Quotes about imitation
page 3

“It is difficult to assess how much this gambling spirit is active in the minds of individual investors. If it is, even to a small degree, it is relevant to our discussion since it makes investors prone to imitation and herding because they invest on little information. It may also explain the anomalously large volatility of prices and their potential instabilities.”

Didier Sornette (1957) French scientist

Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 4, Positive Feedbacks, p. 114.

“In the spirit of enthusiasm or vanity, the prophet [Muhammad] rests the truth of his mission on the merit of his book; audaciously challenges both men and angels to imitate the beauties of a single page; and presumes to assert that God alone could dictate this incomparable performance. This argument is most powerfully addressed to a devout Arabian, whose mind is attuned to faith and rapture; whose ear is delighted by the music of sounds; and whose ignorance is incapable of comparing the productions of human genius… If the composition of the Koran exceed the faculties of a man to what superior intelligence should we ascribe the Iliad of Homer, or the Philippics of Demosthenes?”

Edward Gibbon (1737–1794) English historian and Member of Parliament

EGPaIV" Edward Gibbon, [1788], Decline and Fall of the Roman Empire http://www.sacred-texts.com/cla/gibbon/05/daf05010.htm, Vol. 5, Chapter L: Description Of Arabia And Its Inhabitants. Part IV. The Decline And Fall Of The Roman Empire: Volume 1 (1776)

Men, God, Truth, Books

“All the virtues which appeared in Christ shone brightest in the close of His life, under the trials He then met. Eminent virtue always shows brightest in the fire. Pure gold shows its purity chiefly in the furnace. It was chiefly under those trials which Christ endured in the close of His life, that His love to God, His honor of God's majesty, His regard to the honor of His law, His spirit of obedience, His humility, contempt of the world, His patience, meekness, and spirit of forgiveness towards men, appeared. Indeed, every thing that Christ did to work out redemption for us appears mainly in the close of His life. Here mainly is His satisfaction for sin, and here chiefly is His merit of eternal life for sinners, and here chiefly appears the brightness of His example which He has set us for imitation.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 67.

Love, Life, Men, God

“Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, obliging them to adopt conventional rules as to manners, morals, and modes of speech. The new art tries to imitate nature in its unconsciousness, its moral indifference.”

Eugène-Melchior de Vogüé (1848–1910) French diplomat, orientalist, travel writer, archaeologist, philanthropist and literary critic

Russian Novelists (1887), page 10 (translated by Jane Loring Edmands)

Art, Nature, Indifference

“Sir Walter Scott was the Luther of literature. He reformed and he regenerated. To say that he founded a new school is not saying the whole truth; for there is something narrow in the idea of a school, and his influence has been universal. Indeed, there is no such thing as a school in literature; each great writer is his own original, and "none but himself can be his parallel." We hear of the school of Dryden and of Pope, but where and what are their imitators? Parnassus is the very reverse of Mont Blanc. There the summit is gained by treading closely in the steps of the guides; but in the first, the height is only to be reached by a pathway of our own. The influence of a genius like Scott's is shown by the fresh and new spirit he pours into literature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Truth, School, Literature, Idea

“(final lines) I will write about all of this one day, he thinks, and knows it's just a dawn thought, an after-dreaming thought. But it's nice to think so for a while in the morning's clean silence, to think that childhood has its own sweet secrets and confirms mortality, and that mortality defines all courage and love. To think that what has looked forward must also look back, and that each life makes its own imitation of immortality: a wheel.
Or so Bill Denbrough sometimes thinks on those early mornings after dreaming, when he almost remembers his childhood, and the friends with whom he shared it.”

Stephen King book It

It (1986)

Love, Life, Secret, Dreams

“It seemed strange to me that someone who painted big, scary abstractions should have been so commonsensical in her literary tastes, though later I would discover that twelve-tone composers read Keats just as experimental poets listened to Glenn Miller — few people are avant-garde outside their own domain.I suppose that as Midwesterners, the children of chemical engineers and homemakers, we experienced the arts as so foreign, even so preposterously unreasonable, that once we’d decided to embrace them we did so with lots of conviction and little discrimination. Surely it was no accident that T. S. Eliot and Ezra Pound, the two great poetic synthesists of our day, the very men who had ransacked all of world culture and could refer in the same poem to the Buddha and to Sophocles or to Confucius and to Jefferson — it was no accident that they were both from the heartland. Public-library intellectuals, magpies of knowledge, like most autodidacts we were incapable of evaluating our sources. As a teen-ager, I tried to write verse like Milton’s; later, I wanted to write novels like Nabokov’s. In a novel I wrote in college, I imitated Evelyn Waugh. If someone had said to me, "But do you, the graceless son of a Cincinnati broker of chemical equipment, do you seriously imagine that you can just write a Renaissance Christian epic or something in the style of a Cambridge-educated Russian aristocrat or of the spokesman of the Bright Young Things of London circa 1925?"”

Edmund White (1940) American novelist and LGBT essayist

if someone had spoken like this to me, I wouldn’t even have understood his point. My Women.The New Yorker https://archive.is/20121204150452/www.newyorker.com/fact/content/articles/050613fa_fact 6 June 2005 Articles and Interviews

Men, Children, People, World

“Then [speaking of his loosely figurative work of the 1930's, in Germany] I was still under nature, not that I was imitating it; now [1957] I am above nature. But everything comes from nature, I too am part of nature; my memory comes from nature, too.”

Hans Hofmann (1880–1966) American artist

Quote in: 'Hans Hofmann', Elizabeth Pollet, (interview of his 1957 Whitney Museum exhibition), Arts Magazine, May 1957 (article: 30-33)
1950s

Nature, Memory, Parting

“Trump (Donald) denied knowing that Serge (Kovaleski) was disabled, and demanded an apology, saying that anyone could see his imitation was of a flustered, frightened reporter, not a disabled person. It’s true that Trump was not mimicking any mannerisms that Serge has. He doesn’t jerk around or flail his arms. He’s not retarded. He sits calmly, but if you look at his wrists, you’ll see they are curved in. That’s not the imitation Trump was doing—he was doing a standard retard, waving his arms and sounding stupid: “’Ahhh, I don’t know what I said—ahhh, I don’t remember!’ He’s going, ‘Ahhh, I don’t remember, maybe that’s what I said!’””

Ann Coulter (1961) author, political commentator

2016, In Trump We Trust: E Pluribus Awesome! (2016)

Stupidity, Jerk, Personality

“Hindus learn to look at themselves through borrowed eyes. The two approaches, that of self-discovery and creative response and that of self-alienation and imitation, were both inherited from the immediate history of the freedom struggle, though they derive their strength from the deeper sources in the psyche…. For one, the problem is of helping the society to find its roots, for the other to remake it in the image of a chosen pattern. The one serves; the other manipulates…. [The first approach] once formed a powerful current, and the freedom struggle was waged under its auspices. But increasingly its hold became weak, and in our own times it seems to have lost altogether…. Some see in this change a triumph of Nehru over Gandhi…. Nehru represented, in his own way, the response of a defeated nation trying to restore its self-respect and self-confidence through self-repudiation and identification with the ways of the victors. The approach was not altogether unjustified at one time. It had its compulsions and it also had a survival value for us. But its increasing influence can mean no good to us. We, however, believe that deeper Indian nationalism, which is also in harmony with deeper internationalism, may be weak just now, but it has the seed-power and it is bound to come up again under propitious circumstances”

Ram Swarup (1920–1998) Indian historian

Cultural Self-Alienation and Some Problems Hinduism Faces, 1987, p. 4-5

Way, Confidence, History, Problem

“An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.”

René Girard book Things Hidden Since the Foundation of the World

Source: Things Hidden Since the Foundation of the World (1978), p. 11-12.

Way, Distant, Time, Perfection

“Fools talk of imitation and copying, all is imitation.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote of Gainsborough in a Letter to John Henderson, 27th June 1773
1770 - 1788

Fools

“A country cannot be defeated politically unless it is defeated culturally. Our alien rulers knew that they could not conquer India without conquering Hinduism - cultural India's name at its deepest and highest, and the principle of its identity, continuity and reawakening. Therefore Hinduism became an object of their special attack. Physical attack was supplemented by ideological attack. They began to interpret for us our history, our religion, our culture and ourselves. We learnt to look at us through their eyes…. The long period created an atmosphere of mental slavery and imitation. It created a class of people Hindu in their names and by birth but anti-Hindu in orientation, sympathy and loyalty. They knew all the bad things and nothing good about Hinduism. Hindu dharma is now being subverted from within. Anti-Hindu Hindus are very important today; they rule the roost; they write our histories, they define our nation; they control the media, the academia, the politics, the higher administration and higher courts. They are now working as clients of those forces who are planning to revive their old Imperialism… During this period our minds became soft. We became escapists; we wanted to avoid conflict at any cost, even conflict and controversy of ideas, even when this controversy was necessary. We developed an escape-route. We called it "synthesis". We said all religions, all scriptures, all prophets preach the same things. It was intellectual surrender, and our enemies saw it that way; they concluded that we are amenable to anything, that we would clutch at any false hope or idea to avoid a struggle, and that we would do nothing to defend ourselves. Therefore, they have become even more aggressive. It also shows that we have lost spiritual discrimination (viveka), and would entertain any falsehood; this is prajñâ-dosha, drishti-dosha, and it cannot be good for our survival in the long run. People first fall into delusion before they fall into misfortune.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

People, Religion, Hope, Way

“No form of Nature is inferior to Art; for the arts merely imitate natural forms.”

Marcus Aurelius book Meditations

Meditations. xi. 10.
Bartlett's Familiar Quotations, 10th ed. (1919)

Art, Nature

“[imitating a scottish person] (on Scottish money) I think you'll find pal, that's legal tender.”

Michael McIntyre (1976) British comedian

Live at the Apollo (November 26, 2007)

Money, Thinking, Personality

“The idea - the core idea of humanism - is that the act of reading about great deeds will lead you to imitate them,..”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 10, Sentences That Are About Themselves (Aren't They All?), p. 137

Idea, Reading

“Art goes… imitating that Rationall and most excellent worke of Nature, Man. For by Art is created that great Leviathan called a Common-Wealth or State, (in latine Civitas) which is but an Artificiall Man; though of greater stature and strength than the Naturall, for whose protection and defence it was intended; and in which the Soveraignty is an Artificiall Soul, as giving life and motion to the whole body; The Magistrates, and other Officers of Judicature and Execution, artificiall Joynts; Reward and Punishment (by which fastned to the seate of the Soveraignty, every joynt and member is moved to performe his duty) are the Nerves, that do the same in the Body Naturall; The Wealth and Riches of all the particular members, are the Strength; Salus Populi (the peoples safety) its Businesse; Counsellors, by whom all things needfull for it to know, are suggested unto it, are the Memory; Equity and Lawes, an artificiall Reason and Will; Concord, Health; Sedition, Sicknesse; and Civill war, Death.”

Thomas Hobbes book Leviathan

Lastly, the Pacts and Covenants, by which the parts of this Body Politique were at first made, set together, and united, resemble that Fiat, or the Let us make man, pronounced by God in the Creation.
The Introduction
Leviathan (1651)

Life, Death, God, War

“One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 239
The Sports and Pastimes of the People of England (1801), Public entertainment

Men, Dogs, Nature, Learning

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

George Wallis

design as well as draw! George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Men, Beauty, Art, Intelligence

“Either build functional houses and bridges or create pure art or both. Don't confuse one with the other. Such art is not pure constructive art, but merely an imitation of the machine.”

Naum Gabo (1890–1977) Russian sculptor

quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935

Art, Housing

“I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.”

Gustave Courbet (1819–1877) French painter

1840s - 1850s, Realist Manifesto', 1851/1855

Art, Study, Drawing

“You also remember well who first burned the bridges of your railroad, who forced Union men to give up their slaves to work on the rebel forts at Bowling Green, who took wagons and horses and burned houses of persons differing with them honestly in opinion, when I would not let our men burn fence rails for fire or gather fruit or vegetables though hungry, and these were the property of outspoken rebels. We at that time were restrained, tied by a deep seated reverence for law and property. The rebels first introduced terror as a part of their system, and forced contributions to diminish their wagon trains and thereby increase the mobility and efficiency of their columns. When General Buell had to move at a snail's pace with his vast wagon trains, Bragg moved rapidly, living on the country. No military mind could endure this long, and we are forced in self defense to imitate their example. To me this whole matter seems simple. We must, to live and prosper, be governed by law, and as near that which we inherited as possible. Our hitherto political and private differences were settled by debate, or vote, or decree of a court. We are still willing to return to that system, but our adversaries say no, and appeal to war. They dared us to war, and you remember how tauntingly they defied us to the contest. We have accepted the issue and it must be fought out. You might as well reason with a thunder-storm.”

William T. Sherman (1820–1891) American General, businessman, educator, and author.

1860s, 1864, Letter to James Guthrie (August 1864)

Men, War, Law, Time

“If we wish to imitate the physical sciences, we must not imitate them in their contemporary, most developed form; we must imitate them in their historical youth, when their state of development was comparable to our own at the present time. Otherwise we should behave like boys who try to copy the imposing manners of full-grown men without understanding their raison d’être, also without seeing that in development one cannot jump over intermediate and preliminary phases.”

Wolfgang Köhler (1887–1967) German-American psychologist and phenomenologist

Source: Gestalt Psychology. 1930, p. 32

Men, Youth, Boy, Understanding

“Agesilaus being invited once to hear a man who admirably imitated the nightingale, he declined, saying he had heard the nightingale itself.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Agesilaus II
Bartlett's Familiar Quotations, 10th ed. (1919)

“Australia and New Zealand depended so much on Britain, were in most senses imitations of Britain, that their geographical position near the end of Asia's tail and near the islands of Oceania seemed irrelevant.”

Geoffrey Blainey book The Tyranny of Distance: How Distance Shaped Australia's History

The Tyranny of Distance: How Distance Shaped Australia's History (1966)

Sense, Dependency

“Contact with other artists has always been of great importance to me. When the artists I know best used to meet.... the talk was mostly of ideas in painting. There was an unconscious collaboration between artists. Whether you agreed or disagreed was of no consequence. It was exciting and you were compelled to paint over your head…. If your painting was criticized adversely, you either imitated someone to give it importance, or you simply suffered and painted harder to make your feelings on canvas convincing... What does happen when artists meet is that we are able to see more clearly the unfolding of character as time goes on.”

William Baziotes (1912–1963) American painter

Quote from Baziotes' text for the symposium 'The Creative process', Art Digest Vol. 28, no 8, 15; January 1954, p. 33
Baziotes is referring here to the many art-debates and exchanges between the New York Abstract Expressionist artists
1950s

Feeling, Idea, Suffering, Time

“Goodman: Imitation is the sincerest form of flattery.
Kael: I hate it. It is very creepy being imitated.”

Pauline Kael (1919–2001) American film critic

Interview with Susan Goodman, Modern Maturity (March/April 1998) http://www.paulrossen.com/paulinekael/modernmaturity.html. Interviews

Hate

“When Croft's "Life of Dr. Young" was spoken of as a good imitation of Dr. Johnson's style, "No, no," said he, "it is not a good imitation of Johnson; it has all his pomp without his force; it has all the nodosities of the oak, without its strength; it has all the contortions of the sibyl, without the inspiration."”

Edmund Burke (1729–1797) Anglo-Irish statesman

Comment quoted by Matthew Prior in his Life of Burke
Undated

Life

“Children like to work, and are always eager to imitate the work of adults.”

Georgi Plekhanov (1856–1918) Russian revolutionary

Utopian Socialism in the Nineteenth Century, 1913, Ch. 5.

Children

“Only party hacks and the ambitious, the Henry's of this world following on the heels of the Milliéres, the grotesque imitators of the Commune of 1793... What an encouragement all these bloodthirsty caperings are for the arts! But there is at least one consolation in our misfortunes: that we're not politicians and have no desire to be elected as deputies.”

Edouard Manet (1832–1883) French painter

Letter to Félix Bracquemond (21 March 1871), published in Manet by Himself (1995) by Julliet Wilson-Bareau
1850 - 1875

World, Art, Communication

“Ambiguity as to what factors are responsible for superior (or inferior) performance acts as a powerful block on both imitation and factor mobility.”

Richard Rumelt (1942) American economist

Source: "Uncertain imitability", 1982, p. 420

“The artist must imitate that which is within the thing, that which is active through form and figure, and discourses to us by symbols.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On Poesy or Art (1818)

“Are you proud o' yourself, Jeff? I could have been seriously injured last week. And you got a lot of nerve faking an eye injury and leaving me to fend for myself, especially considering you're the one who injured my eye in the first place. As far as what you said earlier about me making the whole thing up, coming out here with your cute eye patch mocking me: I wanna show you something, Jeff." (takes out a little plastic jar of some sort of liquid eye medicine)
"This, is polymoxin bisulfate. I have to apply this to my eye three times a day. The only way you obtain this is with a prescription, from a doctor. Now, I know, you know a thing or two about prescription medication, but I don't think you realize is that you have to go to a doctor to legally obtain some. Unlike you, Jeff, this is the only foreign substance I will allow in my body. So if you wanna imitate me, why don't you try living a clean lifestyle? Why don't you try living, a straightedge lifestyle? "Jeff… you've got two strikes. You know how many I have? Zero. Jeff, you know how many times I've been suspended? Zero. You know how many times I've been to a rehab facility? That's right- zero. And do you know what your chances are of beating me at Night of Champions?”

Phil Brooks (1978) American professional wrestler and mixed martial artist

(long pause)
"Zero."
Addressing Jeff Hardy before his match with the Great Khali, both to prove that his eye injury is real (in storyline) and to drive home a point about the drug-related mistakes of Jeff's past as recently as 16 months ago. July 10, 2009.
Friday Night SmackDown

Way, Thinking, Chance, Time

“Life at Papeete soon became a burden.It was Europe, the Europe which I had thought to shake off — and that under the aggravating circumstances of colonial snobbism, and the imitation, grotesque even to the point of caricature, of our customs, fashions, vices, and absurdities of civilization.Was I to have made this far journey, only to find the very thing which I had fled?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Noa Noa ,(1893) [Dover, 1985, ISBN 0-486-24859-3], p. 2.
1890s - 1910s

Life, Fashion

“(imitating Norman Bates) Mother, are you there? I love you! I never meant to hit you over the head with that shovel!”

Eminem (1972) American rapper and actor

"Role Model" (Track 9).
1990s, The Slim Shady LP (1999)

Love

“In America, the traditional routes to black identity have hardly been normal. Suicide (disappearance by imitation, or willed extinction), violence (hysterical religiosity, crime, armed revolt), and exemplary moral courage; none of these is normal.”

June Jordan (1936–2002) Poet, essayist, playwright, feminist and bisexual activist

Source: Black Studies: Bringing Back The Person (1969), p. 48

Courage, Suicide

“Computers were within my sphere of attention, but only computers used as number crunchers. In spite of the "giant brain" metaphor, there is little suggestion in this 1950 talk that the most important application of computers might lie in imitating intelligence symbolically, not numerically.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1980s and later, Models of my life, 1991, p. 199.

Lie, Intelligence

“The Turing Test tried to make a distinction between humans and machines. But these days Shadow programs like Edward and Laura can be programmed to say "I love you" or imitate other emotions. If a machine wanted to act like a human, then it had to deny the truth. Lying, not love, is the fundamental indication of humanity.”

John Twelve Hawks book Spark

Spark (2014)

Love, Truth, Lying

“In every country the intellectual class is the most influential class. This is the class which can foresee, advise and lead. In no country does the mass of the people live the life for intelligent thought and action. It is largely imitative and follows the intellectual class. There is no exaggeration in saying that the entire destination of the country depends upon its intellectual class. If the intellectual class is honest and independent, it can be trusted to take the initiative and give a proper lead when a crisis arises. It is true that the intellect by itself is no virtue. It is only a means and the use of a means depends upon the ends which an intellectual person pursues. An intellectual man can be a good man but he may easily be a rogue. Similarly an intellectual class may be a band of high-souled persons, ready to help, ready to emancipate erring humanity or it may easily be a gang of crooks or a body of advocates of narrow clique from which it draws its support.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Speech delivered to the Bombay Presidency Mahar Conference (31 May 1936) http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/txt_ambedkar_salvation.html

Life, People, Soul, Intelligence

“The poems I am writing at the moment will be much closer to your present way of thinking. I am trying to renew poetic style, but within a classical framework. On the other hand, I don't want to lapse into imitating others. Letter to Picasso 1918”

Guillaume Apollinaire (1880–1918) French poet

Way, Thinking

“We need imagination in programming, not sterility; creativity, not imitation; experimentation, not conformity; excellence, not mediocrity. Television is filled with creative, imaginative people. You must strive to set them free.”

Newton N. Minow (1926) United States attorney and former chairman of the Federal Communications Commission

Speech to the National Association of Broadcasters, May 9, 1961 (the Wasteland Speech)

People, Imagination

““To imitate Socrates” meant, in other words, to staunchly refuse imitation; refuse imitation of the person “Socrates”—or any other person, however worthy. The model of life Socrates selected, painstakingly composed and laboriously cultivated for himself might have perfectly suited his kind of person, but it would not necessarily suit all those who made a point of living as Socrates did. A slavish imitation of the specific mode of life that Socrates constructed on his own, and to which he remained unhesitatingly, steadfastly loyal throughout, would amount to a betrayal of his legacy, to the rejection of his message—a message calling people first and foremost to listen to their own reason, and calling thereby for individual autonomy and responsibility. Such an imitation could suit a copier or a scanner, but it will never result in an original artistic creation, which (as Socrates suggested) human life should strive to become.”

Zygmunt Bauman (1925–2017) Polish philosopher and sociologist

Source: The Art of Life (2008), p. 79.

Life, People, Betrayal, Personality

“England has not yet imitated the example set by America and by most of the British Dominions in making public secondary education free.”

R. H. Tawney (1880–1962) English philosopher

Secondary Education For All (1922)

Education

“To do the opposite of something is also a form of imitation, namely an imitation of its opposite.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

D 96
Variant translation: To do just the opposite is also a form of imitation.
Aphorisms (1765-1799), Notebook D (1773-1775)

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Art, Learning, Personality

“The Bible predicts that in the last days of man-made regimes on earth, a totally godless, anti-Christ world government will arise, led by a Devil-possessed dictator, Satan incarnate, who will bring a temporary false peace on earth and a counterfeit utopia. Its price will be enforced worship of him as the imitation Messiah. All of his subjects will be branded with a credit number in order to buy or sell or obtain food or employment, and all those who refuse to cooperate will be hunted, persecuted, and slaughtered by his commandment. This will be a time of Great Tribulation.
This anti-Christ government of anti-Christ forces under the leadership of the Antichrist himself, this superhuman world dictator of man's last one-world godless government, will then set up its headquarters in Jerusalem, his capital, and unite all peoples of the world into a one-world worship of this demon-demagogue and his magical image which can speak.
These startling events will immediately precede the Second Coming of Jesus Christ, which is the major endtime event, the grand climax, as the Lord Himself returns and wipes out the Antichrist and his followers and sets up the last and most lasting and only perfect government the world has ever known, and "the meek shall inherit the earth"”

David Berg (1919–1994) Children of God founder

Psalm 37:11
A More Sure Word of Prophecy (2 Peter 1:19)

People, World, Peace, Food

“I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting. After looking comes imitating. In my own case it was at first largely a technical immersion. How did Kline put down that color? Why did Guston leave the canvas bare at the edges? Why did H. Frankenthaler used unsized canvas. And so on.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 113

Color, Way, Painting

“Macaulay was the English historian. Adams had the greatest admiration for Macaulay, but he felt that any one who should even distantly imitate Macaulay would perish in self-contempt. One might as well imitate Shakespeare.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase: In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

People, Art, Search, Flowers

“That history should have imitated history was already sufficiently marvellous; that history should imitate literature is inconceivable….”

Jorge Luis Borges book Ficciones

"Theme of the Traitor and Hero"
Ficciones (1944)

History, Literature

“I deeply resent the destruction of federalism represented by Hillary Clinton's willingness to go into a state she doesn't even live in and pretend to represent the people there. So I certainly wouldn't imitate it.”

Alan Keyes (1950) American politician

Keyes appearing on Fox News in March 2000.
2000

People

“Look at your [English] ladies of quality—are they not forever parting with their husbands—forfeiting their reputations—and is their life aught but dissipation? In common genteel life, indeed, you may now and then meet with very fine girls—who have politeness, sense and conversation—but these are few—and then look at your trademen's daughters—what are they?—poor creatures indeed! all pertness, imitation and folly.”

Frances Burney (1752–1840) English writer

The Early Journals and Letters of Fanny Burney, vol. 1, p. 47, journal entry, November 17, 1768.
Letters

Life, Girl, Sense, Parting

“The end of learning is to know God, and out of that knowledge to love Him and imitate Him.”

John Milton (1608–1674) English epic poet

Quote reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 364

Love, God, Knowledge, Learning

“Traditions that were once vital, sincere and splendid and which are now merely empty formulae, [nor to imitate fifth rate western art slavishly] break away from both and produce something vital, connected with the soil, something essentially Indian.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Amrita to her contemporary painters.
Sikh Heritage,Amrita Shergil

Art, Sincerity

“He who imitates what is evil always goes beyond the example that is set; on the contrary, he who imitates what is good always falls short.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

L'imitazione del male supera sempre l'esempio; comme per il contrario, l'imitazione del bene è sempre inferiore.
Storia d' Italia (1537-1540)

Evil

“Experience shows that what great role pratice and experience play in education; pratice, the prolonged exercice lead to habit: exemple suggests imitation. Habit can become a second nature, but, wrongly directed (or guided), it may also heighten (or intensify) unfortunate tendencies and be an obstacle to progress.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 57.

Education, Nature

“Talking to John Kerry is like talking to an Ent. You know, the tree people from Lord of the Rings…[imitating an Ent] I believe that all Americans should have affordable healthcare…”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, Assassin CD

People, Tree

“[N]o one appeared to wonder whether this S-M proliferation was a lesbian copy of a faggot imitation of patriarchal backlash against feminism.”

Robin Morgan (1941) American feminist writer

"The Politics of Sado-Masochistic Fantasies", in Going Too Far: The Personal Chronicle of a Feminist, p 235.

Appearance

“No one can imitate Dunsany, and probably everyone who's ever read him has tried.”

Lord Dunsany (1878–1957) Irish writer and dramatist

C. L. Moore, letter to H. P. Lovecraft dated January 30, 1936
About

Reading

“Gilt-tooled on yard-square panels of green leather—imitation, of course—the zodiacal signs looked down from the walls of the executive lunch-room. The air was full of the chatter of voices and the clink of ice-cubes. Waiting to be attacked when the president of the company joined them (he had promised to show at one sharp) was a table laden with expensive food: hard-boiled eggs, shells intact so that it could be seen they were brown, free-range, rich in carotene; lettuces whose outer leaves had been rasped by slugs; apples and pears wearing their maggot-marks like dueling scars, in this case presumably genuine ones though it had been known for fruit growers to fake them with red-hot wires in areas where insects were no longer found; whole hams, very lean, proud of their immunity from antibiotics and copper sulphate; scrawny chickens; bread as coarse as sandstone, dark as mud and nubbled with wheat grains...”

John Brunner book The Sheep Look Up

December “HOUSE TO HOUSE”
The Sheep Look Up (1972)

Food, Waiting

“We [The Futurists] stand for a use of colour free from the imitation of objects and things as coloured objects. We stand for an aerial vision in which the material of colour is expressed in all of the manifold possibilities our subjectivity can create.”

Carlo Carrà (1881–1966) Italian painter

Carlo Carrà's art statement on Futurism in 1913, as quoted in Abstract Art Anna Moszynska, Thames and Hudson 1990, p. 26
1910's

“We are to a large extent an imitative society.”

Edward R. Murrow (1908–1965) Television journalist

RTNDA Convention Speech (1958)

“I shall often discuss mathematical discoveries… I shall try to make up a likely story how the discovery could have happened. I shall try to emphasize the motives underlying the discovery, the plausible inferences that led to it… everything that deserves imitation.”

George Pólya (1887–1985) Hungarian mathematician

Induction and Analogy in Mathematics (1954)

Mathematics, Motivation

“Hardly is there anywhere in the United States a church possessing originality which has been built after 1840. The houses of God are usually misplaced gothic or romanesque imitations squeezed in between dismal railway stations or surging skyscrapers. It is even more shocking to see the abortive efforts of town planning, or the utopian habit of naming streets after mere numbers or letters. A cultured man cannot possibly live in room 6489 on the sixty-fourth floor of a house on the corner of 109th Street and 10th Avenue. This may be fitting for one of the unfortunate creatures in Huxley's Brave New World but not for man created in the image of God.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 268-269
The Menace of the Herd (1943)

God, World, Effort, Housing

“Each man in his life honors, and imitates as well as he can, that god to whose choir he belonged, while he is uncorrupted in his first incarnation here; and in the fashion he has thus learned, he bears himself to his beloved as well as to the rest. So, then, each chooses from among the beautiful a love conforming to his kind, and then, as if his chosen were his god, he sets him up and robes him for worship.”

Mary Renault book The Charioteer

Phaedrus by Plato, as translated in the novel, p. 104
The Charioteer (1953)

Love, Life, God, Beauty

“We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Quotes, Thinking, Teachers

“A man never knows what a fool he is until he hears himself imitated by one.”

Herbert Beerbohm Tree (1852–1917) English actor and theatre manager

Quoted by Max Beerbohm in Hebert Beerbohm Tree: Some Memories of Him and of His Art Collected by Max Beerbohm http://books.google.com/books?id=wM08AAAAIAAJ&q=&quot;A+man+never+knows+what+a+fool+he+is+until+he+hears+himself+imitated+by+one&quot;&pg=PA312#v=onepage (1920).

Fools

“It remains true that Michelangelo's intensely personal use of the nude greatly altered its character. He changed it from a means of embodying ideas to a means of expressing emotions; he transformed it from the world of living to the world of becoming. And he projected his world of the imagination with such unequaled artistic power that its shadow fell on every male nude in art for three hundred and fifty years. Painters either imitated his heroic poses and proportions or they reacted against them self-consciously and sought a new repertoire of attitudes in the art of fifth-century Greece. In the nineteenth century the ghost of Michelangelo was still posing the models in art schools.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. V: Energy

World, School, Art, Imagination

“And with animals, if we approach them in a rational way we shall find a trace of the intelligible in them which is a not unworthy imitation of what is above reason. For if we look at those beings that naturally care for their offspring, we are encouraged to define for ourselves reverently and with godly boldness that God exercises providence in his sovereign uniqueness over all beings.”

Maximus the Confessor (580–662) Christian saint and theologian

Ambiguum 10, 1189B-C; trans. Andrew Louth, Maximus the Confessor (Routledge, 1996) pp. 144 https://books.google.it/books?id=G3ymSgAnzlMC&pg=PA144-145.

God, Way, Exercises, Intelligence

“The battle between Good and Evil is a theme of much of fantasy. But I think the battle between Good and Evil is fought largely within the individual human heart, by the decisions that we make. It’s not like evil dresses up in black clothing and you know, they’re really ugly. These are some of the things that Tolkien did; he made them work fabulously, but in the hands of his imitators, they become total clichés. I mean the orc-like creatures who always do dress in black and… they’re really ugly and they’ve got facial deformities or something. You can tell that if somebody’s ugly, he must be evil. And then Tolkien’s heroes are all very attractive people and all that, of course, again this became cliché in the hands of the Tolkien imitators.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"GRRM Interview Part 2: Fantasy and History", interview with TIME Entertainment http://entertainment.time.com/2011/04/18/grrm-interview-part-2-fantasy-and-history/ (18 April 2011)

People, Thinking, Decision, Evil

“We must remember, during a period in history when psychology was still a branch of academic philosophy. The psychological concepts developed by philosophers of mind, such as “dominant ideas” (akin to the automatic thoughts of Beck’s cognitive therapy) “habit and association” (a subjective precursor of Pavlovian conditioning), and “imitation and sympathy” (which we now call “role-modelling” and “empathy”), are as the theoretical framework upon which science of hypnotism, “neuro-hypnology”, was built.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

Original Philosophy of Hypnotism The International College of Hypnosis & Hypnotherapy

History, Idea, Science

“One, though he be excellent and the chief, is not to be imitated alone; for never no imitator ever grew up to his author; likeness is always on this side truth. Yet there happened in my time one noble speaker, who was full of gravity in his speaking; his language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke, and had his judges angry and pleased at his devotion. No man had their affections more in his power. The fear of every man that heard him was lest he should make an end.”

Ben Jonson (1572–1637) English writer

Referring to Francis Bacon
The Works of Ben Jonson, Second Folio (1640), Timber: or Discoveries

Truth, Fear, Suffering, Loss

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Way, Quotes, Sleep, Memory

“The Great Beast is the only object of idolatry, the only ersatz of God, the only imitation of something which is infinitely far from me and which is I myself.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 121; footnote in Gravity and Grace edited by Gustave Thibon: To adore the "Great Beast" is to think and act in conformity with the prejudices and reactions of the multitude to the detriment of all personal search for truth and goodness.

God

“The King of Prussia seems to have made his models of action Charles the first of England and Charles the Tenth of France and Bismarck is an humble Imitator of the Ministers of those Two unfortunate Sovereigns. I hope the King's fate will not be like theirs. The King…is quite wrong in attempting unconstitutionally to force his opinions upon his Parliament. He ought to give way and he will be compelled to give way.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to King Leopold I of Belgium (15 November 1863), quoted in Jasper Ridley, Lord Palmerston (London: Constable, 1970), p. 569.
1860s

Fate, Hope, Way

“In addition, the teaching of theories from axioms, or some close imitation of them such as the basic laws of an algebra, is usually an educational disaster.”

Ivor Grattan-Guinness (1941–2014) Historian of mathematics and logic

Source: The Rainbow of Mathematics: A History of the Mathematical Sciences (2000), p. 739.

Education, Law

“There was no substitute for reality; one should be aware of imitations.”

Arthur C. Clarke book The Fountains of Paradise

Source: The Fountains of Paradise (1979), Chapter 23 “Moondozer” (p. 129)

Reality

“Not all men and women can devote themselves to those whom they respect. Some are jealous of superiority and are far more interested in revealing the faults than in imitating the virtues of a noble character. Others fear the option of a mind that is too lucid and prefer to be friends with someone less exacting.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

Women, Men, Fear

“Imitation of the art of earlier centuries, as that done by Picasso and Modigliani, is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 138, "Criticism and Its Premises"

Art

“This capacity for imitation is possessed by savages, at least by the more intelligent ones, and it has deceived us time after time. The British are as gullible as we are. Hundreds and hundreds of times, at least, they gave scholarships to Blacks from Basutoland or Kenya or Nigeria or one of their other possessions, and the result was almost always the same. With the money given him, the savage bought himself a good wardrobe, attended an English school, learned to play soccer, attended Oxford, wrote a charming essay on Wordsworth or on ancient law, copulated with half-witted English women who thought him "romantic" and themselves "broad-minded," and when he got tired of living on English generosity, went home to his tribe where he had a well-roasted baby served up to him as a delicacy of which he had been long deprived by the stupid prejudices of the stupid British.”

Revilo P. Oliver (1908–1994) American philologist

"What We Owe Our Parasites", speech (June 1968); Free Speech magazine (October and November 1995)
1960s

Women, Money, Stupidity, School

“To learn by example is to submit to authority. …By watching the master and emulating his efforts in the presence of his example, the apprentice unconsciously picks up the rules of the art, including those which are not explicitly known to the master himself. These hidden rules can be assimilated only by a person who surrenders himself to that extent uncritically to the imitation of another. A society which wants to preserve a fund of personal knowledge must submit to tradition. …Common Law …is the most important system of strictly traditional activities.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Source: Personal Knowledge (1958), pp. 53-54

Law, Art, Knowledge, Effort

“There was something in her higher than what surrounded her. There was in her the glow of the real diamond among glass imitations. This glow shone out in her exquisite, truly enigmatic eyes. The weary, and at the same time passionate, glance of those eyes, encircled by dark rings, impressed one by its perfect sincerity. Everyone looking into those eyes fancied he knew her wholly, and knowing her, could not but love her.”

Leo Tolstoy book Anna Karenina

Anna’s thoughts about Liza, Part III, Chapter 13
Anna Karenina (1875–1877; 1878)

Love, Passion, Time, Perfection

“It is not necessary that every time he rises he should give his famous imitation of a semi-house-trained polecat.”

Michael Foot (1913–2010) British politician

Speech http://hansard.millbanksystems.com/commons/1978/mar/02/business-of-the-house in the House of Commons (2 March 1978), referring to Norman Tebbit 1970s

Time, Housing, Training

“This return of Republics back to their principles also results from the simple virtue of one man, without depending on any law that excites him to any execution: none the less, they are of such influence and example that good men desire to imitate him, and the wicked are ashamed to lead a life contrary to those examples.”

Niccolo Machiavelli book Discourses on Livy

Book 3, Ch. 1
Discourses on Livy (1517)

Life, Men, Law, Dependency

“Let us imitate Him who sought the mountain-tops as His refreshment after toil, but never left duties undone or sufferers unrelieved in pain. Let us imitate Him who turned from the joys of contemplation to the joys of service without a murmur when His disciples broke in on His solitude with, "All men seek Thee; " but never suffered the outward work to blunt His desire for, nor to encroach on, the hour of still communion with His Father. Lord, teach us to work; Lord, teach us to pray.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 124.

Men, Pain, Mountain, Solitude

“I do not want other artists to imitate my work – they do even when I tell them not to – but only [ imitate] my example for freedom and independence from all external, decadent and corrupting influences..”

Clyfford Still (1904–1980) American artist

1960s
Source: 'A period of Exploration', McChesney, as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p 35

Freedom

“For example: (1) As if governed by Newton's First Law of Motion, an institution will resist any change in its current direction; (2) Just as work expands to fill available time, corporate projects or acquisitions will materialize to soak up available funds; (3) Any business craving of the leader, however foolish, will be quickly supported by detailed rate-of-return and strategic studies prepared by his troops; and (4) The behavior of peer companies, whether they are expanding, acquiring, setting executive compensation or whatever, will be mindlessly imitated.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

1989 Chairman's Letter http://www.berkshirehathaway.com/letters/1989.html Letters to Shareholders (1957 - 2012)

Law, Behavior, Business, Support

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life, God, War, Health

“No Art can be grafted with success on another art. For though they all profess the same origin, and to proceed from the same stock, yet each has its own peculiar modes both of imitating nature, and of deviating from it, each for the accomplishment of its own particular purpose. These deviations, more especially, will not bear transplantation to another soil.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 13, delivered on December 11, 1786; vol. 2, p. 134.
Discourses on Art

Art, Nature, Success

“Watch him. But don't try to imitate. Only VVS can play them.”

V. V. S. Laxman (1974) former Indian cricketer

Source: John Wright to young batsman on VVS Laxman. http://www.scrolldroll.com/quotes-about-vvs-laxman-that-show-he-is-truly-very-very-special/

“Fashion is something barbarous, for it produces innovation without reason and imitation without benefit.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. III, Reason in Religion, Ch. VII

Fashion

“"Most so-called liberated people that I know are full of it," remarked a caustic, albeit articulate, businessman attending a seminar I gave on emerging male/female relationships. "The feminist leadership is a good example. They have the worst qualities of both men and women. They have all the answers and nothing you can say ever changes their mind. Then, from what I read, one turns on and attacks the other—supposedly for ideological reasons, but it's just a variation on the old-fashioned male ritual of ego-tripping—'I'm for real, you're not—I'm the greatest, you're nothing.'"It's a real cast of characters, these feminist leaders," he continued. "There's the glamor queen one who's trying to be a movie star without copping to what she's doing. It's obvious, though. She's always being seen with celebrities and she's always dating the richest, most successful guys. Then there's the other one who's like a Jewish mother—complaining and telling everybody how to change, and how to live. I'm surprised she doesn't try and tell us what to eat."I looked through their magazine recently. It's full of the same kind of ads as the other women's magazines that Ms. supposedly abhors. You know, jewelry, deodorants, perfumes—and the articles are mainly old-fashioned victim variety stuff, an updated variation on the old "poor downtrodden women" theme."The 'liberated' guys they hold up as shining examples of what men should behave like are just as phony as the feminist women pretending to be so pure. They're workaholics, and they're the worst kind of arrogant—because God is on their side and unless you imitate them, you're a misguided pig. It feels like being at a church social when you watch them—at least as hypocritical, if not more so—because at least church types don't pretend to be open to discussing their beliefs. They're out front in thinking that they have all the answers."When what's-her-name ran for vice-president and lost, what did she do—she blamed the male establishment. God save us from female leadership! They can't stop blaming—even at that level. I thought of reminding her that this country has at least ten million more women than men and the odds were totally on her side and it was women who rejected her, and saw through her act; but I know better than to argue against that stuff with facts."”

Herb Goldberg (1937–2019) American psychologist

Earth Mothers in Disguise, p. 149
The Inner Male (1987)

Women, Men, God, People

“I hold the imitation of colour to be the greatest difficulty of art.”

El Greco (1541–1614) Greek painter, sculptor and architect

Quote from notes of El Greco, in one of his commentaries; as cited by Fernando Marías and Agustín Bustamante García in Las Ideas Artísticas de el Greco (Cátedra, 1981), p. 80; taken from Wikipedia/El Greco: in 'Technique and Style' Original: una es la imitación de los colores https://es.wikiquote.org/wiki/Colores que yo tengo por la mayor dificultad https://es.wikiquote.org/wiki/Dificultad

Art

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

Fear, Bird, Light, Appearance

“The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one's head and taste its true flavor. — I think that Pilgrim's Progress is the best sermon which has been preached from this text; almost all other sermons that I have heard, or heard of, have been but poor imitations of this.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians. A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday

Life, Books, School, Thinking