Quotes about intensity
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“There is the solitude of suffering, when you go through darkness that is lonely, intense, and terrible. Words become powerless to express your pain; what others hear from your words is so distant and different from what you are actually suffering.”

John O'Donohue (1956–2008) Irish writer, priest and philosopher

Source: Anam Cara: A Book of Celtic Wisdom

Pain, Solitude, Suffering, Distant

“Eddie was intensely dedicated too. Adrian sometimes called him mini-Dimitri”

Richelle Mead (1976) American writer

“He said that love was an emotion contra natura that condemned two strangers to a base and unhealthy dependence, and the more intense it was, the more ephemeral.”

Gabriel García Márquez book Of Love and Other Demons

Source: Of Love and Other Demons

Love, Dependency

“Your hair looks funny," Lief said, as soon as the Ugloids left. "It stands straight up!"
No," said Nick, intensely irritated, "It's hanging straight down."
Lief just gave him an upside-down shrug. "Up is down in China and you're part-Chinese.”

Neal Shusterman book Everlost

Source: Everlost

Parting

“Blake said that the body was the soul's prison unless the five senses are fully developed and open. He considered the senses the 'windows of the soul.' When sex involves all the senses intensely, it can be like a mystical experience.”

Jim Morrison (1943–1971) lead singer of The Doors

Sex, Soul, Sense

“nothing which we are to perceive in this world equals
the power of your intense fragility”

E.E. Cummings (1894–1962) American poet

World

“I was not wounded in any part of my body, but I had never experienced such intense pain, such a ripping of the nerves, such an ache of the heart.”

Yann Martel book Life of Pi

Source: Life of Pi

Pain, Heart, Parting

“In our nature, however, there is a provision, alike marvelous and merciful, that the sufferer should never know the intensity of what he endures by its present torture, but chiefly by the pang that rankles after it.”

Nathaniel Hawthorne book The Scarlet Letter

Source: The Scarlet Letter (1850), Chapter II: The Market-Place

Nature, Suffering

“And he wishes, in the cold quiet of his archer's heart, that he himself could feel the intensity of their reconciliations as strongly as he feels that of their battles.”

David Foster Wallace (1962–2008) American fiction writer and essayist

Source: Girl With Curious Hair

Feeling, Heart

“Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.”

John Berger (1926–2017) British painter, writer and art critic

Appearance

“A joy as intense as pain”

Nicholas Sparks (1965) American writer and novelist

Pain, Joy

“… when two opposite points of view are expressed with equal intensity, the truth does not necessarily lie exactly halfway between them. It is possible for one side to be simply wrong.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Truth, Lie

“Do whatever you do intensely. The artist is the man who leaves the crowd and goes pioneering. With him there is an idea which is his life.”

Robert Henri (1865–1929) American painter

Source: The Art Spirit: Notes, Articles, Fragments of Letters and Talks to Students, Bearing on the Concept and Technique of Picture Making, the Study of Art

Life, Idea

“We are told that talent creates its own opportunities. But it sometimes seems that intense desire creates not only its own opportunities but its own talents.”

Eric Hoffer (1898–1983) American philosopher

“As we encounter new experiences with a mindful and wise attention, we discover that one of three things will happen to our new experience: it will go away, it will stay the same, or it will get more intense. whatever happens does not really matter.”

Jack Kornfield (1945) American writer

Source: A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life

“In his own way, he's lived life with all the intensity he could muster.”

Haruki Murakami book Norwegian Wood

Source: Norwegian Wood

Life, Way

“I had carried on when all I wanted was to be dead. I had stayed alive for other people. I never stayed alive for myself. I cannot begin to describe the intensity of that effort.”

Sally Brampton (1955–2016) British writer

Source: Shoot the Damn Dog: A Memoir of Depression

People, Effort, Dead

“An awareness of death encourages us to live more intensely.”

Paulo Coelho (1947) Brazilian lyricist and novelist

Death

“I finally know the difference between pleasing and loving, obeying and respecting. It has taken me so many years to be okay with being different, and with being this alive, this intense. (xxvi)”

Eve Ensler (1953) American playwright, performer, feminist, activist and artist

Source: I am an Emotional Creature

Love

“At times she had thought that this was the only kind of connection you could have with people—intense, inexplicable and ultimately incomplete.”

Mary Gaitskill (1954) Novelist, short story writer, essayist

Source: Bad Behavior

People, Time

“Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense.”

Tom Robbins book Still Life with Woodpecker

Still Life with Woodpecker (1980)

Thinking, Solitude

“Her glare was so intense that you completely forgot she was wearing pink.”

Eoin Colfer (1965) Irish author of children's books

Source: Half-Moon Investigations

“Do whatever you do intensely.”

Robert Henri (1865–1929) American painter

“… if you feel everything intensely, ultimately you feel nothing at all.”

Elizabeth Wurtzel book Prozac Nation

Source: Prozac Nation

Feeling

“We talked death with burned-up intensity, both of us drawn to it like moths to an electric light bulb. Sucking on it!”

Anne Sexton (1928–1974) poet from the United States

Source: Anne Sexton: A Self-Portrait in Letters

Death, Light

“The excellency of every art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with beauty and truth.”

John Keats (1795–1821) English Romantic poet

Letter to G. and F. Keats (December 21, 1817)
Letters (1817–1820)

Truth, Beauty, Art

“There is no choice more intensely personal, after all, than whom you choose to marry; that choice tells us, to a large extent, who you are.”

Elizabeth Gilbert book Committed: A Skeptic Makes Peace with Marriage

Source: Committed: A Skeptic Makes Peace with Marriage

Personality

“How could I, who loved life so intensely, have let myself be entangled for so long in that balderdash of books and paper blackened with ink!”

Nikos Kazantzakis book Zorba the Greek

Source: Zorba the Greek

Love, Life, Books

“I am the Vampire Lestat. I'm immortal more or less. The light of the sun, the sustained heat of an intense fire-these things might destroy me. But then again, they might not.”

Anne Rice (1941) American writer

Light, Sun

“The more you love, the more you can love--and the more intensely you love. Nor is there any limit on how many you can love. If a person had time enough, he could love all of that majority who are decent and just.”

Robert A. Heinlein (1907–1988) American science fiction author

Love, Time, Personality

“Books delight to the very marrow of one's bones. They speak to us, consult with us, and join with us in a living and intense intimacy.”

Plutarch (46–127) ancient Greek historian and philosopher

Books

“I love you dammit,"she brushed her lips teasingly against his.

"How much?" He made a slight sound, as if the soft kiss had affected him intensely.

"Without limit. Beyond forever.”

Lisa Kleypas (1964) American writer

Source: Secrets of a Summer Night

Love, Kiss

“He grinned, and the grin changed his face completely. Ty when he was still and expressionless had an intensity that fascinated Kit; when he was smiling, he was extraordinary.”

Cassandra Clare book Lord of Shadows

Source: Lord of Shadows

Smile, Change

“Woman's soul is present and lives more intensely in all parts of the body, and it is inwardly affected by that which happens to the body; whereas, with men, the body has more pronoucedly the character of an instrument which serves them in their work and which is accompanied by a certain detachment.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), Spirituality of the Christian Woman (1932)

Men, Soul, Parting

“.. to have all colors deeper, more intense; |I| get quite angry at this lightness..”

Paula Modersohn-Becker (1876–1907) German artist

quote from a letter to her husband Otto Modersohn from Paris, 29 February, 1900; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
as early as 1900 Paula Modersohn-Becker had written from Paris that she longed for stronger and deeper colors in her own work
1900 - 1905

Color, Light

“[Islamic terrorism] is different from all other forms of terrorism in at least three important respects. First, it rejects all the contemporary ideologies in their various forms; it sees itself as the total outsider with no option but to take control or to fall, gun in hand. It cannot even enter into talks with other terrorist movements which may, in some specific cases at least, share its tactical objectives. Considering itself as an expression of Islamic revival - which must, by definition, lead to the conquest of the entire globe by the True Faith - it bases all its actions on the dictum that the end justifies the means… The second characteristic that distinguishes the Islamic version from other forms of terrorism is that it is clearly conceived and conducted as a form of Holy War which can only end when total victory has been achieved. The term 'low-intensity warfare' has often been used to describe terrorism, but it applies more specifically to the Islamic kind, which does not seek negotiations, give-and-take, the securing of specific concessions or even the mere seizure of political power within a certain number of countries… The third specific characteristic of Islamic terrorism is that it forms the basis of a whole theory of both individual conduct and of state policy. To kill the enemies of Allah and to offer the infidels the choice between converting to Islam or being put to death is the duty of every individual believer as well as the supreme - if not the sole - task of the Islamic state.”

Amir Taheri (1942) Iranian journalist

Holy Terror: The inside story of Islamic terrorism (1987)

Death, War, Faith, Victory

“Our sensitivity to the tone, hue, and intensity of light is bound up with our evolutionary heritage. Even the diversity of our visual abilities may echo our ancestors' ecology.”

David G. Haskell (1950) writer, Biologist

"November 5th — Light," page 206 The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)

Light

“On hearing: "It’s an extremely important faculty which helps to balance the nervous system. Besides, people do not hear or see the same thing. There are specialists, especially in France, that measure hearing and determine the frequencies that the ear cannot hear or can only hear at greater intensity. This can cause psychological problems".”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1979

People, Problem, Help

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

Randall Jarrell book Five Young American Poets

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Age, Dreams, Sense, Parting

“One of the difficulties in thinking about software is its huge variety. A function definition in a spreadsheet cell is software. A smartphone app is software. The flight management system for an Airbus A380 is software. A word processor is software. We shouldn't expect a single discipline of software engineering to cover all of these, any more than we expect a single discipline of manufacturing to cover everything from the Airbus A380 to the production of chocolate bars, or a single discipline of social organization to cover everything from the United Nations to a kindergarten. Improvement in software engineering must come bottom-up, from intense specialized attention to particular products.”

Michael A. Jackson (1936) British computer scientist

Michael A. Jackson in: K. De Grave (ed.) Formalism & Intuition in Software Development; A conversation with Michael A. Jackson conducted by Edgar G. Daylight and Bas van Vlijmen. 2015

Thinking

“It is a revolution; a revolution of the most intense character; in which belief in the justice, prudence, and wisdom of secession is blended with the keenest sense of wrong and outrage, and it can no more be checked by human effort for the time than a prairie fire by a gardener’s watering pot.”

Judah P. Benjamin (1811–1884) American politician and lawyer

On the secession movement in the South (1860). Reported in Allan Nevins, The Emergence of Lincoln (1950), p. 387.

Wisdom, Justice, Sense, Effort

“My teaming up with Amitabh Bachchan in Do Anjan earned me fame as an intense actress. Then it was Hrishikesh Mukherjee’s Khubsoorat in 1978 that established me as an actress of repute.”

Rekha (1954) Indian film actress

The diva rules

“Mnemonists, people with freakish memories and no other virtues, were capable of playing dazzling games, dismaying and confusing the other participants by their rapid muster of countless ideas. In the course of time such displays of virtuosity fell more and more under a strict ban, and contemplation became a highly important component of the Game. Ultimately, for the audiences at each Game it became the main thing. This was the necessary turning toward the religious spirit. What had formerly mattered was following the sequences of ideas and the whole intellectual mosaic of a Game with rapid attentiveness, practiced memory, and full understanding. But there now arose the demand for a deeper and more spiritual approach. After each symbol conjured up by the director of a Game, each player was required to perform silent, formal meditation on the content, origin, and meaning of this symbol, to call to mind intensively and organically its full purport. The members of the Order and of the Game associations brought the technique and practice of contemplation with them from their elite schools, where the art of contemplation and meditation was nurtured with the greatest care. In this way the hieroglyphs of the Game were kept from degenerating into mere empty signs.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

People, School, Art, Way

“When I look at a work of Art I ask myself: does it inspire me, does it touch and move me, do I learn something from it, does it startle or amaze me - do I get excited, upset? That is the test any artwork has to pass: can it create an emotional impact on a human being even when he has no education or any information about art? I’ve always had a problem with art that you can only understand if you have a degree in art history, and I have a problem with theories. Most of them are bullshit anyway. Most critics and theorists have little respect for artists, and I think the importance of theory in art is totally overrated. Real art is self-evident. Real art is intense, enchanting, exciting and unsettling; it has a quality and magic that you cannot explain. Art is not logic, and if you want to experience it, your mind and rational thinking will be of little help. Art is something spiritual that you can only experience with your senses, your heart, your soul.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004

Education, Art, Soul, History

“The Hindus' sense of gratitude knows no bounds to Muslim rulers like Zayn al-‘Abidin (1420-70) of Kashmir, ‘Alau d-Din Husayn Shah (1493-1519) of Bengal, and Akbar the Great Mughal, who behaved towards Indians as Indians and at whose hands they could heave a sigh of relief from religious persecution. The three rulers tried their utmost to Indianize their rule and restore the dignity of Hindu community and culture, the latter essaying the uphill task of integrating Islam therewith, followed in this behalf by Prince Dara Shukoh. Who that has even the faintest sense of history can dispute the point that they were all intensely Indian, putting many a Hindu to shame in their patriotic fervour.”

Alauddin Husain Shah Sultan of Bengal

Harsh Narain, Myths of Composite Culture and Equality of Religions (1990)

History, Communication, Sense, Gratitude

“I admired and felt the anonymous structure of the work of Brancusi, Vantongerloo, Arp, and Taeuber-Arp [the wife of Hans Arp] whose studios I visited. [Kelly frequently visited Hans Arp and his wife in Paris and discussed his fresh-made art with them intensively]. Their work reinforced my own ideas for the creation of a Pré-Renaissance, European type art: its anonymous stone work, the object quality of the artifacts, the fact that the work was more important than the artist’s personality. Of the Europeans, I mostly admired the way Picasso, Klee and Brancusi 'made' their art. Contrary to what has been said about me, Mondrian and Matisse did not interest me when I was in Paris. Mondrian’s [paintings] could not be seen in Paris and when I did see them in Holland in 1953, I thought their structure too rigid and intellectual.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Art, Way, Idea, Painting

“Suppose you have two religions. Thought defines religion — the thought about the nature of God and various questions like that. Such thought is very important because it is about God, who is supposed to be supreme. The thought about what is of supreme value must have the highest force. So if you disagree about that, the emotional impact can be very great, and you will then have no way to settle it. Two different beliefs about God will thus produce intense fragmentation — similarly with thoughts about the nature of society, which is also very important, or with ideologies such as communism and capitalism, or with different beliefs about your family or about your money. Whatever it is that is very important to you, fragmentation in your thought about it is going to be very powerful in its effects.”

David Bohm (1917–1992) American theoretical physicist

Changing Consciousness (1991)

Money, God, Family, Religion

“My whole existence has been devoted to science and to teaching, and these two intense passions have brought me very great joy.”

Charles Fabry (1867–1945) French physicist

[as quoted by Joseph F. Mulligan, American journal of physics, Volume 66 (9), American Association of Physics Teachers, American Institute of Physics, 1998, 797]

Passion, Science, Joy

“[T]wo moments, of trance and struggle, mingle in the real life of societyː an undercurrent of conflict and disbelief always counteracts the routines of dependence and deference. Society, no matter how impregnable it seems to its inhabitants, always stands at the edge of the cliff. The petty practical quarrels and normative disputes, endlessly refought to reproduce a social world in the face of divergent interests and changing circumstance, can escalate at any moment into broader and more intense conflicts that put this world at risk.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Social Theoryː Its Situation and Its Task (1987), p. 205

Life, World, Change, Dependency

“I have often asked myself whether, given the choice, I would choose to have manic-depressive illness. … Strangely enough, I think I would choose to have it. It's complicated. Depression is awful beyond words or sounds or images … So why would I want anything to do with this illness? Because I honestly believe that as a result of it I have felt more things, more deeply; had more experiences, more intensely; … worn death 'as close as dungarees', appreciated it - and life - more; seen the finest and most terrible in people … But, normal or manic, I have run faster, thought faster, and loved faster than most I know. And I think much of this is related to my illness - the intensity it gives to things”

Kay Redfield Jamison (1946) American bipolar disorder researcher

An Unquiet Mind

Love, Life, Death, People

“Is it any surprise, then, that Jesus felt such intense compassion for the poor and marginalized? That he constantly asked his disciples to care for the poor, the sick, the forgotten, the stranger? He was one of these throwaway people, and he lived among them for 30 years before his public ministry began. Christians tend to see Jesus’ commands to care for the poor as divine. And they were — Jesus was fully divine. But they also came from his human experience. He was fully human as well. I’m always amazed by people who feel they can be Christian without caring for the poor. Not only did Jesus command us to do this, Jesus himself was from this class. When God chose to join us, he joined us in Nazareth, to make sure that we wouldn’t forget.”

James Martin (priest) (1960) Jesuit priest and writer

"How can you be Christian without caring for the poor?" (2017)

God, People, Feeling, Forgetting

“It is true, Archbishop Tchidimbo was very strict, intensely upright, and endlessly demanding. He used to come visit us at the minor seminary in Kindia. I remember that he insisted on the importance of spiritual qualities, and especially good character, moral integrity, and honesty. I can still hear him thunder to the class: "The first reason to expel a seminarian is for duplicity, the second, for duplicity, and the third, for duplicity."”

Robert Sarah (1945) Roman Catholic bishop

God or Nothing: A Conversation on Faith (2015)

“Use materials with forceful MUSCULAR colours – the reddest of reds, the most purple of purples, the greenest of greens, intense yellows, orange, vermillion – and SKELETON tones of white, grey and black.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914

“When a society has doubts about its future, it tends to produce spokesmen whose main appeal is to the emotions, who argue from intuitions, and whose claim to be truth-bearers rests solely on intense personal feeling.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Review of After the Fall, by Arthur Miller, at the ANTA Washington Square Theatre, New York; Blues for Mister Charlie, by James Baldwin at the ANTA Theatre, New York (1962), p. 143
Tynan Right and Left (1967)

Truth, Feeling, Future, Personality

“We define the knowledge economy as production and services based on knowledge-intensive activities that contribute to an accelerated pace of technical and scientific advance, as well as rapid obsolescence. The key component of a knowledge economy is a greater reliance on intellectual capabilities than on physical inputs or natural resources.”

Walter W. Powell (1948) American sociologist

Walter W. Powell and Kaisa Snellman. "The knowledge economy." Annu. Rev. Sociol. 30 (2004): 199-220.

Nature, Knowledge

“The atoms become like a moth, seeking out the region of higher laser intensity.”

Steven Chu (1948) American physicist, former United States Secretary of Energy, Nobel laureate

As quoted by James Gleick in Lasers slow atom for scrutiny, The New York Times, July 13, 1986: Explaining how atoms are cooled.

“I remember distinctly, during the summer of 1901, at Les Andelys-on-Seine, that upon two days and for two hours in the afternoons of those days all Nature, animate and inanimate, bore the aspect of things seen under a strong glare of violet light, exactly as though a tinted glass were suspended between the sun's rays and the earth. The effect was most curious and disturbing. Nature appears to be toneless and flat. Highlights and shadows are attenuated almost to extinction, whilst in this dull purple glare the heat became more intense than ever, possibly through lack of wind, for all was still.”

Wynford Dewhurst (1864–1941) British artist

Wynford Dewhurst, 'What is Impressionism?' in Contemporary Review. vol. XCIX, 1911, p. 300.

Nature, Light, Strong, Appearance

“Rome … did not conquer the nations. She annexed them, by means of a coalition with the local capitalist group in each. … Wherever the strain between the local privileged class and its proletariat was intense, Rome found natural allies in the former.”

Bouck White (1874–1951) American author and novelist

Source: The Call of the Carpenter (1914), p. 9

Nature

“I want to work. It is an obsession. I am gnawed at the heart by an excruciating desire to manipulate color... I see figures, with an incredible intensity, pass before my eyes. Let us analyze this – if it is possible to toss it. Why do you no longer work? Why work again? Faith has left me – the habit of putting myself into the background, has done the rest. Am I a true artist? Yes, yes, yes. Am I a woman? Alas. Yes, yes, yes. Are the two [very probably Jawlensky & Marinanne] able to work as a pair? No, no, no. Who will take up the desires -?... The work of my life, this talent [Jawlensky] that I protect with all my interest, with all my affection, it must be alone in the dwelling. Reason says, calm yourself. But the great passion in me, and my call to work, destroys all the calm acquisitions of my life.”

Marianne von Werefkin (1860–1938) expressionist painter

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Life, Faith, Color, Passion

“Paris [1933 - 1944] with its wonderful (intense soft) light had relaxed my palette — there were other colors, other entirely new forms, and some that I had used years earlier. Naturally I did all this unconsciously.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from his letter to Alfred Barr, Jr., 16 July, 1944; as cited in Vivian Endicott Barnett, et al., 'Kandinsky', exh. cat. [New York: Solomon R. Guggenheim Museum, 2009], p. 70
1930 - 1944

Color, Nature, Light

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically … But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”

Rudolf Carnap (1891–1970) German philosopher

Rudolf Carnap, as quoted in The Philosophy of Rudolf Carnap (1963) by Paul Arthur Schilpp, p. 25, and in Ludwig Wittgenstein : The Duty of Genius (1991) by Ray Monk, p. 244

Pain, People, Art, Way

“I think it is a rule that men in business should not be taught other things. Any one will be almost sure to make money who has no other idea in his head. A college education, or intense study of abstract truth, will not enable a man to drive a bargain … The best politicians are not those who are deeply grounded in mathematical or in ethical science. Rules stand in the way of expediency. Many a man has been hindered from pushing his fortune in the world by an early cultivation of his moral sense.”

William Hazlitt (1778–1830) English writer

"On the Disadvantages of Intellectual Superiority" Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Men, Money, Truth, World

“The House of Representatives, in some respects, I think, is the most peculiar assemblage in the world, and only a man who has had long experience there can fully know its idiosyncrasies. It is true we engage in fierce combat, we are often intense partisans, sometimes we are unfair, not infrequently unjust, brutal at times, and yet I venture to say that, taken as a whole, the House is sound at heart; nowhere else will you find such a ready appreciation of merit and character, in few gatherings of equal size is there so little jealousy and envy.
The House must be considerate of the feelings of its Members; there is a certain courtesy that has to be observed; a man may be voted a bore or shunned as a pest, and yet he must be accorded the rights to which he is entitled by virtue of being a representative of the people. On the other hand, a man may be universally popular, a good fellow, amusing and yet with these engaging qualities never get far. The men who have led the House, whose names have become a splendid tradition to their successors, have gained prominence not through luck or by mere accident. They have had ability, at least in some degree; but more than that, they have had character.”

Joseph Gurney Cannon (1836–1926) American politician

Quoted in L. White Busby, Uncle Joe Cannon: The Story of a Pioneer American (1937), p. 260

Men, People, World, Jealousy

“I feel it is our duty to sustain the federated action of Europe. I think it has suffered by the somewhat absurd name which has been given to it—the Concert of Europe—and the intense importance of the fact has been buried under the bad jokes to which the word has given rise. But the federated action of Europe—if we can maintain it, if we can maintain this Legislature—is our sole hope of escaping from the constant terror and the calamity of war, the constant pressure of the burdens of an armed peace which weigh down the spirits and darken the prospects of every nation in this part of the world. ["Hear, hear!"] The federation of Europe is the only hope we have; but that federation is only to be maintained by observing the conditions on which every Legislature must depend, on which every judicial system must be based—the engagements into which it enters must be respected.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech http://hansard.millbanksystems.com/lords/1897/mar/19/speech-by-lord-kimberley-at-norwich in the House of Lords (19 March 1897) 1890s

War, World, Peace, Hope

“Love can't flourish in a "society" based on money and meaningless work, but rather requires complete economic, as well as personal, freedom, leisure time and the opportunity to engage in intensely absorbing, emotionally satisfying activities which, when shared with those you respect, lead to deep friendship, but which our "society" provides practically no opportunity to engage in.”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

Source: SCUM MANIFESTO (1967), p. 11.

Love, Money, Friendship, Freedom

“The only secondary cause… which has, as yet, been even conjecturally brought forward, to explain how, in the ordinary course of nature, a new specific form may be generated is, as Lamarck declared, 'variation,' and this has been rendered a far more probable hypothesis by the way in which Natural Selection is shown to give intensity and permanency to certain varieties.”

Charles Lyell (1797–1875) British lawyer and geologist

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 422

Way, Nature

“With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 116

Life, Universe, Parting, Drawing

“I have already mentioned that I was one of the persons who helped to form Umkhonto. I, and the others who started the organization, did so for two reasons. Firstly, we believed that as a result of Government policy, violence by the African people had become inevitable, and that unless responsible leadership was given to canalize and control the feelings of our people, there would be outbreaks of terrorism which would produce an intensity of bitterness and hostility between the various races of this country which is not produced even by war. Secondly, we felt that without violence there would be no way open to the African people to succeed in their struggle against the principle of white supremacy. All lawful modes of expressing opposition to this principle had been closed by legislation, and we were placed in a position in which we had either to accept a permanent state of inferiority, or to defy the Government. We chose to defy the law. We first broke the law in a way which avoided any recourse to violence; when this form was legislated against, and then the Government resorted to a show of force to crush opposition to its policies, only then did we decide to answer violence with violence…”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1960s, I am Prepared to Die (1964)

Hostility, War, People, Law

“We must expect for a long time yet to see capitalists still striving to obtain the highest possible profits. But observe, that the passion for wealth is certainly in some senses new. It grew up very rapidly at the beginning of the present century; it was not so strong in the last century, when men were much more content to lead a quiet easy life of leisure. The change has really influenced the relations between men; but in the future it is quite possible that the scramble for wealth may grow less intense, and a change in the opposite direction take place.”

Arnold Toynbee (1852–1883) British economic historian

Source: Lectures on The Industrial Revolution in England (1884), p. 134

Life, Men, Sense, Strong

“There was something else in the example of my father's life which impressed me very deeply when I was a young man, and which has greatly influenced me since I took up a public career. I suppose most people think of him as a great Colonial Secretary and tariff reformer, but before he ever went to the Colonial Office he was a great social reformer, and it was my observance of his deep sympathy with the working classes and his intense desire to better their lot which inspired me with an ambition to do something in my turn to afford better help to the working people and better opportunities for the enjoyment of life.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Speech in the Albert Hall, London (12 May 1938), quoted in The Times (13 May 1938), p. 11.
Prime Minister

Life, People, Thinking, Help

“… [enabled] to touch the core, the essence of things. Even in as simple a subject, a great painter can achieve a majesty of vision and an intensity of feeling to which we immediately respond. [1937, referring to a still life by Cézanne and a river-sight with sandbank by Monet ]”

Giorgio Morandi (1890–1964) Italian painter

in Giorgio Morandi, E. Roditi; p. 63
1925 - 1945

Life, Feeling

“In any case there is an intense modern interest in machines that imitate life. The great difference between magic and the scientific imitation of life is that where the former is content to copy external appearance, the latter is concerned more with performance and behavior.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: An imitation of life (1950), p. 42.

Life, Behavior, Appearance

“Something happened when I got pregnant, and I'm not able to listen to that kind of music as much. I feel like I'm going nuts when I listen to it. I used to listen to Dead Kennedys, Circle Jerks, PiL, Butthole Surfers. But today, I can't. I love Alanis Morissette, Emmylou Harris' latest album, and all sorts of jazz and blues. If I want to hear something heavy duty, I'll put on the Foo Fighters or a good rocking Rolling Stones song. But that's as intense as I've got.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

David Wild, Rolling Stone "X-Files Undercover" http://www.rollingstone.com/tv/features/x-files-undercover-19960516 (May 16, 1996) 1990s

Love, Music, Jerk, Feeling

“As a painter I am beginning to see more clearly how to work from Nature... But I still can't do justice to the intensity unfolding before my eyes.”

Paul Cézanne (1839–1906) French painter

Quote in Cezanne's letter to his son Paul, a few months before his death; as quoted in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 268
Quotes of Paul Cezanne, after 1900

Justice, Nature

“Now verse is more valuable than prose … for the simple reasons that its rhythms are faster and more highly organized than are those of prose, and so lend themselves to a greater complexity and compression of relationship, and that the intensity of this convention renders possible a greater intensity of other desirable conventions, such as poetic language and devices of rhetoric.”

Yvor Winters (1900–1968) American poet and literary critic

The Morality of Poetry
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

“I found Randi likable and plausible; the only thing that bothered me was the sweeping and intense nature of his skepticism. He was obviously working from the premise that all paranormal phenomena, without exception, are fakes or delusions. He seemed to take to take it for granted that all of us — there were also two women present — shared his opinions, and he made jovial, disparaging remarks about psychics and other such weirdos. I began to get the uncomfortable feeling of a Jew who has accidentally walked into a Nazi meeting, or a Jehovah's Witness at a convention of militant atheists. As a supposedly scientific psychic investigator, Randi struck me as being oddly fixed in his opinions.”

Colin Wilson (1931–2013) author

Source: The Geller Phenomenon (1976), pp. 39-40

Women, Feeling, Nature

“I feel an intense intimacy with those who have this loathing interest in me. Further than this, I know what they mean, I sympathize with them, I understand them. There should be a name (as poetic as love) for this relationship between loather and loathed; it is of the closest and more full of passion than incest.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"How it came about?" from Anarchism Is Not Enough (London: Jonathan Cape, 1928)

Love, Feeling, Understanding, Passion

“I know that my early life was at one and the same time so common as to be unremarkable, and so strange as to be the stuff of fiction. I know of course that this is how all human lives are, but that it is only given to a few of us to luxuriate in the bath of self-revelation, self-curiosity, apology, revenge, bafflement, vanity and egoism that goes under the name Autobiography. You have seen me at my washpot scrubbing at the grime of years: to wallow in a washpot may not be the same thing as to be purified and cleansed, but I have come away from this very draining, highly bewildering and passionately intense few months feeling slightly less dirty. Less dirty about the first twenty years of my life, at least. The second twenty, now that is another story.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

1990s, Moab is My Washpot (autobiography, 1997)

Life, Feeling, Revenge, Passion

“He never asks the orchestra to do anything which contradicts the players' feeling of what the music signifies or what the printed notes of the score actually mean in plain musical language. To his credit he does not pretend to omniscience. When a certain progression of programs with the Philharmonic decreed that he conduct the Brahms Fourth Symphony two seasons ago, he disavowed intensive rehearsals with the simple statement to the orchestra: "Gentlemen, you know the work better than I do." Both the compliment and the attitude endeared themselves so much to the orchestra that they literally forgot themselves in a mass effort to justify his statement—and, as one of those who heard the performance, I can testify that they delivered one of the most powerful and integrated interpretations of the score that New York has experienced in years.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

On conductor George Enescu, in "Music in Aspic," Harper's Magazine (October 1939) and A Smattering of Ignorance (1940); as quoted in "Lightning Wit Plays On American Musical Scene; Oscar Levant Answers Unspoken Request for 'Information, Please' With Uncensored Comments on Exalted Persons" by Ray C. B. Brown, in The Washington Post (January 14, 1940), p. E4

Music, Feeling, Effort, Season

“This industry will make you lose intensity”

Common (rapper) (1972) American rapper, actor and author from Illinois

"The 6th Sense" (Track 9)
Albums, Like Water for Chocolate (2000)

“It is not the "greatness," the intensity, of the emotions, the components, but the intensity of the artistic process, the pressure, so to speak, under which the fusion takes place, that counts.”

T.S. Eliot book Tradition and the Individual Talent

Tradition and the Individual Talent (1919)

“The start of work means the end to freedom, but also to doubt, intensity and wayward desires. The accountant’s ten thousand possibilities have been reduced to an agreeable handful. She has a business card which she hands over in meetings and which tells other people—and, more meaningfully perhaps, reminds her—that she is a Business Unit Senior manager, rather than a vaporous transient consciousness in an incidental universe. How satisfying it is to be held in check by the assumptions of colleagues, instead of being forced to contemplate, in the loneliness of the early hours, all that one might have been and now never will be. … Life is no longer mysterious, sad, haunting, touching, confusing or melancholy; it is a practical stage for clear-eyed action.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 238.

Life, People, Sadness, Business

“Sri Seshadri has cited the advice which Sarat Chandra Chatterjee had tendered to his people. He had written as follows in October, 1926: “Hindustan is the land of the Hindus. It is, therefore, the duty of the Hindus alone to liberate it from the shackles of foreign domination. Muslims are sitting with their faces turned towards Arabia or Turkey. Their heart is not in the land of Hindustan. But when it is not there, it is no use lamenting over it. We need not be unnerved by counting the heads of Muslims. Numbers are not the supreme truth in the world… In freedom’s battle in any country, do all the people of that country take part? When the Americans fought for their freedom, more than half the people of that country were with the British. In the Irish freedom struggle, how many were actually involved in it?… Right or wrong is not decided by the counting of heads. It is decided by the intensity of tapasya or the single-minded devotion to the cause. The problem before the Hindus is not to devise ways and means of bringing about an artificial unity. The problem before them in how to organise themselves.””

H.V. Sheshadri (1926–2005) Indian writer

Sarat Chandra Chatterjee cited by H.V. Sheshadri, quoted from S.R. Goel, Muslim Separatism - Causes and Consequences Ch.12
The Tragic Story of Partition (1982)

People, Truth, World, Way

“I don't want to give you the idea that existence without your camouflage patterns is bland and innocuous because this is not the case. The inner senses have a strong immediacy, a delicious intensity that your outer senses lack. There is no lapse of time in perception, since there is no time.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 130, quoting from Seth Session 20

Idea, Sense, Strong, Time

“How could such industries as software, semiconductors, and computers have been so innovative despite historically weak patent protection? We argue that if innovation is both sequential and complementary—as it certainly has been in those industries—competition can increase firms’ future profits thus offsetting short-term dissipation of rents. A simple model also shows that in such a dynamic industry, patent protection may reduce overall innovation and social welfare. The natural experiment that occurred when patent protection was extended to software in the 1980's provides a test of this model. Standard arguments would predict that R&D intensity and productivity should have increased among patenting firms.”

Eric Maskin (1950) American Nobel laureate in economics

Bessen, James, and Eric Maskin. " Sequential innovation, patents, and imitation http://ec.europa.eu/internal_market/indprop/docs/comp/replies/appendix1_en.pdf." The RAND Journal of Economics, 40.4 (2009): p. 611.

Nature, Future

“It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

School, Music, Way, Understanding

“You basically have to trick yourself into incredible intensity to do this stuff, and I do a good job of pretending that I’m racing to save my mom from getting killed or my sister from being raped—some horrible thing that causes me to dig deep, like old-school ‘Braveheart’ s---. If you come into battle with that in your head, you’re gonna be a different person than if you think you’re just going out for a little swordfight. But when you do that for 10 years straight, it wears your a-- out. It’s like crying wolf to yourself a million times. And at some point, you start to say, ‘Why am I doing this?”

Bode Miller (1977) American alpine ski racer

Interview with Newsweek, Nov. 2005, pub. 23 Feb. 2006 http://www.msnbc.msn.com/id/11522274/

School, Moms, Thinking, Sister

“Nothing as drastic an innovation as abstract art could have come in to existence, save as the consequence of a most profound, relentless, unquenchable need. The need is for felt experience - intense, immediate, direct, subtle, unified, warm, vivid, rhythmic.”

Robert Motherwell (1915–1991) American artist

1951; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory' 1950s

Art

“The principle of this art [as Mondrian proposes his view on modern art] is not a negation of matter, but a great love of matter, whereby it is seen in the highest, most intense manner possible, and depicted in the artistic creation.”

Piet Mondrian (1872–1944) Peintre Néerlandais

quote from Mondrian's sketchbook II, 1912/13; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 78
1910's

Love, Art

“By another way, therefore, I endeavoured to attain the same end; and since it is a property of water that a small quantity of it, converted into steam by the force of heat, has an elastic force like that of the air, but, when cold supervenes, is again resolved into water, so that no trace of the said elastic force remains; I felt confident that machines might be constructed wherein water, by means of no very intense heat, and at small cost, might produce that perfect vacuum which had failed to be obtained by aid of gunpowder. But of the various constructions which can be contrived for this purpose, the following seemed to me to be the most suitable.”

Denis Papin (1647–1713) French physicist, mathematician and inventor

"A New Method of Obtaining Very Great Moving Powers at Small Cost" (1690)

Way, Confidence, Water, Perfection

“I hate writing. I so intensely hate writing — I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn’t really succeed in telling what I wanted to tell, that I need a new project — it’s an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.”

Slavoj Žižek (1949) Slovene philosopher

Conversations with Žižek by Slavoj Žižek and Glyn Daly (Cambridge: Polity Press, 2004), p. 42

Hate, Idea

“[The] length of the cycles and the tendency towards dampening are determined by the intrinsic structure of the swinging system, while the intensity (the amplitude) of the fluctuations is determined primarily by the exterior impulse. An important consequence of this is that a more or less regular ﬂuctuation may be be produced by a cause which operates irregularly.”

Ragnar Frisch Propagation problems and impulse problems in dynamic economics

Source: 1930s, Propagation problems and impulse problems in dynamic economics, 1933, p. 1

“Tired with dull grief, grown old before my day,
I sit in solitude and only hear
Long silent laughters, murmurings of dismay,
The lost intensities of hope and fear;
In those old marshes yet the rifles lie,
On the thin breastwork flutter the grey rags,
The very books I read are there—and I
Dead as the men I loved, wait while life drags.”

Edmund Blunden (1896–1974) English poet, author and literary critic

Festubert, 1916 https://www.poetryfoundation.org/poems/57255/festubert-1916 (1921)

Love, Life, Men, Lie

“The carnage will eventually come to an end, but the Western powers will carry the historical guilt for not promptly providing the most intensive preventative measures against Germany's incessant attack-politics. Possibilities existed, but no actions were taken.”

Friedrich Kellner (1885–1970) German Justice inspector

May 29, 1940; Vol. 1, p. 73.
Diary (1939 - 1945)

“Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: the article 'i ein Manifest' (or 'i-manifest'), Kurt Schwitters, in Merz 2. 1923; as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 116

Art, Idea, Nature, Loss