community of men. It is totally impossible noew to reverse the process of discovery: it will certainly go on. To help to guide its use aright is not a scientific dilemma, but the honourable and compelling duty of a good citizen.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma Of Science, Hill, 1960. The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false. Rockefeller Univ. Press, pp. 88-89

Nastassja Kinski photo

“When he died I had a moment of grief that lasted about five minutes. It was very intense, then never again. Not because I forced myself, but I think it was because he caused us too much pain.”

Nastassja Kinski (1961) German actress

On her father, Klaus Kinski, as quoted in Cameron Docherty, Interview: Nastassja Kinski - Still a daddy's girl http://www.independent.co.uk/life-style/interview-nastassja-kinski--still-a-daddys-girl-1241160.html, The Independent, September 26, 1997

Hermann Hesse photo

“The pressure to give A grades is intense. It comes from the students and increasingly from their parents as well.”

Jon Appleton (1939) American composer

"The Decline of Academic Freedom at Dartmouth College", 20 October 2005.
Letter published in "Appleton Leaves Dartmouth", 2005

Aldous Huxley photo
Gerald James Whitrow photo
Herbert Read photo

“The rhythm of a poem ceases the moment the feeling loses its intensity.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

What is a Poem - Endword - Selected Poems (1926)

William Saroyan photo
R. H. Tawney photo
Paula Modersohn-Becker photo
Paula Modersohn-Becker photo

“The intensity with which a subject is grasped (still life's, portraits, or creations of the imagination) – that is what makes for beauty in art.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899

Bram van Velde photo

“It was truly revealing. The strength of the intervention, the intensity of colors and the happiness of this work, has never left me.”

Bram van Velde (1895–1981) Dutch painter

Quote about the painting 'Piano lesson' of Matisse, Van Velde saw around 1925 for the first time and inspired him strongly during the 1930's
1970's
Source: article Schilder Bram van Velde in Dordrecht, by Paul Groot, newspaper NRC Handelsblad, 1979 (English translation: Charlotte Burgmans)

Alastair Reynolds photo
George Friedman photo
Jean Metzinger photo
George F. Kennan photo
Dora Russell photo
Tanith Lee photo

“The greater the emotional intensity, the greater the simplicity.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness program notes to “Avak The Healer” (1946).

Edgar Rice Burroughs photo
Nur Muhammad Taraki photo
Li Minqi photo
John Moffat photo
Ragnar Frisch photo

“Two important features in the modern development of economics are the application of mathematics to abstract economic reasoning… and the attempt at placing economics on a numerical and experimental basis by an intensive study of economic statistics.
Both these developments have a common characteristic: they emphasize the quantitative character of economics. This quantitative movement in our estimation is one of the most promising developments in modern economics. We also consider it important that the two aspects of the quantitative method referred to should be furthered, developed, and studied jointly as two integrating parts of economics.
We therefore venture to propose the establishment of an international periodical devoted to the advancement of the quantitative study of economic phenomena, and especially to the development of a closer relation between pure economics and economic statistics.
We believe that the scope of the new journal would be happily suggested if it is called "Oekonometrika."”

Ragnar Frisch (1895–1973) Norwegian economist

Accordingly, the quantitative study of economic phenomena here considered may be termed econometrics.
Frisch (1927) as quoted in Divisia 1953, pp.24-25; Cited in: Bjerkholt, Olav. " Ragnar Frisch and the foundation of the Econometric Society and Econometrica http://www.ssb.no/a/histstat/doc/doc_199509.pdf." ECONOMETRIC SOCIETY MONOGRAPHS 31 (1998): 26-57.
Lead paragraph of a memorandum on the importance of establishing the journal "Oekonometrika"
1920

Roberto Mangabeira Unger photo

“The partnership between the progressive school and the deepened democracy may help to nourish the childlike intensity of ordinary people as they grow older.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Democracy Realizedː The Progressive Alternative (1998), p. 249

Antoni Tàpies photo
Hildegard of Bingen photo
José Luis Rodríguez Zapatero photo

“Given that a few days ago we had a terrible accident, a tragic terrorist attack in Barajas, in Madrid, I would like to propose to you that we show our complete condemnation, our most intense revulsion, and that we show profound solidarity with the victims.”

José Luis Rodríguez Zapatero (1960) Former Prime Minister of Spain

In reference to the ETA bombing at Madrid airport, El Confidencial http://www.elconfidencial.com/noticias/noticia.asp?id=20607 (Spanish). That same day, Zapatero said that calling the attack an 'accident' had been a slip of the tongue, but it was seized by the press and provoked anger, for example the slogan "Killing people is not an accident" used in the protests of March, 2007.
As President, 2006

J. C. R. Licklider photo

“I came to MIT from Harvard University, where I was a lecturer. I had been at the Harvard Psychoacoustic Laboratory during World War II and stayed on at Harvard as a lecturer, mainly doing research, but also a little bit of teaching—statistics and physiological psychology—subjects like that.
Then there came a time that I thought that I had better go pay attention to my career. I had just been having a marvelous time there. I am not a good looker for jobs; I just came to the nearest place I could, which was in our city. I arranged to come down here and start up a psychology section, which we hoped would eventually become a psychology department. For the purposes of having a base of some kind I was in the Electrical Engineering Department. I even taught a little bit of electrical engineering.
I fell in love with the summer study process that MIT had. They had one on undersea warfare and overseas transport—a thing called Project Hartwell. I really liked that. It was getting physicists, mathematicians—everybody who could contribute—to work very intensively for a period of two or three months. After Hartwell there was a project called Project Charles, which was actually two years long (two summers and the time in between). It was on air defense. I was a member of that study. They needed one psychologist and 20 physicists. That led to the creation of the Lincoln Laboratory. It got started immediately as the applied section of the Research Laboratory for Electronics, which was already a growing concern at MIT.”

J. C. R. Licklider (1915–1990) American psychologist and computer scientist

Licklider in: " An Interview with J. C. R. LICKLIDER http://conservancy.umn.edu/bitstream/107436/1/oh150jcl.pdf" conducted by William Aspray and Arthur Norberg on 28 October 1988, Cambridge, MA.

Henry Adams photo
Northrop Frye photo

“There is a curious law of art…that even the attempt to reproduce the act of seeing, when carried out with sufficient energy, tends to lose its realism and take on the unnatural glittering intensity of hallucination.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

“Design as a Principle in the Arts”, The Critical Path and Other Writings on Critical Theory, 1963–1975, p. 232
"Quotes"

Girolamo Cardano photo
Antonio Negri photo

“The contemporary scene of labor and production, we will explain, is being transformed under the hegemony of immaterial labor, that is, labor that produces immaterial products, suchs as information, knoledges, ideas, images, relationships, and affects. This does not mean that there is no more industrial working class whose calloused hands toil with machines or that there ae no more agricultural workers who till the soil. It does not even mean that the numbers of such workers have decreased globally. In fact, workers involved primarily in immaterial production are a small minority of the gloval whole. What it means, rather, is that the qualities and characteristics of immaterial production are tending to transform the other forms of labor and indeed society as a whole. Some of these new characteristics are decidedly unwelcome. When our ideas and affects, or emotions, are put to work, for insance, and when they thus become subject in a way to the command of the boss, we often experience new and intense forms of violation or alienation. Furthermore, the contractual and material conditions of immaterial labor that tend to spread to the entire labor market are making the position of labor in general more precarious. The is one tendency, for example, in various forms of immaterial labor to blur the distinction between work time and nonwork time, extending the working day indefinietly to fill all of life, and another tendency for immaterial labor to function without stable long-term contracts, and thus to adopt the precarious position of becoming flexible (to accomplish several tasks) and mobile (to move continually among locations). […] The production of ideas, knowledges, and affects, for example, does not merely create means by which society is formed and maintained; such immaterial labor also directly produces social relationships. […] immaterial labor tends to take the social form of network based on communication.”

65-66
Multitude: War and Democracy in the Age of Empire

Fred W. Friendly photo

“I have a motto: My job is not to make up anybody's mind but to make the agony of decision making so intense that you can escape only by thinking.”

Fred W. Friendly (1915–1998) President of CBS News

Open Mind Interview http://www.archive.org/details/openmind_ep497

Gail Dines photo
Narada Maha Thera photo